Mysteriosophy Volume 2 builds on the previous volume with a further collection of unique routines, effects and essays by Steve Drury that delve into performance mentalism, magick and readings. It features exclusive collaborations with Roni Shachnaey, Barrie Richardson and Kenton Knepper too. Hardbound with over 170 pages.

A transnational study of Asian performance shaped by the homoerotics of orientalism, Brown Boys and Rice Queens focuses on the relationship between the white man and the native boy. Eng-Beng Lim unpacks this as the central trope for understanding colonial and cultural encounters in 20th and 21st century Asia and its diaspora. Using the native boy as a critical guide, Lim formulates alternative readings of a traditional Balinese ritual, postcolonial Anglophone theatre in Singapore, and performance art in Asian America. Tracing the transnational formation of the native boy as racial fetish object across the last century, Lim follows this figure as he is passed from the hands of the colonial empire to the postcolonial nation-state to neoliberal globalization. Read through such figurations, the traffic in native boys among white men serves as an allegory of an infantilized and emasculated Asia, subordinate before colonial whiteness and modernity. Pushing further, Lim addresses the critical paradox of this entrenched relationship that resides even within queer theory itself by formulating critical interventions around "Asian performance." Eng-Beng Lim is Assistant Professor of Theatre Arts and Performance Studies at Brown University, and a faculty affiliate of the Center for the Study of Race and Ethnicity, Department of East Asian Studies, and Department of American Studies. He is also a Gender and Sexuality Studies board member at the Pembroke Center for Teaching and Research on Women. In the Sexual Cultures series

Andre and Madeleine have been in love for over fifty years. This weekend, as their daughters visit, something feels unusual. A bunch of flowers arrive, but who sent them? A woman from the past turns up, but who is she? And why does Andre feel like he isn't there at all? Christopher Hampton's translation of Florian Zeller's The Height of the Storm was first performed at Richmond Theatre, London, and opened in the West End at Wyndham's Theatre in October 2018.

The Oxford Handbook of the British Musical provides a comprehensive academic survey of British musical theatre offering both a historical account of the musical's development from 1728 and a range of in-depth critical analyses of the unique forms and features of British musicals, which explore the aesthetic values and sociocultural meanings of a tradition that initially gave rise to the American musical and later challenged its modern pre-eminence. After a consideration of how John Gay's The Beggar's Opera (1728) created a prototype for eighteenth-century ballad opera, the book focuses on the use of song in early nineteenth century theatre, followed by a sociocultural analysis of the comic operas of Gilbert and Sullivan; it then examines Edwardian and interwar musical comedies and revues as well as the impact of Rodgers and Hammerstein on the West End, before analysing the new forms of the postwar British musical from The Boy Friend (1953) to Oliver! (1960). One section of the book examines the contributions of key twentieth century figures including Noel Coward, Ivor Novello, Tim Rice, Andrew Lloyd Webber, director Joan Littlewood and producer Cameron Macintosh, while a number of essays discuss both mainstream and alternative musicals of the 1960s and 1970s and the influence of the pop industry on the creation of concept recordings such as Jesus Christ Superstar (1970) and Les Miserables (1980). There is a consideration of "jukebox" musicals such as Mamma Mia! (1999), while essays on overtly political shows such as Billy Elliot (2005) are complemented by those on experimental musicals like Jerry Springer: the Opera (2003) and London Road (2011) and on the burgeoning of Black and Asian British musicals in both the West End and subsidized venues. The Oxford Handbook of the British Musical demonstrates not only the unique qualities of British musical theatre but also the vitality and variety of British musicals today.

Nollywood is the general moniker for Nigeria's exciting and thriving film industry Behind its world-wide acclaim as an independent filming success story is an oft-ignored back story; the pains, push and perseverance of the major film-makers in the business. 'Nollywood till November' tells the insightful and exciting true story of Charles Novia, from his trudging days as a struggling film maker in the then cabal-styled Nollywood, to his eventual triumph And success as a major force in Africa's biggest film industry Novia's memoirs reveal a personal perspective of the monumental struggles each of the now-famous personalities in Nollywood must have faced on their road to fame. It is a brilliant and inspiring tale of succeeding against the odds in an industry that has been termed 'the third largest film industry in the world'

The first collection of its kind, The Continental Philosophy of Film Reader is the essential anthology of writings by continental philosophers on cinema, representing the last century of film-making and thinking about film, as well as all of the major schools of Continental thought: phenomenology and existentialism, Marxism and critical theory, semiotics and hermeneutics, psychoanalysis, and postmodernism. Included here are not only the classic texts in continental philosophy of film, from Benjamin's "The Work of Art in the Age of Mechanical Reproduction" to extracts of Deleuze's Cinema and Barthes's Mythologies, but also the earliest works of Continental philosophy of film, from thinkers such as Georg Lukacs, and little-read gems by philosophical giants such as Sartre and Beauvoir. The book demonstrates both the philosophical significance of these thinkers' ideas about film, as well their influence on filmmakers in Europe and across the globe. In addition, however, this wide-ranging collection also teaches us how important film is to the last century of European philosophical thought. Almost every major continental European thinker of the twentieth and twenty-first centuries has had something to say-sometimes, quite a lot to say-about cinema: as an art form, as a social or political phenomenon, as a linguistic device and conveyor of information, as a projection of our fears and desires, as a site for oppression and resistance, or as a model on the basis of which some of us, at least, learn how to live. Purpose built for classroom use, with pedagogical features introducing and contextualizing the extracts, this reader is an indispensable tool for students and researchers in philosophy of film, film studies and the history of cinema.

Danny Dyer is Britain's most popular young film star. Idolized by Harold Pinter and with his films having taken nearly $50 million at theUK box office, Dyer is the most bankable star in British independent films with one in 10 of the country's population owning one of his films on DVD. With iconic performances in such cult classicsas "The Business," "The Football Factory," "Dead Man Running," "Outlaw," and now "Vendetta," Dyer is oneof the most recognizable Englishmen in the world. For the first time, and with its subject's full cooperation, this book chronicles his film career in depth, combining production background with critical analysis to paint a fascinating picture of the contemporary British film industry and its brightest star. Packed with anecdotes from co-stars and colleagues, as well as contributions from the man himself, "The Films of Danny Dyer" is the ultimate companion to the work of Britain's grittiest star.

I am a Standupster, A Second Generation Survivor's Account, by the Daughter of David Zauder, is the first-ever biography of Internationally Acclaimed Holocaust and Anti-bullying Educator and Speaker, Karen Zauder Brass. Her book is a very rare exploration into the effects of being raised by a parent who suffered the inhumanity of genocide and its unimaginable costs. Brass comes out of the shadows and openly expresses what so few Second Generation Survivors are willing to discuss. The deep injury to their survivor parent's psyches cannot simply be put aside and has deep and lasting effects on their children. From her earliest years, Brass was fully aware of who her surviving parent needed her to be. This is a book of deep introspection that also shares the Author's path to self-acceptance, happiness, and her powerful desire to make changes in our world by educating audiences, one human being at a time, to not stand by and allow for the suffering of others; To be a Standupster(r). Brass provides the descriptive background of her Father, David Zauder's survival of the Krakow Ghetto and four concentration camps including Auschwitz. His survival of a true hell on Earth, and his success in emigrating from Poland, after his liberation by General Patton's 3rd Army Tank Division, then travel from Germany to America and becoming one of this country's leading cornet and trumpet players will inspire you and touch your heart. For educators, Brass weaves her Father's story into a groundbreaking international anti-bullying campaign which has been experienced by thousands of Middle and High School aged students, adults, and hundreds of high-ranking military officials. Acclaimed by educators, principals and parents alike, Brass' Standupster(r) presentations and campaign has been effective in reducing bullying in schools because it provides a rallying cry for everyone to never stand by in the face of hatred, bigotry, and injustice; the program calls on the audience to use personal responsibility and moral leadership to rise together as being a Standupster(r) to stop the bul