The Roman Empire at its height encompassed the majority of the world known to the Romans. This important synthesis of recent findings and scholarship demonstrates how the Romans acquired, kept and controlled their Empire. Lintott goes beyond the preconceptions formed in the period of British Imperial rule and provides a contemporary post-imperial approach to the Roman exercise of power.

Based on a rich range of primary sources and manuscripts, "A Rossetti Family Chronology" breaks exciting new ground. Focusing on Christina and Dante Gabriel Rossetti, the "Chronolgy" deomstrates the interconnectedness of their friendships and creativity, giving information about literary composition and artistic output, publication and exhibition, reviews, finances, relationships, health and detailing literary and artistic influences. Drawing on many unpublished sources, including family letters and diaries, this new volume in the" Author Chronologies" series will be of value to all students and scholars of the Rossettis.

Women in Greek epic are treated as objects, as commodities to be exchanged in marriage or as the spoils of warfare. However, women in Homeric epic also use objects to negotiate their own agency, subverting the male viewpoint by utilizing on their own terms the very form they themselves are thought by men to embody. Such female objects can transcend their physical limitations and be both symbolically significant and powerfully characterizing. They can be tools of recognition and identification. They can pause narrative and be used agonistically. They can send messages and be vessels for memory. Women of Substance in Homeric Epic offers a new and insightful approach to the Iliad and Odyssey, bringing together Gender Theory and the burgeoning field of New Materialisms, new to classical studies, and thereby combining an approach predicated on the idea of the woman as object with one which questions the very distinction between subject and object. This productive tension leads us to decentre the male subject and to put centre stage not only the woman as object but also the agency of women and objects. The volume comes at a turning point in the gendering of Homeric studies, with the publication of the first English translations by women of the Iliad in 2015 and the Odyssey in 2017, by Caroline Alexander and Emily Wilson respectively. It makes a significant contribution to scholarship by demonstrating that women in Homeric epic are not only objectified, but are also well-versed users of objects; this is something that Homer portrays clearly, that Odysseus understands, but that has often escaped many other men, from Odysseus' alter ego Aethon in Odyssey 19 to modern experts on Homeric epic.

This book situates Louis Zukofsky’s poetics, and the lineage of Objectivist poetics more broadly, within a set of fundamental ethical concerns in American poetic modernism. Tim Woods makes a strong case for Zukofsky as a missing key figure within this ethical matrix, viewing Zukofsky’s poetry through the lens of the work of Theodor Adorno and Emmanuel Levinas. Building an ethical genealogy of American poetics leading from Zukofsky through the contemporary school of L•A•N•G•U•A•G•E poetry, Woods brings together modernism and postmodernism, ethics and aesthetics, to shed new light on our understanding of this neglected strain of modernist poetics.

A sonnet to science presents an account of six ground-breaking scientists who also wrote poetry, and the effect that this had on their lives and research. How was the universal computer inspired by Lord Byron? Why was the link between malaria and mosquitos first captured in the form of a poem? Whom did Humphry Davy consider to be an 'illiterate pirate'? Written by leading science communicator and scientific poet Dr Sam Illingworth, A sonnet to science presents an aspirational account of how these two disciplines can work together, and in so doing aims to convince both current and future generations of scientists and poets that these worlds are not mutually exclusive, but rather complementary in nature. -- .

This book offers an integrated reading of the poems and translations published by five prominent Northern Irish poets - Heaney, Derek Mahon, Michael Longley, Paul Muldoon and Ciaran Carson - demonstrating that their 'original' writing and their versions of other authors are manifestations of their particular and consistently pursued poetics.

This book is the first to argue that the Rival Poet of Shakespeare's Sonnets is the well-known young Elizabethan writer Richard Barnfield (1574-1620), long suspected to have been one of Shakespeare's "private friends" (as they were termed by Francis Meres in 1598), with whom (as Meres also tells us) Shakespeare shared some of his sonnets. This is also the first book to argue that William Stanley (1561-1642), sixth earl of Derby, is the young man to whom they addressed their respective sonnets and other love poems in the period c. 1592-1595. In making these identifications, this is the first book to examine in detail the dialogue between Shakespeare's Sonnets and three of Barnfield's books of poetry (all published within a little more than one year)--a dialogue only known to be discussed in a conference paper and one other book.William Shakespeare, Richard Barnfield, and the Sixth Earl of Derby will likely appeal to all readers interested in Shakespeare's life and love poetry, both specialist scholars and non-specialist enthusiasts alike.

Michael Longley has been called 'one of the finest lyric poets of our time'. In assembling the work of forty years, his Collected Poems displays a brilliantly sustained achievement whose depth, beauty and wit can now be fully appreciated. Longley's poetry combines intense concentration with remarkable variety. The formal and thematic range laid down in No Continuing City (1969) has undergone a series of rich metamorphoses up to Snow Water (2004), and the two poems included here as an epilogue. Longley's genres span love poetry, war poetry, nature poetry, elegies, satires, verse epistles, poems that reflect on art and the art of poetry. He has extended the capacity of the lyric to absorb dark matter: the Great War, the Holocaust, the Northern Irish 'Troubles'. His poetic landscape intermingles Belfast (where he lives), western Ireland, Italy, Japan and Homeric Greece. Longley's superb translations from classical poets (such as 'Ceasefire', which greets the IRA ceasefire in terms of the Iliad) speak to contemporary issues while activating the deepest sources of European poetry.

"The International Reception of T. S. Eliot" brings together a wide range of international perspectives on this influential twentieth-century author, who as poet, critic, and editor did much to shape modernist poetics, not only in Europe and North America, but also world-wide. Foregrounding distinct aspects of Eliot's international reception, individual chapters of the book illuminate such topics as Eliot's complex impact on the development of modernist poetics in the post-colonial Caribbean, the emergent state of Israel, and colonial India; the insurgent potential of translated Eliot in Soviet-occupied Romania and post-war Germany; the different ways in which Eliot's work has entered the cultural life of national and emergent national contexts like Iceland, Italy, Spain, China, and Japan; the relationships forged with Eliot's poetry and criticism by such authors as Jorge Borges, Czeslaw Milosz, A.J.M. Smith, and E.R. Curtius; the unique reverberations of Eliot's work in the bi-cultural lives of contemporary scholars; and the challenges of teaching Eliot across boundaries of culture and religion. Importantly broadening the purview of Anglo-American Eliot Studies, the book should prove essential reading for scholars around the world interested in Eliot and modernism, as well as post-colonial theory and modernist translation theory.

In this chronology Gordon Campbell brings his unique command of manuscripts associated with John Milton to the first synthesis of the Milton documents attempted in forty years. Many manuscripts that have been lost to view have been rediscovered, and some manuscripts that have never been seen by students of Milton are recorded here for the first time. These new discoveries, together with many unrecorded printed allusions that have never been integrated into biographical studies of Milton, make this chronology an essential research and reference tool that creates a new context for many of Milton's poems and prose writings.

Favorite Sons explores Sir Philip Sidney's extraordinary poetic legacy, which is closely linked to the development of the early modern family in England, both by-products of new forms of affection and secrecy, both shaped equally by pride and projection. The reasons for such connections are writ small and large by the Sidney family of writers. If family history is driven by and experienced through the logic of culture, all families are poetic projects, too, as the work of Sidney, Robert Sidney, Mary Sidney Herbert, and Mary Wroth attests.

Schuchard's critical study draws upon previously unpublished and uncollected materials in showing how T.S. Eliot's personal voice works through the sordid, the bawdy, the blasphemous, and the horrific to create a unique moral world and the only theory of moral criticism in English literature. The book also erodes conventional attitudes toward Eliot's intellectual and spiritual development, showing how early and consistently his classical and religious sensibility manifests itself in his poetry and criticism. The book examines his reading, his teaching, his bawdy poems, and his life-long attraction to music halls and other modes of popular culture to show the complex relation between intellectual biography and art.

African-American expressive arts draw upon multiple traditions of formal experimentation in the service of social change. Within these traditions, Jennifer D. Ryan demonstrates that black women have created literature, music, and political statements signifying some of the most incisive and complex elements of modern American culture. "Post-Jazz Poetics: A Social History" examines the jazz-influenced work of five twentieth-century African-American women poets: Sherley Anne Williams, Sonia Sanchez, Jayne Cortez, Wanda Coleman, and Harryette Mullen. These writers' engagements with jazz-based compositional devices represent a new strand of radical black poetics, while their renditions of local-to-global social critique sketch the outlines of a transnational feminism.

This volume is part of the Writers in Britain series which introduces children to great literary figures. This title examines the lives of the romantic poets, taking in Blake, Coleridge, Keats, Shelley, and Wordsworth and considers the time in which they wrote their poetry.

Employing psychoanalysis, trauma theory, and materialist perspectives, this book examines Shakespeare's appropriations of Ovid's poetry in his Roman poems and plays. It argues that Shakespeare uses Ovid to explore violence, trauma, and virtus - the traumatic effects of aggression, sadomasochism, and the shifting notions of selfhood and masculinity.

Responding to the reassertion of orality in the twentieth century in the form of electronic media such as the telegraph, film, video, computers, and television, this unique volume traces the roots of classical rhetoric in the modern world. Welch begins by changing the current view of classical rhetoric by reinterpreting the existing texts into fluid language contexts -- a change that requires relinquishing the formulaic tradition, acquiring an awareness of translation issues, and constructing a classical rhetoric beginning with the Fifth Century B.C. She continues with a discussion of the adaptability of this material to new language situations, including political, cultural, and linguistic change, providing it with much of its power as well as its longevity. The book concludes that classical rhetoric can readily address any situation since it focuses not only on critical stances toward discourse that already exists, but also presents elaborate theories for the production of new discourse.

This timely book traces ideas of pacifism through English literature, particularly poetry. Four wide-ranging chapters, drawing on both religious and secular texts, provide intellectual and historical contexts. There follows a chronological analysis of poetry which rejects war and celebrates peace, from the middle ages to the present day. The book provides inspiration for all readers who seriously believe that conflict and war do not solve problems, and for students it provides a new kind of thematic history of literature.

The poetry of Edmund Spenser is among the most wide-ranging and allusive ever written. This work offers a detailed literary guide to the life, works, and influence of one of England's greatest poets, and summarizes the scholarship in this area since the publication of the Spenser Variorum 50 years ago. Comprehensive in scope and international in coverage, this work contains over 700 alphabetical entries by 422 contributors from 20 countries. Entries fall into three categories: synoptic essays on individual poems and on the major biographical, historical and social issues, articles providing a full collection of information on a particular topic and its relation to the tradition and articles providing information relevant to the current state of Spenser studies. Throughout the work, Spenser's place in the English literary tradition is fully explored, and in particular his relationship to the minor Elizabethan poets is stressed. The volume also examines Spenser's reputation in other countries, such as France and Japan, and the effects of his influence on writers world-wide.

This book is the first comprehensive cultural and historical introduction to modern Georgia. It covers the country region by region, taking the form of a literary journey through the transition from Soviet Georgia to the modern independent nation state. Peter Nasmyth traveled extensively in Georgia over a period of 5 years, and his lively and topical survey charts the nation's remarkable cultural and historical journey to statehood. This authoritative, lively and perceptive book is based on hundreds of interviews with modern Georgians, from country priests to black marketeers. Georgia: Mountains and Honour will be essential reading for anyone interested in this fascinating region, as well as those requiring an insight into the life after the collapse of the old Soviet order in the richest and most dramatic of the former republics.

Antoine Fabre d'Olivet (December 8, 1767-March 25, 1825) was a French author, poet, and composer whose biblical and philosophical hermeneutics in?uenced many occultists, such as Eliphas Lvi and Gerard Encausse (Papus), and Ren Gunon. D'Olivet spent his life pursuing the esoteric wisdom concealed in the Hebrew scriptures, Greek philosophy, and the symbolism of many ancient cultures as far back as ancient India, Persia, and Egypt. His writings are considered classics of the Hermetic tradition. His best known works today are his research on the Hebrew language (The Hebraic Tongue Restored), his translation and interpretation of the writings of Pythagoras (The Golden Verses of Pythagoras), and his writings on the sacred art of music. In addition to the above works, Hermetica has published in consistent facsimile format for its Collected Works of Fabre d'Olivet series Cain and The Healing of Rodolphe Grivel, as well as Hermeneutic Interpretation of the Origin of the Social State of Man and the Destiny of the Adamic Race. D'Olivet's mastery of many ancient languages and their literatures enabled him to write (in the time of Napoleon) this extraordinary text which remains a landmark investigation of the deeper esoteric undercurrents at work in the history of culture. The Golden Verses of Pythagoras, so remarkable for their moral elevation, and standing as the most beautiful monument of antiquity raised in honor of Wisdom, were originally transcribed by Lysis, though it is to Hierocles that we owe the version that has come down to us. Fabre d'Olivet has translated them into French verse of special form (eumolpique), and in his Discourse upon the Essence and Form of Poetry in the present volume he explains and illustrates this melodious style. In his Examinations of the Golden Verses, which comprises the last division of this book, he has drawn with the power of his great mind the metaphysical correlation of Providence, Destiny, and Will.

So many male critics have attacked Ireland's contemporary women poets -- whether through hostile reviews, outright silence, or condescending praise -- that the impression has been created that very few men appreciate these women's poetry. Gonzalez has produced the first book ever to appear in Irish studies in which men make it a point to praise literature written by Irish women. Included are two essays studying the structure of Eavan Boland's poetry sequences, some close readings of Medbh McGuckian's most challenging poems, and the first formal scholarly pieces ever devoted exclusively to Paula Meehan, Rita Ann Higgins, and Mary O'Malley. Additional chapters treat the works of Eilean Ni Chuilleanain and Nuala Ni Dhomhnaill.

Women poets have made substantial contributions to Irish literature, particularly in the last few decades. However, so many male critics have attacked Ireland's women poets, whether through hostile reviews, outright silence, or condescending praise, that the impression has been created that very few men appreciate these women's poetry. With some notable exceptions, most academic appraisals by men have been less than enthusiastic. Many women also point to the treatment these poets receive in various anthologies, which typically include only token portions of literature written by women. In his book, Gonzalez has responded to these slights by offering a forum to a significant number of men to express their highest praise for Ireland's women poets.

Until now, no book has ever appeared in Irish studies in which men make it a point to praise literature written by Irish women. In this book, Gonzalez includes two essays on each of Ireland's best-known women poets, Eavan Boland, Eilean Ni Chuilleanain, Nuala Ni Dhomhnaill, and Medbh McGuckian. Three other essays are the first formal scholarly pieces entirely dedicated to Paula Meehan, Rita Ann Higgins, or Mary O'Malley. In his pioneering effort, Gonzalez helps establish the place of these contemporary women poets in the Irish literary canon, corrects the popular misconception that male critics are unresponsive to their works, and encourages further exploration of Irish women poets by male scholars and critics.

Rudyard Kipling has been one of the most loved and the most loathed of English writers. Rudyard Kipling: A Literary Life is a study of the forces and influences that shaped his work--including his unusual family background, his role as the laureate of Empire, and the deaths of two of his children--and of his complex relations with a literary world that first embraced and then rejected him, but could never ignore him.