Track list
Treat Me So Bad
Come On, Hello
Ay Ay
Feel It
'89
Yeah, I Know
Enabler
Razorhead
Bad Advice
I Was Born
React
So So

Track list
Token Appreciation Society
Voodoo Science
Earth Mover
Tear It Down
Muscular Reflex
...are You Thinking
Super Fluid
She's As Happy As a Man Can Be
...god's Coffee
Run Baby Run
I Have a Problem (I Ignore)
...divine Machines
Hades, Baby

Track list
I Believe in You
Coat of Many Colors
Together Forever
I Am a Rainbow
I'm Here
A Friend Like You
Imagination
You Can Do It
Responsibility
You Gotta Be
Makin' Fun Ain't Funny
Chemo Hero
Brave Little Soldier
A Reading of "Coat of Many Colors"

Ornaments From The Silver Arcade' is the third full-length studio album from indie rock three-piece Young Knives. Having built a reputation for intricate, distorted guitar lines and sharp, extremely British lyrical hooks, Young Knives follow up to 2008's 'Superabundance' in style, proving they are one of the best guitar bands to emerge in the noughties from the UK.

Track list
Finally It S Christmas
Wonderful Christmastime / Come on It S Christmas (Medley)
Rudolph the Red-nosed Reindeer
'til New Year's Night
Please Come Home for Christmas
Someday at Christmas
Joy to the Mountain
Jingle Bells
Happy Christmas
All I Want for Christmas
Winter Wonderland
Blue Christmas
Peace on Earth
Have Yourself a Merry Little Christmas

Track Listings
1 : Fire (In the Heart of Hearts)
2 : Cosmic Whip
3 : Serving Purpose
4 : Praying Hands, Turtle Doves
5 : Amphetamine Luck
6 : Torcalon
7 : The Wall
8 : Old Human Material
9 : Anomia
10 : Never Ending Space

Welsh post-punk unit Chain of Flowers return with their lofty and long-simmering sophomore full-length, rich with reckonings, reverb, and redemption: Never Ending Space. Despite some of the songs dating back a few years, the record first began materialising in earnest during the pandemic, by which point most of the band had relocated from Cardiff to London. Reunited and rejuvenated, they picked up where they left off, booking two multi-day sessions at Hackney hub Total Refreshment Centre with producer Jonah Falco. In this time they successfully channelled their kinetic chemistry into 10 full-blooded anthems of torn dreams, poetic delirium, and “hope stretched too far.” Musically, Never Ending Space skews notably more maximal than the group’s previous work, fleshed out with trumpets, saxophone, synth, percussion boxes, and spoken word. (Smith jokingly calls them The Chain of Flowers Orchestra). Yet the songs still swing and soar with a charged heart, ripe with hooks, drama and ragged melody. Opener “Fire (In The Heart Of Hearts)” stirs to life on a tide of wiry guitar and defiant horns, facing down the embers of love that still glow in the wake of pain: “Peace came tumbling like a shower of bricks / The mind twists slowly till everything fits.” A tense energy ripples throughout – from the nocturnal rush of “Serving Purpose” and “Amphetamine Luck” to the bruised battle cries of “Torcalon” and “Old Human Material.” Outliers like “Praying Hands, Turtle Doves” hint at proggy possible futures, while instrumental vignette “Anomia” offers an intriguing glimpse at a lesser heard facet of the band: swaying, shadowy, subdued. The album’s title track is also its closing cut, a stomping, sparkling ode to “the wrong side of the night, where time goes to die.” Smith describes the scene: “Everyone’s talking, screaming, trauma bonding, but no one’s listening. Broken dialogue. Shouting over each other. You want to switch off, but everyone’s too fucked.” The guitars spiral and slide towards the oblivion of dawn, the chance to crash and do it all again. The song’s refrain captures the elision of time, spilling through the haze of days, from chaos to acceptance: “I can’t see the clock through the shrouds of smoke / Does it matter? / Common ground / In a never ending space.” Genre: Alternative / Post-punk