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Books > Children's & Educational > The arts > Performing arts
This collection of new and exciting short plays, selected from the
Maskew Miller Longman Literature Awards in 2012, has been carefully
compiled to meet a full spectrum of interests, abilities and
requirements in the Senior Phase. Learners will recognise and
relate to characters, problems and situations from their own lived
experiences. Teachers will relish being able to choose from a wide
range of settings, plots and cast sizes. The winner of the Maskew
Miller Longman Literature Awards for short plays is: A change of
mind by Karina Szczurek." This play is eloquently written with
convincing, natural dialogue, well-rounded characters and a keen
eye for detail and stage direction." Greig Coetzee, judge of the
Maskew Miller Longman Literature Award. Runners up: The locket by
Richard Street. Sugar daddies rot your teeth by Mark Scheepers: The
following features provide plenty of ideas, guidance and support
for teachers and learners, and make this collection ideal for
literature study in the Senior Phase: A biography of each author.;
Notes to assist with interpretation and staging of each play.;
Questions and activities to use as preparation for reading each
play.; A glossary for each play.; Questions and activities to
consolidate and extend your understanding of each play; and A
glossary of terms for literature study. While the plays are aimed
at readers and actors at Senior Phase level (Grades 7 to 9),
several are also suitable for the higher grades.
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Acting
(Hardcover)
Jennifer Fretland VanVoorst
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R260
R207
Discovery Miles 2 070
Save R53 (20%)
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Ships in 9 - 17 working days
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This title gives readers a close-up look at how animated movies are
made. With colorful spreads featuring fun facts, infographics, and
a "That's Amazing!" special feature, this book provides an engaging
overview of the animation process.
In the Limelight is the official Why Don't We autobiography, full
of never-before-seen photos and behind-the-scenes info about one of
today's hottest bands. When five guys decided to form a band, they
never imagined that they would go from playing music online to
playing tours across the world so quickly. Why Don't We has been
together for less than two years, and they've already headlined
sold out shows, played at Madison Square Garden, and amassed
millions of fans. And this is all just the beginning. This is the
official Why Don't We story, full of never-before-seen photos and
everything you need to know about Corbyn, Daniel, Zach, Jonah, and
Jack. Find out the secrets they've never shared with fans before,
their embarrassing childhood stories, what they look for in a
girlfriend, and how it felt to have their lives completely changed
by this incredible journey.
Intended for students and children taking part in speech and drama
competitions and exams, this book contains a range of audition
speeches. It includes female, male and unisex speeches selected
from both plays and children's books. Where relevant the author has
indicated how a speech could be shortened for younger children.
There is also an introductory section with contributions from Alan
Ayckbourn, Carol Schroder (teacher and examiner for the London
Academy of Music and Dramatic Art), Richard Carpenter (TV writer)
and Ed Wilson (Director of the National Youth Theatre) and senior
casting directors for the RSC, TV and film. This edition has been
freshly revised to include 10 new speeches from well known recent
productions as well as children's books including Harry Potter. 'A
superb compilation' Amateur Stage
Harper and her fellow Dance Starz are headed to New York City for the big national competition! Not only will they be up against their arch-rivals, the Belles, but Harper will also face off against her old dance team. Does Harper have what it takes to finally prove that she belongs on the big stage?
The Competition, written in collaboration with Julia Devillers, is the third and final book in the glittering trilogy from international dance superstar Maddie Ziegler.
What does it mean to teach Shakespeare with purpose? It means
freeing teachers from the notion that teaching Shakespeare means
teaching everything, or teaching "Western Civilisation" and
universal themes. Instead, this invigorating new book equips
teachers to enable student-centred discovery of these complex
texts. Because Shakespeare's plays are excellent vehicles for many
topics -history, socio-cultural norms and mores, vocabulary,
rhetoric, literary tropes and terminology, performance history,
performance strategies - it is tempting to teach his plays as
though they are good for teaching everything. This lens-free
approach, however, often centres the classroom on the teacher as
the expert and renders Shakespeare's plays as fixed, determined,
and dead. Teaching Shakespeare with Purpose shows teachers how to
approach Shakespeare's works as vehicles for collaborative
exploration, to develop intentional frames for discovery, and to
release the texts from over-determined interpretations. In other
words, this book presents how to teach Shakespeare's plays as
living, breathing, and evolving texts.
Forty-five complete mime routines for performers of all ages,
adaptable to audiences of different types. This book may be used as
a class text or a library resource. In addition to the wide variety
of routines are technique suggestions and ideas about makeup,
props, staging, where and when to perform, and teamwork! Routines
for solo and ensemble presentation.
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