Throw yourself into a dance frenzy with this four CD set! This second volume of the Number One Euphoric Dance Album is the follow up to the 100,000 selling Volume One!!! This time, the selection of amazing Dance, funky House and club anthems includes artists such as Seamus Haji, Mylo, Bob Sinclar, Bodyrox, Freemasons, DJ Sammy, Cabin Crew, Scooter and Fatboy Slim. For health reasons, we recommend you take a short rest break in between CDs...we wouldn't want you to dance yourself crazy! Decadance. 2007.

Track Listings
1 : Fingers of Steel
2 : Six-Pack
3 : Yankees
4 : Alibis
5 : Adderall
6 : Orchid
7 : The Fall of Paul
8 : Burning By Design
9 : Different Person
10 : All the People

If Songs of Praise was fuelled by pint-sloshing teenage vitriol,then Drunk Tank Pink delved into a different kind of intensity.Wading into uncharted musical waters, emboldened by theirwit and earned cynicism, they created something with theabandon of a band who had nothing to lose. Having forcedtheir way through their second album's identity crisis, theyarrive, finally, at a place of hard-won maturity. Enter: Foodfor Worms, which Steen declares to be "the Lamborghini ofshame records."It marks a sonic departure from anything they've donebefore, abandoning their post-punk beginnings for moreeclectic influences, drawing from the tense atmospherics ofMerchandise, the sharp yet uncomplicated lyrics of Lou Reedand the more melodic works of 90s German band, Blumfeld.For the first time, the band are not delving inwards, butseeking to capture the world around them. "I don't think youcan be in your own head forever," says Steen. A conversationafter one of their gigs with a friend prompted a stray thoughtthat he held onto: "It's weird, isn't it? Popular music is alwaysabout love, heartbreak, or yourself. There isn't much aboutyour mates." In many ways, the album is an ode to friendship,and a documentation of the dynamic that only five peoplewho have grown up together - and grown so close, against allodds - can share.

Track list

1.
Old Home Town
(Love Always) Letter to Home
An American Trilogy
Faithless Love
Cowpoke
Leavin' Eyes
On the Wings of Victory
Mull of Kintyre
Sweet Sixteen
Gene Autry, My Hero
It's Just a Matter of Time
I'll Be Faithful to You
Wild Winds
I Love How You Love Me

2.
Cowboy Hall of Fame
A Lady Like You
Do What You Gotta Do
After the Glitter Fades
Scene of the Crime
A Few Good men
I Was Too Busy Loving You
Goodnight Lady
Tennessee
Ruth
A Woman's Touch
Rag Doll
Hang on Baby (Ease My Mind)
Blues (My Naughty Sweetie Gives to Me)

Track list
Standing on the Outside
Flame Trees
Khe Sanh
When the War is over
Cheap Wine
Bow River
Rising Sun
Choirgirl
All for You
Saturday Night
Forever Now
Breakfast at Sweethearts
Yakuza Girls
Four Walls
You Got Nothing I Want
My Baby
Shipping Steel
Ita
Hq 454 Monroe
Goodbye (Astrid Goodbye)

Track list

1.
Quarter Past Midnight
Bad Decisions
The Waves
Divide
Million Pieces
Doom Days
Nocturnal Creatures
4am
Another Place
Those Nights
Joy

2.
Quarter Past Midnight
Bad Decisions
The Waves
Divide
Million Pieces
Doom Days
Nocturnal Creatures
4am
Another Place
Those Nights
Joy

Track Listings
1 : Mood Into Object Personified
2 : Jolene from Her Own Perspective
3 : Origin Story
4 : Jazzercise
5 : Pathologically Yours
6 : Spinal Tap
7 : Inside of a Plum
8 : Rorschach
9 : In Regards to Your Tweet
10 : Dep. Chamber
11 : Pearl Gurl
12 : The Lesson
13 : I've Spent Forever Planning a Crisis
14 : Like a Liver
15 : Weltschmer

Even my subconscious is self-conscious," Okay Kaya sings on "Inside Of A Plum", giving us a sense of the mental state she entered while making SAP, an album she wrote, performed, engineered, and produced alone, sometimes spending weeks at a time without social interaction. This is a concept album about consciousness in which Okay Kaya focuses her trademark combination of abstraction and wit on what happens to her mind unaccompanied, on her tendency to feel less like a human and more like the sticky secretion of a tree. After releasing her Spellemann Award winning album Watch This Liquid Pour Itself in January of 2020, Kaya left her home in New York and moved to Europe to create and show her various interdisciplinary exhibitions. Among others, she made an installation that amplified music made underwater and an interactive sculpture based on Jungian sandplay therapy for children. Between her exhibits, Kaya recorded through lockdowns by herself in the loaned studios of generous friends. SAP first grew from the first single "Spinal Tap" about Kaya wandering in Berlin, tree-touching. "Sap reminds me of the bodily functions I need to remember to do, like sleep. One might say it 'resinates.'" The album was further inspired by Ketamine Therapy which is discussed in "The Inside Of A Plum." Kaya explains, "The doctor said this treatment grows literal physical branches in your brain." As she experimented with ego death, the subject of her song "Jazzercise", Kaya found herself writing in the voices of fictional characters she'd encountered in other people's stories. In 'Jolene From Her Own Perspective,' she imagines Dolly Parton's nemesis responding to her song. In 'Origin Story,' Kaya writes as a mythical goddess frustrated with her creation myth. In 'I've Spent Forever Planning A Crisis,' Kaya responds to Cassavetes' film A Woman Under The Influence writing from the perspective of the story's children. Okay Kaya's investigations of mind-body come along with sexy dance beats, unpredictable interlocking synths, delicate soft guitars, and close-to-the-mike R&B whispering. But Kaya likes her falsettos cracking and her soul-inspired hooks careening wildly, a beautiful chaos that somehow fits together. When she returned to New York, Kaya was excited to collaborate again, to get friends to "bless the record." She invited friends to Gaia Studios in Greenpoint, Brooklyn to sing or play an instrument. Most songs on the album unfold with guest performances from artists as varied as deem spencer, Taja Cheek of L'Rain and Adam Green of The Moldy Peaches. Just as the recording process began with isolation and ended with friends, SAP starts with the internal and leads outside to romance, to lovers who serve as funhouse mirrors, reflecting Kaya back to herself from different angles. In "Pearl Gurl" Kaya harmonizes with her multi-tracked second self and sings her uncertain conclusion: "If love is not the answer, it's one hell of a question.