First Published in 2000. Routledge is an imprint of Taylor & Francis, an informa company.

This is Volume IX of thirteen the Oriental series looking at Persia. The Shahnama of Firdausi Vol VI, includes the genealogical table of the Sasanians, the conclusion of the Kaianian dynasty, the Eaianian dynasty, the Ashkanian dynasty and the Sasanian dynasty, concluding iwth Yazdagird, son of Shapur.

First Published in 2000. This is Volume VIII of thirteen the Oriental series looking at Persia. The Shahnama of Firdausi Vol V, includes Kaianian Dynasty, the coming of Zarduhst, the story of the Seven Stages, of Asfandiyar and Rustam, Bahman and finally Humai.

First Published in 2000. This is Volume IX of fourteen of a series on India- its language and literature. Written in 1926, The Spirit of Oriental Poetry includes the author's account of his journeys in search of 'His Footprints'.

Geoffrey Chaucer was not a writer, primarily, but a privileged official place-holder. Prone to violence, including rape, assault, and extortion, the poet was employed first at domestic personal service and subsequently at policework of various sorts, protecting the established order during a period of massive social upset. "Chaucer's Jobs" shows that the servile and disciplinary nature of the daily work Chaucer did was repeated in his poetry, which by turns flatters his aristocratic betters and deals out discipline to malcontent others. Carlson contends that it was this social and political quality of Chaucer's writings, rathen than artistic merit, that made him the "Father of English Poetry."

John Donne has been one of the most controversial poets in the history of English literature, his complexity and intellectualism provoking both praise and censure. In this major re-assessment of Donne's poetry, Hugh Grady argues that his work can be newly appreciated in our own era through Walter Benjamin's theory of baroque allegory. Providing close readings of The Anniversaries, The Songs and Sonnets, and selected other lyrics, this study reveals Donne as being immersed in the aesthetic of fragmentation that define both the baroque and the postmodernist aesthetics of today. Synthesizing cultural criticism and formalist analysis, Grady illuminates Donne afresh as a great poet for our own historical moment.

For this edition David Norbrook has provided an extensive introduction which gives an overview of developments in methodology and research since the first edition in 1984, responds to some criticisms, and points the way to further inquiry. Footnotes have been updated to take account of the current state of knowledge, and a chronological table has been provided for ease of reference. Norbrook brings out the range and adventurousness of early modern poets' engagements with the public world The first part of the book establishes the more radical currents of thought shaping Renaissance poetry: civic humanism and apocalyptic Protestantism. Norbrook then shows how such leading Elizabethan poets as Sidney and Spenser, often seen as conservative monarchists, responded powerfully though sometimes ambivalently to more radical ideas. A chapter on Fulke Greville shows how that ambivalence reaches an extreme in some remarkable poetry.

Emily Dickinson's poetry is known and read worldwide but to date there have been no studies of her reception and influence outside America. This collection of essays brings together international research on her reception abroad including translations, circulation and the responses of private and professional readers to her poetry in different countries. The contributors address key translations of individual poems and lyric sequences; Dickinson's influence on other writers, poets and culture more broadly; biographical constructions of Dickinson as a poet; the political cultural and linguistic contexts of translations; and adaptations into other media. It will appeal to all those interested in the international reception of Dickinson and nineteenth-century American literature more widely.>

Among Ruins is the final volume of Homestead Works, a collection of four books of poetry that explore the industrial past and legacy of the old steel town of Homestead, Pennsylvania, and, by extension, Pittsburgh.

This book reveals how poets within the U.S. multi-ethnic avant-garde give up the goal of narrating one comprehensive, rooted view of cultural reality in favor of constructing coherent accounts of relational, local selves and worlds.

The book series Beihefte zur Zeitschrift fur romanische Philologie, founded by Gustav Groeber in 1905, is among the most renowned publications in Romance Studies. It covers the entire field of Romance linguistics, including the national languages as well as the lesser studied Romance languages. The editors welcome submissions of high-quality monographs and collected volumes on all areas of linguistic research, on medieval literature and on textual criticism. The publication languages of the series are French, Spanish, Portuguese, Italian and Romanian as well as German and English. Each collected volume should be as uniform as possible in its contents and in the choice of languages.

Key Features: * Study methods * Introduction to the text * Summaries with critical notes * Themes and techniques * Textual analysis of key passages * Author biography * Historical and literary background * Modern and historical critical approaches * Chronology * Glossary of literary terms

'York Notes Advanced' offer an accessible approach to English Literature. This series has been completely updated to meet the needs of today's A-level and undergraduate students. Written by established literature experts, York Notes Advanced introduce students to more sophisticated analysis, a range of critical perspectives and wider contexts.

"Text World Theory and Keats' Poetry" applies advances in cognitive poetics and text world theory to four poems by the nineteenth century poet John Keats. It takes the existing text world theory as a starting point and draws on stylistics, literary theory, cognitive linguistics, cognitive psychology and dream theories to explore reading poems in the light of their emphasis on states of desire, dreaming and nightmares. It accounts for the representation of these states and the ways in which they are likely to be processed, monitored and understood. "Text World Theory and Keats' Poetry" advances both the current field of cognitive stylistics but also analyses Keats in a way that offers new insights into his poetry. It is of interest to stylisticians and those in literary studies.

Shelley and Vitality reassesses Percy Shelley's engagement with early nineteenth-century science and medicine, specifically his knowledge and use of theories on the nature of life presented in the debate between surgeons John Abernethy and William Lawrence. Sharon Ruston offers new biographical information to link Shelley to a medical circle and explores the ways in which Shelley exploits the language and ideas of vitality. Major canonical works are reconsidered to address Shelley's politicised understanding of contemporary scientific discourse.

Available as both a portable paperback volume and an enhanced digital edition, this complete collection of The Norton Chaucer: Canterbury Tales is meticulously glossed and annotated. With access to the ground-breaking Reading Chaucer Tutorial included in every new copy, this volume delivers unmatched support and value.

This book examines intersections of poetry and performance during the British Poetry Revival. Its investigations are centered on four specific performance events: The First International Poetry Incarnation at the Royal Albert Hall in 1965; Denise Riley's first public reading at the Cambridge Poetry Festival in 1977; Eric Mottram's Pollock Record; and Allen Fisher's Blood Bone Brain. Drawing upon a range of archival resources, recordings, and interviews, Juha Virtanen offers engaging and detailed "archaeological" accounts and analyses of these largely unexamined events as well as the potential dialogues between them. The appendices of the book also feature previously unpublished interviews with both Fisher and Riley. This book is essential reading for poetry and performance enthusiasts, particularly those interested in innovative British Poetry.

Routledge is now re-issuing this prestigious series of 204 volumes originally published between 1910 and 1965. The titles include works by key figures such asC.G. Jung, Sigmund Freud, Jean Piaget, Otto Rank, James Hillman, Erich Fromm, Karen Horney and Susan Isaacs. Each volume is available on its own, as part of a themed mini-set, or as part of a specially-priced 204-volume set. A brochure listing each title in the "International Library of Psychology" series is available upon request.

Virgil:Critical Assessments collects eighty-four of the most important articles on Virgil published in the last hundred years, many of which remain the starting-points for modern scholarship and criticism. The set gathers together articles from a wide range of journals in English, as well as from the German and Italian traditions of Virgil studies, some in new translations, which would not otherwise be available.
The selections are arranged under the following headings:
* general articles, including a discussion of the influence of Lucretius' poetry on the Virgilian corpus
* the Eclogues, containing critical interpretations of all ten of Virgil's bucolic poems, an exploration of the Greek sources and a discussion of the complex poetic structure of the Eclogues
* the Georgics, incorporating an examination of the agricultural methods detailed in the poem, an exploration of the Augustan and Roman themes implicit in the poem and critical interpretations of all four books
* the Aeneid, featuring a discussion of the similarities between Virgil's Aeneas and Homer's Achilles, an exploration of the epic genre and crucial recurring themes in the Aeneid, an examination of Virgilian similes and a study of the Homeric allusions of the poem.
In volumes II-IV general studies on the works are followed by items on the individual poems and books.

Climate change is the greatest issue of our time - and yet too often literature on the subject is considered only in the bracket of 'environmental' writing, divorced from culture, society and politics. The New Poetics of Climate Change argues instead that the emergence of global warming presents a fundamental challenge to the way we read and write poetry - the way we think - in the modern age. In this important new book, Matthew Griffiths demonstrates that Modernism's radical reinvigorations of literary form over the last century represent an engagement with key intellectual questions that we still need to address if we are to comprehend the scale and complexity of climate change. Through an extended examination of Modernist poetry, including the work of T. S. Eliot, Wallace Stevens, Basil Bunting and David Jones, and their influence on present-day poets including Jorie Graham, Griffiths explores how Modernist modes can help us describe and engage with the terrifying dynamics of a warming world and offer a poetics of our climate.

'York Notes Advanced' offer an accessible approach to English Literature. This series has been completely updated to meet the needs of today's A-level and undergraduate students. Written by established literature experts, York Notes Advanced introduce students to more sophisticated analysis, a range of critical perspectives and wider contexts.