Mr Hare meets Mr Mandela is one of the last stories Chris van Wyk wrote before he died and it originally appeared in Sunday Times Storytime: 10 South African Stories for Children. Mr Hare finds a R200 note on his doorstep. When he turns the note over he sees Mr Mandela’s face and decides to brave the big city of Johannesburg to return it to Mr Mandela. But Mr Hare cannot read and he comes across many people along the way who want to get their hands on Mr Mandela’s money. Mr Hare also cannot work out why the note keeps changing colour!

In this multigenerational tale, a grandfather is turning 100 years old. To celebrate, he takes his grandson on a hot air balloon ride to show him special places from this past. From where he went to school, to where he met grandma, early readers will be delighted by this heartfelt picture book. With pre-reading questions, this fiction book is ideal for guided reading and builds early literacy skills.

Cemetery Boys is an LGBTQIA+ ghost story about magic, acceptance and what it means to be your true self. From the instant New York Times-bestelling author Aiden Thomas. Yadriel has summoned a ghost, and now he can't get rid of him. In an attempt to prove himself a true brujo and gain his family's acceptance, Yadriel decides to summon his cousin's ghost and help him cross to the afterlife. But things get complicated when he accidentally summons the ghost of his high school's resident bad boy, Julian Diaz - and Julian won't go into death quietly. The two boys must work together if Yadriel is to move forward with his plan. But the more time Yadriel and Julian spend together, the harder it is to let each other go. 'A celebration of culture and identity that will captivate readers with its richly detailed world, earnest romance, and thrilling supernatural mystery' - Isabel Sterling, author of These Witches Don't Burn

An ode to Put the Damn Guns Down, this is New York Times bestselling author Jason Reynolds’s electrifying novel that takes place in sixty potent seconds—the time it takes a kid to decide whether or not he’s going to murder the guy who killed his brother.

A cannon. A strap. A piece. A biscuit. A burner. A heater. A chopper. A gat. A hammer A tool for RULE.

Or, you can call it a gun. That’s what fifteen-year-old Will has shoved in the back waistband of his jeans. See, his brother Shawn was just murdered. And Will knows the rules. No crying. No snitching. Revenge. That’s where Will’s now heading, with that gun shoved in the back waistband of his jeans, the gun that was his brother’s gun. He gets on the elevator, seventh floor, stoked. He knows who he’s after. Or does he?

As the elevator stops on the sixth floor, on comes Buck. Buck, Will finds out, is who gave Shawn the gun before Will took the gun. Buck tells Will to check that the gun is even loaded. And that’s when Will sees that one bullet is missing. And the only one who could have fired Shawn’s gun was Shawn. Huh. Will didn’t know that Shawn had ever actually USED his gun. Bigger huh. BUCK IS DEAD. But Buck’s in the elevator?

Just as Will’s trying to think this through, the door to the next floor opens. A teenage girl gets on, waves away the smoke from Dead Buck’s cigarette. Will doesn’t know her, but she knew him. Knew. When they were eight. And stray bullets had cut through the playground, and Will had tried to cover her, but she was hit anyway, and so what she wants to know, on that fifth floor elevator stop, is, what if Will, Will with the gun shoved in the back waistband of his jeans, MISSES.

And so it goes, the whole long way down, as the elevator stops on each floor, and at each stop someone connected to his brother gets on to give Will a piece to a bigger story than the one he thinks he knows. A story that might never know an END…if Will gets off that elevator.

Told in short, fierce staccato narrative verse, Long Way Down is a fast and furious, dazzlingly brilliant look at teenage gun violence, as could only be told by Jason Reynolds.

Ek en jy lyk dalk verskillend,
ons klink verskillend,
ons bly op verskillende plekke
en ons eet verskillende kos,
maar wanneer ek in jou oë kyk,
sien ek myself.
 
’n Warm, vertroostende boek oor vriendskap en ubuntu wat beide ons ooreenkomste en verskille vier.

Die boek is ook beskikbaar in Isizulu en Engels.

The bestselling authors of "The Nanny Diaries" introduce a new heroine to root for: Jesse O'Rourke, coffee barista, high school senior, and unwitting reality TV star.

Imagine there was never a "Laguna Beach," a "Newport Harbor," the shimmering "Hills." Imagine that your hometown--your school--is the first place XTV descends to set up cameras.

Now imagine they've trained them on you.

When Jesse O'Rourke gets picked for a "documentary" being filmed at her school in the Hamptons she's tempted to turn down the offer. But there's a tuition check attached to being on the show, and Jesse needs the cash so she can be the first in her family to attend college. All she has to do is trade her best friend for the glam clique she's studiously avoided, her privacy for a 24/7 mike, and her sense of right and wrong for "what sells on camera." . . . At least there's one bright spot in the train wreck that is her suddenly public senior year: Jesse's crush has also made the cast.

As the producers manipulate the lives of their "characters" to heighten the drama, and "Us Weekly" covers become a regular occurrence for Jesse, she must struggle to remember one thing: the difference between real and the real real.

The first book in Scott Westerfeld's international bestselling series, Uglies!

Tally lives in a world where your sixteenth birthday brings aesthetic perfection: an operation which erases all your flaws, transforming you from an 'Ugly' into a 'Pretty'. She is on the eve of this important event, and cannot wait for her life to change. As well as guaranteeing supermodel looks, life as a Pretty seems to revolve around having a good time. But then she meets Shay, who is also fifteen - but with a very different outlook on life. Shay isn't sure she wants to be Pretty and plans to escape to a community in the forest - the Rusty Ruins - where Uglies go to escape ' turning'. Tally won't be persuaded to join her, as this would involve sacrificing everything she's ever wanted for a lot of uncertainty.

When she is taken in for questioning on her birthday, however, Tally gets sent to the Ruins anyway - against her will. The authorities offer Tally the worst choice she could ever imagine: find her friend Shay and turn her in, or never turn Pretty at all. What she discovers in the Ruins reveals that there is nothing 'pretty' about the transformations... And the choice Tally makes will change her world forever.