Pop star Robbie Williams captured live in performance at the London Palladium. Williams performs a selection of songs from his latest album 'Swings Both Ways' (2013) alongside a number of swing favourites from the past. He is joined onstage by an orchestra and celebrity guests including Rufus Wainwright, Lily Allen and the Muppets Miss Piggy and Kermit the Frog.

Not many bands get to make it this far so it s to be hugely applauded that Ocean Colour Scene release their landmark 10th studio album February 11th. Entitled Painting this collection of 14 new songs is released on Cooking Vinyl Records and was recorded over five weeks at Vada Studios in Warwickshire with produer Matt Terry. It s a sonic splash of colour reflecting eclectic influences ranging from Bert Jansch and Burning Spear to Bacharach and David. The album is a representation of all that is great about British rock; anthems, heartfelt ballads and weird, left-of-middle psychedelic wig-outs. Quite simply, Painting is another great record from British pop s most under-rated storytellers. As artistic statements go, it might just be their masterpiece.

Belief in God answers two questions: what, if anything, is it that Jews, Christians, and Muslims are agreeing about when they join in claiming that there is a God; and what, if any, prospects are there for rationally defending or attacking this claim? In the context of a sustained argument for particular answers to these questions, Tim Mawson tackles many of the most prominent topics in the philosophy of religion. He argues that those who believe that there is a God are best interpreted as believing that there is a being who is essentially personal, transcendent, immanent, omnipotent, omniscient, eternal, perfectly free, perfectly good, and necessary; and non-essentially creator of the world and value; revealer of Himself; and offerer of everlasting life. Having explored the meaning and consistency of this conception of God in the first half of the book, Mawson goes on to consider whether or not belief or the absence of belief in such a God might be the sort of thing that does not rationally require argument and, if not, what the criteria for a good argument for or against such a God's existence might be. Having established some criteria, he uses them to evaluate specific arguments for and against the existence of such a God. He looks at the Argument to Design; the Cosmological Argument; the Ontological Argument; the Argument from Religious Experience; the Argument from Apparent Miracles; the Problem of Evil; and Pascal's Wager. Finally, he explores the relation between faith and reason. In the course of his argument, Mawson makes striking new claims and defends or attacks established positions in new ways. His conversational style, lively wit, and enlightening examples make Belief in God as pleasurable as it is instructive and thought-provoking. It makes an ideal text for beginning undergraduate courses and for anyone thinking about these most important of questions.

International version of his 2004 album features two tracks that were left off the US pressing, 'Shoot the Dog' and 'Patience Pt.2'. 14 tracks in all including the lead off single, 'Amazing' and the follow-up 'Flawless'. The album also includes the tribute, 'John & Elvis', which was composed on John Lennon's piano. Epic. 2004.