Fleur Designer’s Paint has the unusual trait of being gorgeous, intense, rich colour that also is extremely matte. This is because the silicates and fine minerals contained with in it refract and diffuse light making it completely different from traditional acrylics.

Seeming like the colour of a beautiful bird’s wings this strong yet somber shade has a lot of strength and impact. It maintains a greta balance between green and blue with a vintage aura.

Fleur Designer’s Paint has the unusual trait of being gorgeous, intense, rich colour that also is extremely matte. This is because the silicates and fine minerals contained with in it refract and diffuse light making it completely different from traditional acrylics.

Fleur Designer’s Paint has the unusual trait of being gorgeous, intense, rich colour that also is extremely matte. This is because the silicates and fine minerals contained with in it refract and diffuse light making it completely different from traditional acrylics.

A delicate shade of Blue - traditionally used for the houses of the Hamptons - whose colours blend with the grey-blue of the Atlantic Ocean, a colour that speaks of a certain stateliness and pomp or of the eternalness and wildness of nature.

Fleur Designer’s Paint has the unusual trait of being gorgeous, intense, rich colour that also is extremely matte. This is because the silicates and fine minerals contained with in it refract and diffuse light making it completely different from traditional acrylics.

Taking inspiration from the wilderness of the eastern forest it is a pleasing and essential colour that can work well with bright colours.

Fleur Designer’s Paint has the unusual trait of being gorgeous, intense, rich colour that also is extremely matte. This is because the silicates and fine minerals contained with in it refract and diffuse light making it completely different from traditional acrylics.

A yellowy, light olive green that reminds one of underwater summer grass. It will draw up strong associations of seventies furniture and can be used to really change a piece or room.

Fleur Designer’s Paint has the unusual trait of being gorgeous, intense, rich colour that also is extremely matte. This is because the silicates and fine minerals contained with in it refract and diffuse light making it completely different from traditional acrylics.

Fleur Designer’s Paint has the unusual trait of being gorgeous, intense, rich colour that also is extremely matte. This is because the silicates and fine minerals contained with in it refract and diffuse light making it completely different from traditional acrylics.

Classic and fascinating as the buildings that overlook the bay of Portofino. This yellow is soft and cosy at the same time and it calls to mind an Italy of the past.

Fleur Designer’s Paint has the unusual trait of being gorgeous, intense, rich colour that also is extremely matte. This is because the silicates and fine minerals contained with in it refract and diffuse light making it completely different from traditional acrylics.

A strong, warm orange with a distinctive glow. Similar to that of sunsets in the tropics, perfect for upping the brightness and expressive impact of a piece or room. Possibly it could call to mind a cocktail bar waiting to entice you.

Fleur Designer’s Paint has the unusual trait of being gorgeous, intense, rich colour that also is extremely matte. This is because the silicates and fine minerals contained with in it refract and diffuse light making it completely different from traditional acrylics.

Fleur Designer’s Paint has the unusual trait of being gorgeous, intense, rich colour that also is extremely matte. This is because the silicates and fine minerals contained with in it refract and diffuse light making it completely different from traditional acrylics.

This is a sober sophisticated colour that while neutral remains distinctive. It can be used as the perfect ground to work up from with it’s slight pinky undertone. Referred to in the design world as an equivalent to the classic British trench coat.

Fleur Designer’s Paint has the unusual trait of being gorgeous, intense, rich colour that also is extremely matte. This is because the silicates and fine minerals contained with in it refract and diffuse light making it completely different from traditional acrylics.

Warm and delicate shade of grey, with a slight greyish hue has a huge potential for showcasing other brighter colours or building up nuanced scenes and a serene background.

Fleur Designer’s Paint has the unusual trait of being gorgeous, intense, rich colour that also is extremely matte. This is because the silicates and fine minerals contained with in it refract and diffuse light making it completely different from traditional acrylics.

Warm White with a slight tinge of grey, it evokes the colour of raw silk before dyeing. Used as a background, it provides a solid base to create timeless pieces or settings.

Fleur Designer’s Paint has the unusual trait of being gorgeous, intense, rich colour that also is extremely matte. This is because the silicates and fine minerals contained with in it refract and diffuse light making it completely different from traditional acrylics.

A non-dominating gorgeous base shade. It’s a warm, neutral colour that can be used with a variety of styles whether you’re pursuing classical, Eighteenth century or a modern take on Art Deco.

Fleur Designer’s Paint has the unusual trait of being gorgeous, intense, rich colour that also is extremely matte. This is because the silicates and fine minerals contained with in it refract and diffuse light making it completely different from traditional acrylics.

This is a warmer and more inviting white than most modern whites. It’s been used in Britain for centuries especially for decorative friezes.

Fleur Designer’s Paint has the unusual trait of being gorgeous, intense, rich colour that also is extremely matte. This is because the silicates and fine minerals contained with in it refract and diffuse light making it completely different from traditional acrylics.

Best results are obtained on cloth made of natural fibres such as cotton or linen, but excellent results can also be achieved on synthetic fabrics. However, due to the different properties of synthetic fibres, it is best to start with paint and wash tests. If the fabric contains starch, it should be washed before painting.

To avoid painted fabric sticking to support, use cardboard or absorbent paper underneath; remove immediately after painting so that it will not stick to the fabric

Colours can be applied with brush, sponge, roller, spatula (for airbrushing dilute with Textile Medium); their creamy consistency is especially suitable for use with stencils, silk-screens and mono- print techniques.

All shades except Phosphorescent (Glow in the Dark) can be mixed with one another and with Glitter. Adding Textile Medium to the colours reduces viscosity and renders colours more transparent. Layering colours is not recommended, because overloading the fabric may interfere with proper bonding to fabric. Brushes and other tools are cleaned with water and soap. Dried paint can be removed with alcohol. Stains of Textile Colour are difficult to remove if not washed immediately before drying; the colour is formulated for permanence even without ironing. Textile colour is not hazardous to users' health or to the environment.

Silk Colour has been developed with the most brilliant permanent pigments and a new easy flow acrylic resin formulated for delicate fibres. Colours apply evenly and smoothly, and are fixed by ironing.

All colours can be mixed with one another, or diluted with water. The range contains No-Flow Medium and Flow Improver, as well as a complete assortment of Guttas. Silk Colour is suitable for all techniques: brush, roller, airbrush, sponge, batik, etc. Although it is formulated especially for silk fabrics, some artists also use it on textiles, especially muslin and other thin cottons, whereas Textile colour can be used sparingly for accents and stencil techniques on silk. Silk Colour is not hazardous to users' health or to the environment if employed in a normal manner.

Silk Colour has been developed with the most brilliant permanent pigments and a new easy flow acrylic resin formulated for delicate fibres. Colours apply evenly and smoothly, and are fixed by ironing.

All colours can be mixed with one another, or diluted with water. The range contains No-Flow Medium and Flow Improver, as well as a complete assortment of Guttas. Silk Colour is suitable for all techniques: brush, roller, airbrush, sponge, batik, etc. Although it is formulated especially for silk fabrics, some artists also use it on textiles, especially muslin and other thin cottons, whereas Textile colour can be used sparingly for accents and stencil techniques on silk. Silk Colour is not hazardous to users' health or to the environment if employed in a normal manner.

Frisket : Masking Film : 10 Sheet Pack : 63.5x50.8cm : Matt

Frisket : Masking Film : Roll : 63.5x914cm : Matt

Frisket : Masking Film : Roll : 63.5x2286cm : Gloss

Frisket : Masking Film : Roll : 63.5x2286cm : Matt

Marabu : Textil PLUS : 50ml : Violet

The Porcelain Painter Range offers shades within a colour system. Basic and fashion colours can be always combined with the corresponding Metallic and Glitter shades.
Whether tastefully colour-matched creations or extravagant colour combinations are desired – everything is possible with the wide colour range from Marabu.
Various kinds of painting techniques can be easily achieved with the painters.

Porcelain Painters are offered in 4 different tip shapes/sizes: from large paint applications with the brush tip, fine painting with the outline & Fineliner tip and decorative writing with the calligraphy tip.
The universal tip with a tip width of 1-2 mm is used as a practical all-rounder: it is ideal for painting and writing.

Note: Despite manufacturer claims, products painted with this pen require baking for the paint to set.

Use the Colourist Heat Transfer Paint Thickener to thicken the Colourist paints where desired.