The performance artist Joanna Frueh has emerged over the past twenty-five years as a wildly original voice in feminist art. Her uninhibited performances are celebrations of beauty, sensuality, eroticism, and pleasure. Clairvoyance (For Those In The Desert), which features eighteen of her essential performance texts, is a celebration of this remarkable artist and her work. Arranged chronologically, from The Concupiscent Critic (1979) through Ambrosia (2004), the pieces reveal Frueh's evolution as an artist and intellectual over the course of her career. Many of these texts have never before been published; others have not been readily available until now. Among the sixteen color photographs in this richly illustrated book are pictures of Frueh performing and images from Joanna in the Desert, a 2006 collaboration between Frueh and the artist and scholar Jill O'Bryan.Frueh's performances are unabashedly autobiographical, as likely to reflect her scholarship as a feminist art historian as her love affairs or childhood memories. For Frueh, eros and self-love are part of a revolutionary feminist strategy; her work exemplifies the physicality and embrace of pleasure that she finds wanting in contemporary feminist theory. Scholarly and rigorous yet playful in tone, her performances are joyful, filled with eroticism, flowers, sexy costumes, and beautiful colors, textures, and scents. Recurring themes include Frueh's passionate attachment to the desert landscape and the idea of transformation: a continual reaching for clarity of thought and feeling. In an afterword as lyrical and breathless as her performance pieces, Frueh explores her identification with the desert and its influence on her art. Clairvoyance (For Those In The Desert) includes a detailed chronology of Frueh's performances.

"So perspicuous was Battcock's choice of articles in "Minimal Art that his book has proved to be an exceptionally telling index of the critical discourse of its time. This is the key primary source book--for that matter it remains the key book--on the subject of Minimal Art, a movement that has lately, newly become a topic of consuming interest to many modern art historians, critics, curators and artists."--Anna C. Chave, author of "Mark Rothko: Subjects in Abstraction

"Good criticism of contemporary art movements is both rare and scattered, and readers with access to a wide range of periodicals and catalogue introductions are few. . . Minimal Art is so obviously the most important movement of the 1960s, and equally certainly will continue to be so in the early 1970s, that this anthology will be a valuable compilation of statements by artists and assessments by critics."--David Irwin, "Apollo

This book describes diverse urban planning projects in Turkey, Bahrain, the United Arab Emirates (Dubai and Sharjah) Kuwait, Afghanistan, Albania, Syria and Yemen. One thing in common between these countries is that the author has personally worked on all of these projects, and thus the book is a partial professional autobiography. Each chapter tackles not only a different country but also a different aspect of urban planning and development, as follows: upgrading or improving recent illegal or informal slums, including detailed local planning and strategic planning; urban conservation of Al Muharraq, a historic Gulf city; traditional building construction as a reference point for modern design; urban design of new city centre areas in three prosperous Gulf cities - Kuwait, Dubai and Sharjah; the recreation - post-war - of an urban planning system in Kabul; a historical account of urban planning in the Zog-Mussolini period in Albania, which is contrasted with the currently collapsed system; an account of urban economic regeneration in Syria; and local planning aiming at economic revival in Aden. These essays articulate eight themes: tradition versus modernism; regionalism and identity; the property market in the urban economy; privacy, the family/tribe etc.; arts and crafts, industrialised construction; the impact of the motor car, and urban infrastructure; the courtyard house; and public administration, local politics and corruption. The book will be of interest to urban and regional planners, infrastructure engineers, urban economists, architects, urban managers and local government experts as well as those with an interest in the region itself. The book will be useful as an academic textbook in the region, because it presents a wide range of views of the topic, and a wide spread of countries and backgrounds.

This volume brings together practitioners and theorists of music and sonic art. Contributions explore a wide range of historical, artistic, pedagogical and critical issues from multiple perspectives, emphasizing the continuities and links along a broad spectrum of hearing and listening practices and art-making that use sound.