ni de aqui, ni de alla: It starts neither here nor there, a liminal space between two states of being. A life captured within his lines, At Least This I Know guides the reader through Andres N. Ordorica's own story, of ancestry, nationhood, activism and queerness, through childhood photographs, across international highways, to tales of love and loss, and beyond. These poems are a means of working through the belonging in both the physical sense and emotional, be it the belonging of immigrant bodies in new countries, or that of the queer self within found families and safe spaces. Navigating his family origin and personal journey to belonging, from Mexico, the USA, to Scotland, it's a story to be welcomed into, one that flows from the page and envelops you.

Now in its third year, the AVBOB Poetry Project has garnered several industry prizes.

I Wish I'd Said: Volume 2 includes 101 poems with English translations: 55 specially commissioned poems and 44 poems drawn from the 2018 competition. And, following the blueprint of the first volume, we pay homage to the Khoisan languages, by including two poems by the |Xam poet Dia!kwain. South African poets old and new were asked to submit poems on loss, grieving, love and consolation in their mother tongues.

This new collection – and the online poetry portal – forms a space where the voiceless may be heard, and where we find common ground. Loss is a universal language and poetry its voice.

TikTok poet Shelby Leigh presents a moving and inspirational collection of poetry about growing up and embracing all the beauty life has to offer. The perfect gift for fans of Rupi Kaur, Connor Franta, and Cleo Wade. Shelby Leigh breaks up her poignant and reflective poetry collection into two themes: the anchor and the sail. While the anchor explores issues of insecurity, heartbreak, and anxiety, the sail focuses on healing and hope after the storm. With an emphasis on self-empowerment, changing with the tides is an evocative and celebratory set of poems for anyone who dreams of following their heart and embracing their true self.

‘n Sterk sintuiglike aanslag en oorspronklike beeldgebruik.

Hierdie bundel roep temas in die lewe wat nie dikwels in die Afrikaanse digkuns voorkom nie.

Colin McAllister was born in 1942 in Sao Paulo, Brazil but has lived in St Andrews since 1955. He was educated at the Abbey School, Fort Augustus and at St Andrews University, where he graduated with MA Honours in Political Economy and Geography. For 28 years he taught Economics and related subjects at Dundee College. He was Captain of The New Golf Club at St Andrews in 1999 and President of St Andrews Burns Club from 2005 to 2007. Golf is his main hobby, but other interests include Scottish history, the Gaelic language, economics and politics, good wine and malt whisky, and foreign travel. He published But does it scan? In 2008, Can I Scan? In 2012 and ita s Quite an Uncanny in 2016, More than 100 jokes That Made Me Laugh in 2016 and To Scan or Not To Scan in 2018.

The Complete Works of William Shakespeare is anything but Shakespeare. Unless you’ve never read Shakespeare.

This debut poetry collection by Matthew Freemantle is at times hilarious, at times snarky and at other times a concise mirror reflecting back the absurdity of modern life in South Africa - especially during multiple lockdowns.

A high-brow toilet book that tackles personal reflections on toes, fatherhood, sex, commerce and identity.

This remarkable collaboration had its origins when John Kinsella and Alan Jenkins, two very different poets who had long admired and enjoyed each other's work, discovered by chance that the new poems they were working on shared a preoccupation with the sea. Marine brings together those poems and others written since, all dealing with the sea in its many moods and weathers, with people's relationship to and exploitation of their marine environment, from the Indian Ocean to the shores of the Atlantic; the two poets' highly distinctive voices, while drawing on a dazzling variety of forms and sources, complementing each other in a powerful counterpoint.

Bernard Odendaal se tweede digbundel ontgin temas soos die funksie en aard van digterskap; die drang om die onuitspreekbare te wil verwoord; die voortbestaan van Afrikaans; die sterflikheid van die mens en die natuur. Die digter dink terug aan 'n verlore jeugwêreld en vriende, kinders wat in diaspora is, en ’n nageslag wat elders en anderstalig gaan grootword. Dis ’n bundel met eietydse gedigte waarin ’n soepel taalspel gespeel word, maar wat ook hoogs toeganklike verskuns bevat.

'A national treasure' Daily Express To mark and celebrate National Hedgehog Awareness Week, Pam Ayres has written a less-than-fond farewell from perspective of the 'last hedgehog left on earth' - a delightful, hilarious and thought-provoking elegy to that most beloved inhabitant of the British countryside, the common hedgehog. Pam Ayres' spiky and wonderful creation reminds us that unless we take steps to prevent it, they will soon be far from 'common' indeed: beautifully illustrated by Alice Tait, the poem The Hedgehog sees our hero tell of all the terrible ends his family come to at our own hands - and exactly what we can still do to keep them alive, and see them thrive once more. 'The Last Hedgehog is a little book, but it's an important book and it's a profound book' Graham Norton

Die gedigte in Swatland speel grootliks in Malmesbury af en word aangebied in die taal wat deur die bruin gemeenskap hier gepraat word: Kaaps wat met die kenmerkende bry-klank van die streek weerklink.

Op vernuwende wyse word dié bry skriftelik uitgebeeld. ’n Rugbyderby, ’n krieketwedstryd, en ’n besoek aan die openbare swembad word vars verbeeld deur die skep van opvallende kontraste.

Maatskaplike kwessies word met galgehumor belig en diep persoonlike sake sonder sentimentaliteit aangeroer.

Here, for the first time, is a fully scrutinized text of Eliot's poems, carefully restoring accidental omissions and removing textual errors that have crept in over the full century in which Eliot has been so frequently printed and reprinted. The edition also presents many poems from Eliot's youth which were published only decades later, as well as others that saw only private circulation in his lifetime, of which dozens are collected for the first time.

The first volume respects Eliot's decisions by opening with his Collected Poems 1909-1962 in the form in which he issued it, shortly before his death fifty years ago. There follow in this first volume the uncollected poems from his youth that he had chosen to publish, along with such other poems as could be considered suitable for publication.

The Poems of T. S. Eliot is a work of enlightening scholarship that will delight and inform all those who read Eliot for pleasure, as well as all those who read with pleasure and for study. Here are a new accuracy and an unparalleled insight into the marvels and landmarks from The Love Song of J. Alfred Prufrock and The Waste Land through to Four Quartets.

Chrisalis is die indrukwekkende debuut van ‘n digter wie se taal- en versvernuf die leser meevoer en meermale ook ontroer. In hierdie fyn afgewerkte gedigte word die grens tussen teks en werklikheid telkens getoets.

Dit is verse waarin realiteit self op sy kop gekeer word en waar die alledaagse vreemd gemaak word. Soos’n skoenlapper uit sy papie breek, so kom die digter self te voorskyn uit die chrisalis van sy vers.

Eliza Acton, despite having never before boiled an egg, became one of the world’s most successful cookery writers, revolutionizing cooking and cookbooks around the world. Her story is fascinating, uplifting and truly inspiring.

Told in alternate voices by the award-winning author of The Joyce Girl, and with recipes that leap to life from the page, The Language of Food by Annabel Abbs is the most thought-provoking and page-turning historical novel you’ll read this year, exploring the enduring struggle for female freedom, the power of female friendship, the creativity and quiet joy of cooking and the poetry of food, all while bringing Eliza Action out of the archives and back into the public eye.