Imagining the Pagan Past explores stories of Britain's pagan history. These tales have been characterised by gods and fairies, folklore and magic. They have had an uncomfortable relationship with the scholarly world; often being seen as historically dubious, self-indulgent romance and, worse, encouraging tribal and nationalistic feelings or challenging church and state. This book shows how important these stories are to the history of British culture, taking the reader on a lively tour from prehistory to the present. From the Middle Ages to the twenty-first century, Marion Gibson explores the ways in which British pagan gods and goddesses have been represented in poetry, novels, plays, chronicles, scientific and scholarly writing. From Geoffrey of Monmouth to Edmund Spenser, William Shakespeare to Seamus Heaney and H.G. Wells to Naomi Mitchison it explores Romano-British, Celtic and Anglo-Saxon deities and fictions. The result is a comprehensive picture of the ways in which writers have peopled the British pagan pantheons throughout history. Imagining the Pagan Past will be essential reading for all those interested in the history of paganism.

Imagining the Pagan Past explores stories of Britain s pagan history. These tales have been characterised by gods and fairies, folklore and magic. They have had an uncomfortable relationship with the scholarly world; often being seen as historically dubious, self-indulgent romance and, worse, encouraging tribal and nationalistic feelings or challenging church and state.

This book shows how important these stories are to the history of British culture, taking the reader on a lively tour from prehistory to the present. From the Middle Ages to the twenty-first century, Marion Gibson explores the ways in which British pagan gods and goddesses have been represented in poetry, novels, plays, chronicles, scientific and scholarly writing. From Geoffrey of Monmouth to Edmund Spenser, William Shakespeare to Seamus Heaney and H.G. Wells to Naomi Mitchison it explores Romano-British, Celtic and Anglo-Saxon deities and fictions. The result is a comprehensive picture of the ways in which writers have peopled the British pagan pantheons throughout history.

Imagining the Pagan Past will be essential reading for all those interested in the history of paganism.

This volume contains a collection of papers written by former students, postdoctoral fellows, and colleagues of Richard Thompson and represent written versions of papers presented at the Festschrift symposium. The Festschrift provided an excellent opportunity for the participants to recount their memories and experiences of working with one of the leading figures in behavioral neuroscience, and to place their current research in the context of earlier research conducted in the Thompson laboratory. As a Festschrift volume, the various chapters contain numerous and sometimes very personal references to Richard Thompson's influence on the careers of the authors, as well as summaries of past and present work being conducted in the authors' laboratories. Part I includes studies of spinal cord plasticity and the involvement of the hippocampus and related structure in classical eyeblink conditioning. Part II explores the critical role of the cerebellum and associated areas in classical eyeblink conditioning. Part III focuses on a continued exploration of the involvement of the cerebellum in classical eyeblink conditioning using standard procedures as well as innovative molecular biology and genetic techniques. It also includes studies aimed at delineating modulatory influences on learning such as stress and hormonal factors. The incredible influence that Richard Thompson has had on the fields of experimental psychology and neuroscience should be evident on reading the contributions made by the various authors to this volume. The research conducted in Thompson's laboratory over the years has been cutting-edge, comprehensive, and influential. Therefore, this volume is dedicated to Richard F. Thompson a productive, innovative scientist and outstanding mentor.

A study of animal sacrifice within Greek paganism, Judaism, and Christianity during the period of their interaction between about 100 BC and AD 200. After a vivid account of the realities of sacrifice in the Greek East and in the Jerusalem Temple (up to AD 70), Maria-Zoe Petropoulou explores the attitudes of early Christians towards this practice. Contrary to other studies in this area, she demonstrates that the process by which Christianity finally separated its own cultic code from the strong tradition of animal sacrifice was a slow and difficult one. Petropoulou places special emphasis on the fact that Christians gave completely new meanings to the term sacrifice'. She also explores the question why, if animal sacrifice was of prime importance in the eastern Mediterranean at this time, Christians should ultimately have rejected it.

Mysticism, Myth and Celtic Identity explores how the mythical and mystical past informs national imaginations. Building on notions of invented tradition and myths of the nation, it looks at the power of narrative and fiction to shape identity, with particular reference to the British and Celtic contexts. The authors consider how aspects of the past are reinterpreted or reimagined in a variety of ways to give coherence to desired national groupings, or groups aspiring to nationhood and its 'defence'. The coverage is unusually broad in its historical sweep, dealing with work from prehistory to the contemporary, with a particular emphasis on the period from the eighteenth century to the present. The subject matter includes notions of ancient deities, Druids, Celticity, the archaeological remains of pagan religions, traditional folk tales, racial and religious myths and ethnic politics, and the different types of returns and hauntings that can recycle these ideas in culture. Innovative and interdisciplinary, the scholarship in Mysticism, Myth and Celtic Identity is mainly literary but also geographical and historical and draws on religious studies, politics and the social sciences. Thus the collection offers a stimulatingly broad number of new viewpoints on a matter of great topical relevance: national identity and the politicization of its myths.

Originally published in 1970, this book represents a unique study of beliefs and ritual practices in a pagan religion, and of the processes by which a transformation to Christianity took place. Christianity came to the major islands of Polynesia nearly two centuries ago, and within a couple of generations, the traditional pagan religion had disappeared. Only a few remote islands such as Tikopia preserved their ancient cults. Over eighty years ago, the author first observed and took part in these pagan rites, and on later visits he studied the change from paganism to Christian faith. Unique in its rich documentation, this book presents a systematic account of the traditional beliefs in gods and spirits and of the way in which these were fused with the social and political structure. The causes and dramatic results of the conversion to Christianity are then described, ending with an examination of the religious situation at the time of the book's original publication. The book is both a contribution to anthropology and a case study in religious history. It completes the major series of studies of Tikopia society for which the author is famous. It gives the first full account of a Polynesian religious system in a state of change.

Arguing with Aseneth shows how the ancient Jewish romance known as Joseph and Aseneth moves a minor character in Genesis from obscurity to renown, weaving a new story whose main purpose was to intervene in ancient Jewish debates surrounding gentile access to Israel's God. Written in Greco-Roman Egypt around the turn of the era, Joseph and Aseneth combines the genre of the ancient Greek novel with scriptural characters from the story of Joseph as it retells Israel's mythic past to negotiate communal boundaries in its own present. With attention to the ways in which Aseneth's tale "remixes" Genesis, wrestles with Deuteronomic theology, and adopts prophetic visions of the future, Arguing with Aseneth demonstrates that this ancient novel inscribes into Israel's sacred narrative a precedent for gentile inclusion in the people belonging to Israel's God. Aseneth is transformed from material mother of the sons of Joseph to a mediator of God's mercy and life to future penitents, Jew and gentile alike. Yet not all Jewish thinkers in antiquity drew boundary lines the same way or in the same place. Arguing with Aseneth traces, then, not only the way in which Joseph and Aseneth affirms the possibility of gentile incorporation but also ways in which other ancient Jewish thinkers, including the apostle Paul, would have argued back, contesting Joseph and Aseneth's very conclusions or offering alternative, competing strategies of inclusion. With its use of a female protagonist, Joseph and Aseneth offers a distinctive model of gentile incorporation-one that eschews lines of patrilineal descent and undermines ethnicity and genealogy as necessary markers of belonging. Such a reading of this narrative shows us that we need to rethink our accounts of how ancient Jewish thinkers, including our earliest example from the Jesus Movement, negotiated who was in and who was out when it came to the people of Israel's God.

The Politics of Identity in Greek Sicily and Southern Italy offers the first sustained analysis of the relationship between collective identity and politics in the Greek West during the period c. 600-200 BCE. Greeks defined their communities in multiple and varied ways, including a separate polis identity for each city-state; sub-Hellenic ethnicities such as Dorian and Ionian; regional identities; and an overarching sense of Greekness. Mark Thatcher skillfully untangles the many overlapping strands of these plural identities and carefully analyzes how they relate to each other, presenting a compelling new account of the role of identity in Greek politics. Identity was often created through conflict and was reshaped as political conditions changed. It created legitimacy for kings and tyrants, and it contributed to the decision-making processes of poleis. A series of detailed case studies explore these points by drawing on a wide variety of source material, including historiography, epinician poetry, coinage, inscriptions, religious practices, and material culture. The wide-ranging analysis covers both Sicily and southern Italy, encompassing cities such as Syracuse, Camarina, Croton, and Metapontion; ethnic groups such as the Dorians and Achaeans; and tyrants and politicians from the Deinomenids and Hermocrates to Pyrrhus and Hieron II. Spanning the Archaic, Classical, and Hellenistic periods, this study is an essential contribution to the history, societies, cultures, and identities of Greek Sicily and southern Italy.

Mysticism, Myth and Celtic Identity explores how the mythical and mystical past informs national imaginations. Building on notions of invented tradition and myths of the nation, it looks at the power of narrative and fiction to shape identity, with particular reference to the British and Celtic contexts. The authors consider how aspects of the past are reinterpreted or reimagined in a variety of ways to give coherence to desired national groupings, or groups aspiring to nationhood and its 'defence'. The coverage is unusually broad in its historical sweep, dealing with work from prehistory to the contemporary, with a particular emphasis on the period from the eighteenth century to the present. The subject matter includes notions of ancient deities, Druids, Celticity, the archaeological remains of pagan religions, traditional folk tales, racial and religious myths and ethnic politics, and the different types of returns and hauntings that can recycle these ideas in culture. Innovative and interdisciplinary, the scholarship in Mysticism, Myth and Celtic Identity is mainly literary but also geographical and historical and draws on religious studies, politics and the social sciences. Thus the collection offers a stimulatingly broad number of new viewpoints on a matter of great topical relevance: national identity and the politicization of its myths.

The relationship between the individual and the divine in ancient Greece is a complex one, which has tended to be neglected in favour of studies of state religion, festivals, sanctuaries and oracles. This reader presents a selection of texts that shed light on many potential aspects of an individual's personal religious beliefs and influences including divine epiphany, superstition, epilepsy, athletics victories, life after death, philosophy, pollution, Orphism and curse tablets. The Greek authors include Homer, Hesiod, Theophrastus, Herodotus, Aeschylus, Pindar, Empedocles, Plato and Aristotle as well as a Hippocratic text, orphic gold leaves, and fragments of the Derveni Papyrus. Each text has an introduction explaining the background and significance of the passage, an English translation and commentaries. The Greek texts are given in a separate section at the end of the book.

Leading spiritual teacher John Philip Newell reveals how Celtic spirituality, listening to the sacred around us and inside of us, can help to heal the earth, overcome our conflicts and reconnect with ourselves. Sacred Earth, Sacred Soul offers a new spiritual foundation for our lives, once centered on encouragement,guidance and hope for creating a better world. Sharing the long hidden tradition of Celtic Christianity, explaining how this earth-based spirituality can help us rediscover the natural rhythms of life and deepen our spiritual connection with God, with each other and with the earth. Newell introduces some of Celtic Christianity's leading practitioners, both saints and pioneers of faith, whose timeless wisdom is more necessary than ever, including: Pelagius, who shows us how to look beyond sin to affirm our sacredness as part of all God's creation and courageously stands up for our principles in the face of oppression. Brigid of Kildare, who illuminates the interrelationship of all things and reminds us of the power of the sacred feminine to overcome those seeking to control us. John Muir, who encourages us to see the holiness and beauty of wilderness and what we must do to protect these gifts. Teilhard de Chardin, who inspires us to see how science, faith, and our future tell one universal story that beings with sacredness.

What is the difference between a ghost and a ghoul? How do you tell a good Jinn from a bad one? Where would you find a chimera or a manticore? What did Herodotus have to say about werewolves? In this enchanting little book, television producer and mythozoologist Tam OMalley explores the rich world of mythological animals, from banshees to harpies, griffins to vampires. These ancient beasties still intrigue us today, filling popular novels, screens and imaginations. "Fascinating" FINANCIAL TIMES. "Beautiful" LONDON REVIEW OF BOOKS. "Rich and Artful" THE LANCET. "Genuinely mind-expanding" FORTEAN TIMES. "Excellent" NEW SCIENTIST. "Stunning" NEW YORK TIMES. Small books, big ideas.

A Chaos of Delight is a comprehensive tour guide into the succession of ways human beings have constructed order and meaning about the world, and their place in it. The book examines how various cultures over the past 5000 years have looked at the same phenomena and devised totally different worldviews, ranging from deep mythopoeic supernatural reflections to purely physical ones. One unifying feature that stands out above all others is the most certain thing about human knowledge in general, and science, religion or myth in particular, is its uncertainty. From a cross-cultural perspective, one's religious views are framed by articles of faith derived from history, and within its highly prescribed boundaries, profoundly subtle ways, the journey challenges the reader to confront their own worldview, and to better understand its origins and development through the history of ideas. An important lesson for the third millennium is that diversity of opinion is healthy and essential - it is blind acceptance of dogma that impedes understanding and progress.

There is more material available on Herakles than any other Greek god or hero.aHis story has many more episodes than those of other heroes, concerning his life and death as well as his battles with myriad monsters and other opponents.aIn literature, he appears in our earliest Greek epic and lyric poetry, is reinvented for the tragic and comic stage, and later finds his way into such unlikely areas as philosophical writing and love poetry.? In art, his exploits are amongst the earliest identifiable mythological scenes, and his easily-recognisable figure with lionskin and club was a familiar sight throughout antiquity in sculpture, vase-painting and other media.aHe was held up as an ancestor and role-model for both Greek and Roman rulers, and widely worshipped as a god, his unusual status as a hero-god being reinforced by the story of his apotheosis.aOften referred to by his Roman name Hercules, he has continued to fascinate writers and artists right up to the present day.

In Herakles, Emma Stafford has successfully tackled the OCyHerculean taskOCO of surveying both the ancient sources and the extensive modern scholarship in order to present a hugely accessible account of this important mythical figure.aCovering both Greek and Roman material, the book highlights areas of consensus and dissent, indicating avenues for further study on both details and broader issues.aEasy to read, Herakles is perfectly suited to students of classics and related disciplines, and of interest to anyone looking for an insight into ancient GreeceOCOs most popular hero.

a

There is more material available on Herakles than any other Greek god or hero. His story has many more episodes than those of other heroes, concerning his life and death as well as his battles with myriad monsters and other opponents. In literature, he appears in our earliest Greek epic and lyric poetry, is reinvented for the tragic and comic stage, and later finds his way into such unlikely areas as philosophical writing and love poetry. In art, his exploits are amongst the earliest identifiable mythological scenes, and his easily-recognisable figure with lionskin and club was a familiar sight throughout antiquity in sculpture, vase-painting and other media. He was held up as an ancestor and role-model for both Greek and Roman rulers, and widely worshipped as a god, his unusual status as a hero-god being reinforced by the story of his apotheosis. Often referred to by his Roman name Hercules, he has continued to fascinate writers and artists right up to the present day.

In Herakles, Emma Stafford has successfully tackled the Herculean task of surveying both the ancient sources and the extensive modern scholarship in order to present a hugely accessible account of this important mythical figure. Covering both Greek and Roman material, the book highlights areas of consensus and dissent, indicating avenues for further study on both details and broader issues. Easy to read, Herakles is perfectly suited to students of classics and related disciplines, and of interest to anyone looking for an insight into ancient Greece s most popular hero.

Valerius Maximus was an indefatigable collector of historical anecdotes illustrating vice and virtue. This study focuses on what Valerius can tell us about contemporary Roman attitudes to religion, attacking several orthodoxies along the way.

This edition of Books I & II of St Augustine's The City of God (De Civitate Dei) is the only edition in English to provide a text and translation as well as a detailed commentary of this most influential document in the history of western Christianity. In these books, written in the aftermath of the sack of Rome in AD 410 by the Goths, Augustine replies to the pagans, who attributed the fall of Rome to the Christian religion and its prohibition of the worship of the pagan gods. Latin text with facing-page English translation, introduction and commentary.

The Ciris is a small scale epic poem which relates the myth of Scylla, daughter of king Nisus of Megara, who betrayed her homeland for love, and was transformed into a sea-bird. It is one of the poems in the Appendix Vergiliana, a collection that has been ascribed to Virgil as his carmina minora. Earlier scholarship has mostly been concerned to prove that the Ciris is not by Virgil, and then to demonstrate that it is a late and derivative composition of little intrinsic merit. The present book argues that Ciris was composed by a contemporary of Virgil, a product of the golden age of Latin poetry. It aims to bring the poem to the attention of modern readers and to rescue it from ill-deserved neglect. The introduction presents detailed linguistic, literary and historical arguments in support of this early composition date and offers a state-of-the-art account of the textual witnesses and the manuscript tradition. The critical text and apparatus are based on a systematic, first-hand analysis of manuscript evidence as well as the rigorous application of text-critical methods. The new text, as close to the original Ciris as can be achieved, includes over one-hundred and fifty changes from previous editions. By engaging with textual scholarship on the poem from the fifteenth to the twenty-first century, the line-by-line commentary provides a comprehensive guide to the numerous textual problems, and is an important contribution to the stylistic and linguistic analysis of golden-age Latin poetry.

This book traces the ancient Greek God Pan, who became distorted into the image of the Devil in early Christianity. When Pan was demonized, the powerful qualities he represented became repressed, as Pan's visage twisted into the model of the Devil. The book follows a Jungian analysis of this development. In ancient Greek religion, Pan was worshipped as an honored deity, corresponding to an inner psycho-spiritual condition in which the primitive qualities he represented were fully integrated into consciousness, and these qualities valued and affirmed as holy. But in the era of early Christianity Pan "dies," and the Devil is born, a twisted inflation, possibly due to an underlying repression. In the Jungian system, repressed psychic contents do not disappear, as proponents of the new order tacitly assume, but distort and grow more powerful, or "inflate," to cripple the psyche that refuses to incorporate these split-off elements. Repressed contents will expand to explosive force as the repressed elements eventually return regressively from below. It becomes important then, to understand what qualities the primitive Goat God carried, to appreciate what was repressed in the Western psycho-spiritual system, and what subsequently needs reintegration.

This book is about the multiplicity of gods and religions that characterized the Roman world before Constantine. It was not the noble gods such as Jove, Apollo and Diana, who were crucial to the lives of the common people in the empire, but gods of an altogether more earthly, earthy level, whose rituals and observances may now seem bizarre.

The book opens with an account of the nature of popular religion and the way in which the gods and myths of subject peoples were taken up by the Roman colonizers and spread throughout the empire. Successive chapters are devoted to the Great Mother, Isis, the cults of Syria, Mithras, The Horsemen, Dionysus, and to practices related to the performance of magic. It was above all with these popular religions that the early Christians fought for supremacy. In the concluding part of the book Professor Turcan describes this contest and its eventual outcome in the triumph of Christianity throughout the Roman world.

The author assumes little background or specialist knowledge. Each chapter is fully referenced and where appropriate illustrated with photographs and diagrams. The book includes a guide for further reading specifically for English-speaking students.

As well as being of wide general interest, this book will appeal to students of the Roman Empire and of the history of religion.

The Trojan War begins and ends with the sacrifice of a virgin princess. The gruesome killing of a woman must have captivated ancient people because the myth of the sacrificial virgin resonates powerfully in the arts of ancient Greece and Rome. Most scholars agree that the Greeks and Romans did not practice human sacrifice, so why then do the myths of virgin sacrifice appear persistently in art and literature for over a millennium? Virgin Sacrifice in Classical Art: Women, Agency, and the Trojan War seeks to answer this question. This book tells the stories of the sacrificial maidens in order to help the reader discover the meanings bound up in these myths for historical people. In exploring the representations of Iphigeneia and Polyxena in Greek, Etruscan, and Roman art, this book offers a broader cultural history that reveals what people in the ancient world were seeking in these stories. The result is an interdisciplinary study that offers new interpretations on the meaning of the sacrificial virgin as a cultural and ideological construction. This is the first book-length study of virgin sacrifice in ancient art and the first to provide an interpretive framework within which to understand its imagery.

This book examines the figure of the returning warrior as depicted in the myths of several ancient and medieval Indo-European cultures. In these cultures, the returning warrior was often portrayed as a figure rendered dysfunctionally destructive or isolationist by the horrors of combat. This mythic portrayal of the returned warrior is consistent with modern studies of similar behavior among soldiers returning from war. Roger Woodard's research identifies a common origin of these myths in the ancestral proto-Indo-European culture, in which rites were enacted to enable warriors to reintegrate themselves as functional members of society. He also compares the Italic, Indo-Iranian, and Celtic mythic traditions surrounding the warrior, paying particular attention to Roman myth and ritual, notably to the etiologies and rites of the July festivals of the Poplifugia and Nonae Caprotinae, and to the October rites of the Sororium Tigillum.

Aphrodite explores the many myths and meanings of the Greek goddess of love, sex and beauty. One of the most widely worshipped and popular deities in Greek antiquity, Aphrodite emerges from the imaginations of the ancient Greek writers and artists as a multifaceted, powerful and charismatic figure. This volume explores the importance of Aphrodite for the ancient Greeks, as well as her enduring influence as a symbol of beauty, adornment, love and sexuality in contemporary culture. In a wide-ranging investigation of the universality of Aphrodite s power and significance, this volume illuminates the numerous intricate levels of divinity embodied by the alluring figure of Aphrodite.

Aphrodite offers new insights into the ancient texts and artistic representations of the goddess, as well as a comprehensive survey of the current scholarship about the origins and interpretations of Aphrodite, whilst also highlighting her eternal popular appeal across cultures and generations. A goddess of love who is not afraid to enter the battlefield; a goddess of bodily adornment who is the first to appear totally nude; a goddess born of the sea who emerges into the open sky: Aphrodite is a polyvalent deity, plural in nature, function and significance.