Edith Hamilton's MYTHOLOGY succeeds like no other book in bringing to life for the modern reader the Greek, Roman, and Norse myths that are the keystone of Western culture-the stories of gods and heroes that have inspired human creativity from antiquity to the present. We meet the Greek gods on Olympus and Norse gods in Valhalla. We follow the drama of the Trojan War and the wanderings of Odysseus. We hear the tales of Jason and the Golden Fleece, Cupid and Psyche, and might King Midas. We discover the origins of the names of the constellations. And we recognize reference points for countless works of art, literature, and cultural inquiry-from Freud's Oedipus complex to Wagner's Ring Cycle of operas to Eugene O'Neill's Mourning Becomes Electra. Praised throughout the world for its authority and lucidity, MYTHOLOGY is Edith Hamilton's masterpiece-the standard by which all other books on mythology are measured.

This title explores the female aspects of the Norse tradition, and aims to counter the popularly held view of Norse polytheism as wholly male, or even misogynistic. The author draws on research, myth, and a pantheon of female Norse divinity to uncover a female force in a male dominated tradition.

A Companion to Greek Mythology presents a series of essays that explore the phenomenon of Greek myth from its origins in shared Indo-European story patterns and the Greeks contacts with their Eastern Mediterranean neighbours through its development as a shared language and thought-system for the Greco-Roman world. * Features essays from a prestigious international team of literary experts * Includes coverage of Greek myth s intersection with history, philosophy and religion * Introduces readers to topics in mythology that are often inaccessible to non-specialists * Addresses the Hellenistic and Roman periods as well as Archaic and Classical Greece

The Bear Is My Father: Indigenous Wisdom of a Muscogee Creek Caretaker of Sacred Ways is considered a love story between Bear Heart and a community that stretches across the globe. This book celebrates the life, teachings and legacy of Marcellus Bear Heart Williams, a Multi-Tribe Spiritual Leader and author of the critically-acclaimed The Wind is My Mother. Bear Heart (1918 - 2008), was a Muscogee Creek Native American Church Road Man with a talent for seeing people as individuals, and for making them feel seen and special in their own ways. The Bear Is My Father: Indigenous Wisdom of a Muscogee Creek Caretaker of Sacred Ways contains the final words Bear Heart wrote before his "going on" as well as contributions from friends and family whose lives were forever changed by Bear Heart's presence and work. In this new book, Bear Heart uses stories of his youth and traditional medicine practices to convey lessons and knowledge about living in harmony and with respect for all. Offering a mix of history and spiritual wisdom, The Bear is My Father is co-authored by Reginah WaterSpirit, Bear Heart's Medicine Helper and wife of 23 years. When Reginah would ask Bear Heart exactly how he made his medicine, he always answered, "I don't make the medicine, it was here before me. I've been entrusted to be a caretaker of certain sacred ways."

Just as we speak of "dead" languages, we say that religions "die out." Yet sometimes, people try to revive them, today more than ever. New Antiquities addresses this phenomenon through critical examination of how individuals and groups appeal to, reconceptualize, and reinvent the religious world of the ancient Mediterranean as they attempt to legitimize developments in contemporary religious culture and associated activity. Drawing from the disciplines of religious studies, archaeology, history, philology, and anthropology, New Antiquities explores a diversity of cultic and geographic milieus, ranging from Goddess Spirituality to Neo-Gnosticism, from rural Oregon to the former Yugoslavia. As a survey of the reception of ancient religious works, figures, and ideas in later twentieth-century and contemporary alternative religious practice, New Antiquities will interest classicists, Egyptologists, and historians of religion of many stripes, particularly those focused on modern Theosophy, Gnosticism, Neopaganism, New Religious Movements, Magick, and Occulture. The book is written in a lively and engaging style that will appeal to professional scholars and advanced undergraduates as well as lay scholars.

This brief but highly informative book presents an outline of Greek religion in the classical period. After surveying its main characteristics, it offers a clear and innovative view of the great gods and heroes as well as their sanctuaries and also the main myths, rituals and mysteries: from Athena to Zeus, from sacrifice to the puritan Orphics, from the Indo-European roots to the influence of the ancient Near East. The approach pays attention to the sociological, anthropological, and psychological aspects of Greek religion and also to the gender roles. By paying attention to the often modern origin of many of the notions employed in the analysis of Greek religion, it illustrates the difference between Greek polytheism and the place of religion in modern Western society. This second edition has been updated to account for the latest developments, and its bibliography makes this book very useful for students and teachers alike.

Melania the Younger: From Rome to Jerusalem explores the richly detailed story of Melania, an early fifth-century Roman Christian aristocrat who renounced her staggering wealth to lead a life of ascetic renunciation. Hers is a tale of "riches to rags." Born to high Roman aristocracy in the late fourth century, Melania encountered numerous difficulties posed by family members, Roman officials, and historical circumstances in disposing of her wealth, property (spread across at least eight Roman provinces), and thousands of slaves. Leaving Rome with her entourage a few years before Alaric the Goth's sack of Rome in 410, she journeyed to Sicily, then to North Africa, finally settling in Jerusalem-all while founding monasteries along the way. Towards the end of her life, she traveled to Constantinople (present-day Istanbul) in an attempt to convert to Christianity her still-pagan uncle, who was on a state mission to the eastern Roman court. Throughout her life, she was accustomed to meet and be assisted by emperors and empresses, bishops, and other high dignitaries. Embracing a fairly extreme asceticism, Melania died in Jerusalem in 439. A new English translation of her Life, composed by a long-time assistant who succeeded her in the direction of the male and female monasteries in Jerusalem, accompanies this biographical study.

Since the first edition of "Approaches to Greek Myth" was published in 1990, interest in Greek mythology has surged. There was no simple agreement on the subject of "myth" in classical antiquity, and there remains none today. Is myth a narrative or a performance? Can myth be separated from its context? What did myths mean to ancient Greeks and what do they mean today?

Here, Lowell Edmunds brings together practitioners of eight of the most important contemporary approaches to the subject. Whether exploring myth from a historical, comparative, or theoretical perspective, each contributor lucidly describes a particular approach, applies it to one or more myths, and reflects on what the approach yields that others do not. Edmunds's new general and chapter-level introductions recontextualize these essays and also touch on recent developments in scholarship in the interpretation of Greek myth.

Contributors are Jordi Pamias, on the reception of Greek myth through history; H. S. Versnel, on the intersections of myth and ritual; Carolina Lopez-Ruiz, on the near Eastern contexts; Joseph Falaky Nagy, on Indo-European structure in Greek myth; William Hansen, on myth and folklore; Claude Calame, on the application of semiotic theory of narrative; Christiane Sourvinou-Inwood, on reading visual sources such as vase paintings; and Robert A. Segal, on psychoanalytic interpretations.

The presence of gods was felt in every corner of the Celtic world, and influenced all areas of life in Celtic society. This fascinating book delves into these corners to examine all aspects of the gods, ritual customs, cult objects and sacred places of the ancient Celtic peoples. Miranda Green introduces the Celts and the evidence that they left behind, placing them in their geographical and chronological context, and continues on to look at Celtic cults of the sun and sky, animals and animism, mother goddesses, water gods and healers, as well as examining the influence of religion on war, death and fertility. Embracing the whole of the Celtic world from Ireland to Australia, and covering from 500 BC to AD 400, this is a rewarding overview of the evidence for Celtic religions, beliefs and practices which uses modern scholarship to bring a mysterious and captivating part of European history to life.

Epiphanius, Bishop of Constantia on Cyprus from 367 to 403 CE, was incredibly influential in the last decades of the fourth century. Whereas his major surviving text-the Panarion, an encyclopedia of heresies-is studied for lost sources, Epiphanius himself is often dismissed as an anti-intellectual eccentric, a marginal figure of late antiquity. In this book, Andrew S. Jacobs moves Epiphanius from the margin back toward the center and proposes we view major cultural themes of late antiquity in a new light altogether. Through an examination of the key cultural concepts of celebrity, conversion, discipline, scripture, and salvation, Jacobs shifts our understanding of late antiquity from a transformational period open to new ideas and peoples toward a Christian Empire that posited a troubling, but ever-present, otherness at the center of its cultural production.

Greek mythology explored like never before

Fans of Rick Riordan’s Percy Jackson series and Edith Hamilton’s Mythology will love Greek Mythology Explained, a unique retelling of Greek mythology with valuable lessons and a lot of heart!

Fascinating tales from Greek mythology: Discover five classic Greek myths in a brand-new way! Follow characters like Icarus, Lamia, Bellerophon, Athena, Medusa and Aeros as they go off on adventures, triumph over impossible challenges, make mistakes, and become heroes and villains. With an accessible writing style that delves into the thoughts, feelings, desires, and motivations of every character, these mythic characters become humans that are relatable and spellbinding.

A deeper understanding: Greek mythology is full of valuable lessons and themes that are still relevant today. Greek Mythology Explained not only retells Greek myths in an engaging way, but it breaks them down, letting readers truly understand the meaning of every character and every story.

Readers will be:

- Entertained by creative retellings of both iconic and more obscure myths

- Gain a deeper understanding of characters from Greek mythology

- Learn how Greek myths remain relevant today

- Discover little known alternate endings and story lines found in the myths

An exciting take on mythology for kids and the whole family!

Brigid of Kildare, Ireland, is uniquely venerated as both a goddess and a saint throughout Ireland, Europe and the USA. Often referred to as Mary of the Gael and considered the second most important saint in Ireland after St Patrick, her widespread popularity has led to the creation of more traditional activities than any other saint; some of which survive to this day. As a result of original historical and archaeological research Brian Wright provides a fascinating insight into this unique and mysterious figure. This book uncovers for the first time when and by whom the goddess was 'conceived' and evidence that St Brigid was a real person. It also explains how she 'became' a saint, her historical links with the unification of Ireland under a High King in the first century and discusses in depth her first documented visit to England in AD 488. Today, Brigid remains strongly connected with the fertility of crops, animals and humans and is celebrated throughout the world via the continuation of customs, ceremonies and relics with origins dating back to pre-Christian times. Using a combination of early Celtic history, archaeology, tradition and folklore from Ireland, Britain and other countries, this comprehensive study unravels the mystery of a goddess and saint previously complicated by the passage of time.

Whatever we may think of Alexander-whether Great or only lucky, a civilizer or a sociopath-most people do not regard him as a religious leader. And yet religion permeated all aspects of his career. When he used religion astutely, he and his army prospered. In Egypt, he performed the ceremonies needed to be pharaoh, and thus became a god as well as a priest. Babylon surrendered to him partly because he agreed to become a sacred king. When Alexander disregarded religion, he and his army suffered. In Iran, for instance, where he refused to be crowned and even destroyed a shrine, resistance against him mounted. In India, he killed Buddhists, Jains, and Hindus by the hundreds of thousands until his officers, men he regarded as religious companians, rebelled against him and forced him to abandon his campaign of conquest. Although he never fully recovered from this last disappointment, he continued to perform his priestly duties in the rest of his empire. As far as we know, the last time he rose from his bed was to perform a sacrifice. Ancient writers knew little about Near Eastern religions, no doubt due to the difficulty of travel to Babylon, India, and the interior of Egypt. Yet details of these exotic religions can be found in other ancient sources, including Greek, and in the last thirty years, knowledge of Alexander's time in the Near East has increased. Egyptologists and Assyriologists have written the first thorough accounts of Alexander's religious doings in Egypt and Mesopotamia. Recent archaeological work has also allowed scholars to uncover new aspects of Macedonian religious policy. Soldier, Priest, and God, the first religious biography of Alexander, incorporates this recent scholarship to provide a vivid and unique portrait of a remarkable leader.

Over 1700 entries cover mythology and religion of heathen Germanic tribes: Scandinavians, Goths, Angles and Saxons, 1500 BC-1000 AD. For two and a half thousand years, from 1500 BC to AD 1000, a culture as significant as the classical civilisation of the Mediterranean world settled an immense area in northern Europe that stretched from Iceland to the Black Sea.But the sources of our knowledge about these societies are relatively few, leaving the gods of the North shrouded in mystery. In compiling this dictionary Rudolf Simek has made the fullest possible use of the information available -Christian accounts, Eddic lays, the Elder Edda, runic inscriptions, Roman authors (especially Tacitus), votive stones, place names and archaeological discoveries. He has adhered throughout to a broad definition of mythology which presents the beliefs of the heathen Germanic tribes in their entirety: not only tales of the gods, but beings from lower levels of belief: elves, dwarfs and giants; the beginning and end of the world; the creation of man,death and the afterlife; cult, burial customs and magic - an entire history of Germanic religion. RUDOLF SIMEK is Professor of Medieval German and Scandinavian literature at the University of Bonn in Germany.

In the Greek Classical period, the symposium-the social gathering at which male citizens gathered to drink wine and engage in conversation-was held in a room called the andron. From couches set up around the perimeter, symposiasts looked inward to the room's center, which often was decorated with a pebble mosaic floor. These mosaics provided visual treats for the guests, presenting them with images of mythological scenes, exotic flora, dangerous beasts, hunting parties, or the spectre of Dionysos: the god of wine, riding in his chariot or on the back of a panther. In The World Underfoot, Hallie M. Franks takes as her subject these mosaics and the context of their viewing. Relying on discourses in the sociology and anthropology of space, she presents an innovative new interpretation of the mosaic imagery as an active contributor to the symposium as a metaphorical experience. Franks argues that the images on mosaic floors, combined with the ritualized circling of the wine cup and the physiological reaction to wine during the symposium, would have called to mind other images, spaces, or experiences, and in doing so, prompted drinkers to reimagine the symposium as another kind of event-a nautical voyage, a journey to a foreign land, the circling heavens or a choral dance, or the luxury of an abundant past. Such spatial metaphors helped to forge the intimate bonds of friendship that are the ideal result of the symposium and that make up the political and social fabric of the Greek polis.