This compilation includes favourites such as "Away In A Manger", "O Come All Ye Faithful" and "Once In Royal David's City". The book is complete with background notes and a host of playing hints and tips. The songs include: "Deck The Halls"; "The First Noel"; "Good King Wenceslas"; "The Holly And The Ivy"; "Jingle Bells"; "Joy To The World"; "O Christmas Tree"; "Silent Night".

Texts centred on the mother of Jesus abound in religious traditions the world over, but thirteenth-century Old French lyric stands apart, both because of the enormous size of the Marian cult in thirteenth-century France and the lack of critical attention the genre has garnered from scholars.As hybrid texts, Old French Marian songs combine motifs from several genres and registers to articulate a devotional message. In this comprehensive and illuminating study, Daniel E. O'Sullivan examines the movement between secular and religious traditions in medieval culture that Old French religious song embodies. He demonstrates that Marian lyric was far more than a simple, mindless imitation of secular love song. On the contrary, Marian lyric participated in a dynamic interplay with the secular tradition that different composers shaped and reshaped in light of particular doctrinal and aesthetic concerns. It is a corpus that reveals itself to be far more malleable and supple than past readers have admitted.With an extensive index of musical and textual editions of dozens of songs, Marian Devotion in Thirteenth-Century French Lyric brings a heretofore neglected genre to light.

(BH Large Choral). (2004, 55 minutes) Karl Jenkins' Requiem sets the traditional Latin text of the Requiem mass, including the extra movements included by Faure and Durufle Pie Jesu and In paradisum . These are interspersed with haiku "death" poems (sung in Japanese) whose delicate, epigrammatic texts provide a peaceful commentary on the liturgical words. The result is a deeply moving expression of spirituality, whose musical tying together of different cultures provides a link that is highly appropriate to the modern world. This powerful book will appeal to choirs wanting to sing an unusual but appealing and effective piece: the full scoring of the work includes a part for Japanese flute (shakuhachi) and an array of unusual drums.

Charles Hodge, great professor from Princeton Seminary in the 19th century, said: "After all, apart from the Bible, the best antidote to all these false theories of the person and work of Christ, is such a book as Doctor Schaff's 'Christ in Song.' The hymns contained in that volumne are of all ages and from all churches. They set forth Christ as truly God, as truly man, as one person, a the expiation for our sins, as our intercessor, savior, and king, as the supreme object of love, as the ultimate ground of confidence, as the all-sufficient portion of the soul. We want no better theology and no better religion than are set forth in these hymns. They were indicted by the Holy Spirit in the sense that the thoughts and feelings which they express, are due to his operations on the hearts of his people."

An indispensable and practical guide to protecting and improving the voice. The gift of a beautiful voice is one to be preserved until old age, and will give great pleasure to the singer and the listener alike. This book will enable the singer to be able to sustain a clear tone effortlessly throughout a rehearsal or performance. The advice offered here will be invaluable to both solo and choral singers, and applies to all kinds of singing. As the voice is a living organ, understanding and exercises are needed to keep it fit just as the rest of the body does. The book provides the secrets and techniques that some singers have paid great sums for!

Church pianists are often asked to provide music that is reflective and meditative in nature. The six hymns in this collection by Martha Mier were chosen because of their beauty and for the messages of comfort and hope that they convey. Titles: In the Garden * It Is Well with My Soul * Near to The Heart of God * Sweet Hour of Prayer * 'Tis So Sweet to Trust in Jesus * What A Friend We Have In Jesus

The crowning glory of Bach's achievements in the field of sacred music, this work is a powerful statement of Christian faith and an inspiring musical experience for musicians and music lovers. Scored for two sopranos, alto, tenor, bass, chorus, orchestra, and continuo, this towering masterpiece is reprinted here from the authoritative Bach-Gesellschaft edition.

The U.S. incarceration machine imprisons more people than in any other country. Music-Making in U.S. Prisons looks at the role music-making can play in achieving goals of accountability and healing that challenge the widespread assumption that prisons and punishment keep societies safe. The book's synthesis of historical research, contemporary practices, and pedagogies of music-making inside prisons reveals that, prior to the 1970s tough-on-crime era, choirs, instrumental ensembles, and radio shows bridged lives inside and outside prisons. Mass incarceration had a significant negative impact on music programs. Despite this setback, current programs testify to the potency of music education to support personal and social growth for people experiencing incarceration and deepen social awareness of the humanity found behind prison walls. Cohen and Duncan argue that music-making creates opportunities to humanize the complexity of crime, sustain meaningful relationships between incarcerated individuals and their families, and build social awareness of the prison industrial complex. The authors combine scholarship and personal experience to guide music educators, music aficionados, and social activists to create restorative social practices through music-making.

Now in its second edition, Choral Repertoire is the definitive and comprehensive one-volume presentation of the canon of the Western choral tradition. Designed for conductors and directors, students and teachers of choral music, amateur and professional singers, scholars, and interested vocal enthusiasts alike, it is an account of the complete choral output of the most significant composers of this genre throughout recorded history. Organized by era (Medieval, Renaissance, Baroque, Classical, Romantic, and Modern), Choral Repertoire covers general characteristics of each historical era; trends and styles unique to various countries; biographical sketches of over 500 composers; and performance annotations of more than 5,000 individual works. This book has been an essential guide to programming, a reference tool for program notes and other research, and, most importantly, a key resource for conductors, instructors, scholars, and students of choral music. This new edition features dozens of additional composers, updated biographical data, and broadly expanded scholarship that brings new life to this essential text.

A collection of 14 holiday favorites wonderfully arranged for voice and piano. Appropriate for school or church use. Includes "O Holy Night," "Good King Wenceslas," "All Through the Night" and more!

Peace, Love, Unity, and Respect. Cultural liberation and musical innovation. Pyrotechnics, bottle service, bass drops, and molly. Electronic dance music has been a vital force for more than three decades now, and has undergone transformation upon transformation as it has taken over the world. In this searching, lyrical account of dance music culture worldwide, Matthew Collin takes stock of its highest highs and lowest lows across its global trajectory. Through firsthand reportage and interviews with clubbers and DJs, Collin documents the itinerant musical form from its underground beginnings in New York, Chicago, and Detroit in the 1980s, to its explosions in Ibiza and Berlin, to today's mainstream music scenes in new frontiers like Las Vegas, Shanghai, and Dubai. Collin shows how its dizzying array of genres--from house, techno, and garage to drum and bass, dubstep, and psytrance--have given voice to locally specific struggles. For so many people in so many different places, electronic dance music has been caught up in the search for free cultural space: forming the soundtrack to liberation for South African youth after Apartheid; inspiring a psychedelic party culture in Israel; offering fleeting escape from--and at times into--corporatization in China; and even undergirding a veritable "independent republic" in a politically contested slice of the former Soviet Union. Full of admiration for the possibilities the music has opened up all over the world, Collin also unflinchingly probes where this utopianism has fallen short, whether the culture maintains its liberating possibilities today, and where it might go in the future.

This volume is an introduction to the music and worship of early Lutheranism as reflected in the life and work of seven of the most significant musicians and composers whose work shaped church music in Lutheranism's first 150 years. In the work of these men, the evangelical thrust of the Reformation took shape to combine a truly popular vehicle of the people--the chorale--with art music of the highest excellence. The result of their efforts was some of the greatest church music the world has even known. This examination of the music of early Lutheranism together with the theological ideas which motivated its composers may well be the first step to approaching more realistically and faithfully the problems and questions which continue to vex the musical and liturgical life of today's church.

"Music for the Movies is the one book that should be in the library of anyone interested in learning about this art of the twentieth century". -- Elmer Bernstein

"A fascinating read for the film music lover". -- Jerry Goldsmith

"Music for the Movies is the best overview of the history of the art I've so far come across". -- David Newman

Film music fans have eagerly awaited this updated and greatly expanded edition of Tony Thomas' popular history of Hollywood film music (from the '30s through the '90s) as viewed through portraits of many of its foremost practitioners.

Includes discussions of the lives, works and influence of
-- Alfred Newman
-- Victor Young
-- Dimitri Tiomkin
-- Franz Waxman
-- Miklos Rosza
-- Max Steiner
-- Erich Wolfgang Korngold
-- Bernard Herrmann
-- Hugo Friedhofer
-- David Raksin
-- Aaron Copland
-- Alex North
-- Elmer Bernstein
-- Henry Mancini
-- Leonard Rosenman
-- Jerry Goldsmith
-- Lalo Schifrin
-- David Shire
-- Bruce Broughton
-- Basil Poledouris ... and others.

Award-winning author Osbeck tells the dramatic stories behind 25 gospel songs, including "The Old Rugged Cross, His Eye Is on the Sparrow, " and "Precious Lord, Take My Hand." 112 pp.

Among the writers of the Syriac Christian tradition, none is as renowned as St. Ephrem of Nisibis (ca. 307-373), known to much of the later Christian world simply as "the Syrian." The great majority of Ephrem's works are poetry, with the madrase ("teaching songs") especially prominent. This volume presents English translations of four complete madrase cycles of Ephrem: On the Fast, On the Unleavened Bread, On the Crucifixion, and On the Resurrection. These collections include some of the most liturgically oriented songs in Ephrem's corpus, and, as such, provide a window into the celebration of Lent and Easter in the Syriac-speaking churches of northern Mesopotamia in the fourth century. Even more significantly, they represent some of the oldest surviving poetry composed for these liturgical seasons in the entire Christian tradition. Not only are the liturgical occasions of the springtime months a source of colorful imagery in these texts, but Ephrem also employs traditional motifs of warm weather, spring rainstorms, and revived vegetation, which likely reflect Hellenistic literary influences. Like all of Ephrem's poetry, these songs express early Christian theology in language that is symbolic, terse, and vibrant. They are rich with biblical allusions and references, especially to the Exodus and Passion narratives. They also reveal a contested religious environment in which Ephrem strove to promote the Christian Pascha and Christian interpretations of Scripture over and against those of Jewish communities in the region, thus maintaining firm boundaries around the identity and practices of the churches.

The Kumulipo (1897) is a traditional chant translated by Lili'uokalani. Published in 1897, the translation was written in the aftermath of Lili'uokalani's attempt to appeal on behalf of her people to President Grover Cleveland, a personal friend. Although she inspired Cleveland to demand her reinstatement, the United States Congress published the Morgan Report in 1894, which denied U.S. involvement in the overthrow of the Kingdom of Hawaii. The Kumulipo, written during the Queen's imprisonment in Iolani Palace, is a genealogical and historical epic that describes the creation of the cosmos and the emergence of humans, plants, and animals from "the slime which established the earth." "At the time that turned the heat of the earth, / At the time when the heavens turned and changed, / At the time when the light of the sun was subdued / To cause light to break forth, / At the time of the night of Makalii (winter) / Then began the slime which established the earth, / The source of deepest darkness." Traditionally recited during the makahiki season to celebrate the god Lono, the chant was passed down through Hawaiian oral tradition and contains the history of their people and the emergence of life from chaos. A testament to Lili'uokalani's intellect and skill as a poet and songwriter, her translation of The Kumulipo is also an artifact of colonization, produced while the Queen was living in captivity in her own palace. Although her attempt to advocate for Hawaiian sovereignty and the restoration of the monarchy was unsuccessful, Lili'uokalani, Hawaii's first and only queen, has been recognized as a beloved monarch who never stopped fighting for the rights of her people. With a beautifully designed cover and professionally typeset manuscript, this edition of Lili'uokalani's The Kumulipo is a classic of Hawaiian literature reimagined for modern readers.

In "Subculture to Clubcultures" Steve Redhead responds to the separation of 'youth' and 'pop' in the 1980s and the fragmentation of the audience for popular music in the 1990s, arguing for a redefinition of the conceptual apparatus needed to explain the most recent developments in popular music culture - from the rise of 'Clubcultures' to the future of the popular music scene. The coverage in this book includes: the dance pop culture of the 1980s and 1990s; global youth culture as it was dynamized in this period by Garage, House, Electro, Techno and other contemporary dance music forms; and, the consequences of this for the continued importance of various forms of rock and pop music and a range of theoretical approaches to the economic and cultural condition of the postmodern.

An advertisement in the sheet music of the song "Goodbye Broadway, Hello France" (1917) announces: "Music will help win the war!" This ad hits upon an American sentiment expressed not just in advertising, but heard from other sectors of society during the American engagement in the First World War. It was an idea both imagined and practiced, from military culture to sheet music writers, about the power of music to help create a strong military and national community in the face of the conflict; it appears straightforward. Nevertheless, the published sheet music, in addition to discourse about gender, soldiering and music, evince a more complex picture of society. This book presents a study of sheet music and military singing practices in America during the First World War that critically situates them in the social discourses, including issues of segregation and suffrage, and the historical context of the war. The transfer of musical styles between the civilian and military realm was fluid because so many men were enlisted from homes with the sheet music while they were also singing songs in their military training. Close musical analysis brings the meaningful musical and lyrical expressions of this time period to the forefront of our understanding of soldier and civilian music making at this time.