Horace is the greatest Latin lyric poet, and certainly the most influential. This book provides a new translation of the famous first book of Odes which is both accurate and readable, supported by a basic commentary for students showing how the poems work. The book includes the Oxford Classical Text edition of the Latin text. This book is intended for students, mainly undergraduate but some sixth form, of Latin Literature on Classics courses and Classics and English courses. Latin text with translation and commentary by: West, David (Professor Emeritus of Latin, University of Newcastle)

A selection of sharp, witty, and impeccably crafted poems from A. E. Stallings, the award-winning poet and translator.

This Afterlife: Selected Poems brings together poetry from A. E. Stallings’s four acclaimed collections, Archaic Smile, Hapax, Olives, and Like, as well as a lagniappe of outlier poems. Over time, themes and characters reappear, speaking to one another across years and experience, creating a complex music of harmony, dissonance, and counterpoint. The Underworld and the Afterlife, ancient history and the archaeology of the here and now, all slant rhyme with one another. Many of these poems unfold in the mytho-domestic sphere, through the eyes of Penelope or Pandora, Alice in Wonderland or the poet herself. Fulfilling the promise of the energy and sprezzatura of Stallings’s earliest collection, her later technical accomplishments rise to meet the richness of lived experience: of marriage and motherhood, of a life lived in another language and country, of aging and mortality. Her chosen home of Greece adds layers of urgency to her fascination with Greek mythology; living in an epicenter of contemporary crises means current events and ancient history are always rubbing shoulders in her poems.

Expert at traditional received forms, Stallings is also a poet of restless experiment, in cat’s-cradle rhyme schemes, nonce stanzas, supple free verse, thematic variation, and metaphysical conceits. The pleasure of these poems, fierce and witty, melancholy and wise, lies in a timeless precision that will outlast the fickleness of fashion.

This story collection by multiple award-winning poet, author and playwright Kobus Moolman is a volume of unconventional potency. Written in a range of styles, voices and genres, each of the ten stories offers original insights into the difficulties of staying afloat. Whether the challenge is being differently abled (with all the outsider isolation this brings); lower-income family life under unbending patriarchal rule; or being born a female child in an abusive, gendered culture, the narratives are convincing (often humorous) in their portrayal of trapped lives striving for transcendence. The darkly funny `Kiss and the Brigadier' invokes the stultifying boredom of small-town life and the captured mentalities of its understimulated citizens; `Extracts from a Dispensable Life' offers a creative and sensitive reading of the gender violence theme; while the irreverent but never disrespectful `Angel Heart' ventures into the risky waters of religious send-up. The Swimming Lesson and Other Stories is a collection that stands out for its unusual perspectives; its frank, often uncomfortable treatment of taboo topics; its creative risk-taking; and its skilful and observant recreation of worlds gone by, which still leave their aftershocks.

If a Shakespearean actor, a Christian missionary and an isiXhosa praise poet walked into a bar, their conversation would sound something like the poems in this collection.

Siphokazi Jonas is a weaver of seemingly discordant worlds; growing up in an Afrikaans dorpie during the transition years of a newly democratic South Africa and going on annual holidays to a village made this a necessity. Her work as a spoken word poet often fuses poetry, theatre and film, and she brings this genre-mixing to the page by using the intsomi form to weave the narrative of her poems together.

Jonas’s poems explore the impact of linguistic and cultural alienation as a black learner in former Model C schools in the 1990s and early 2000s. She is not only a referee of the internal war between isiXhosa and English within her, but she pieces together a language for leaving and returning between the past and the present, and a possible future. Her poems ask questions about navigating tradition, religion, migration between rural and urban spaces, and how families choose to make their own culture. Weeping Becomes a River is a timely reflection on the cost of being the early test subjects of South Africa’s democratic project.

Sarah Uheida's poetry collection Not This Tender is a profound exploration of memory, navigating the landscape of the war-torn North Africa she was forced to flee as a child.

It is a mythical yet deeply personal examination of longing and belonging, estrangement, loss and the influence of family and language, presented through immersive portraits and the lens of a fractured landscape. Here, poetry is wielded as both refuge and rupture in an excavation of the past – not to preserve it, but to make sense of the future.

Through its vivid, evocative imagery, the collection offers a powerful journey through the restless search for home, and the fragile yet unrelenting hope of return.

In setting the poets side by side, this volume also highlights the two main faith traditions of the West: Deane with his Roman Catholic background, rooted in the landscape of Mayo; and Harpur with his Protestant (Church of Ireland and Quaker) heritage, influenced by myth, medieval history and mystics. Their two approaches to everyday life and ultimate reality - including nature, saints and mystics, music, art, prayer, and issues of faith and doubt - combine to make a single volume full of lyrical beauty and powerful witness. In addition, an afterword consisting of an informal dialogue between the two poets complements in prose the themes their poems explore. This is a book to challenge, console, delight and make its readers think again about their own journeys through this "vale of soul-making".

As the seas rise, the fight intensifies to save the Pacific Ocean's Marshall Islands from being devoured by the waters around them. At the same time, activists are raising their poetic voices against decades of colonialism, environmental destruction, and social injustice. Marshallese poet and activist Kathy Jetn-il-Kijiner's writing highlights the traumas of colonialism, racism, forced migration, the legacy of American nuclear testing, and the impending threats of climate change. Bearing witness at the front lines of various activist movements inspires her work and has propelled her poetry onto international stages, where she has performed in front of audiences ranging from elementary school students to more than a hundred world leaders at the United Nations Climate Summit. The poet connects us to Marshallese daily life and tradition, likening her poetry to a basket and its essential materials. Her cultural roots and her family provides the thick fiber, the structure of the basket. Her diasporic upbringing is the material which wraps around the fiber, an essential layer to the structure of her experiences. And her passion for justice and change, the passion which brings her to the front lines of activist movements-is the stitching that binds these two experiences together. Iep Jaltok will make history as the first published book of poetry written by a Marshallese author, and it ushers in an important new voice for justice.

Carol Salomon dedicated over thirty years of her life to researching, translating, and annotating this compilation of songs by the Bengali poet and mystical philosopher Lalan Sai (popularly transliterated as Lalon) who lived in the village of Cheuriya in Bengal in the latter half of the nineteenth century. One major objective of his lyrical riddles was to challenge the restrictions of cultural, political, and sexual identity, and his songs accordingly express a longing to understand humanity, its duties, and its ultimate destiny. His songs also contain thinly veiled references to esoteric yogic practices (sadhana), including body-centered Hathayogic techniques that are related to those found in Buddhist, Kaula, Natha, and Sufi medieval tantric literature. Dr. Salomon's translation of the work is the first dedicated English translation of Lalan's songs to closely follow the Bangla text, with all of its dialectical variations, and is here produced alongside the original text. Although her untimely death left her work unpublished, the editors have worked diligently to reconstruct her translations from her surviving printed and handwritten manuscripts. The result is a finished product that can finally share her groundbreaking scholarship on Baul traditions with the world.

Caustically humorous and polemically compulsive, Trump Rant is a work of meticulous political portraiture: a deep-delving and epoch-spanning investigation into the nature of power in American life, made luminous by Agee's nuanced, exploratory understanding of authoritarian drift and thwarted democratic aspiration in a number of world-historical contexts, from Belfast to the Balkans to the formerly Confederate South. Free-roaming in its breadth of reference and tonal range, the Rant is at once viscerally personal and unsettlingly resonant, infused throughout with an almost hypnotic sense of scale, largesse, and historical moment. Already renowned as a poet of emotional delicacy and singular stylistic vision, Agee's hallmark gifts of writerly intimacy and ethical resolve are here expanded and reconfigured on a panoramic canvas - moving from a pared-back opening section to the accelerating pace and barrage-like linguistic assaults of the latter addenda. But for all its freewheeling furies, shifting emotional registers and Kubrick-like black humour, it remains a remarkably formal work, moored to the relentlessly dangerous drumbeat of Donald J. Trump. The result is a combination of long-form radicalism and eclectic satire, startingly unique in its blend of aphorism, acuity and epic cultural imagining. Composed chronologically for nearly four years (from early 2017 until Election Day 2020), Trump Rant is a triumph of artistic witness and denunciation; an urgent retort to a global culture of imperilled legal standards and depleted literary response; and an incisive model of enlightenment and outrage in a "post-truth" world being visibly darkened by its criminal shadows.

My heart has made its mind up
And I'm afraid it's you.

The Orange provides the perfect introduction to Wendy Cope, one of Britain's wittiest, best-selling and best-loved poets.

In poems that can turn from laugh-out-loud funny to deeply moving, Wendy Cope offers reflections on love and life. From the joy of falling - and being - in love to ways to help you deal with a painful break-up or the memories of people loved and lost, this is a book you will want to savour and share with all your friends.

With lyric grace and meditative clarity, Phantom Gang offers a daring dissection of civilizational violence in a variety of contexts from the intimate atavisms and inequalities of Irish history to the insidious growth of the global Big Tech economy in the present day alongside deep, sensually delicate explorations of broken love and salvaged memories. Honouring the work of a range of writers and photographers, including John Clare (1793-1864), Martin Chambi (1891-1973), Bertolt Brecht (1898-1956), and Gerda Taro (1910-1937), these poems unsettle the boundaries between past and present, elegy and tribute, folkloric remembrance and political reportage, interweaving each with all to create a compelling vision of a world in motion and a consciousness alive to change - as spectral voices and still-living presences seep "into the open echo-chamber / of poetry", casting light on the inner and outer landscapes of the poet's life in time. Following his acclaimed first collection, The Buried Breath, O'Rourke here expands and enriches the thematic concerns of his early work to accommodate new forms of portraiture and moral questioning, while further honing the "clean-boned" music of his poetic style, lit always by a profound emotional charge. Phantom Gang confirms O'Rourke as a leading new voice in Irish poetry.

Today's innovative poets no longer express their dissenting voice on the printed page but in the experimental realm of contemporary media, where holograms, video projections, and even biotechnology form the basis of a new syntax. Celebrated poet and artist Eduardo Kac's" Media Poetry" is the first anthology to document this radically new form, which is taking language beyond the confines of verse and into the non-linear world of digital interactivity and hyperlinkage.This unparalleled volume takes up all the exhilarating incarnations of media poetry, from real-time text generation and spatiotemporal discontinuities to immateriality and visual tempo, exploring the international group of revolutionary poets responsible for such innovations. By embracing the vast possibilities made available by new media, the artists featured in this anthology have become the poetic pioneers of the next millennium.

A scholarly edition of the Divine Poems by John Donne. The edition presents an authoritative text, together with an introduction, commentary notes, and scholarly apparatus.

Here are Sappho's songs and poems as English poems, all her famous pieces, all the fragments that can make connected sense, and all the discoveries of 2004 and 2014. These translations set out to be good English poetry first and foremost, and succeed well beyond other current versions. They have been made directly from Sappho's Greek, by a poet with three collections to his credit, and are relatively close to the Greek. Each piece has a concise footnote that explains references and allusions, and suggests critical appreciation. A substantial Afterword says much more about Sappho's themes, her art and style, and her historical setting. Sappho is one of the greatest poets of the western world. She lived on the Greek island of Lesbos around 600 BCE, near the very beginning of western literature, and composed 300 or so poems and songs. Her poems create a woman-centred world in which women and relationships are highly valued, a world of beauty and grace, love and loss, sandals and hairbands, all sometimes exalted and idealised. She opposes women's values to those of the dominant male society around her, and is the first to do this in the western canon. She was famous in her lifetime and has been deeply admired ever since.

For over seventy years there has been no new English edition of the lively and vigorously-written Middle English verse romance of Hauelok, despite the need for a text to meet modern standards of editing. In this new and thorough edition of the poem. Professor Smithers has done much to elucidate the text, providing a detailed glossary, textual notes, and an introduction that contains an account of the main manuscript and of the Cambridge fragments, of the relations of Hauelok to the other main versions of the story, and of the language, the sources, the date of composition. In addition, Smithers supplies a full commentary which goes well beyond those of previous editions in range, scale, and detail.

Christmas Carols are one of the most visible parts of Christianity, instantly recognisable to church-goers and others alike. Over the years many fine new musical settings have emerged, but the words remain the same. Kevin Carey has been inspired to create a second anthology of new and vibrant lyric poetry that will delight those eager to renew their Christmas Spirit. This book is a perfect stocking-filler, containing over 50 poems that guide us through from Advent to Christmas and Epiphany. Scattered throughout the text are illustrations by Kevin Sheehan. KEVIN CAREY is the Chairman of RNIB, the UK's leading blindness charity, and a Reader in his parish church. He has been a Member of General Synod, and is a chorister, theologian, novelist, and classical music critic.

This enthralling new translation of Dante's Inferno 'immediately joins ranks with the very best' (Richard Lansing). One of the world's transcendent literary masterpieces, the Inferno tells the timeless story of Dante's journey through the nine circles of hell, guided by the poet Virgil, when in midlife he strays from his path in a dark wood. In this vivid verse translation into contemporary English, Peter Thornton makes the classic work fresh again for a new generation of readers. Recognizing that the Inferno was, for Dante and his peers, not simply an allegory but the most realistic work of fiction to date, he points out that hell was a lot like Italy of Dante's time. Thornton's translation captures the individuals represented, landscapes, and psychological immediacy of the dialogues as well as Dante's poetic effects. The product of decades of passionate dedication and research, his translation has been hailed by the leading Dante scholars on both sides of the Atlantic as exceptional in its accuracy, spontaneity, and vividness. Those qualities and its detailed notes explaining Dante's world and references make it both accessible for individual readers and perfect for class adoption.