African-American expressive arts draw upon multiple traditions
of formal experimentation in the service of social change. Within
these traditions, Jennifer D. Ryan demonstrates that black women
have created literature, music, and political statements signifying
some of the most incisive and complex elements of modern American
culture. "Post-Jazz Poetics: A Social History" examines the
jazz-influenced work of five twentieth-century African-American
women poets: Sherley Anne Williams, Sonia Sanchez, Jayne Cortez,
Wanda Coleman, and Harryette Mullen. These writers' engagements
with jazz-based compositional devices represent a new strand of
radical black poetics, while their renditions of local-to-global
social critique sketch the outlines of a transnational
feminism.
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