Like so many of her generation, Lwando Xaso came of age alongside the beginnings and growth of South Africa’s constitutional democracy. Her journey into adulthood was a radically different one from that of earlier generations, marked by hope that changing perceptions would usher in a new and free society.

Made in South Africa – A Black Woman’s Stories of Rage, Resistance and Progress is a vibrant collection of essays in which Lwando examines with incisive clarity some of the events that have shaped her experience of South Africa – a country with huge potential but weighed down by persistent racism and inequality, cultural appropriation, sexism and corruption, all legacies of a complicated history.

As a young lawyer intent on climbing the corporate ladder, Lwando’s life’s direction was changed by a personal experience of the oppressive capacity of a supposedly democratic government when it unjustly fired a close family friend and mentor from a senior government position. She found herself on his legal team and the turmoil the case created within her led her to further her studies in constitutional law, and to pick up her pen and share with a wider audience her views of what was happening in her beloved country.

Her outlook was further shaped by her experience of clerking at the Constitutional Court for Justice Edwin Cameron, which deepened her respect for the South African Constitution, and what it really means for a resilient people to strive continually to live up to its moral and legal standards.

Lwando’s writing reflects her unflinching resolve to live according to the precepts of our groundbreaking Constitution and offers a challenge to all South Africans to believe in and achieve ‘the improbable’.

This book asks how governments in Africa can use evidence to improve their policies and programmes, and ultimately, to achieve positive change for their citizens.

Looking at different evidence sources across a range of contexts, the book brings policy makers and researchers together to uncover what does and doesn't work and why. Case studies are drawn from five countries and the ECOWAS (west African) region, and a range of sectors from education, wildlife, sanitation, through to government procurement processes. The book is supported by a range of policy briefs and videos intended to be both practical and critically rigorous. It uses evidence sources such as evaluations, research synthesis and citizen engagement to show how these cases succeeded in informing policy and practice.

The voices of policy makers are key to the book, ensuring that the examples deployed are useful to practitioners and researchers alike. This innovative book will be perfect for policy makers, practitioners in government and civil society, and researchers and academics with an interest in how evidence can be used to support policy making in Africa.

South African Governance will help the student understand the conceptual and contextual frameworks essential for establishing a sound foundation for South African governance, and allows the student to acquire knowledge of the Constitution of the Republic of South Africa. The book builds on theory by discussing the current state of governance and providing potential future perspectives. It concludes by integrating theory, contexts and institutions with current realities. It does this by discussing governance from policy to implementation, and giving the student practical applications of South African governance. South African Governance is suitable for undergraduate and postgraduate students enrolled in public administration courses at universities. It is also a useful reference tool for government officials and practitioners.

A seminal compendium to the history of our Navy.

This book provides a most timeous, comprehensive and up to date history of the South African Navy and its predecessors.

For nearly ten years - indeed more if we include his period of influence under Mandela's presidency - Thabo Mbeki bestrode South Africa's political stage. Despite attempts by some in the new ANC leadership to airbrush out his role, there can be little doubt that Mbeki was a seminal figure in South Africa's new democracy, one who left a huge mark in many fields, perhaps most controversially in state and party management, economic policy, public health intervention, foreign affairs and race relations. If we wish to understand the character and fate of post-1994 South Africa, we must therefore ask: What kind of political system, economy and society has the former President bequeathed to the government of Jacob Zuma and to the citizens of South Africa generally? This question is addressed head-on here by a diverse range of analysts, commentators and participants in the political process. Amongst the specific questions they seek to answer: What is Mbeki's legacy for patterns of inclusion and exclusion based on race, class and gender? How, if at all, did his presidency reshape relations within the state, between the state and the ruling party and between the state and society? How did he reposition South Africa on the continent and in the world? This book will be of interest to anyone wishing to understand the current political landscape in South Africa, and Mbeki's role in shaping it.

Fight for Democracy is a penetrating and critical scrutiny of the ANC’s treatment of the print media since the inception of democracy in 1994. In this book, Glenda Daniels does not hide behind a veil of detachment, but instead makes a passionate argument for the view that newspapers and journalists play a significant role in the deepening of democratic principles.

Daniels’ study goes to the heart of current debates and asks why the ANC, given its stated commitment to the democratic objectives of the Constitution, is so ambivalent about the freedom of the media. What would be the consequences of a revised media policy on democracy in South Africa, and at what cost to freedom of expression? Daniels examines the pattern of paranoia that has crept into public discourse about the media and the ANC, and the conflictual relationship between the two. She argues that the ANC’s understanding of democracy, transformation and development entails (amongst other things) the rallying of the nation behind its leadership as the premier liberation movement and democratically elected representative of the majority while morally coercing black journalists and professionals into loyalty. Daniels challenges the dominant ANC view that journalists are against transformation and that they take instruction from the owners of the media houses; in short that they are ‘enemies of the people’.

Fight for Democracy is a timely publication in the context of the impending clampdown on media freedom and the twin threats of the Protection of State Information Bill (Secrecy Bill) and the Media Appeals Tribunal, both of which signify closures in South Africa’s democracy.

Written in a polemical style, this is a work of activism that will be essential reading for the informed public as well as those working in Journalism and Media Studies. It should interest all democrats, members of political organisations as well as academics and Right2Know activists, locally and internationally.

For the first time, the 92-metre frieze of the Voortrekker Monument in Pretoria, one of the largest historical narratives in marble, has been made the subject of a book.

The pictorial narrative of the Boer pioneers who conquered South Africa’s interior during the ‘Great Trek’ (1835-1852) represents a crucial period of South Africa’s past. Forming the concept of the frieze both reflected on and contributed to the country’s socio-political debates in the 1930s and 1940s when it was made. The frieze is unique in that it provides rare evidence of the complex processes followed in creating a major monument.

Based on unpublished documents, drawings and models, these processes are unfolded step by step, from the earliest discussions of the purpose and content of the frieze through all the stages of its design to its shipping to post-war Italy to be copied into marble and final installation in the Monument. The book examines how visual representation transforms historical memory in what it chooses to recount, and the forms in which it depicts this. It also investigates the active role the Monument played in the development of apartheid, and its place in post-apartheid heritage.

The second volume, to be published later this year, expands on the first, considering each of the twenty-seven scenes in depth, providing new insights into not only the frieze, but also South Africa’s history.

Coming of age in South Africa as apartheid falls, a young mixed-race woman struggles to overcome her identity and heritage.

Born into poverty and state-mandated third-class status, Jesmane was weighed down by self-doubt, feelings of inferiority and shame even though she was at the top of her class and showed great promise. After graduating from a prestigious South African university, earning a master's degree at Harvard University and becoming Head of Business Engagement for Africa at the World Economic Forum, she continued to wrestle with internal conflicts and contradictions stemming from her past. In this touching memoir, Jesmane and various South African colleagues explore their early lives, embrace the crippling contradictions forced upon them by apartheid, and craft new narratives for themselves, narratives of acceptance, inclusion, and boundless possibilities.

As a mixed-race (coloured) woman, whose genes connect her with all parts of Africa, as well as East Asia, South Asia, Germany, Wales, Netherlands, and other parts of the world, Jesmane is a microcosm of nations riven by internal strife. She reconciled with herself by deliberately turning to the conflicts and contradictions within. Doing so forced her to explore her past, grapple with lingering emotions, and come to a new understanding of herself, to a new healing. Our world today, divided and fractured, would benefit from a similar process of self-reconciliation, of exploration of national and individual stories, followed by the embrace of contradictions and the crafting of new narratives of acceptance, inclusion, and boundless possibilities.

The stories Jesmane tells in this book - her story, and those of people from around the world spanning from US, Mexico across to India, Pakistan, Nepal and to Rwanda - can bring healing and inspiration to all.

(Jesmane Boggenpoel is an experienced business executive and a former Head of Business Engagement for Africa at the World Economic Forum in Switzerland. She has served on the boards of various South African and international organisations. She is a Chartered Accountant (South Africa) and holds a Master's degree from Harvard University's JFK School of Government. Jesmane was honoured as a Young Global Leader of the World Economic Forum and is a Harvard Mason fellow.)

The ANC received a bloody nose in the 2016 local elections, when it lost three major metros to the opposition. Will the fractured ruling party be able to reunite under Cyril Ramaphosa and gain a majority at the polls in 2019? Or could the DA and the EFF overcome their vast ideological divide to oust the ANC?

The South African political landscape has changed dramatically since Jacob Zuma stepped down as president. Veteran political journalist Jan-Jan Joubert looks at all the possible scenarios, taking us behind the scenes into a world of political horse trading to analyse the options available to all the parties in the run-up to the next election. Will the oldest liberation movement in Africa have to form a coalition to stay in power? And what is the likelihood of the ANC’s turning to the EFF to bolster its support?

One thing is certain: deals will be done. By examining the results of the local elections, Joubert argues that the 2019 national elections may well be the first in 25 years in which no party wins an outright majority.

In exclusive interviews, political leaders also share their views on the major issues dividing – or perhaps uniting – South Africa today, and point the way to a new political future.

The Big Fix gives the first detailed account of how South Africa paid $10 million to secure the 2010 World Cup.

Between June and July 2010, 64 games of football determined that Spain was the world’s best team at the World Cup in South Africa. South Africans – and the world – celebrated a brilliantly hosted tournament where everything worked like clockwork and the stands were packed with vuvuzela‐wielding fans. But the truth was not yet known. Behind this significant national achievement lay years of corporate skulduggery, crooked companies rigging tenders and match fixing involving the national team. As late as 2015 it was revealed that the tournament’s very foundations were corrupt when evidence emerged that South Africa had encouraged FIFA to pay money to a bent official in the Caribbean to buy three votes in its favour. As Sepp Blatter’s FIFA edifice crumbled, a web of transactions from New York to Trinidad and Tobago showed how money was diverted to allow South Africa’s bid to host the tournament to succeed.

In The Big Fix: How South Africa Stole The 2010 World Cup, Ray Hartley reveals the story of an epic national achievement and the people who undermined it in pursuit of their own interests. It is the real story of the 2010 World Cup.

Allister Sparks joined his first newspaper at age 17 and was pitched headlong into the vortex of South Africa’s stormy politics. The Sword And The Pen is the story of how as a journalist he observed, chronicled and participated in his country’s unfolding drama for more than 66 years, covering events from the premiership of DF Malan to the presidency of Jacob Zuma, witnessing at close range the rise and fall of apartheid and the rise and crisis of the new South Africa.

In trenchant prose, Sparks has written a remarkable account of both a life lived to its full as well as the surrounding narrative of South Africa from the birth of apartheid, the rise of political opposition, the dawn of democracy, right through to the crisis we are experiencing today.

As a young girl, Ismé Bennie didn’t realize how privileged she was. A white South African growing up during the apartheid era, her life was one of pleasure. She was a child at play under the warm African sun.

As she grew, however, and became more aware of the suffering of the black community in her country, she began to understand the evils of apartheid in a way that only those who lived through it can.

White Schooldays is a reflection on the relative normalcy of Bennie’s life in the 1940s and 1950s—a life filled with her pets, family, sports, and friends. As a Jew, Bennie was a minority within a minority, but she still enjoyed the benefits of life as a white South African. Her everyday pleasurable experiences stand in stark contrast to the violence, discrimination, and political upheaval that went on around her. As Bennie changed from a girl to a woman, the bliss of ignorance faded away.

White Schooldays is Bennie’s homage to a way of life that was special and beautiful for those who were privileged enough to lead it…and a look at the political reality of the times to keep it all in perspective.

As a leading political journalist and newspaper editor, Ray Hartley had the best seat in the house for the unfolding drama of the new South Africa, as well as privileged access to many key players, including Nelson Mandela himself.

On a cold Highveld morning in May 1994, Nelson Mandela took the oath of office to become South Africa’s first democratically elected president. A new era had begun. The promise of those heady days of political transition soon gave way to a more sober view on the magnitude of the challenges facing the new government.

Under Mandela and his successor, Thabo Mbeki, the country grappled with the restructuring of the state, massive inequality and poverty, rising crime, battles over economic policy, the arms deal, the HIV/AIDS crisis, the BEE era, the cancer of political corruption and the rise of a new and predatory political elite. With the removal of Mbeki, followed by the interregnum of Kgalema Motlanthe, the stage was set for the coming to power of the controversial Jacob Zuma. These are all key threads in Ray Hartley’s rich and complex narrative history of the democratic era.

Admirably concise but rich in detail, drawing on a wide spectrum of interviews, documents and experiences, Ragged Glory offers a bracingly critical look back at the achievements and the failures of two turbulent decades, during which South Africa took its place at the table

Tony Leon has written a book of unique insight into an unexplored aspect of the presidency and leadership of Nelson Mandela. Opposite Mandela relates the untold stories of how South Africa's first democratic president related to his political opponents.

Leon served as leader of the Democratic Party during Mandela's presidency. Although they clashed, sometimes fiercely, on great issues of the day, Leon enjoyed an unusually warm relationship with Mandela and had direct access to the president's office. In this first-hand account, he relates some of the more consequential moments of those momentous times in South Africa's history-in-the-making through the lens of the opposition. Although this is a personal account, it also explores some of the major themes, from reconciliation to corruption, which not only marked that period but also laid the basis for the current challenges which confront South Africa today, nearly two decades after Mandela assumed the country’s highest office, the very moment when Leon's political leadership began.

Insightful, and simultaneously serious and amusing, it lifts the veil on many unknown or unexplained benchmarks from that era: the personal animosity between Mandela and FW De Klerk, the decision of the Democratic Party to reject Mandela's offer of a seat in his cabinet and whether the extraordinary outreach of Mandela to the minorities was the shrewd calculation of a latter-day Machiavelli or the genuine impulses of a secular political saint. This highly readable and first-hand account considers in a balanced manner both the golden moments and the blind spots of one of the most consequential presidencies and leaders of the modern democratic age.

Picture South Africa in ten years: Are the angry poor rising up, seizing land and businesses? Will the ANC survive three more elections? Will the middle classes still braai in suburbia or will we go the way of Zimbabwe?

South Africa is currently at a tipping point. Unemployment, slow growth, threats to freedom of speech, and poor education can send the country in any direction. Frans Cronje, CEO of one of the country’s leading think-tanks, identifies the key trends in the economy, politics and society which hold the clues to our immediate future.

While living standards have for instance improved since 1994, in an ironic twist this is fuelling ever-increasing expectations by the populace. The “curse of rising expectations” lies at the root of much of the instability in the country.

Cronje uses key trends in our society to outline the four most likely scenarios for the country, which he quite fittingly calls the Narrow Road, the Wide Road, the Rocky Road and the Toll Road.

Sobering, shocking and hopeful in turn, no South African can afford to ignore the convincing futures Cronje paints.

Fractured Lives is a memoir of one woman's experiences as a documentary filmmaker covering the wars in southern Africa during the 1980s and 1990s. Part autobiography, part history, part social commentary and part war story, it offers a female perspective on a traditionally male subject. Growing up in South Africa in a politically active family, Toni went to Britain as an exile in 1965 in the wake of the famous Rivonia Trial, and in the years to follow, became a filmmaker. Despite constant difficulties fighting for funding and commissions from television broadcasters, and the prejudices of working in a male-dominated industry, Toni made several remarkable films in Mozambique and Angola. These bear witness to the silent victims of war, particularly the women and children. Fractured Lives paints the changing landscape of southern Africa: Namibian independence and the end of the war in Mozambique bring hope - but also despondency. Yet there is also the possibility of redemption, of building new lives for the victims of war. In its final chapters, Fractured Lives traces the power of survival and the opportunities for new beginnings. Fractured Lives concludes with Toni's return to South Africa after nearly three decades in exile. However, the joy following the demise of apartheid is tempered by the poignancy of returning to a place that for so long had existed in her dreams alone and the realization that home will forever lie somewhere else.

Only a dramatic, imaginatively crafted intervention - a massive redistribution programme managed by the private sector, far-reaching policy changes in schooling, housing and health, and better, disciplined governance - will deliver the genuine liberation South Africa's still-poor millions expected from the 1994 settlement. Without it, without the real promise of a free, meritocratic society, South Africa will flounder and fail as corruption, crime, social decay, hopelessness and anger engulf society. This is the compelling thesis of Hlumelo Biko's hard-hitting, thoughtful analysis of South Africa's past, present and future, a sobering assessment of where we stand today, and where we need to go.

At once unnervingly candid and inspiring, The Great African Society demolishes the complacent optimism that underpins much soft thinking about South Africa's future and places at the service of public debate practical, achievable objectives for business, government and civil society. South Africa's challenge, the book argues, is to act now to avoid the mounting threat of revolt and decline that would devalue every political and economic achievement of the past decade-and-a-half and leave Nelson Mandela's feted rainbow nation staring decrepitude in the face.

Biko, the son of two great South Africans, Steve Biko and Mamphela Ramphele, is generous in acknowledging achievements to date, but unsparing in judging the flaws and failures of the ANC-led government, of business, unions and civil society. He offers a comprehensive survey of the profound and continuing devastation visited on the country by its unjust history, and plain, rational proposals for repairing the damage. No debate from here on about the South African future can be taken seriously without weighing Biko's insights and his warnings.

The Great African Society is vividly moral in its intentions, but sober and unsentimental in examining political and economic imperatives. It is guaranteed to make the reader sit up and take stock afresh.

Drawing on the wide-ranging artistic experience gained in his years of acting and writing for theatre, Sol first ventured into poetry in 1977. Here he found he could more intensely express the thoughts and feelings garnered from his acute sense of observation.

People, their interaction with the environment and the socio-political and cultural times, the pains and hopes of a generation and the multi-facetted world of an evolving Johannesburg are the inspiration of his deeply-felt poems and ballads. Ordinary activities, every-day occurrences, a chance conversation overheard between two street-cleaners, the brutal death of a young political activist at the hands of security police, observations on the crime, violence and morals of naked Soweto - all are evoked in haunting, nostalgic and sometimes ironic reminiscences which recreate a period slowly fading from memory.

He turns a blistering spotlight on some incidents, encapsulated in a few, searing words. Others he treats with tenderness, understanding and an empathy which resounds within the reader's own emotions. Life at its most basic is counterbalanced by deep philosophic probings. There are unspoken challenges to question and to act as did the young people of those chaotic '70s.

Z Pallo Jordan is the quintessential man of political letters on the one hand, and an astute literary historian in his own inimitable way, penning flowing observations, interspersed with pithy and yet colourful descriptions on the other hand – while cutting to the bone in analyses and breath-taking insights, informed by meticulous reading amassed over nearly half a century of struggle. Letters to Friends and Comrades is the ultimate collection of his piercing and yet embraceable thoughts and inquiries. This treasure trove of the writings of Z Pallo Jordan could not have been more timely in this critical – or should we say unfortunate – period of the promise that was the New Democratic Republic of South Africa, and published as it is on the eve of the African National Congress’s general elective congress in December 2017, and interestingly in the aftermath of the watershed municipal elections of 3 August 2016.

In 1906, the authorities in the colony of Natal put down, with great loss of life, an uprising that has become known as the Zulu or Bhambatha rebellion. Accounts have tended to concentrate on Bhambatha, the man who led the guerrilla war in the Nkandla forest, but this book shifts the focus to the Maphumulo area where two famous chiefs led their people in violent resistance to the colonial militia. This account also goes beyond the physical conflict. It examines the rituals that preceded it and the life and death struggle in the courts which followed as the colonial authorities sought to make an example of those who, they alleged, had used not just African weapons, but African medicine and superstition/religion to drive the white man out of Africa. The Maphumulo Uprising introduces many of the social and political issues around ethnicity, identity, and nationalism that have been such a feature of the subsequent history of KwaZulu-Natal.

Professor Davenport examines reconciliation among the various elements of South African society since 1990 and explains how problems that might have undermined peacemaking efforts were overcome. He concludes by analyzing the creation of the new constitution and sets out an analysis of the Government of National Unity's task of building a new society set against a volatile political and socioeconomic background.

Though much has been written on South African censorship, there has been little historical or theoretical analysis. This text examines why the South African state in the post-war period required such a massive system of thought control.

The congress of the people – where the freedom charter was formally approved by several thousand delegates – was held over the weekend of 25–26 June 1955 in an open field in Kliptown, south of Johannesburg. It was a colourful and dramatic affair. For Ellen Lambert the CoP was seen as “the day of liberation like Martin Luther’s meeting where he gave the ‘I have a dream’ speech. The official report of the National action council that coordinated the entire campaign stated that there were 2 844 delegates representing all the most important urban centres, with approximately 300 delegates from Natal, 250 from the Eastern and Western Cape, 50 from the OFS and the rest came from the Transvaal, mainly from Johannesburg. The CoP opened under the chairmanship of Dr W Conco with a prayer by Reverend Gawe and a speech delivered on behalf of Chief Albert Luthuli, who could not attend because of his banning order. This was followed by the presentation of the Isitwalandwe – an honour of a bird feather conferred on distinguished sons of the Xhosa people – to Chief Albert Luthuli, Dr Yusuf Dadoo and Father Trevor Huddleston “in recognition of their work to build a better life in our country, founded upon democracy and equality”. After this each clause of the Freedom Charter was motivated by various speakers as listed below; limited discussion and comments were elicited from the delegates, and the clause was adopted by a show of hands: Preamble of the Freedom Charter – Alfred Hutchinson; The people shall govern – NT Naicker; All national groups shall have equal rights – Dr Letele; The people shall share in the country’s wealth – Ben Turok; The land shall be shared amongst those who work it – TE Tshunungwa; All shall be equal before the law – Dr A Sader; All shall enjoy equal human rights – Sonya Bunting; There shall be work and security – Leslie Masina; The doors of learning and culture shall be opened – Es’kia Mphahlele.

A Darker Shade Of Pale tells the story of life as a person of mixed race in apartheid South Africa.

After the National Party gained power in South Africa in 1948, the all-white government took control by legislating their policies of racial segregation under a system called apartheid. Forced to live among the sand dunes and narrow streets of Council housing estates, through her mixed ancestry Beryl was classified as Coloured, not white enough or not black enough. This allowed the government to shape her life, where she was allowed to live, to attend school, to sit on the train, to work, and who she could marry.

Growing up in council housing estates on the Cape Flats in the 1960s and early 1970s it wasn’t until reaching high school that she discovered a richer life on the other side of the tracks for those classified as white. The stark reality of the inequality towards her skin colour made her question her ancestry and her parents’ acceptance of their classification. She was drawn to joining rallies to fight the government but at home any such discussions were strongly dismissed.

It is a remarkable story of the resilience of her parents, particularly her mother Sarah who recognised that the future for her children was through education. Sarah, faced with many challenges – the death of a young child, a husband suffering ill-health, five children to feed and to keep a roof over their head powered the way forward to increase their chances of a better life should apartheid crumble.

A Darker Shade Of Pale is a moving account of Beryl’s family and community life in segregated South Africa – the injustices, humiliation and challenges and finally finding acceptance when she moved to Australia in the 1980s.

Until Julius Comes is a rollicking, unprecedented journey through the wilds of South African politics. With his sharp wit and perceptive observations, Richard Poplak exposes the tricks of the political trade and the skullduggery that comes with it.

Writing under the byline Hannibal Elector, he spares no one: Julius Malema looks like a ‘Teletubbie in his EFF onesie’; Jacob Zuma is a tasteless home renovator with ‘no access to a Woolworths lifestyle magazine’ and Helen Zille sends out ‘Braveheart vibes’ as she guides her troops into battle.

In vignettes that switch between the hilarious, the tragic and the terrifying, Poplak rips back the curtain and exposes the country for what it is: a bustling, contested and divided circus trying to find its way to wholeness.