Amazing Artwork designed for the lover of secrets and the imaginings of a generation. This is artwork from Surreal Dreams three and four. "I loved the entire thing from start to finish. It grabs the eye and gives one the impression that the impossible is possible. I couldn't put it down " Will K. author of Sable Snow.

The increasing accumulation of people in living machines without history and the challenges presented by migration and the lack of space provoke a need for new thinking and acting in public spaces. SUPERSUIT is an interdisciplinary experiment at the demarcation between people and space. It is a tool for poetic interventions in a range of different urban situations that invites participation and queries the relationship between people, space and city in terms of sense perception. As a marker of public space, the spontaneously arising forms of SUPERSUIT respond directly to the parameters of urban context. Using the means of 'performative interventions' SUPERSUIT facilitates a change in current design processes and the conceptualizing of new people/material constellations.

Preface: Offer all and everything; afterwards, give more. These monologues were written for the sole purpose of guaranteeing, an actor's development, wow factor, and success in all auditions. Each monologue beyond these pages is given great care to accomplish this mission. Furthermore, the monologues have vague abstracts; purpose, expand the actor's technique of constructing concrete backstories and stronger personalization. Only stage directions are established to guide you through the 1 to 2 minute monologues. Furthermore, to mimic actual dialogue; fragments and run-on sentences are utilized intentionally. In addition, both sexes are able to showcase their talent, without compromising their sex/gender credibility with each monologue. Dive in and contemplate every word and punctuation. Gather the confidence and trust within yourself, to harness these monologues. The blueprint has been displayed, solely you, can build the skyscraper to stand on. Break a Leg

This book presents a twelve-step program for developing your own original magical effects. The first chapters discuss the traits and characteristics psychologists have identified in creative people. These characteristics should be developed to open your mind to the creative thinking process. Then the reader is introduced to twelve techniques for creating new ideas and for solving problems. These techniques have been used by business and industry since the 1950's. They are general in nature and can be applied to any field of endeavor. Using these techniques as a basis, twelve Magical Idea Generators are developed which apply specifically to magic. The author includes with each idea generator an original trick created by using that particular generator. Lastly, the author discusses the quality of your magical creations. Not all of your ideas will be good ones. Guidelines are provided for you to evaluate your creations and to help you improve your ideas.

Karaoke Singer and Artist, Benny Phisheraree wants you to look your best when singing. Here is the fourth in a series of T-Shirt Designs to keep your audience pleased.

The story about two friends brought together by the power of the magical Jester. Firelfly and Catterpillar are their names and they journey on to make a better life.

The importance of play and fun to people's lives cannot be stressed enough in today's cultural climate of high stress, high stakes, and competition. One activity that gains recognition and credibility as both fun and transformative is theatrical improvisation or improv. In this book, Ruth Yamamoto reviews her research on the influences of improvisation on community college students. Educators, theatre artists, improvisers, or anyone interested building community, developing self-awareness, and affecting positive social change will want to read this book. Dr. Yamamoto examines the principles of improvisation and the concepts of play and flow to add credibility to a craft and practice that is often viewed a frivolous and silly. Ruth Yamamoto extends her research through interviews with applied improvisation professionals, examples and suggestions of games and exercises, and provides solid evidence of the serious, positive benefits of improvisation.

Theatre Series by Michael O'Connor This is the third installment in the BhamAMP Business Arts MediaPlex Theatre Series written for smooth, snag free performance on all types of stages should they exit in physical or virtual terrains. Interests in performance are not absolute or conditional, and one assumes that they will be less structured than normal; given that normalcy was never a requirement. In short, these plays were conceptualized and developed as immersive visualization environments which combine the fine arts and digital display information for multi-screen, multi-media and multi-modal purposes. Having fun with them is indispensible provided that attribution is a vital constituent of a thing called production: that without which a thing cannot be itself. The Theatre Series includes the following releases: Jack's Day off Veracity of Ghost Light Perceptive Sensations

Offering a wide-ranging study of contemporary literature, film, visual art, and performance by writers and artists who live and work in the United Kingdom but also maintain strong ties to postcolonial Africa and the Caribbean, Living Cargo explores how contemporary black British culture makers have engaged with the institutional archives of colonialism and the Atlantic slave trade in order to reimagine blackness in British history and to make claims for social and political redress. Steven Blevins calls this reimagining "unhousing history"-an aesthetic and political practice that animates and improvises on the institutional archive, repurposing it toward different ends and new possibilities. He discusses the work of novelists, including Caryl Phillips, Fred D'Aguiar, David Dabydeen, and Bernardine Evaristo; filmmakers Isaac Julien and Inge Blackman; performance poet Dorothea Smartt; fashion designer Ozwald Boateng; artists Hew Locke and Yinka Shonibare; and the urban redevelopment of Bristol, England, which unfolded alongside the public demand to remember the city's slave-trading past. Living Cargo argues that the colonial archive is neither static nor residual but emergent. By reassembling historical fragments and traces consolidated in the archive, these artists not only perform a kind of counter-historiography, they also imagine future worlds that might offer amends for the atrocities of the past.