How the Vietnam War changed American art By the late 1960s, the United States was in a pitched conflict in Vietnam, against a foreign enemy, and at home-between Americans for and against the war and the status quo. This powerful book showcases how American artists responded to the war, spanning the period from Lyndon B. Johnson's fateful decision to deploy U.S. Marines to South Vietnam in 1965 to the fall of Saigon ten years later. Artists Respond brings together works by many of the most visionary and provocative artists of the period, including Asco, Chris Burden, Judy Chicago, Corita Kent, Leon Golub, David Hammons, Yoko Ono, and Nancy Spero. It explores how the moral urgency of the Vietnam War galvanized American artists in unprecedented ways, challenging them to reimagine the purpose and uses of art and compelling them to become politically engaged on other fronts, such as feminism and civil rights. The book presents an era in which artists struggled to synthesize the turbulent times and participated in a process of free and open questioning inherent to American civic life. Beautifully illustrated, Artists Respond features a broad range of art, including painting, sculpture, printmaking, performance and body art, installation, documentary cinema and photography, and conceptualism. Published in association with the Smithsonian American Art Museum Exhibition Schedule Smithsonian American Art Museum, Washington, DC March 15-August 18, 2019 Minneapolis Institute of Art September 28, 2019-January 5, 2020

From Andrew Wiest, the bestselling author of The Boys of '67: Charlie Company's War in Vietnam and one of the leading scholars in the study of the Vietnam War, comes a frank exploration of the human experience during the conflict. Vietnam allows the reader a grunt's-eye-view of the conflict - from the steaming rice paddies and swamps of the Mekong Delta, to the triple-canopy rainforest of the Central Highlands and the forlorn Marine bases that dotted the DMZ. It is the definitive oral history of the Vietnam War told in the uncompromising, no-holds barred language of the soldiers themselves.

'The best 'bird's eye view' of the helicopter war in Vietnam in print today ... Mills has captured the realities of a select group of aviators who shot craps with death on every mission' R.S. Maxham, Director, US Army Aviation Museum The aeroscouts of the 1st Infantry Division have three words emblazoned on their unit patch: Low Level Hell. It was the perfect concise defininition of what those intrepid aviators experienced as they ranged the skies of Vietnam from the Cambodian border to the Iron Triangle. The Outcasts, as they were known, flew low and slow. They were the aerial eyes of the division in search of the enemy. Too often for longevity's sake they found the Viet Cong and the fight was on. These young pilots, who were usually 19 to 22 years old, invented the book as they went along.

Each pilot and bombardier/navigator sat side by side in an all-weather jet built for low-level bombing runs, precision targeting, and night strikes. Their success--and their very lives--depended on teamwork in flying their versatile A-6 Intruders. And when the North Vietnamese mounted a major offensive in 1972, they answered the call.

Carol Reardon chronicles the operations of Attack Squadron 75, the "Sunday Punchers," and their high-risk bombing runs launched off the U.S.S. Saratoga during the famous LINEBACKER campaigns. Based on unparalleled access to crew members and their families, her book blends military and social history to offer a unique look at the air war in Southeast Asia, as well as a moving testament to the close-knit world of naval aviators.

Theirs was one of the toughest jobs in the military: launching off the carrier in rough seas as well as calm, flying solo and in formation, dodging dense flak and surface-to-air missiles, delivering ordnance on target, and recovering aboard safely. Celebrating the men who climbed into the cockpits as well as those who kept them flying, Reardon takes readers inside the squadron's ready room and onto the flight decks to await the call, "Launch the Intruders " Readers share the adrenaline-pumping excitement of each mission--as well as those heart-stopping moments when a downed aircraft brought home to all, in flight and on board, that every aspect of their lives was constantly shadowed by danger and potential death.

More than a mere combat narrative, Launch the Intruders interweaves human drama with familial concerns, domestic politics, and international diplomacy. Fliers share personal feelings about killing strangers from a distance while navy wives tell what it's like to feel like a stranger at home. And as the war rages on, headlines like Jane Fonda's visit to Hanoi and the Paris Peace Accords are all viewed through the lens of this heavily tasked, hard-hitting attack squadron.

A rousing tale of men and machines, of stoic determination in the face of daunting odds, Reardon's tale shines a much-deserved light on group of men whose daring exploits richly deserve to be much better known.

At Easter 1972, North Vietnam invaded the South, and there were almost no US ground troops left to stop it. But air power reinforcements could be rushed to the theater. Operation Linebacker's objective was to destroy the invading forces from the air and cut North Vietnam's supply routes – and luckily in 1972, American air power was beginning a revolution in both technology and tactics.

Most crucial was the introduction of the first effective laser-guided bombs, but the campaign also involved the fearsome AC-130 gunship and saw the debut of helicopter-mounted TOW missiles. Thanks to the new Top Gun fighter school, US naval aviators now also had a real advantage over the MiGs.

This is the fascinating story of arguably the world's first “modern” air campaign. It explains how this complex operation – involving tactical aircraft, strategic bombers, close air support and airlift – defeated the invasion. It also explains the shortcomings of the campaign, the contrasting approaches of the USAF and Navy, and the impact that Linebacker had on modern air warfare.

By now the world knows well the exploits of World War II admirals Ernest King, Chester Nimitz, and "Bull" Halsey. These brilliant strategists and combat commanders--backed by a powerful Allied coalition, a nation united, gifted civilian leaders, and abundant war-making resources--led U.S. and allied naval forces to victory against the Axis powers. Leadership during the Vietnam War was another story. The Vietnam War and its aftermath sorely tested the professional skill of four-star admirals Harry D. Felt, Ulysses S. Grant Sharp, Thomas H. Moorer, Elmo R. Zumwalt Jr., and James L. Holloway III. Unlike their World War II predecessors, these equally battle-tested leaders had to cope with a flawed American understanding of U.S. and Vietnamese Communist strengths and weaknesses, distrustful and ill-focused Washington leaders, an increasingly discontented American populace, and an ultimately failing war effort. Like millions of other Americans, these five admirals had to come to terms with America's first lost war, and what that loss meant for the future of the nation and the U.S. armed forces. The challenges were both internal and external. A destabilized U.S. Navy was troubled by racial discord, drug abuse, anti-war and anti-establishment sentiment, and a host of personnel and material ills. At the same time, increasingly serious global threats to US interests, such as the rise of Soviet nuclear-missile and naval power, were shaping confrontations on the postwar stage. Critical to the story is how these naval leaders managed their relationships with Presidents Kennedy, Johnson, Nixon, Ford, and Carter, and Secretaries of Defense McNamara, Laird, and Schlesinger. Based on prodigious research into many formerly classified sources, Edward J. Marolda relates in dramatic detail how America's top naval leaders tackled their responsibilities, their successes, and their failures. This is a story of dedication to duty, professionalism, and service by America's top admirals during a time of great national and international adversity.

On his second tour to Vietnam, Nick Brokhausen served in Recon Team Habu, CCN. This unit was part of MACV-SOG (Military Assistance Command Vietnam Studies and Observations Group), or Studies and Observations Group as it was innocuously called. The small recon companies that were the center of its activities conducted some of the most dangerous missions of the war, infiltrating areas controlled by the North Vietnamese in Laos, Vietnam, and Cambodia. The companies never exceeded more than 30 Americans, yet they were the best source for the enemy's disposition and were key to the US military being able to take the war to the enemy. This was accomplished by utilizing both new and innovative technology, and tactics dating back to the French and Indian Wars. This small unit racked up one of the most impressive records of awards for valor of any unit in the history of the United States Army. It came at a terrible price, however; the number of wounded and killed in action was incredibly high. Those missions today seem suicidal. In 1970 they seemed equally so, yet these men went out day after day with their indigenous allies - Montagnard tribesmen, Vietnamese, and Chinese Nungs - and faced the challenges with courage and resolve. This riveting memoir details the actions and experiences of a small group of Americans and their allies who were the backbone of ground reconnaissance in the Republic of Vietnam during the Vietnam War. It became a cult classic among the Special Forces community when first published over a decade ago.

After the failed April 1972 invasion of South Vietnam and the heavy US tactical bombing raids in the Hanoi area, the North Vietnamese agreed to return to the Paris peace talks, yet very quickly these negotiations stalled.

In an attempt to end the war quickly and 'persuade' the North Vietnamese to return to the negotiating table, President Nixon ordered the Air Force to send the US' ultimate conventional weapon, the B-52 bomber, against their capital, Hanoi. Bristling with the latest Soviet air defence missiles, it was the most heavily defended target in Vietnam. Taking place in late December, this campaign was soon dubbed the 'Christmas Bombings'.

Using specially commissioned artwork and maps, ex-USAF fighter colonel Marshall Michel describes Linebacker II, the climax of the air war over Vietnam, and history's only example of how America's best Cold War bombers performed against contemporary Soviet air defences.

How American soldiers opposed and resisted the war in Vietnam While mainstream narratives of the Vietnam War all but marginalize anti-war activity of soldiers, opposition and resistance from within the three branches of the military made a real difference to the course of America's engagement in Vietnam. By 1968, every major peace march in the United States was led by active duty GIs and Vietnam War veterans. By 1970, thousands of active duty soldiers and marines were marching in protest in US cities. Hundreds of soldiers and marines in Vietnam were refusing to fight; tens of thousands were deserting to Canada, France and Sweden. Eventually the US Armed Forces were no longer able to sustain large-scale offensive operations and ceased to be effective. Yet this history is largely unknown and has been glossed over in much of the written and visual remembrances produced in recent years. Waging Peace in Vietnam shows how the GI movement unfolded, from the numerous anti-war coffee houses springing up outside military bases, to the hundreds of GI newspapers giving an independent voice to active soldiers, to the stockade revolts and the strikes and near-mutinies on naval vessels and in the air force. The book presents first-hand accounts, oral histories, and a wealth of underground newspapers, posters, flyers, and photographs documenting the actions of GIs and veterans who took part in the resistance. In addition, the book features fourteen original essays by leading scholars and activists. Notable contributors include Vietnam War scholar and author, Christian Appy, and Mme Nguyen Thi Binh, who played a major role in the Paris Peace Accord. The book originates from the exhibition Waging Peace, which has been shown in Vietnam and the University of Notre Dame, and will be touring the eastern United States in conjunction with book launches in Boston, Amherst, and New York.

In the summer of 1967, the Marines in I Corps, South Vietnam's northernmost military region, were doing everything they could to lighten the pressure on the besieged Con Thien Combat Base. Still fresh after months of relatively light action around Khe Sanh, the 3d Battalion, 26th Marines, was sent to the Con Thien region to secure the combat bases' endangered main supply route. On 7 September 1967, its first full day in the new area of operations, separate elements of the battalion were attacked by at least two battalions of North Vietnamese infantry, and both were nearly overrun in night-long battles. On 10 September, while advancing to a new sector near Con Thien, the 3d Battalion, 26th Marines, was attacked by at least a full North Vietnamese regiment, the same NVA unit that had attacked it two days earlier. Divided into two separate defensive perimeters, the Marines battled through the afternoon and evening against repeated assaults by waves of NVA regulars intent upon achieving a major victory. In a battle described as 'Custer's Last Stand-With Air Support', the Americans prevailed by the narrowest of margins. Ambush Valley is an unforgettable account of bravery and survival under impossible conditions. It is told entirely in the words of the men who faced the ordeal together - an unprecedented mosaic of action and emotion woven into an incredibly clear and vivid combat narrative by one of today's most effective military historians. Ambush Valley achieves a new standard for oral history. It is a war story not to be missed.

The book describes my first seven months in Viet Nam, as a platoon leader in Bravo Company of the Third Battalion, 187th Infantry. I wanted to make it about the men I led and served with, and in some measure my reaction to the events of those seven months. The first part of the book deals with the routine tactics, unending work, misery and occasional hilarity of infantry life. The bulk of the book, however, deals with two events, within three weeks of each other: The battle of Dong Ngai and the battle of Dong Ap Bia - Hamburger Hill. The Rakkasans - the 3/187th - are the most highly decorated unit in the history of the United States Army, and two of those decorations were awarded for those two battles. By happenstance, I was in the middle of both. These are truly historical events. I wanted to convey the real face of war, both its mindless carnage and its nobility of spirit. Above all, I want to convey what happened to both the casual reader and the military historian and make them aware of the extraordinary spirit of the men of First Platoon, Bravo Company. They were ordinary men doing extraordinary things.

Speaking to an advisor in 1966 about America's escalation of forces in Vietnam, Secretary of Defense Robert S. McNamara confessed: 'We've made mistakes in Vietnam ... I've made mistakes. But the mistakes I made are not the ones they say I made'. In 'I Made Mistakes', Aurelie Basha i Novosejt provides a fresh and controversial examination of Secretary of Defense Robert S. McNamara's decisions during the Vietnam War. Although McNamara is remembered as the architect of the Vietnam War, Novosejt draws on new sources - including the diaries of his advisor and confidant John T. McNaughton - to reveal a man who resisted the war more than most. As Secretary of Defense, he did not want the costs of the war associated with a new international commitment in Vietnam, but he sacrificed these misgivings to instead become the public face of the war out of a sense of loyalty to the President.

North and South Vietnamese youths had very different experiences of growing up during the Vietnamese War. The book gives a unique perspective on the conflict through the prism of adult-youth relations. By studying these relations, including educational systems, social organizations, and texts created by and for children during the war, Olga Dror analyzes how the two societies dealt with their wartime experience and strove to shape their futures. She examines the socialization and politicization of Vietnamese children and teenagers, contrasting the North's highly centralized agenda of indoctrination with the South, which had no such policy, and explores the results of these varied approaches. By considering the influence of Western culture on the youth of the South and of socialist culture on the youth of the North, we learn how the youth cultures of both Vietnams diverged from their prewar paths and from each other.

This work is a cultural history of the Vietnam War and its continuing impact upon contemporary American society. The author presents an investigation of how myths about the war evolved and why people depend on them to answer the confusing questions that have become the legacy of the war. Memories change and reconstruct the past, and in this text, the author argues that the American memory of Vietnam has left fact and experience behind so that what remains is myth and denial.

International lawyers and distinguished scholars consider the question: Is it legally justifiable to treat the Vietnam War as a civil war or as a peculiar modern species of international law? Originally published in 1968. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Jerry Rose, a young journalist and photographer in Vietnam, exposed the secret beginnings of America's Vietnam War in the early 1960s. Putting his life in danger, he interviewed Vietnamese villagers in a countryside riddled by a war of terror and intimidation and embedded himself with soldiers on the ground, experiences that he distilled into the first major article to be written about American troops fighting in Vietnam. His writing was acclaimed as "war reporting that ranks with the best of Ernest Hemingway and Ernie Pyle," and in the years to follow, Time, The New York Times, The Reporter, New Republic, and The Saturday Evening Post regularly published his stories and photographs. In spring 1965, Jerry's friend and former doctor, Phan Huy Quat, became the new Prime Minister of Vietnam, and he invited Jerry to become an advisor to his government. Jerry agreed, hoping to use his deep knowledge of the country to help Vietnam. In September 1965, while on a trip to investigate corruption in the provinces of Vietnam, he died in a plane crash in Vietnam, leaving behind a treasure trove of journals, letters, stories, and a partially completed novel. The Journalist is the result of his sister, Lucy Rose Fischer, taking those writings and crafting a memoir in "collaboration" with her late brother-giving the term "ghostwritten" a whole new meaning.

This volume tells the story of the American civil rights movement through the rousing and often wrenching photographs that recorded, promoted and protected it. After an introduction explaining the vital importance of photography to the movement, the book proceeds from the Montgomery bus boycott through the student, local and national movements; the big marches in Washington and Selma; Freedom Summer; Malcolm X and Black Power; and the death of Martin Luther King. Each chapter begins with a fast-paced narrative of a crucial event in the movement, complemented by a portfolio of effective and evocative photographs of the subject. Ranging from the well-known to the rare, these images were shot by photographers including Richard Avedon, Danny Lyon, Charles Moore, Gordon Parks, Dan Weiner, and over 50 others. Many of the pictures are accompanied by remembrances and analysis by various photographers and participants. The book also features a concise chronology of the major civil rights events of the period and suggestions for additional reading.

In the Tet Offensive of 1968, Viet Cong and North Vietnamese forces launched a massive countrywide attack on South Vietnam. Though the Communists failed to achieve their tactical and operational objectives, James Willbanks claims Hanoi won a strategic victory. The offensive proved that America's progress was grossly overstated and caused many Americans and key presidential advisors to question the wisdom of prolonging combat.

Willbanks also maintains that the Communists laid siege to a Marine combat base two weeks prior to the Tet Offensive-known as the Battle of Khe Sanh--to distract the United States. It is his belief that these two events are intimately linked, and in his concise and compelling history, he presents an engaging portrait of the conflicts and singles out key problems of interpretation.

Willbanks divides his study into six sections, beginning with a historical overview of the events leading up to the offensive, the attack itself, and the consequent battles of Saigon, Hue, and Khe Sahn. He continues with a critical assessment of the main themes and issues surrounding the offensive, and concludes with excerpts from American and Vietnamese documents, maps and chronologies, an annotated list of resources, and a short encyclopedia of key people, places, and events.

An experienced military historian and scholar of the Vietnam War, Willbanks has written a unique critical reference and guide that enlarges the debate surrounding this important turning point in America's longest war.

The conflict in Vietnam has been rewritten and reframed into many corners of American life and has long shadowed contemporary political science and foreign policy. The war and its aftermath have engendered award-winning films and books. It has held up a mirror to the twentieth century and to the wars of the twenty-first. Set in wartime Vietnam and contemporary Vietnam, in wartime America and in America today, the stories that comprise Memorial Days were written from 1973 to the present. As our continuing reappraisals of the war's shadow have unspooled over the last half-decade, so too has Wayne Karlin returned to the subject in his fiction, collected and published together here for the first time. A girl in Maryland runs away from Civil War reenactors she imagines to be American soldiers in Vietnam, while a woman in Vietnam hides in the jungle from an American helicopter and another tries to bury the relics of the war. A man mourns a friend lost in Iraq while a helicopter crewman in Quang Tri loads the broken and dead into his aircraft. Extras playing soldiers in a war film in present-day Vietnam model themselves after other war films while a Marine in a war sees himself as a movie character. A snake coiled around the collective control of a helicopter in Vietnam uncoils in a soldier come home from Iraq. The chronology is the chronology of dreams or nightmares or triggered flashbacks: images and incidents triggering other images and incidents in a sequence that seems to make no sense-which is exactly the sense it makes. Some stories burn with the fresh experiences of a Marine witnessing war firsthand. Some stories radiate a long-abiding grief. All the stories reflect and reconfigure the Vietnam War as it echoes into the present century, under the light of retrospection.