In the middle of the third century, a girl was born on the north-eastern frontier of the Roman empire. Eighty years later, she died as Flavia Iulia Helena, Augusta of the Roman world and mother of the first Christian emperor Constantine, without ever having been married to an emperor herself. In Helena Augusta: Mother of the Empire, Julia Hillner traces Helena's story through her life's peaks, which generated beautiful imperial artwork, entertaining legends as well as literary outrage. But Helena Augusta also pays careful attention to the disruptions in Helena's life course and in her commemoration-disruptions that were created by her nearest male relatives. Hillner shows that Helena's story was not just determined by the love of a son or the rise of Christianity. It was also-like that of many other late Roman women-defined by male violence and by the web of changing female relationships around her, to which Helena was sometimes marginal, sometimes central and sometimes ancillary. Helena Augusta offers unique insight into the roles of imperial women in Constantinian self-display and in dynastic politics from the Tetrarchy to the Theodosian Age, and it also reminds us that the late Roman female life course, even that of an empress, was fragile and non-linear.

Esther Eidinow sets the published question tablets from the oracle at Dodona side by side with the binding-curse tablets from across the ancient Greek world, and explores what they can tell us about perceptions of and expressions of risk among ordinary Greek men and women, as well as the insights they afford into civic institutions and activities, and social dynamics. Eidinow follows the anthropologist Mary Douglas in defining risk' as socially constructed, in contradistinction to most other ancient historians, who treat risk-management as a way of handling objective external dangers. The book includes a full catalogue of all published texts from Dodona, as well as the 159 curse tablets discussed, together with translations of all texts.

Meet the Greek gods and goddesses as you have never seen them-in LEGO form! Enjoy these fascinating myths, reimagined through elaborate scenes and colorful LEGO bricks in one thousand color photographs! This book shares a unique retelling of some of the most widely known and loved Greek myths, from the stories of Athena, Poseidon, and Pandora to the twelve labors of Hercules. Watch Athena spring from the head of Zeus See Poseidon as he rules the seas with his mighty trident Maintain hope with Pandora as her curiosity gets the best of her Beware the Nemean Lion as Hercules repents for his misdeeds. Be awestruck by the amazing Mount Olympus And much more-all created with LEGO bricks! These exciting retellings of ancient tales are consistent with the mythology behind them, while also capturing the creativity and whimsy of the stories with elaborate brick scenery. Brick Greek Myths will be a delight for LEGO tinkerers of all ages, a fun introduction to the tales for young readers, and an enchanting return to the stories for even the most devoted admirer of mythology. Skyhorse Publishing, as well as our Arcade, Yucca, and Good Books imprints, are proud to publish a broad range of books for readers interested in fiction-novels, novellas, political and medical thrillers, comedy, satire, historical fiction, romance, erotic and love stories, mystery, classic literature, folklore and mythology, literary classics including Shakespeare, Dumas, Wilde, Cather, and much more. While not every title we publish becomes a New York Times bestseller or a national bestseller, we are committed to books on subjects that are sometimes overlooked and to authors whose work might not otherwise find a home.

The Mythology of Venus is a collection of essays that summarizes the archaeoastronomy, calendar associations, religious and cultural icons, and myths identified with the planet Venus. The book concentrates on Western Europe, the Mediterranean, the Near East, and the East from the Paleolithic Age to the Iron Age. It reveals the archetype of a goddess associated with the planet Venus who is identified with transformation, spiritual resurrection, and enlightenment. The characteristics of the goddess are steeped in sexual metaphors which contain images of birth and re-birth, and they reveal a pattern of symbols that follows the journey of the planet Venus through its cycles in the night sky. Moreover, the journey of Venus and the corresponding icons associated with the goddess are part of an intricate pattern of symbolic language that is seen on ancient monuments and on the ancient calendars of several cultures. Temples from France and Ireland to Greece and Malta trace the journey of the planet Venus and the story of the goddess of Venus.

Martha Malamud provides the only scholarly English translation of De Reditu Suo with significant notes and commentary that explore historical, literary, cultural, and mythical references, as well as commenting on literary allusions, the structure, diction, and style of the poem, and textual issues. De Reditu Suo provides fascinating insights into travel and communications networks in the rapidly changing, fragmented world of the fifth century. A substantial introductory essay explores Rutilius' place in several intellectual and literary traditions, as the poem is a sophisticated piece of literature that both draws on the rich tradition of classical Latin poetry and reflects the distinctive formal features of late antique poetry. The poem also conveys the thoughts of a man passionately devoted to Rome and its cultural heritage, enmeshed in the tumultuous political and social upheaval of his day, caught between his hopes for Rome's restoration and his fear of its disintegration. With line-for-line translation from the Latin and a scholarly introduction, extensive notes, and comprehensive bibliography, Martha Malamud makes this important text accessible and relevant for students and scholars in Classics, Comparative Literature, Religious Studies, Medieval Studies, and Ancient History, as well as independent readers with an interest in the literature of the period.

An overview of the title subject.

How should we study religion? Must we be religious ourselves to truly understand it? Do we study religion to advance our knowledge, or should the study of religions help to reintroduce the sacred into our increasingly secularized world? Juraj Franek argues that the study of religion has long been split into two competing paradigms: reductive (naturalist) and non-reductive (protectionist). While the naturalistic approach seems to run the risk of explaining religious phenomena away, the protectionist approach appears to risk falling short of the methodological standards of modern science. Franek uses primary source material from Greek and Latin sources to show that both competing paradigms are traceable to Presocratic philosophy and early Christian literature. He presents the idea that naturalists are distant heirs, not only of the French Enlightenment, but also of the Ionian one. Likewise, he argues that protectionists owe much of their arguments and strategies, not only to Luther and the Reformation, but to the earliest Christian literature. This book analyses the conflict between reductive and non-reductive approach in the modern study of religions, and positions the Cognitive Science of Religion against a background of previous theories - ancient and modern - to demonstrate its importance for the revindication of the naturalist paradigm.

Thomas Harrison presents a study of the religious beliefs of the ancient Greek historian Herodotus - his beliefs in divine retribution, in oracles and divination, in miracles or in fate. The author shows not only how such beliefs were central to his work, but also how they were compatible with lived experience.

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"Folk religionists and those interested in placing 'pagan phenomena' in the context of worldwide religiousity will find York's book interesting."
--"Missiology: An International Review"

"I have little doubt that it will reinvigorate not only the debate over the definition of religion but, perhaps more significantly, the debate over where one religion starts and another ends."--"Journal for the Scientific Study of Religion"

"Scholarly, but wholly accessible."--"Terry Gifford (University of Leeds)"

"This work will interest anyone investigating the nexus of science, social policy, and the law in modern America."--"Sociology of Religion"

"Part travelogue, part theological argument, part sociological study, Michael York's "Pagan Theology" is a tour through paganism's multiple forms in space and time. York does an admirable job of making paganism visible as an important area of study in religion. "Pagan Theology" will appeal to an international audience of scholars and practitioners of Paganism, but should also be of interest to scholars of religion more broadly, since York examines paganism in a global context, and as it occurs within other world religions, as root religion."--"The Pomegranate"

"York has collected a great diversity of global religious information to compare and contrast the fundamental and universal religious elements they contain. This appears to be his life work."
--"Journal of the American Academy of Religion"

aThere is interesting and valuable information in" Pagan Theory," The author has done his homework, and much of what he writes is taken from first-handobservation.a
--facingnorth.net )

"Michael York has laid the intellectual groundwork for a new approach to theology, one which hopefully might reconcile the appalling feuding ones of our time."
--The Quest"

"York endeavors to demonstrate that paganism in its many varieties has an underlying unity."
--"Library Journal"

In Pagan Theology, Michael York situates Paganism--one of the fastest-growing spiritual orientations in the West--as a world religion. He provides an introduction to, and expansion of, the concept of Paganism and provides an overview of Paganism's theological perspective and practice. He demonstrates it to be a viable and distinguishable spiritual perspective found around the world today in such forms as Chinese folk religion, Shinto, tribal religions, and neo-Paganism in the West.

While adherents to many of these traditions do not use the word "pagan" to describe their beliefs or practices, York contends that there is an identifiable position possessing characteristics and understandings in common for which the label "pagan" is appropriate. After outlining these characteristics, he examines many of the world's major religions to explore religious behaviors in other religions which are not themselves pagan, but which have pagan elements. In the course of examining such behavior, York provides rich and lively descriptions of religions in action, including Buddhism and Hinduism.

Pagan Theology claims Paganism's place as a world religion, situating it as a religion, a behavior, and a theology.

A vibrant, accessible social history of Rome, from 753 BCE to the fall of the Empire some 1300 years later. To support its findings the book features hundreds of translations of inscriptions and graffiti from original authors-Roman, Greek and Jewish-and evidence culled from the visual arts, curse tablets, official records and letters both private and official. Each comes with detailed commentaries, placing them into social and historical context. The result is a fascinating survey of how Roman men, women and children lived their lives on a daily basis taking in marriage, slavery, gladiators, medicine, magic, religion, superstition and the occult; sex, work and play, education, death, housing, country life and city life. There are also chapters on domestic violence, family pets and FGM. In short, 'When in Rome' gives a vivid description of what the Romans really did.

Kenosis Creativity Architecture locates and explores creativity's grounding in the ancient concept of kenosis, the "emptying" that allows creativity to happen; that makes appearance possible. It concretises that grounding through architecture-a primal expression of human creativity-critically examining, for the first time, kenotic instantiations evidenced in four iconic, international projects; works by Kahn, Pei, Ando, and Libeskind. Then, in a final turn, the potentiality of architecture's own emptying is probed. Architect and author Randall Lindstrom draws on Western and Eastern philosophy, including that of Heidegger, Levinas, Derrida, Vattimo, Nishida, and Nishitani, as well as on the theology of Christianity, Judaism, and aspects of Buddhism, Hinduism, and Islam. Every chapter expands the argument that, if responsiveness to our world is taken seriously-if proper and sustainable responses are to be realised-then a deeper understanding of creativity, and so kenosis, is essential. This book opens-up a way of thinking about creativity and humanity's readiness to be creative. It thereby presents a crucial enquiry-at the nexus of architecture, philosophy, and theology-for researchers, graduate and postgraduate students, and practitioners alike.

Jenny R. Labendz investigates rabbinic self-perception and self-fashioning within the non-Jewish social and intellectual world of antique Palestine, showing how the rabbis drew on Hellenistic and Roman concepts for Torah study and answering a fundamental question: was rabbinic participation in Greco-Roman society a begrudging concession or a principled choice? As Labendz demonstrates, Torah study was an intellectual arena in which rabbis were extremely unlikely to look beyond their private domain. Yet despite the highly internal and self-referential nature of rabbinic Torah study, some rabbis believed that the involvement of non-Jews in rabbinic intellectual culture enriched the rabbis' own learning and teaching. Labendz identifies a sub-genre of rabbinic texts that she terms "Socratic Torah, " which portrays rabbis engaging in productive dialogue with non-Jews about biblical and rabbinic law and narrative. In these texts, rabbinic epistemology expands to include reliance not only upon Scripture and rabbinic tradition, but upon intuitions and life experiences common to Jews and non-Jews. While most scholarly readings of rabbinic dialogues with non-Jews have focused on the polemical, hostile, or anxiety-ridden nature of the interactions, Socratic Torah reveals that the presence of non-Jews was at times a welcome opportunity for the rabbis to think and speak differently about Torah. Labendz contextualizes her explication of Socratic Torah within rabbinic literature at large, including other passages and statements about non-Jews as well as general intellectual trends in rabbinic literature, and also within cognate literatures, including Plato's dialogues, Jewish texts of the Second Temple period, and the New Testament. While she focuses on non-Jews in the Palestinian Talmud and midrashim, the book includes chapters on the Babylonian Talmud and on the liminal figures of minim and Matrona. The passages that make up the sub-genre of Socratic Torah serve as the entryway for a much broader understanding of rabbinic literature and rabbinic intellectual culture.

The best-selling, essential, and straightforward translation of the Homeric Hymns, accompanied by an expanded introduction and updated expert notes. A rich source for students of Greek mythology and literature, the Homeric Hymns are also fine poetry. Attributed by the ancients to Homer, these prooimia, or preludes, were actually composed by various poets over centuries. They were performed at religious festivals as entertainment meant to stir up enthusiasm for far more ambitious compositions that followed them, namely the Iliad and Odyssey. Each of the thirty-three poems is written in honor of a Greek god or goddess. Together, the hymns provide a fascinating view into the ancients' view of deities. In this long-awaited third edition of his acclaimed translations of the hymns, Apostolos Athanassakis preserves the vigor and the magic of the ancient text while modernizing traditional renditions of certain epithets and formulaic phrases. He avoids lengthening or truncating lines, thereby crafting a symmetrical text, and makes an effort to keep to an iambic flow without sacrificing accuracy. Athanassakis enhances his classic work with a new index of names and topics, updated bibliography, revised genealogical charts, and careful and selective changes in the translations themselves. An expanded introduction addresses ancient reception of the hymns. Numerous additions to the notes, reflecting over twenty-five years of scholarship, draw on modern anthropological and archaeological research to explore prominent themes and religious syncretism within the poems. These materials all enrich the reader's experience of these ancient and influential poems. A perennial classroom favorite, The Homeric Hymns embodies thrilling new visions of antiquity.

Large state temples in ancient Egypt were vast agricultural estates, with interests in mining, trading, and other economic activities. The temple itself served as the mansion or palace of the deity to whom the estate belonged, and much of the ritual in temples was devoted to offering a representative sample of goods to the gods. After ritual performances, produce was paid as wages to priests and temple staff and presented as offerings to private mortuary establishments. This redistribution became a daily ritual in which many basic necessities of life for elite Egyptians were produced. This book evaluates the influence of common temple rituals not only on the day to day lives of ancient Egyptians, but also on their special events, economics, and politics. Author Katherine Eaton argues that a study of these daily rites ought to be the first step in analyzing the structure of more complex societal processes.

This book is the outcome of the conference "Imperial Alexandria: Interactions between Science, Religion and Literature", held at Salamanca University in October 2011. The conference convened a group of experts from different fields to address the interrelationship between Science, Religion and Literature in the Graeco-Roman world during the Imperial Period, and especially in Alexandria, situating it within the context of the long tradition of knowledge that had been consolidating itself in this city, above all during the Hellenistic era. The encounter's main aim was to create a forum for interdisciplinary reflection on "the Alexandrian model" of knowledge in the Imperial Period and its background, being attended by philologists and historians specialising in different types of texts (literary, scientific and religious), whose study requires an interdisciplinary approach, with priority being given to the notion of contact and the relationship between these subjects in order to gain a better understanding of the spirit, way of thinking and moral values of a particularly important era in the development of ancient culture.

An Ancient Theory of Religion examines a theory of religion put forward by Euhemerus of Messene (late 4th-early 3rd century BCE) in his lost work Sacred Inscription, and shows not only how and why euhemerism came about but also how it was- and still is-used. By studying the utilization of the theory in different periods-from the Graeco-Roman world to Late Antiquity, and from the Renaissance to the twenty-first century-this book explores the reception of the theory in diverse literary works. In so doing, it also unpacks the different adoptions and misrepresentations of Euhemerus's work according to the diverse agendas of the authors and scholars who have employed his theory. In the process, certain questions are raised: What did Euhemerus actually claim? How has his theory of the origins of belief in gods been used? How can modern scholarship approach and interpret his take on religion? When referring to 'euhemerism,' whose version are we employing? An Ancient Theory of Religion assumes no prior knowledge of euhemerism and will be of interest to scholars working in classical reception, religious studies, and early Christian studies.

This study presents a comprehensive treatment of a crucial aspect of Greek religion hitherto largely neglected in the English language. Simon Pulleyn makes a full examination of all the relevant literary and inscribed material available in order both to describe ancient Greek practices and to explain their significance.

A remote village. A deadly secret. An outsider who knows the truth... 'ATMOSPHERIC AND COMPELLING' Catherine Cooper, Sunday Times bestselling author of The Chalet and The Chateau 'SPLENDIDLY CREEPY' DAILY MAIL 'DELICIOUSLY UNSETTLING' OBSERVER Maggie Mackay has been haunted her entire life. No matter what she does, she can't shake the sense that something is wrong with her. And maybe something is... When she was five years old, without proof, Maggie announced that someone in the remote village of Blairmore in the Outer Hebrides had murdered a local man, sparking a media storm. Now, Maggie is determined to discover what really happened and what the villagers are hiding. But everyone has secrets, and some are deadly. As she gets closer to the horrifying truth, Maggie's own life is in danger... From the critically-acclaimed author of Mirrorland comes a darkly disturbing new thriller that will chill you to the bone. PRAISE FOR CAROLE JOHNSTONE'S DEBUT NOVEL, MIRRORLAND: 'DARK AND DEVIOUS' Stephen King 'UTTERLY ENGROSSING' Daily Mail 'TWISTY AND RICHLY ATMOSPHERIC' Ruth Ware 'TIGHTLY PLOTTED AND UTTERLY GRIPPING' Sarah Pinborough 'A HAUNTING THRILLER' Woman's Weekly 'TOTALLY ABSORBING' T.M. Logan 'AN UNSETTLING, LABYRINTHINE TALE' New York Times

First published in 2005. Routledge is an imprint of Taylor & Francis, an informa company.

The Mesopotamian influence on Greek mythology in literary works of the epic period is considerable - yet it is a largely unexplored field. In this book Charles Penglase investigates major Mesopotamian and Greek myths. His examination concentrates on journey myths. A major breakthrough is achieved in the recognition of the extent of Mesopotamian influence and in the understanding of the colourful myths involved. The results are of significant interest, especially to scholars and students of ancient Greek and Near Eastern religion and mythology.

Juvencus' Evangeliorum libri IV, or "The Four Books of the Gospels," is a verse rendering of the gospel narrative written ca. 330 CE. Consisting of around 3200 hexameter lines, it is the first of the Latin "Biblical epics" to appear in antiquity, and the first classicizing, hexameter poem on a Christian topic to appear in the western tradition. As such, it is an important text in literary and cultural history. This is the first English translation of the entire poem. The lack of a full English translation has kept many scholars and students, particularly those outside of Classics, and many educated general readers from discovering it. With a thorough introduction to aid in the interpretation and appreciation of the text this clear and accessible English translation will enable a clearer understanding of the importance of Juvencus' work to later Latin poetry and to the early Church.

Martha Malamud provides the only scholarly English translation of De Reditu Suo with significant notes and commentary that explore historical, literary, cultural, and mythical references, as well as commenting on literary allusions, the structure, diction, and style of the poem, and textual issues. De Reditu Suo provides fascinating insights into travel and communications networks in the rapidly changing, fragmented world of the fifth century. A substantial introductory essay explores Rutilius' place in several intellectual and literary traditions, as the poem is a sophisticated piece of literature that both draws on the rich tradition of classical Latin poetry and reflects the distinctive formal features of late antique poetry. The poem also conveys the thoughts of a man passionately devoted to Rome and its cultural heritage, enmeshed in the tumultuous political and social upheaval of his day, caught between his hopes for Rome's restoration and his fear of its disintegration. With line-for-line translation from the Latin and a scholarly introduction, extensive notes, and comprehensive bibliography, Martha Malamud makes this important text accessible and relevant for students and scholars in Classics, Comparative Literature, Religious Studies, Medieval Studies, and Ancient History, as well as independent readers with an interest in the literature of the period.

First published in 1902, this book investigates the history and development of early religion from an anthropological perspective. Rather than dealing with religions that grew from the teachings of their original founders, such as Christianity, Islam, and Buddhism, Jevons considers those religions that were practised as a matter of custom and tradition. The title considers such subjects as the supernatural, life and death, animal sacrifice, and the worship of nature. It provides an introduction to the history of religion for students of religion, anthropology and folklore.