"Stephen Symons’s poetry enters a realm of tenderness, the quiet embrace of nature, and the frailties of the human spirit from which beauty arises. I hold his poetry in the highest regard. He is a masterful image maker and a believer in the power of close looking. This poet is a gem."

– David Keplinger, author of Another City and The Long Answer: New and Selected Poems

Poetic Inquiry for the Social and Human Sciences: Voices from the South and North enriches human and social science research by introducing new voices, insights, and epistemologies.

Poetic inquiry, or poetry as research, is a literary and performance arts-based approach. It combines the arts and humanities with scientific inquiry to enhance social research. By challenging conventional epistemological traditions that assert a detached stance of the known from the knower, poetic inquiry proposes a method of decolonising knowledge production. This book expands on ground-breaking work done in the Global North on transdisciplinary poetic inquiry scholarship by bringing it into conversation with knowledge from the Global South. It allows for South-North leadership and places unique scholarly contributions from the South at the centre of transnational discussions.

In exploring and advancing poetic inquiry in the Global South, part of the book’s decolonising agenda is to challenge and expand the definition of poetic inquiry and recognise the contributions from diverse traditions and social practices. The peer-reviewed chapters are written by new and established scholars in various knowledge fields worldwide. The chapters’ scholarly contributions are complemented by an original poetry sequence interwoven through the book. Critically, Voices and Silences shows how poetry can engender innovative research that addresses pressing social justice issues, such as inclusion and decolonisation.

Poetic Inquiry will interest researchers and academics who seek to advance social research by adopting new epistemologies and approaches that integrate the value of the Global South’s contributions and foster expanded South-North collaborations.

These poems trace Nelson Mandela's journey to freedom.

The original French and Norman Strike's sensitive English translations are printed on opposite pages, interspersed with ink drawings by Nja Madhaoui.

In Mede-wete,’n aangrypende nuwe digbundel deur Antjie Krog, word temas soos taal, geheue en gewete met ’n nuwe intensiteit en beleënheid hanteer. Dit is haar eerste digbundel in 8 jaar.

Dié gedigte laat blyk duidelik haar diep verknogtheid aan haar geboortegrond en haar volgehoue betrokkenheid by en passie vir die land se komplekse geskiedenis en samelewing. Terselfdertyd herdefinieer sy haar identiteit as Afrikaanse digter. Te midde van verse waaruit haar woede en afkeer ten opsigte van sosiale ongeregtighede spreek, is daar ook boeiende familieverse, verse oor die generasies vorentoe en terug waarin die stemme en gesprekke opklink wat ons elke dag hoor. Ook verse oor oudword en afskeid, waarvan die huldigingsvers vir Mandela ’n hoogtepunt is.

Maar dit is verál weens die ontwrigting van taal juis om nuwe betekenis te skep dat Antjie Krog ’n opwindende digbundel lewer.

By highlighting and teasing out the mingled emotions of anxiety, disenchantment, hope and anger which characterise South Africans’ current experienced reality, Sole’s poetry questions and expands on our concerns about identity and belonging.

In so doing, the poems in Skin Rafts contemplate the relationships that exist between us on a number of seemingly discrete, but actually intertwined, fronts – the personal relationship between lovers; the wider social and political relationships between human beings; as well as the problematic and contested human relationships that are brought to bear on land, landscape and the non-human.

In this collection the reader is confronted with the circumstance that both body and society exist in a fragile dimension of uncertainty, where we all are ‘bobbing / on our raft of skin’.

Die langverwagte vierde bundel uit die pen van die bekroonde digter Danie Marais. Soos in sy vorige bundels is dit gedigte wat openhartige, intieme gesprekke met die leser aanknoop – hierdie keer oor die ongemakke van ras en klas.

Dis ’n bundel oor die menslike middelklastoestand en die unbearable whiteness of being wat waag om te praat oor die dinge waaroor mense liefs stilbly in die woonbuurte van Stellenbosch waar ’n koue burgeroorlog stil in die boomryke strate woed.

This book is not just for the romantics among us; because what are we here for, if not to love?

A book for the passionate and warm-hearted among us, LOVE explores every type of affection and helps us to nurture our most precious connections. This collection invites us to keep space open for the love in our lives and to remember that it can be found in the most unexpected places.

From familial ties to friendship and romantic love, these poems show tenderness as a powerful force - even towards yourself.

you get better with love takes you on the journey of embracing vulnerability in its rawest form. Exploring fears, insecurities, love experiences and the yearning for acceptance, the author weaves a narrative of prose and poetry delving into the heart of human emotion.

This collection of poetry is a testament to the power of owning one’s feelings and thoughts, showcasing a delicate balance between personal and universal experiences. As a way of symbolising individuality and how we don’t have to constrain ourselves to one thing, the author uses lower-case typography and invites you to reflect on your struggles and triumphs.

As each page turns, you get better with love offers a comforting reminder that as long as we breathe, there is an opportunity to begin anew, love oneself fully, and embrace the endless possibilities that come with choosing to try again.

Fisika, die metafisiese, en selfs wetenskapfiksie word verweef in Nou in infrarooi. Soos die titel suggereer, gaan dit hier oor dit wat sigbaar is versus dit wat nié deur blote sig waarneembaar is nie.

Bestaande plekke – sommige naby en ander ver – word taktiel en ewokatief in reisgedigte uitgebeeld. Hiermee saam hang die verkenning van die onsigbare: van identiteit, ’n soeke na waar jy hoort, weemoed en liefde.

’n Debuutbundel wat bekroonde skrywer Tom Dreyer onomwonde as digter vestig.

My prayers are my poems are my prayers.

I've always relied on logic to make sense of myself and the world.

A prescriptionist at heart, I've always looked to reason to find the rhyme, the practical to get to the mystical, the choreography to find the dance, the proof to get to the truth, and reality to get to the dream.

I've been finding that tougher to do lately. It's more than hard to know what to believe in; it's hard to believe.

But I don't want to quit believing, and I don't want to stop believing in . . . humanity, you, myself, our potential.

I think it's time for us to flip the script on what's historically been our means of making sense, and instead open our aperture to enchantment and look to faith, belief, and dreams for our reality.

Let's sing more than we might make sense, believe in more than the world can conclude, get more impressed with the wow instead of the how, let inspiration interrupt our appointments, dream our way to reality, serve some soul food to our hungry heads, put proof on the shelf for a season, and rhyme our way to reason.

Forget logic, certainty, owning, or making a start-up company of it; let's go beyond what we can merely imagine, and believe, in the poetry of life.

‘n Sterk sintuiglike aanslag en oorspronklike beeldgebruik.

Hierdie bundel roep temas in die lewe wat nie dikwels in die Afrikaanse digkuns voorkom nie.

If a Shakespearean actor, a Christian missionary and an isiXhosa praise poet walked into a bar, their conversation would sound something like the poems in this collection.

Siphokazi Jonas is a weaver of seemingly discordant worlds; growing up in an Afrikaans dorpie during the transition years of a newly democratic South Africa and going on annual holidays to a village made this a necessity. Her work as a spoken word poet often fuses poetry, theatre and film, and she brings this genre-mixing to the page by using the intsomi form to weave the narrative of her poems together.

Jonas’s poems explore the impact of linguistic and cultural alienation as a black learner in former Model C schools in the 1990s and early 2000s. She is not only a referee of the internal war between isiXhosa and English within her, but she pieces together a language for leaving and returning between the past and the present, and a possible future. Her poems ask questions about navigating tradition, religion, migration between rural and urban spaces, and how families choose to make their own culture. Weeping Becomes a River is a timely reflection on the cost of being the early test subjects of South Africa’s democratic project.

Chrisalis is die indrukwekkende debuut van ‘n digter wie se taal- en versvernuf die leser meevoer en meermale ook ontroer. In hierdie fyn afgewerkte gedigte word die grens tussen teks en werklikheid telkens getoets.

Dit is verse waarin realiteit self op sy kop gekeer word en waar die alledaagse vreemd gemaak word. Soos’n skoenlapper uit sy papie breek, so kom die digter self te voorskyn uit die chrisalis van sy vers.

Nadat Moessorgski na ’n uitstalling van skilderye van sy gestorwe vriend Viktor Hartmann gegaan het, het hy in 1874 ’n klavierwerk geskryf wat in 1922 deur Ravel georkestreer is en as gevolg van die orkesweergawe beroemd geword het. Philip de Vos het met sy verse die werk gemoderniseer om dit meer toegangklik vir moderne lesers te maak, terwyl dit steeds die gevoel van hierdie klassieke meesterwerk behou. Die prettige en slim Prente by ’n uitstalling beeld die besoeker uit soos hy van die een skildery na die volgende beweeg.

It is the gut-wrenching experiences we live through that shape us into the people we are today-pliable instruments in the hands of the Heavenly Potter. Through her own hard trials, Sarah Jane Kellogg has come to believe that out of the anguish of the soul-the mind, will, and emotions-revelation is birthed.

In an inspirational memoir, Sarah Jane unpacks the incredible true story of a family tragedy kept secret for decades. As a child, Sarah Jane reveals how she was told her grandparents died in an automobile accident, only to discover later that their lives were taken by a family member. While relying on the memories of her three older cousins and other observers, Sarah Jane provides glimpses into her loving family, the mental illness that ravaged their lives, the emotional wounds that took years to heal, and her own personal grief experiences shared to help other believers find God's pathway to reconciliation after tragedy.

There Is Life after Tragedy is the true story of one family's faithful journey as a long-held secret is revealed that proves God's glory is always within reach, even in difficult circumstances.