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Books > Children's & Educational > The arts > Performing arts
The world is big. Anna is small. The snow is everywhere and all around. But one night . . .One night, her mother takes her to the ballet, and everything is changed. Anna finds a beauty inside herself that she cannot contain. So begins the journey of a girl who will one day grow up to be the most famous prima ballerina of all time, inspiring legions of dancers after her: the brave, the generous, the transcendently gifted Anna Pavlova. Beautiful, inspirational, and triumphant, Anna Pavlova's life is masterfully captured in this exquisite picture book.
Dance mania is sweeping the nation! And with silly fill-in-theblank stories about bustin' a move, Dance Mania Mad Libs will be a favorite of little dancing queens everywhere! So put on your dancing _________ and get ready to boogie!
Hope in a Ballet Shoe tells the story of Michaela DePrince. Growing up in war-torn Sierra Leone, she witnessed atrocities that no child ever should. Her father was killed by rebels and her mother died of famine. Sent to an orphanage, Michaela was mistreated and saw the brutal murder of her favourite teacher. Then Michaela and her best friend are adopted by an American couple, and Michaela begins to take dance lessons. But life in the States isn't without difficulties. Unfortunately, tragedy can find its way to Michaela in America, too, and her past can feel like it's haunting her. The world of ballet is a racist one, and Michaela has to fight for a place amongst the ballet elite, hearing the words 'America's not ready for a black girl ballerina.' And yet . . . Today, Michaela DePrince is an international ballet star, dancing for The Dutch National Ballet at the age of nineteen. This is a heart-breaking, inspiring autobiography by a teenager who shows us that, beyond everything, there is always hope for a better future.
From New York Times bestselling and award-winning author and American Ballet Theatre principal dancer Misty Copeland comes an illustrated nonfiction collection celebrating dancers of color who have influenced her on and off the stage. As a young girl living in a motel with her mother and her five siblings, Misty Copeland didn't have a lot of exposure to ballet or prominent dancers. She was sixteen when she saw a black ballerina on a magazine cover for the first time. The experience emboldened Misty and told her that she wasn't alone-and her dream wasn't impossible. In the years since, Misty has only learned more about the trailblazing women who made her own success possible by pushing back against repression and racism with their talent and tenacity. Misty brings these women's stories to a new generation of readers and gives them the recognition they deserve. With an introduction from Misty about the legacy these women have had on dance and on her career itself, this book delves into the lives and careers of women of color who fundamentally changed the landscape of American ballet from the early 20th century to today.
In Good Girls and Wicked Witches, Amy M. Davis re-examines the notion that Disney heroines are rewarded for passivity. Davis proceeds from the assumption that, in their representations of femininity, Disney films both reflected and helped shape the attitudes of the wider society, both at the time of their first release and subsequently. Analyzing the construction of (mainly human) female characters in the animated films of the Walt Disney Studio between 1937 and 2001, she attempts to establish the extent to which these characterizations were shaped by wider popular stereotypes. Davis argues that it is within the most constructed of all moving images of the female form the heroine of the animated film that the most telling aspects of Woman as the subject of Hollywood iconography and cultural ideas of American womanhood are to be found."
Zoom into the world of LEGO® DC Super Heroes with this visual guide to the minifigures, vehicles and sets, including the LEGO Batman Movie sets. Explore every detail of LEGO Batman's Batcave, look around Wonder Woman's Invisible Jet, examine Lex Luthor's awesome mech and find out about all the LEGO DC Super Heroes minifigures' weapons and gadgets. Find out how the awesome sets are created in the Beyond the Brick chapter, which features concept art and an interview with the LEGO DC Super Heroes creative team. LEGO DC Super Heroes: The Visual Dictionary will tell you everything there is to know about LEGO DC Super Heroes. The book comes with an exciting exclusive LEGO DC Super Heroes minifigure! Zap! Pow! ©2018 The LEGO Group. TM & © DC Comics.
Aunt Cora is determined to turn two orphans, perky Hilary and sullen Rachel, into members of her dance troupe. But Rachel wants to keep Hilary from being one of Wintle’s Little Wonders—is it selfishness or something else? Misunderstandings and a spoiled cousin come together for a tale full of high drama. Originally published in 1957.
'Betrayal is a new departure and a bold one . . . Pinter has found a way of making memory active and dramatic, giving an audience the experience of the mind's accelerating momentum as it pieces together the past with a combination of curiosity and regret. He shows man betrayed not only by man, but by time - a recurring theme which has found its proper scenic correlative . . . Pinter captures the psyche's sly manoeuvres for self-respect with a sardonic forgiveness . . . a master craftsman honouring his talent by setting it new, difficult tasks' New Society 'There is hardly a line into which desire, pain, alarm, sorrow, rage or some kind of blend of feelings has not been compressed, like volatile gas in a cylinder less stable than it looks . . . Pinter's narrative method takes "what's next?" out of the spectator's and replaces it with the rather deeper "how?" and "why?" Why did love pass? How did these people cope with the lies, the evasions, the sudden dangers, panic and the contradictory feelings behind their own deftly engineered masks? The play's subject is not sex, not even adultery, but the politics of betrayal and the damage it inflicts on all involved.' The Times First staged at the National Theatre in 1978, Betrayal was revived at the Almeida Theatre, London, in 1991. Twenty years after its first showing, it returned to the National in 1998.
The perfect gift for band nerds past and present, The Marching Band Nerds Handbook deftly captures all the humor and inside jokes band nerds love. Hold on to your shirts and plumes! This hilarious and inspiring guide to surviving life in the marching band is for anyone who has taken a step on the marching field or has just driven by a field on the highway. All the best (and funniest) secrets are revealed in this series of rules and illustrations that, if followed strictly, almost guarantees world domination (actual results may vary). Band nerds of all ages are sure to agree with expert rules like:Never give drummers metal sticks-they'll think they're ninjas (but most ninjas are actually clarinet players)Band parents may be adults but that doesn't mean they don't still need supervisionDon't lock your knees while standing at attentionMarching band is an art, not a sport-but if it were a sport, the drummers would winShare The Marching Band Nerds Handbook with all the band nerds in your life!
Join Jada and Granny Jinks in this charming new series for readers aged 6+! Gorgeously illustrated throughout by Selom Sunu, and brimming with warmth, tricks and magic, this is the perfect read for fans of The Naughtiest Unicorn and Wigglesbottom Primary! Granny Jinks and Jada have officially joined the Dalton Green Magic Society, but the fun has only just started! For their next trick, Granny Jinks and Jada will have to perform magic with the cheekiest assistant of them all - an animal! Will naughty Luna the cat learn her magic trick in time, and will Jada's best friend, Matilda, ever find the perfect pet for hers? Inspired by the true story of Jenny Mayers - the first Black woman to be accepted into the Magic Circle. *Includes how-to magic tricks for you to try at home!* With themes of finding courage, making friends, managing relationships at home, school and in the community, this is a wonderful new series for readers aged 6 and up!
Come on down to the Dino Ranch Jamboree for tons of dino fun - all based on the hit Disney Jr show! The Dino Ranch is having a Dino Jamboree! Come on down for tons of fun with your favorite dinos. Learn the ropes and make friends on a day of dino adventures that can't be beat! This officical Dino Ranch activity book with carry handle is full of: simple puzzles perfect for the age group activities perfect for preschool kids 120 dinotastic stickers and more! This activity book is perfect for any aspiring Dino Rancher!
Who HQ brings you the stories behind the most beloved--and frightening!--characters of our time. Find out how Dracula--a smooth-talking count with a dark secret--became the infamous creature we all know and fear. From appearances in films and animated features to interpretations as a Muppet and breakfast cereal mascot, Dracula has been the inspiration for many other fictional vampires and is now an established figure in pop culture. Created by Bram Stoker in his 1897 Gothic horror novel, Count Dracula is a nobleman who uses his powers as a vampire to dominate his victims. Even though Dracula didn't succeed in the novel, the fictional character has lived on to dominate the real world as one of its most popular supernatural villains. Author Michael Burgan explores Dracula's mysterious origins in the historical figures who might have shaped the character, as well as the films and actors that cemented Dracula's place in cinematic history.
The tragedy of love thwarted by fate has always intrigued writers. In the sixteenth century, William Shakespeare took this theme and fashioned one of the world's great plays: Romeo And Juliet. In our own time, Shakespeare's drama has been used as a basis for the overwhelmingly successful musical play West Side Story. Though one of these works is set among the nobility of Verona, and the other among immigrant families of New York's West Side, both tell the story of the plight of young star-crossed" lovers.
Speaking about the kind of filmmaking now known as Classic Hollywood, the most popular and influential cinema ever invented, Vincente Minnelli once gave away its secret: "I feel that a picture that stays with you is made up of a hundred or more hidden things. They're things that the audience is not conscious of, but that accumulate." How would we go about finding those things? What method would enable us to retrieve them, and by doing so, to understand better how Hollywood films got made? The ABCs of Classic Hollywood attempts to answer those questions by looking closely at four movies from the 1930-1945 period when the American Studio System reached the peak of its economic and cultural power: Grand Hotel, The Philadelphia Story, The Maltese Falcon, and Meet Me in St. Louis. To avoid the predictable generalizations that have plagued film studies, Ray works with the movies' details, treated as initially mysterious, but promising, clues: e.g., Grand Hotel's coffin and room assignments; The Philadelphia Story's diving board and license plate PA55; The Maltese Falcon's clocks and missing bed; Meet Me in St. Louis's violinist and ribboned cat. By producing at least 26 entries for each of these films (one for every letter of the alphabet), Ray demonstrates that a movie's details contain the record of the work and ideas that produced them, the endless negotiation between commercial efficiency and seductive enchantment. In our unconscious memories, we recognize something in the movies, something tantalizing and just out of reach. This book unlocks those memories, making them conscious and explicit, so that they will help us understand the most powerful and important storytelling system ever designed.
Ga le batswadi ba selo ke tiragatso ya bophelo gare ga batswadi le bana, kudu lehlakoreng la tlhoriso le go kata. Mathata a ke ao a aparetsego naga gomme a keka bosego le mosegare bjalo ka hlaga. Setongwane o e nameditse thaba ge a laetsa gore Pulane ga se madi a gagwe ka go mo gapeletsa go rekisa bjala mola a swanetse go dira mosomo wa sekolo ka gae. Nkareng tsa mmago ngwana o swara thipa ka bogaleng o di lekile le ge ka nako ye ntsi a be a fahlwa ke lerato la gagwe go Setongwane. Bonganga, kgang le lenyatso la Setongwane di dirile gore Moruti Moloki a lebale ka Setongwane ka ge a nyaditse dikeletso tsa gagwe. Go tsena le go tswa ga bagamodi ka ga Setongwane go bea Pulane bothateng ka ge mafelelong a katwa ke Phafana yo a mo hweditsego a nnosi ka gae. Go rata tshelete ga Setongwane go dirile gore Phafana a mo fe R20 000 ya pipa molomo. Sephiri se utollotswe gomme Setongwane, Nkareng le Phafana ba llelwa ke ditshipi. Setongwane o swaretswe go hlorisa ngwana le mmagwe, go re Pulane a rekise bjala a le ka tlase ga mengwaga ye lesomeseswai gape le go sireletsa mosenyi elego Phafana go kata Pulane. Nkareng o swaretswe go dumelela Pulane a hloriswa; go rapeletsa lenyalo le go se bege tlhoriso maphodiseng ka nako. Phafana o swaretswe go kata Pulane. Pulane o isitswe lefelong la tlhokomelo ya bafsa. Ka nnete batswadi ba, ga se batswadi ba selo. Pulane's life is in a mess. Her family is unstable and as a result, her studies are affected. She also has to start working long hours in the shebeen. But when her stepfather insists that she goes to initiation school, her life becomes more distressing. She even thinks of committing suicide. This eBook is a digital version of the printed, CAPS-approved book. Benefits of the ePUB format include: The ability to view on a desktop computer, notebook or tablet.; As learners adjust fonts, rotate and flip pages, content reflows to fit the device's screen giving the user a more flexible experience; and Learners can take notes, highlight and bookmark, and access video and audio for visual learning.
"That year was a Christmas to remember. It must have been, because my memories are so clear even after more than seventy years ..." A little girl meets her father for the first time when he comes home from war. Later, school is a chaos of eccentric teachers and awful meals, and the first steps into adulthood are taken in the wake of a pioneering grandmother. A heartwarming memoir full of unforgettable moments in Lancashire and the Lake District
Doorways by Charmaine Kendal is the English winner of the 2014 Maskew Miller Longman Literature Competition. It is a play about Avu, a Grade 12 girl who has taken her own life. She arrives in an after-life world guarded by The Sentinel. He reads from a book of records of people's lives, and sends them on the relevant path to the judge. Three other characters from Avu's past also arrive. In their conversations with The Sentinel, the events leading up to her suicide are unravelled, and one sees their part in her death. The play deals with themes like taking accountability for one's actions, facing consequences and friendship. In The Club by Stephen Finn we meet Gaga, a bully who is in deep trouble after hitting another boy with a club. But is there more than one club? And who's the real bully? This play explores the dynamics of bullying in high school, with the characters representing types that will be familiar to all readers. Although tense and often dark, The Club is interspersed throughout with much humour and ends positively.
Discover the joy of dancing and the importance of family, whatever your culture, ability or style with Luna, by award-winning Waterstones Children's Laureate Joseph Coelho, the third book in the Luna Loves... series. When Luna dances, she feels like the world's volume turns up, like all colours brighten, like sunlight sparkles behind every cloud. But when she takes her dance exam she ducks, dives, spins and... falls. Luna thinks she can't be a real dancer now. Can Luna's family convince her otherwise? Celebrate every culture and every style of dance with Luna, featuring a glorious fold out carnival page. Other books in the Luna Loves... series: Luna Loves Library Day Luna Loves Art Luna Loves Books
There is no one-size-fits-all way to keep pace with the changes affecting students and those who educate them. That's why Joan Lazarus has gathered here the insights of hundreds of theater teachers and teaching artists on how they have responded to the shifting demands of theater education in today's schools. She paints a portrait of active, dynamic professionals who build vibrant programs and confront challenges in a variety of ways--from inclusive, interactive lessons to comprehensive programs that address the impact of poverty, race, gender, and spirituality on students' lives. In the process, she shows how real teachers bring about real change. An accessible and up-to-date guide to best practices in theater education, this expanded and revised edition encompasses new hands-on activities--drawn from the author's in-depth interviews and research.
A young girl learns the Hora at her cousin's wedding, then brings her new moves to dance class. Chloe is our step-dance star. Tap-tap go her toes. Up go her knees, reaching almost as high as her chin. When Chloe finished her routine last week, I felt Madame's eyes on me. "Isadora, would you like a turn? she asked. More than anything, I wanted to say yes, but I had nothing to share. If only I could shine like Lucy, Mateo, and Chloe. On the way home, Grandma could see I needed some cheering up. "Why such a sad face? she asked. "Everyone in class has a special dance," I said. "Everyone except me!" " I have a feeling you may have one very soon," Grandma said, "maybe even this weekend." I knew she was thinking about the wedding. On Sunday, Cousin Rachel was getting married to Adam. Excerpts from Deborah Kalb's Interview with Gloria Koster: DK: What inspired you to write Dance the Hora, Isadora!, and how did you create your character Isadora? GK: I wanted to write a wedding story in which the lens is focused on a child. While Isadora experiences the joy of the traditional dance and is able to teach it to her friends, she isn't happy throughout the story. It was important for me to imagine a real girl who initially experiences disappointment and who gains confidence with the support of a loving adult. DK: What do you think the book says about dancing, and the hora specifically, in Jewish tradition? GK: Though I have two left feet myself, I adore dancing. It's a way to clear my head, and I think Isadora's cares also melt away when she dances. The hora is new to her and also to her dance teacher and classmates, but everyone embraces the hora--typically, though not always, a Jewish dance--as happily as all the dances that reflect a variety of cultures (Latin dancing, step dancing, hip-hop, etc.) DK: What do you hope kids take away from the book? GK: I want kids to feel a kinship with Isadora, who is in a bit of a funk at first but feels like a superstar at the end. An the fact that she shares her traditional dance in a more secular setting will hopefully encourage all kids to proudly share things from their own cultures or religions.
Scores of women feel excluded from Shakespeare Studies because the sound of this field (whether it is academics giving papers at conferences or actors sharing performance insights) is predominantly male. In contrast, women are well represented in Shakespeare podcasts. Noting this trend, this Element envisions and urges a feminist podagogy which entails utilizing podcasts for feminism in Shakespeare pedagogy. Through detailed case studies of teaching women characters in Hamlet, A Winter's Tale, The Merchant of Venice, and As You Like It, and through road-tested assignments and activities, this Element explains how educators can harness the functionalities of podcasts, such as amplification, archiving, and community building to shape a Shakespeare pedagogy that is empowering for women. More broadly, it advocates paying greater attention to the intersection of Digital Humanities and anti-racist feminism in Shakespeare Studies.
The classic bestselling picture book Angelina and Alice is back in a beautiful, refreshed hardcover edition, making it a perfect gift for fans both new and old! Angelina and Alice love doing gymnastics together. The only difference is Alice can do perfect handstands, while Angelina can't. When Angelina falls down, all the older children laugh-and Alice giggles, too. In the end, Angelina and Alice learn the importance of teamwork and become the best of friends all over again. (c)2021 Helen Craig Ltd. and Katharine Holabird. The Angelina Ballerina name and character and the dancing Angelina logo are trademarks of HIT Entertainment Limited, Katharine Holabird and Helen Craig. |
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