This guide showcases knives used by America's clandestine military in Southeast Asia during the Vietnam War. It provides the collector and others interested in the period a way of identifying honest SOG (Studies and Observations Group) specimens and separating them from counterfeits. With beautiful color photographs that show a high level of detail, the book identifies all known SOG specimens (over 165 knives) and includes rare personalized knives and custom combat knives made in the United States. Sections of the book focus on Randalls, Eks, Gerbers, and the knives made by tribal artisans in Southeast Asia. This is the eighth in Mike Silvey's series on military knives.

During his first tour in Vietnam - 1967-68 - Dick Taylor was a well-trained and highly motivated amateur assigned to advise a hard-bitten ARVN infantry battalion working in the mud and streams of IV Corps. He became savvy in a hurry and found that he was both brave and resourceful. He barely survived Tet 1968, then served on an advisory team staff. For the next two years, Taylor earned a Ranger tab, served on a division staff, and schooled on. He met a woman, and married her days before he returned to Vietnam. Taylor's second tour- 1970-71 - was altogether different. He immediately assumed command of Bravo Company, 1/7 Cav, and excelled as a commander and a leader. He was aggressive in the field, confident in his command, and assertive with his superiors. He fought a good war, a successful war, and when he was forced to take a staff job it was as his battalion's intelligence officer. But the war was winding down, its purpose lost. Taylor's spirit's flagged, but not his fidelity. This well-written combat memoir is heartfelt, earnest, honest, and just a little melancholy. About the Author Colonel Richard Taylor was an original member of the first modern Ranger battalion. He also commanded an infantry training battalion, served with the 82nd Airborne, directed an academic department at the Army's staff college and provided military advice to NATO during the break up of the Warsaw Pact.

A great white angel spreading her wings across the Moreno Valley: this is how one visitor described the memorial standing atop a windswept prominence in the Sangre de Cristo Mountains near Taos, New Mexico. A de-facto national Vietnam veterans memorial, built by one family more than a decade before the Wall in Washington, DC, and without aid or recognition from the US government, the chapel at Angel Fire is a testament to one young American's sacrifice - but also to the profound determination of his family to find meaning in their loss. In The Vietnam Veterans Memorial at Angel Fire, Steven Trout tells the story of Marine Lieutenant David Westphall, who was killed near Con Thien on May 22, 1968, and of the Westphall family's subsequent struggle to create and maintain a one-of-a-kind memorial chapel dedicated to the memory of all Americans lost in the Vietnam War and to the cause of world peace. Focused primarily on a life lost amid our nation's most controversial conflict and on the Westphalls' desperate battle to keep their chapel open between 1971 and 1982, the book's brisk and moving narrative traces the memorial's evolution from a personal act of family remembrance to its emergence as an iconic pilgrimage destination for thousands of Vietnam veterans. Documenting the chapel's shifting messages over time, which include a momentary (and controversial) recognition of the dead on both sides of the war, The Vietnam Veterans Memorial at Angel Fire spotlights one American soldier's tragic story and the monument to hope and peace that it inspired.

Why did the USA become involved in Vietnam? What led US policy makers to become convinced that Vietnam posed a threat to American interests? In The Road to Vietnam, Pablo de Orellana traces the origins of the US-Vietnam War back to 1945-1948 and the diplomatic relations fostered in this period between the US, France and Vietnam, during the First Vietnam War that pitted imperial France against the anti-colonial Vietminh rebel alliance. With specific focus on the representation of the parties involved through the processes of diplomatic production, the book examines how the groundwork was laid for the US-Vietnam War of the 60's and 70's. Examining the France-Vietminh conflict through poststructuralist and postcolonial lenses, de Orellana reveals the processes by which the US and France built up the perception of Vietnam as a communist threat. Drawing on archival diplomatic texts, the representation of political identity between diplomatic actors is examined as a cause leading up to American involvement in the First Vietnam War, and will be sure to interest scholars in the fields of fields of diplomatic studies, international relations, diplomatic history and Cold War history.