Track Listings
1 : Mood Into Object Personified
2 : Jolene from Her Own Perspective
3 : Origin Story
4 : Jazzercise
5 : Pathologically Yours
6 : Spinal Tap
7 : Inside of a Plum
8 : Rorschach
9 : In Regards to Your Tweet
10 : Dep. Chamber
11 : Pearl Gurl
12 : The Lesson
13 : I've Spent Forever Planning a Crisis
14 : Like a Liver
15 : Weltschmer

Even my subconscious is self-conscious," Okay Kaya sings on "Inside Of A Plum", giving us a sense of the mental state she entered while making SAP, an album she wrote, performed, engineered, and produced alone, sometimes spending weeks at a time without social interaction. This is a concept album about consciousness in which Okay Kaya focuses her trademark combination of abstraction and wit on what happens to her mind unaccompanied, on her tendency to feel less like a human and more like the sticky secretion of a tree. After releasing her Spellemann Award winning album Watch This Liquid Pour Itself in January of 2020, Kaya left her home in New York and moved to Europe to create and show her various interdisciplinary exhibitions. Among others, she made an installation that amplified music made underwater and an interactive sculpture based on Jungian sandplay therapy for children. Between her exhibits, Kaya recorded through lockdowns by herself in the loaned studios of generous friends. SAP first grew from the first single "Spinal Tap" about Kaya wandering in Berlin, tree-touching. "Sap reminds me of the bodily functions I need to remember to do, like sleep. One might say it 'resinates.'" The album was further inspired by Ketamine Therapy which is discussed in "The Inside Of A Plum." Kaya explains, "The doctor said this treatment grows literal physical branches in your brain." As she experimented with ego death, the subject of her song "Jazzercise", Kaya found herself writing in the voices of fictional characters she'd encountered in other people's stories. In 'Jolene From Her Own Perspective,' she imagines Dolly Parton's nemesis responding to her song. In 'Origin Story,' Kaya writes as a mythical goddess frustrated with her creation myth. In 'I've Spent Forever Planning A Crisis,' Kaya responds to Cassavetes' film A Woman Under The Influence writing from the perspective of the story's children. Okay Kaya's investigations of mind-body come along with sexy dance beats, unpredictable interlocking synths, delicate soft guitars, and close-to-the-mike R&B whispering. But Kaya likes her falsettos cracking and her soul-inspired hooks careening wildly, a beautiful chaos that somehow fits together. When she returned to New York, Kaya was excited to collaborate again, to get friends to "bless the record." She invited friends to Gaia Studios in Greenpoint, Brooklyn to sing or play an instrument. Most songs on the album unfold with guest performances from artists as varied as deem spencer, Taja Cheek of L'Rain and Adam Green of The Moldy Peaches. Just as the recording process began with isolation and ended with friends, SAP starts with the internal and leads outside to romance, to lovers who serve as funhouse mirrors, reflecting Kaya back to herself from different angles. In "Pearl Gurl" Kaya harmonizes with her multi-tracked second self and sings her uncertain conclusion: "If love is not the answer, it's one hell of a question.

An incredible 40 years since their last studio album 'The Visitors', ABBA have recorded and produced an entire new album. 'Voyage' was recorded together at Benny's studio Riksmixningsverket in Stockholm.

Track Listings
1 : The Thirsty Garden
2 : Cheap Dive
3 : Painting
4 : Butterfly Kiss
5 : John
6 : Cute
7 : Heaven Sick
8 : Some Dear Sign
9 : My Ten Cents
10 : Organic

Behavior is a band from Los Angeles, comprised since 2012 of Bedros Yeretzian, Evan Burrows, and Justin Tenney. Their collaboration is a shifting ad hoc agreement, organized around a permissive sensibility that is anchored to consistency of image rather than genre myopia. Their music continues to map a line of departure, a stumbling movement in restless hopscotch across a pop music tradition that has tallied an unlivable inheritance of promises. Spirits & Embellishments is their third LP, and their first with the label Post Present Medium, which is newly revived after a short pause. The record is preceded by last year's self-released EP Shithead Apology, and two LPs- Bitter Bitter (2017) and 375 Images of Angels (2016), both of which were released on the seminal West Coast punk label Iron Lung Records. Spirits & Embellishments was written in a small, shared practice space in Los Angeles, rented at a cost of $139.34 per month. The lyrics were compiled and composed collaboratively on a shared document hosted on a proprietary cloud- an assembled repository of original and found language, a record of the intellectual and emotional meanderings of three different people over a limited period of time. Spirits & Embellishments features guest Side A performances by Evan Backer, Sophie Weil, Nicole Antonia Spagnola and Robert Cody. The album was recorded and mixed over roughly five days by Greg Hartunian, Robert Cody and Behavior at Tropico Beauty in Glendale, CA. Spirits & Embellishments is a brush fire, hungry for oxygen, choking the dry air with lavender, sage, and melting plastic. The tools are simple, the atmosphere is stark, the space is literal. These are tactile rock n roll songs, shaped at root by the extreme techniques of punk in all it's groping permutations. These songs are lengths of multichrome climbing rope coiled like snakes, brought to life by way of melodrama, and contemporary in their free association. They were conceived with irreverence for the distinction between Crass and The Rolling Stones, to leverage the evaporating space of antagonism between first wave post-punk and it's commercially unambivalent counterparts. The method was ultimately functional: rounding and smearing over the vacant face of rote angularity, leaning into craft in an attempt to outmode what's simply been accounted for. There's a desire for tension, a desire for fraudulent postures, for both intimacy and dis- tance. A tedious attachment to control and good taste. An invitation to derangements. A principled approach that feels honest. A blood flow, a double-hearted circulation between contempt and care, working the body at an urgent pulse.

Track Listings
1 : Intro
2 : Son of Emmerson
3 : Ballpark
4 : Trouble
5 : New Dawn
6 : Brother
7 : Reprise
8 : RTN
9 : Don't Die

Already one of Britain's most respected and sought-after songwriters, producers and musicians, Dave Okumu is now stepping in to the spotlight with a debut solo project. 'Knopperz' is a wholly instrumental album uniting hip-hop, jazz and experimental electronic music. Partly a homage to J Dilla's classic 'Donuts', the record is also inspired by, and uses elements of, friend and pianist Duval Timothy's album, 'Sen Am'.

Ultimate Collection is the second greatest hits compilation album by the British pop duo Eurythmics, and was released in November 2005. This set preceded (by one week) the re-issuing of all eight Eurythmics back-catalogue albums originally released on the RCA/BMG label. These re-issues include remastered tracks and bonus material. The fact that the Ultimate Collection was closely connected to these re-issues is also the chief reason for the omission of "Sexcrime (Nineteen Eighty-Four)".

2019 release from the singer/songwriter. Banks released her debut album, Goddess, on September 5, 2014. Her second studio album, The Altar, was released on September 30, 2016. III, her third album, is the result of a self-imposed period of quiet and reflection. Banks: "It documents a major growth spurt. Of self-acceptance, letting go, forgiveness, and deep love. It has been painful to realize that life is not black and white. Romanticism leads to fierce reality checks, which leads to wisdom, which leads to deeper empathy which leads to greater love. This album documents the cycle."

Track list:
Till Now
Gimme
Contaminated
Stroke
Godless
Sawzall
Look What You're Doing to Me
Hawaiian Mazes
Alaska
Propaganda
The Fall
If We Were Made of Water
What About Love