Francis Cairns has made well-known contributions to the study of Roman Epic and Elegy. Papers on Catullus and Horace assembles his substantial body of work on Roman Lyric - about 30 papers published between 1969 and 2010 in many European and American periodicals, themed volumes and Festschriften, along with some new papers. Many aspects of the lyric poetry of Catullus and Horace are treated in this collection. Particular emphasis is given to the political and religious interests of both poets, to their interactions with their contemporaries, to the 'learning' which informs their poetry, and to their generic practices. Philological problems of text and interpretation are treated pari passu, as are relevant aesthetic questions. The volume is fully indexed and contains a composite bibliography and addenda and corrigenda. Papers on Catullus and Horace will make access to this body of important scholarly material easier and more convenient for scholars and students of Latin poetry.

"This book analyzes the interaction between gender and species in Chaucer's poetry and strives to understand his adaptation of medieval discourse through an ecofeminist lens. Works that either speak of animals, or more pertinently those with animals speaking, offer fruitful results in the attempt to understand the medieval textual handling of the 'others' of society"--

This bibliography provides a comprehensive record of verse drama in modern literature. The volume begins with an introduction, which discusses the significance of verse drama in modern theater, and which overviews the history and intent of modern verse drama. The bibliography that follows provides entries for more than 500 plays written in verse or in verse and prose between 1935 and 1992. Included are works by renowned playwrights such as T.S. Eliot, Christopher Fry, and John Arden, as well as plays by lesser-known dramatists. The plays are organized alphabetically by the name of the author. Included are anthologies of plays as well. Each entry is accompanied by an annotation that succinctly overviews the major themes and significance of the work. Title and subject index conclude the reference.

The book series Beihefte zur Zeitschrift fur romanische Philologie, founded by Gustav Groeber in 1905, is among the most renowned publications in Romance Studies. It covers the entire field of Romance linguistics, including the national languages as well as the lesser studied Romance languages. The editors welcome submissions of high-quality monographs and collected volumes on all areas of linguistic research, on medieval literature and on textual criticism. The publication languages of the series are French, Spanish, Portuguese, Italian and Romanian as well as German and English. Each collected volume should be as uniform as possible in its contents and in the choice of languages.

The Homeric Hymns honour the Greek gods. They are called 'Homeric' because the ancients attributed them to Homer; it is now accepted that they were composed by later poets working in the same tradition. Four of them stand out by reason of their length and quality: Hymns 2-5, in honour of Demeter, Apollo, Hermes, and Aphrodite respectively. This volume offers a faithful verse translation of all the hymns, Explanatory Notes, and a Glossary of Names.

Philip Larkin is recognised as one of the most important writers to have emerged in Britain since the Second World War. First published in 1982, Andrew Motiona (TM)s study begins with an account of Larkina (TM)s life and literary background and discusses his literary relationship with Hardy and Yeats and his association with the Movement. He analyses Larkina (TM)s two novels and assesses his three mature collections. Throughout the book much reference is made to uncollected reviews and articles and occasionally to unpublished manuscripts. Rather than developing the familiar line on Larkin as an empirical and melancholy writer, Andrew Motion explores the Symbolist and transcendent element in his work, and emphasises its range and variety.

One of the most important playwrights of the Irish Renaissance, John Millington Synge is receiving renewed attention as his works are reread in light of the political and cultural contexts of his time. This book argues that his plays are far more deeply rooted, thematically and aesthetically, in the ancient native literature than was previously believed. It demonstrates that Synge borrowed themes and ideology from the ancient culture, serving as a nationalist agenda far more radical and modern than the agendas of the most common nationalists in his day. Synge rejects these nationalists, whom he believed were embracing foreign influences that were drowning Ireland in conservatively capitalistic initiatives and values.

The book's most important section examines DEGREESIThe Playboy of the Western World. DEGREESR It discusses the play's characters as representative and recognizable types and reconsiders the play's thematic depiction of violence. Synge's representation of both commenced the process of separating and identifying the nationalist camps in Dublin from 1907 on. The volume argues that Synge's play drafted what became the Easter Rising. This argument is furthered through Synge's DEGREESIDeirdre of the Sorrows DEGREESR and the influence that his works ultimately bore on the plays and ideologies of Thomas MacDonagh, Padaraic Pearse, and James Connolly. The book also explores the acting style originally used to perform Synge's plays, thus gathering further evidence for its argument.

This series contains poetry and prose anthologies composed of writers from across the English-speaking world. Parts of Songs of Ourselves Volume 2 are set for study in Cambridge IGCSE (R), O Level and Cambridge International AS & A Level Literature in English syllabuses. Following on from the popular Songs of Ourselves 1, the anthology includes work from over 100 poets, combining famous names - such as William Blake, Emily Dickinson and Les Murray - with lesser-known voices. This helps students to create fresh and interesting contrasts as they explore themes that range from nature to war.

Petrarch (Francesco Petrarca, 1304-74), best known for his influential collection of Italian lyric poetry dedicated to his beloved Laura, was also a remarkable classical scholar, a deeply religious thinker and a philosopher of secular ethics. In this wide-ranging study, chapters by leading scholars view Petrarch's life through his works, from the epic Africa to the Letter to Posterity, from the Canzoniere to the vernacular epic Triumphi. Petrarch is revealed as the heir to the converging influences of classical cultural and medieval Christianity, but also to his great vernacular precursor, Dante, and his friend, collaborator and sly critic, Boccaccio. Particular attention is given to Petrach's profound influence on the Humanist movement and on the courtly cult of vernacular love poetry, while raising important questions as to the validity of the distinction between medieval and modern and what is lost in attempting to classify this elusive figure.

Throughout their marriage, Sylvia Plath and Ted Hughes engaged in a complex and continually evolving poetic dialogue about writing, love, and grief. Although scholars have commented extensively on the biographical details of Plath's and Hughes's marriage, few have undertaken a systematic intertextual analysis of the poets' work. The Grief of Influence reappraises this extraordinary literary partnership, and shows that the aesthetic and ideological similarities that provided a foundation for Plath's and Hughes's creative marriage - such as their mutual fascination with D. H. Lawrence and motifs of violence and war - intensified their artistic rivalry. Through close readings of both poets' work and analysis of new archival sources, Clark reveals for the first time how extensively Plath borrowed from Hughes and Hughes borrowed from Plath. She also explores the transatlantic dynamics of Plath's and Hughes's 'colonial' marriage within the context of the 1950s Anglo-American poetry scene and demonstrates how each poet's misreadings of the other contributed to the damaging stereotypes that now dominate the Plath-Hughes mythology. Following Plath and Hughes through alternating periods of collaboration and competition, The Grief of Influence shows how each poet forged a voice both through and against the other's, and offers a new assessment of the twentieth century's most important poetic partnership.

"Reframing Yeats," the first critical study of its kind, uses a focus on genre and allusion to engage with a broad range of W. B. Yeats's writings, examining instances of his poetry, autobiographical writings, criticism, and drama. Identifying a schism in recent Yeatsian criticism between biographical and formalist methodologies, Armstrong's study combines an historicist perspective with close attention to literary form. The result is a flexible approach that casts new light on how Yeats's texts interact with their interpretative frameworks. Cognizant of both literary and political history, this book presents new interpretations of Yeats's work. Not only does it provide fresh readings of texts such as "The Municipal Gallery Re-visited," "Among School Children" and The Resurrection, but it also raises important new questions concerning Yeats's relationship to Modernism and literary genre.

Within the pantheon of world literature, the Persian poet Hafiz (born in around 1320 in the city of Shiraz) occupies an exalted position, and his poems have long been translated and studied in the West. However, the degree of the English language's "interaction" with the work of Hafiz has often been underestimated. Parvin Loloi's contribution has been to collect and analyse the entire body of translations of Hafiz in English and to identify the specific problems which his writing presents to translators, together with varying strategies adopted by translators to surmount these difficulties. Her book includes a comprehensive first-line index of English translations of individual poems of Hafiz: a rich resource for students of comparative literature or translation studies, which demonstrates widespread and long-established interest in one of the major poets of Persia. It points to cultural encounters which the debate on Orientalism has largely ignored and highlights a significant influence on English poets of the 19th century, including Byron and Tennyson.

This volume is the first to provide a book-length study of Pinter's overtly political activity. With chapters on political drama, poetry, and speeches, it charts a consistent tension between aesthetics and politics through Pinter's later career and defines the politics of the work in terms of a pronounced sensory dimension and capacity to affect audiences. The book brings to light unpublished letters and drafts from the Pinter Archive in the British Library and draws his political poems and speeches, which have previously been overshadowed by his plays, into the foreground. Intended for students, instructors, and researchers in drama and theatre, performance studies, literature, and media studies, this book celebrates Pinter's later life and work by discerning a coherent political voice and project and by registering the complex ways that project troubles the divide between aesthetics and politics.

This volume, with contributions in the form of narrations, or of work sheets, by leading British and American translators, shows what happens: how problems present themselves and how they are resolved. Ezra Pound regarded translation as a superior type of literary criticism, representing a fusion of creative and critical. In this collection, translators make explicit not only what is implicit in their translations, but also critical insights that inevitably and agonizingly, cannot be accommodated in them. The translator's complex role, or predicament, as mediator between cultures is exemplified here.

Spenser's ethics offers a novel account of Edmund Spenser as a moral theorist, situating his ethics at the nexus of moral philosophy's profound transformation in the early modern era, and the English colonisation of Ireland in the turbulent 1580's and 90's. It revises a scholarly narrative describing Spenser's ethical thinking as derivative, nostalgic, or inconsistent with one that contends him to be one of early modern England's most original and incisive moral theorists, placing The Faerie Queene at the centre of the contested discipline of moral philosophy as it engaged the social, political, and intellectual upheavals driving classical virtue ethics' unravelling at the threshold of early modernity. -- .

D.H. Lawrence: The Thinker as Poet addresses a particular body of language and thought within Lawrence's oeuvre where the metaphorical, the poetic and the philosophical are intricately enmeshed. Lawrence emerges as a writer who pulls metaphor away from its merely rhetorical moorings: his distinctive style is the hallmark of one who thinks not analytically but poetically, about the birth of the self, the body unconscious, complex kinds of otherness and about metaphor itself as a mode of understanding.

Although Chaucer is typically labeled as the "Father of English Literature," evidence shows that his work appealed to Europe and specifically European women. Rereading the Canterbury Tales , Thomas argues that Chaucer imagined Anne of Bohemia, wife of famed Richard II, as an ideal reader, an aspect that came to greatly affect his writing.

The laughing dove and other poems is a collection that celebrates the natural world and our delicate place at the very edge of wilderness. Vernon RL Head sees like a birdwatcher and his unique arrangements of words shape a wondrous fact: Nature waits in the everyday: The freshness of a pavement-city-tree; The smoothness of a rock in a stream of pain; The holes and hopes between the planted flowers of a garden; The thorns of light that make the Karoo; The sea and its need to find the land. Vernon RL Head is an important, new poet. His poems are exuberant, romantic and revolutionary.

"Diasporic Avant-Gardes" draws into dialogue twodiffering traditions ofpoetic practice: the diasporic and the avant-garde. This interdisciplinary collectionexamines the unacknowledged affinities (and crucial differences) between avant-garde and diasporic formal strategies and social formations. The essays foreground the creation of experimental forms and investigate the specific contexts of cultural displacement andlanguage use that inform their poetics.

Packed full of analysis and interpretation, historical background, discussions and commentaries, York Notes will help you get right to the heart of the text you're studying, whether it's poetry, a play or a novel. You'll learn all about the historical context of the piece; find detailed discussions of key passages and characters; learn interesting facts about the text; and discover structures, patterns and themes that you may never have known existed. In the Advanced Notes, specific sections on critical thinking, and advice on how to read critically yourself, enable you to engage with the text in new and different ways. Full glossaries, self-test questions and suggested reading lists will help you fully prepare for your exam, while internet links and references to film, TV, theatre and the arts combine to fully immerse you in your chosen text. York Notes offer an exciting and accessible key to your text, enabling you to develop your ideas and transform your studies!

This work explores an aspect of Yeats's writing largely ignored until now: namely, his wide-ranging absorption in S.T. Coleridge. Gibson explores the consistent and densely woven allusions to Coleridge in Yeats's prose and poetry, often in conjunction with other Romantic figures, arguing that the earlier poet provided him with both a model of philosopher - 'the sage' - and an interpretation of metaphysical ideas which were to have a resounding effect on his later poetry, and upon his rewriting of A Vision.

This study explores how poets who espoused republican political ideals sought to embody and advance those principles in their verse. By examining a range of canonical and non-canonical authors-including Blake, Shelley, Cooper, Linton, Landor, Meredith, Thomson and Swinburne, Kuduk Weiner connects the formal strategies of republican poems to the political theory and expressive cultures of republican radicalism. Her new study traces a strain of powerful, complex political poetry that casts new light on the political and literary history of nineteenth-century England.