Arches Aquarelle watercolour paper is acid-free and chlorine free. It is made of 100% cotton fibres which provide strength and stability and professional archival quality. The paper is tub-sized in natural gelatine and air-dried, so it can take scrubbing, scratching and erasing while keeping the original intensity of the watercolour. It also contains an anti-microbial agent to help resist mildew. Arches Aquarelle uses no optical brighteners so it's natural white colour will not yellow with age and archival value is ensured. Suitable for watercolour, gouache, pen and ink, acrylics and calligraphy.

Arches watercolour blocks come in a variety of sizes, surfaces textures, and weights. The convenience of working on a block eliminates the need for stretching. Arches blocks are not only for painting, but also work well for drawing as it provides a sturdy support surface to work on.

Sizing is important to watercolor paper. It helps the paper accept washes, scratching and erasing without affecting the actual fibers and strength of the paper.

Manufactured in the same French mill since 1492, Arches watercolour papers are produced on a cylinder mould with pure French stream water. Made with natural gelatin sizing. It is naturally white - containing no optical brighteners, and offers optimal longevity. Each sheet of Arches watercolour paper is hand inspected to ensure consistency and durability.

Please note, this product has a NOT (cold pressed) surface. The surface of the paper is slightly textured, and is not suitable for extremely detailed work. Most painters will find it suitable for most purposes.

Arches Aquarelle watercolour paper is acid-free and chlorine free. It is made of 100% cotton fibres which provide strength and stability and professional archival quality. The paper is tub-sized in natural gelatine and air-dried, so it can take scrubbing, scratching and erasing while keeping the original intensity of the watercolour. It also contains an anti-microbial agent to help resist mildew. Arches Aquarelle uses no optical brighteners so it's natural white colour will not yellow with age and archival value is ensured. Suitable for watercolour, gouache, pen and ink, acrylics and calligraphy.

Sizing is important to watercolor paper. It helps the paper accept washes, scratching and erasing without affecting the actual fibers and strength of the paper.

Manufactured in the same French mill since 1492, Arches watercolour papers are produced on a cylinder mould with pure French stream water. Made with natural gelatin sizing. It is naturally white - containing no optical brighteners, and offers optimal longevity. Each sheet of Arches watercolour paper is hand inspected to ensure consistency and durability.

Please note, this product has a rough surface. The surface of the paper is textured, and is not suitable for extremely detailed work. Most painters will find it suitable for most purposes.

Arches Aquarelle watercolour paper is acid-free and chlorine free. It is made of 100% cotton fibres which provide strength and stability and professional archival quality. The paper is tub-sized in natural gelatine and air-dried, so it can take scrubbing, scratching and erasing while keeping the original intensity of the watercolour. It also contains an anti-microbial agent to help resist mildew. Arches Aquarelle uses no optical brighteners so it's natural white colour will not yellow with age and archival value is ensured. Suitable for watercolour, gouache, pen and ink, acrylics and calligraphy.

Arches watercolour blocks come in a variety of sizes, surfaces textures, and weights. The convenience of working on a block eliminates the need for stretching. Arches blocks are not only for painting, but also work well for drawing as it provides a sturdy support surface to work on.

Sizing is important to watercolor paper. It helps the paper accept washes, scratching and erasing without affecting the actual fibers and strength of the paper.

Manufactured in the same French mill since 1492, Arches watercolour papers are produced on a cylinder mould with pure French stream water. Made with natural gelatin sizing. It is naturally white - containing no optical brighteners, and offers optimal longevity. Each sheet of Arches watercolour paper is hand inspected to ensure consistency and durability.

XL® Sand Grain is a paper made from organic, renewable materials. Its
special texture allows pigment retention and is an ideal paper for all
dry techniques (including pastel, charcoal, carbon, pencil...). It is a
double-sided paper, ideal for students.

XL® Marker is a semi-transparent, very white and very smooth layout paper.
It is water resistant and has a barrier to prevent ink penetration: the ink remains on the surface and does not go through the paper.
Ideal for students, this paper gives excellent colour rendition and allows for uniform flat tints.

Hiding beneath its apparant simplicity, 1557® is a rather sophisticated paper. The grain is neither too smooth nor too prominent, providing a subtle surface perfect for sketching, drawing and other dry techniques.
This paper is ideal for precise technical drawings with graphite or hard leads. 1557® paper retains pigments well and allows unlimited shading and gradients.
This bright white paper is designed to accentuate contrast and allows colours to really stand out.
Both surface and internally sized, 1557® paper offers a remarkable resistance to repeated erasing without degradation.

Canson® 1557® is also available as a book. With its hard cover and elegant elastic band closure, it is the ideal companion to enhance one's creativity when travelling. Its interior storage pocket is ideal to keep the most precious memories.

Saunders Waterford® is an exquisite watercolour paper, traditionally made on a cylinder mould machine. This is the superior quality watercolour paper made by St Cuthberts Mill and comes with the Royal Watercolour Society’s endorsement. Made using 100% cotton, the highest quality papermaking material, to high archival standards. Each sheet is buffered with calcium carbonate to help defend finished pieces of work from discolouration caused by acids present in atmospheric pollution.Its attractive surface is created using natural woollen felts that give it a distinctive random texture. The surface is sized in gelatine making it strong and resilient to scrubbing, and other rough treatments. Weight: 300g/m² (140lb) Surface: Rough Size: 26x36cm

20 Sheets - 140lb - Mould-made Glued 4 Edges 100% CottonSpecifications..

20 Sheets - 140lb - Mould-made Glued 4 Edges 100% CottonSpecifications..

Hiding beneath its apparant simplicity, 1557® is a rather sophisticated paper. The grain is neither too smooth nor too prominent, providing a subtle surface perfect for sketching, drawing and other dry techniques.
This paper is ideal for precise technical drawings with graphite or coloured pencils. 1557® paper retains pigments well and allows unlimited shading and gradients. This bright white paper is designed to accentuate contrast and allows colours to really stand out.
Both surface and internally sized, 1557® paper offers a remarkable resistance to repeated erasing without degradation.

The Moleskine Pocket Sketchbook is bound in cardboard, with rounded corners and an elastic enclosure. The 80 top-quality acid-free pages are thread bound, and the notebook includes an expandable inner note holder made of cardboard and cloth. Each journal has a ribbon placeholder and removable card with the history of Moleskine. Pages: 80 heavy weight 165gsm pages. Size: 3.5 x 5.5"(9 x 14 cm)

Mi-Teintes is a paper with a ‘vellum’ texture on the top side and a flat surface on the reverse. Both sides of the paper (textured and flat) are suitable for pastel, oil pastel, chalk, pencil, watercolour, and acrylic. Mi-Teintes paper is best suited to pastel paintings and tonal dry media drawings. The paper is a heavy 98 lb (160 gsm) with a high rag content (66%) to ensure long life without deterioration. Mi-Teintes Pastel Paper is acid free, and lightfast.

These convenient tape bound pads come in either earth or grey tones and each contain a selection of five different colours. These paper pads are available in two popular standard sizes.

Imagine is a mixed media paper that offers an excellent feel, a cross between silk and velvet. It features a beautiful natural white finish.
The paper is ideal for use with graphite, felt pen and markers and it also lends itself to all kinds of wet techniques such as watercolour, gouache, ink or mixed dry and wet techniques.
The colour and the lightly grained aspect of its surface allows for a harmonious rendering of contrasting line delicacy and strength.

Strathmore 400 Series Drawing is a heavyweight drawing paper with a medium surface. The surface is durable enough to stand up to repeated erasing and reworking.

Excellent for use with pencil, coloured pencil, charcoal, or sketching sticks. This cream coloured drawing paper is ideal for sketching and finished artwork.

Wire Bound sheets are micro-perforated and are Actual Size when removed at the micro-perforation. Acid-free.

XL® Sand Grain is a paper made from organic, renewable materials. Its
special texture allows pigment retention and is an ideal paper for all
dry techniques (including pastel, charcoal, carbon, pencil...). It is a
double-sided paper, ideal for students.

Canson® Graduate Oil & Acrylic pads feature thick white paper, with a high-performance, durable and absorbent coating. Containing 20 sheets of 290gsm paper, they are perfect to learn oil and acrylic techniques and achieve optimal results!

With a black cardboard cover and sketch-grade paper, the Moleskine Sketch Album is great for sketching, each page is detachable so you can take your drawings out easily if you wanted to get them framed. The 120gsm ivory colour pages are plain, the album also features a flap at the back which is great for collecting loose notes. The soft cover has visible stitching on the spine, the album opens and lays flat which is perfect if you are wanting to work across more than one page. The paper within the Sketch Album is acid-free, pH Neutral and Certified FSC. 36 sheets.Ideal for pencils, pastels, charcoal, fountain pens and markers. Measures 9x14cm (3.5x5.5in)

XL® Black is a pulp-dyed paper, specially designed for all dry techniques (pencil, charcoal, pastel, pen). This double-sided paper is perfect for sketching and drawing and its textured surface is ideal for sharp and precise lines with pencil or pastel, while the other, smoother side is ideal for felt-tip and marker.
Perfect for students, it is extremely resistant to erasing and scraping.

Daler-Rowney has a worldwide reputation for the finest artist’s papers such as the one featured in the Ebony range. It offers an excellent surface for all drawing techniques and takes light watercolour, collage and mixed media work extremely well.