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Books > Arts & Architecture > Performing arts
As the candidacies of Donald Trump and Bernie Sanders have proven,
Americans are mad as hell about the problems facing our country.
George Noory hears these problems every night, all night, and this
is how he would deal with them. This is Mad as Hell. --- I'm angry
because sometimes I feel like a stranger in America. We live in a
dangerous world that is sorely in need of an effective political
system that deals with the ongoing destruction of the middle class,
an aging population, permeable borders, technology out of control,
and shocking, mindless violence and wars. But we can bring back the
America that makes us proud. It will take hard work and pulling
together as a society. People are stressed because they don't know
where the world is heading or where it is taking them. With a radio
show heard by millions, I consider myself not an entertainer or
someone to dictate how we should live, but a facilitator who can
help guide the path chosen. I have been called a voice in the
darkness. The concepts I deal with are not only on the cutting edge
of science and technology, but with subjects as provocative as
aliens and angels, as challenging as supervolcanos and the fire and
brimstone of the End Time. Join me by reading why I am mad . . .
and maybe you will get as angry as I am about conditions in the
country we love.
In 2018, after receiving a life-changing diagnosis, broadcaster
Gareth O'Callaghan retired from full-time work and gave up the
career that he had loved for decades. In this deeply personal and
inspiring memoir he tells that story, from the moments after his
doctor uttered the words Multiple System Atrophy - a progressive
and incurable neurological disease that ultimately carries a fatal
prognosis - to his struggle to come to terms with a life unplanned.
Recounted with insight and searing honesty, What Matters Now
reveals how, regardless of circumstance, we can choose how we live,
to the fullest. A stunning and life-affirming account of the power
of the human spirit, and the potential for hope even in the darkest
times. "For me, this is not a choice. It's all I want, namely a
full and loving life that I strive to choose every day over
everything else - considering that maybe the big odds are heavily
stacked against that. But I don't care what the odds might be; I'll
keep defying them for as long as I can keep fighting and living."
In Australian Theatre after the New Wave, Julian Meyrick charts the
history of three ground-breaking Australian theatre companies, the
Paris Theatre (1978), the Hunter Valley Theatre (1976-94) and
Anthill Theatre (1980-94). In the years following the controversial
dismissal of Gough Whitlam's Labor government in 1975, these
'alternative' theatres struggled to survive in an increasingly
adverse economic environment. Drawing on interviews and archival
sources, including Australia Council files and correspondence, the
book examines the funding structures in which the companies
operated, and the impact of the cultural policies of the period. It
analyses the changing relationship between the artist and the
State, the rise of a managerial ethos of 'accountability', and the
growing dominance of government in the fate of the nation's
theatre. In doing so, it shows the historical roots of many of the
problems facing Australian theatre today. "This is an exceptionally
timely book... In giving a history of Australian independent
theatre it not only charts the amazing rise and strange
disappearance of an energetic, radical and dynamically democratic
artistic movement, but also tries to explain that rise and fall,
and how we should relate to it now." - Prof. Justin O'Connor,
Monash University "This study makes a significant contribution to
scholarship on Australian theatre and, more broadly... to the
global discussion about the vexed relationship between artists,
creativity, government funding for the arts and cultural policy." -
Dr. Gillian Arrighi, The University of Newcastle, Australia
Studs Terkel was an American icon who had no use for America's cult
of celebrity. He was a leftist who valued human beings over
political dogma. In scores of books and thousands of radio and
television broadcasts, Studs paid attention - and respect - to
"ordinary" human beings of all classes and colours, as they talked
about their lives as workers, dreamers, survivors. Alan Wieder's
Studs Terkel: Politics, Culture, But Mostly Conversation is the
first comprehensive book about this man. Drawing from over fifty
interviews of people who knew and worked with Studs, Alan Wieder
creates a multi-dimensional portrait of a run-of-the-mill guy from
Chicago who, in public life, became an acclaimed author and
raconteur, while managing, in his private life, to remain a mensch.
We see Studs, the eminent oral historian, the inveterate and
selfless supporter of radical causes, especially civil rights. We
see the actor, the writer, the radio host, the jazz lover, whose
early work in television earned him a notorious place on the
McCarthy blacklist. We also see Studs the family man and devoted
husband to his adored wife, Ida. Studs Terkel: Politics, Culture,
But Mostly Conversation allows us to realize the importance of
reaching through our own daily realities - increasingly clogged
with disembodied, impersonal interaction - to find value in actual
face-time with real humans. Wieder's book also shows us why such
contact might be crucial to those of us in movements rising up
against global tyranny and injustice. The book is simply the best
introduction available to this remarkable man. Reading it will lead
people to Terkel's enormous body of work, with benefits they will
cherish thr
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Detroit Opera House
(Hardcover)
michael Hauser, Marianne Weldon; Introduction by Introduction Lisa Dichiera
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R704
Discovery Miles 7 040
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Ships in 10 - 15 working days
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