This is an illustrated reference to the art, architecture, religion, society and culture of the Roman world with over 450 pictures, maps and artworks. How the Romans lived: an authoritative and highly accessible exploration of Roman society. It is beautifully illustrated with over 450 photographs of painting and sculpture, architecture and art, artworks and maps that explore the glory that was Rome. You can find out how people in the ancient Roman Empire lived, worked, played and behaved during one of the cultural peaks of world history. This wonderfully illustrated history celebrates the great public buildings, palaces and villas of the Roman Empire, including the Colosseum, the Pantheon and other World Heritage buildings. Daily life in ancient Rome is explored through contemporary accounts of sports and games in the arenas, work and play at the baths, the forum and the woman's world of home. You can discover the scandalous lives of such notorious emperors as Caligula and Nero. With its wealth of pictures and artworks, and an authoritative and enthusiastic text, this is the perfect book for study projects or anyone planning to visit Italy or other sites of the ancient Roman world.

God is unbounded. God became flesh. While these two assertions are equally viable parts of Western Christian religious heritage, they stand in tension with one another. Fearful of reducing God's majesty with shallow anthropomorphisms, philosophy and religion affirm that God, as an eternal being, stands wholly apart from creation. Yet the legacy of the incarnation complicates this view of the incorporeal divine, affirming a very different image of God in physical embodiment. While for many today the idea of an embodied God seems simplisticaeven pedestrianaChristoph Markschies reveals that in antiquity, the educated and uneducated alike subscribed to this very idea. More surprisingly, the idea that God had a body was held by both polytheists and monotheists. Platonic misgivings about divine corporeality entered the church early on, but it was only with the advent of medieval scholasticism that the idea that God has a body became scandalous, an idea still lingering today. In God's Body Markschies traces the shape of the divine form in late antiquity. This exploration follows the development of ideas of God's corporeality in Jewish and Greco-Roman traditions. In antiquity, gods were often like humans, which proved to be important for philosophical reflection and for worship. Markschies considers how a cultic environment nurtured, and transformed, Jewish and Christian descriptions of the divine, as well as how philosophical debates over the connection of body and soul in humanity provided a conceptual framework for imagining God. Markschies probes the connections between this lively culture of religious practice and philosophical speculation and the christological formulations of the church to discover how the dichotomy of an incarnate God and a fleshless God came to be. By studying the religious and cultural past, Markschies reveals a Jewish and Christian heritage alien to modern sensibilities, as well as a God who is less alien to the human experience than much of Western thought has imagined. Since the almighty God who made all creation has also lived in that creation, the biblical idea of humankind as image of God should be taken seriously and not restricted to the conceptual world but rather applied to the whole person.

Images of episodes from Greek mythology are widespread in Roman art, appearing in sculptural groups, mosaics, paintings and reliefs. They attest to Rome's enduring fascination with Greek culture, and its desire to absorb and reframe that culture for new ends. This book provides a comprehensive account of the meanings of Greek myth across the spectrum of Roman art, including public, domestic and funerary contexts. It argues that myths, in addition to functioning as signifiers of a patron's education or paideia, played an important role as rhetorical and didactic exempla. The changing use of mythological imagery in domestic and funerary art in particular reveals an important shift in Roman values and senses of identity across the period of the first two centuries AD, and in the ways that Greek culture was turned to serve Roman values.

Revisiting Delphi speaks to all admirers of Delphi and its famous prophecies, be they experts on ancient Greek religion, students of the ancient world, or just lovers of a good story. It invites readers to revisit the famous Oracle of Apollo at Delphi, along with Herodotus, Euripides, Socrates, Pausanias and Athenaeus, offering the first comparative and extended enquiry into the way these and other authors force us to move the link between religion and narrative centre stage. Their accounts of Delphi and its prophecies reflect a world in which the gods frequently remain baffling and elusive despite every human effort to make sense of the signs they give.

Volume 12 in the edition of the complete Jerusalem Talmud. Tractates Sanhedrin and Makkot belong together as one tractate, covering procedural law for panels of arbitration, communal rabbinic courts (in bare outline) and an elaborate construction of hypothetical criminal courts supposedly independent of the king's administration. Tractate Horaiot, an elaboration of Lev. 4:1-26, defines the roles of High Priest, rabbinate, and prince in a Commonwealth strictly following biblical rules.

Ovid's Fasti is a journey through ancient Rome, using the calendar as a guide. The reader of this poem tours the monuments of the Augustan-era city, witnesses both urban and rustic seasonal festivals, and commemorates the epic events of long-past history. The reader also experiences the passage of the year, as measured by the natural world: the rising and setting of constellations, the migration of birds, and the comforting rhythms of agriculture. Throughout, Ovid enlivens the narrative with myths, including Romulus and Remus, Callisto and Jupiter, Lucretia and Tarquinius, Hercules and Cacus, and many more. In doing so, he evokes the questions of what constitutes justice, or glory, or patriotism. The result is a lively tour of the Roman year-sometimes thoughtful, sometimes tragic, sometimes triumphant or even farcical-that interweaves human customs into the natural world, and gives occasional glimpses of awe-inspiring divinities on the streets of Rome. This volume covers the first half of the Fasti (Books I-III), including the original Latin text and also a new translation in clear, idiomatic prose on facing pages. An introduction on Ovid's life and Augustan literature, as well as an incisive commentary with up-to-date bibliography, give the reader extensive background to interpret the text.

What is so special about spring water? How are wells holy? Why are so many known for 'the healing of eyes'? The ancient holy wells of the British Isles are amongst the most beautiful and magical places anyone can visit. Often untouched by all but the most delicate hands, and located in some of the most secret nooks and crannies of the country, their stories evoke a lost world of pagan gods, healing forces, second sight and holy visions. This beautiful book, beautifully illustrated throughout by the author, tells the story of the holy waters of the British Isles through hand-picked examples. A useful gazetteer at the back of the book catalogues further rewarding sites to visit. WOODEN BOOKS are small but packed with information. "Fascinating" FINANCIAL TIMES. "Beautiful" LONDON REVIEW OF BOOKS. "Rich and Artful" THE LANCET. "Genuinely mind-expanding" FORTEAN TIMES. "Excellent" NEW SCIENTIST. "Stunning" NEW YORK TIMES. Small books, big ideas.

"All myths and sagas and legends are like a shimmering veil of many colours, stirred now and then by the wind of our desires, but still hiding from most of us that Council of the Wise seated at the Round Table of the Stars... But between us and them lies the gulf of our arrogance and the mists of our unbelief." The Flaming Door is perhaps Eleanor Merry's most famous work and made an important contribution to the renewal of Celtic mythology. Slumbering in the ancient sagas and legends are the secrets of initiation: when men and women found their way through the 'flaming door', the threshold between the physical and spiritual worlds. The book falls into two parts: before Christ, which includes studies of The Bards, The Cauldron of Ceridwen and Hu the Mighty; and after Christ, which includes the Legends of Odrum, St Columba and the Legends of the Rose and the Lily.

Following the ideological disappointment of the 1967 Arab-Israeli War, an Islamic revival arose in Egypt. Yet, far from a mechanical reaction to the decline of secular nationalism, this religious shift was the product of impassioned competition among Muslim Brothers, Salafis and state institutions and their varied efforts to mobilize Egyptians to their respective projects. By pulling together the linked stories of these diverse claimants to religious authority and tracing the social and intellectual history of everyday practices of piety, Aaron Rock-Singer shows how Islamic activists and institutions across the political spectrum reshaped daily practices in an effort to persuade followers to adopt novel models of religiosity. In so doing, he reveals how Egypt's Islamic revival emerged, who it involved, and why it continues to shape Egypt today.

This volume offers the most comprehensive survey available of the philosophical background to the works of early Christian writers and the development of early Christian doctrine. It examines how the same philosophical questions were approached by Christian and pagan thinkers; the philosophical element in Christian doctrines; the interaction of particular philosophies with Christian thought; and the constructive use of existing philosophies by all Christian thinkers of late antiquity. While most studies of ancient Christian writers and the development of early Christian doctrine make some reference to the philosophic background, this is often of an anecdotal character, and does not enable the reader to determine whether the likenesses are deep or superficial, or how pervasively one particular philosopher may have influenced Christian thought. This volume is designed to provide not only a body of facts more compendious than can be found elsewhere, but the contextual information which will enable readers to judge or clarify the statements that they encounter in works of more limited scope. With contributions by an international group of experts in both philosophy and Christian thought, this is an invaluable resource for scholars of early Christianity, Late Antiquity and ancient philosophy alike.

Discoveries on Mount Gerizim and in Qumran demonstrate that the final editing of the Hebrew Bible coincides with the emergence of the Samaritans as one of the different types of Judaisms from the last centuries BCE. This book discusses this new scholarly situation. Scholars working with the Bible, especially the Pentateuch, and experts on the Samaritans approach the topic from the vantage point of their respective fields of expertise. Earlier, scholars who worked with Old Testament/Hebrew Bible studies mostly could leave the Samaritan material to experts in that area of research, and scholars studying the Samaritan material needed only sporadically to engage in Biblical studies. This is no longer the case: the pre-Samaritan texts from Qumran and the results from the excavations on Mount Gerizim have created an area of study common to the previously separated fields of research. Scholars coming from different directions meet in this new area, and realize that they work on the same questions and with much common material.This volume presents the current state of scholarship in this area and the effects these recent discoveries have for an understanding of this important epoch in the development of the Bible.

Despite considerable scholarly efforts for many years, the last two decades of the Kingdom of Israel are still beneath the veil of history. What was the status of the Kingdom after its annexation by Assyria in 732 BCE? Who conquered Samaria, the capital of the Kingdom? When did it happen? One of the primary reasons for this situation lies in the discrepancies found in the historical sources, namely the Hebrew Bible and the Assyrian texts. Since biblical studies and Assyriology are two distinct disciplines, the gaps in the sources are not easy to bridge. Moreover, recent great progress in the archaeological research in the Southern Levant provides now crucial new data, independent of these textual sources. This volume, a collection of papers by leading scholars from different fields of research, aims to bring together, for the first time, all the available data and to discuss these conundrums from various perspectives in order to reach a better and deeper understanding of this crucial period, which possibly triggered in the following decades the birth of "new Israel" in the Southern Kingdom of Judah, and eventually led to the formation of the Hebrew Bible and its underlying theology.

This is a book about the religious life of the Greeks from archaic times to the fifth century AD, looked at in the context of a variety of different cities and periods. Simon Price examines local practices and concepts in the light of general Greek ideas, relating them to such issues as gender roles, political life, and the trial of Socrates. He lays emphasis on the reactions to Greek religions of ancient thinkers--Greek, Roman and Christian. The evidence drawn on is of all kinds: literary, inscriptional and archaeological.

The basis of Chinese religious culture, and with that many aspects of daily life, was the threat and fear of demonic attacks. These were inherently violent and could only be counteracted by violence as well - even if this reactive violence was masked by euphemisms such as execution, expulsion, exorcisms and so on. At the same time, violence was a crucial dimension of the maintenance of norms and values, for instance in sworn agreements or in beliefs about underworld punishment. Violence was also an essential aspect of expressing respect through sacrificial gifts of meat (and in an earlier stage of Chinese culture also human flesh) and through a culture of auto-mutilation and ritual suicide. At the same time, conventional indigenous terms for violence such as bao were not used for most of these practices since they were not experienced as such, but rather justified as positive uses of physical force.

Salvation is often thought to be an all-or-nothing matter: you are either saved or damned. In the ancient world some figures, including Paul the Apostle, John of Patmos, Hermas, the Sethians, and the Valentinians, did not think this way, however. For them, there were multiple levels of salvation. Examining the reasons and implications for why these important thinkers believed that salvation comes in degrees, Heavenly Stories offers a fresh perspective on ancient thinking about responsibility, especially as it intersects with concerns such as genealogy and determinism. It shows why Jews and Christians of various kinds-some eventually declared orthodox, others heretical-correlated ethics and soteriology and argued over how this should be done. By constructing a difference between a lower and higher level of salvation, ancient authors devised soteriological hierarchies that could account for ethical imperfections and social differentiation between their communities and outsiders, as well as reinforce idealized portrayals of conduct among members of their own groups. Alexander Kocar asks how these thinkers identified and described these ethical and social differences among people; what commitments motivated them to make such distinctions; what were the social effects of different salvific categories and ethical standards; and what impact did hierarchically structured soteriologies have on notions of ethical responsibility? His findings have repercussions for the study of ancient ethics (especially free will and responsibility), our understanding of orthodoxy and heresy, and scholarly debates surrounding the origins of Christianity as a movement that allegedly transcends ethnic boundaries.

This book examines the fragmentary and contradictory evidence for Orpheus as the author of rites and poems to redefine Orphism as a label applied polemically to extra-ordinary religious phenomena. Replacing older models of an Orphic religion, this richer and more complex model provides insight into the boundaries of normal and abnormal Greek religion. The study traces the construction of the category of 'Orphic' from its first appearances in the Classical period, through the centuries of philosophical and religious polemics, especially in the formation of early Christianity and again in the debates over the origins of Christianity in the nineteenth and twentieth centuries. A paradigm shift in the study of Greek religion, this study provides scholars of classics, early Christianity, ancient religion and philosophy with a new model for understanding the nature of ancient Orphism, including ideas of afterlife, cosmogony, sacred scriptures, rituals of purification and initiation, and exotic mythology.

The Odyssey's larger plot is composed of a number of distinct genres of myth, all of which are extant in various Near Eastern cultures (Mesopotamian, West Semitic, and Egyptian). Unexpectedly, the Near Eastern culture with which the Odyssey has the most parallels is the Old Testament. Consideration of how much of the Odyssey focuses on non-heroic episodes - hosts receiving guests, a king disguised as a beggar, recognition scenes between long-separated family members - reaffirms the Odyssey's parallels with the Bible. In particular the book argues that the Odyssey is in a dialogic relationship with Genesis, which features the same three types of myth that comprise the majority of the Odyssey: theoxeny, romance (Joseph in Egypt), and Argonautic myth (Jacob winning Rachel from Laban). The Odyssey also offers intriguing parallels to the Book of Jonah, and Odysseus' treatment by the suitors offers close parallels to the Gospels' depiction of Christ in Jerusalem.

Book 18 of the Iliad is an outstanding example of the range and power of Homeric epic. It describes the reaction of the hero Achilles to the death of his closest friend, and his decision to re-enter the conflict even though it means he will lose his own life. The book also includes the forging of the marvellous shield for the hero by the smith-god Hephaestus: the images on the shield are described by the poet in detail, and this description forms the archetypal ecphrasis, influential on many later writers. In an extensive introduction, R. B. Rutherford discusses the themes, style and legacy of the book. The commentary provides line-by-line guidance for readers at all levels, addressing linguistic detail and larger questions of interpretation. A substantial appendix considers the relation between Iliad 18 and the Babylonian Epic of Gilgamesh, which has been prominent in much recent discussion.

I choose to take back my life. My life. Medea is a wife and a mother. For the sake of her husband, Jason, she's left her home and borne two sons in exile. But when he abandons his family for a new life, Medea faces banishment and separation from her children. Cornered, she begs for one day's grace. It's time enough. She exacts an appalling revenge and destroys everything she holds dear. Ben Power's version of Euripides' tragedy Medea premiered at the National Theatre, London, in July 2014.

In Isis in a Global Empire, Lindsey Mazurek explores the growing popularity of Egyptian gods and its impact on Greek identity in the Roman Empire. Bringing together archaeological, art historical, and textual evidence, she demonstrates how the diverse devotees of gods such as Isis and Sarapis considered Greek ethnicity in ways that differed significantly from those of the Greek male elites whose opinions have long shaped our understanding of Roman Greece. These ideas were expressed in various ways - sculptures of Egyptian deities rendered in a Greek style, hymns to Isis that grounded her in Greek geography and mythology, funerary portraits that depicted devotees dressed as Isis, and sanctuaries that used natural and artistic features to evoke stereotypes of the Nile. Mazurek's volume offers a fresh, material history of ancient globalization, one that highlights the role that religion played in the self-identification of provincial Romans and their place in the Mediterranean world.