'To read Ka is to experience a giddy invasion of stories - brilliant, enigmatic, troubling, outrageous, erotic, beautiful' The New York Times 'Who?' - or 'ka' - is the question that runs through Roberto Calasso's retelling of the stories of the minds and gods of India; the primordial question that continues to haunt human existence. From the Rigveda to the Upanishads, the Mahabharata to the life of Buddha, this book delves into the corpus of classical Sanskrit literature to re-imagine the ancient Indian myths and how they resonate through space and time. 'The very best book about Hindu mythology that anyone has ever written' Wendy Doniger 'Dazzling, complex, utterly original ... Ka is his masterpiece' Sunday Times

Exciting stories, extraordinary creatures, and compelling gods, goddesses, and heroes come together in this compendium of Norse myths - first told long ago by the Vikings.

Read about Thor, the god of thunder and how he once disguised himself as a bride to seek revenge on a giant and retrieve his powerful hammer -Mjölnir, and how Sif, the goddess of fertility had her long golden hair cut off by Loki, the trickster god. Each myth is told with thrilling immediacy, in language that is easy for children to understand, while retaining the awe, majesty and intrigue of the original tales. Stunning illustrations by multi-award winning artist Katie Ponder breathe new life into each story.

From the birch to the willow, Sharlyn Hidalgo invites you to walk in the footsteps of the druids and enrich your life with the sacred power of trees. This wise and inspiring book will introduce you to all fifteen revered trees of the Celtic Tree Calendar and their unique gifts of healing, guidance, and higher consciousness.

Progress through the calendar in sequence or choose a particular month to cultivate a relationship with these majestic spirits of nature. Perform guided meditations and go on journeys to discover the totems, guides, and deities corresponding to each species. Travel through the Wheel of the Year and learn about each tree's astrology, ruling planets, rune symbol, and ogham--its letter of the Celtic tree alphabet.

The Healing Power of Trees is your guide to living the principles of the Celtic tradition--tuning in to the rhythms of nature, respecting the land, and fulfilling your role as a steward of the earth.

Includes information on all 25 ogham letters, Celtic holidays, and how to conduct a tree-honoring ceremony

In this book, Lisa Sabbahy presents a history of ancient Egyptian kingship in the Old Kingdom and its re-formation in the early Middle Kingdom. Beginning with an account of Egypt's history before the Old Kingdom, she examines the basis of kingship and its legitimacy. The heart of her study is an exploration of the king's constant emphasis on his relationship to his divine parents, the sun god Ra and his mother, the goddess Hathor, who were two of the most important deities backing the rule of a divine king. Sabbahy focuses on the cardinal importance of this relationship, which is reflected in the king's monuments, particularly his pyramid complexes, several of which are analysed in detail. Sabbahy also offers new insights into the role of queens in the early history of Egypt, notably sibling royal marriages, harem conspiracies, and the possible connotations of royal female titles.

'Tempest has a gift for shattering and transcending convention.' New York Times Philoctetes lives in a cave on a desolate island: the wartime hero is now a wounded outcast. Stranded for ten years, he sees a chance of escape when a young soldier appears with tales of Philoctetes' past glories. But with hope comes suspicion - and, as an old enemy emerges, he is faced with an even greater temptation: revenge. Kae Tempest is now widely acknowledged as a revolutionary force in contemporary British poetry, music and drama; they continue to expand the range of their work with a new version of Sophocles' Philoctetes in a bold new translation. Like Brand New Ancients before it, Paradise shows Tempest's gift for lending the old tales an immediate contemporary relevance - and will find this timeless story a wide new audience.

In this book, Tyson Putthoff explores the relationship between gods and humans, and between divine nature and human nature, in the Ancient Near East. In this world, gods lived among humans. The two groups shared the world with one another, each playing a special role in maintaining order in the cosmos. Humans also shared aspects of a godlike nature. Even in their natural condition, humans enjoyed a taste of the divine state. Indeed, gods not only lived among humans, but also they lived inside them, taking up residence in the physical body. As such, human nature was actually a composite of humanity and divinity. Putthoff offers new insights into the ancients' understanding of humanity's relationship with the gods, providing a comparative study of this phenomenon from the third millennium BCE to the first century CE.

The Arthasastra is the foundational text of Indic political thought and ancient India's most important treatise on statecraft and governance. It is traditionally believed that politics in ancient India was ruled by religion; that kings strove to fulfil their sacred duty; and that sovereignty was circumscribed by the sacred law of dharma. Mark McClish's systematic and thorough evaluation of the Arthasastra's early history shows that these ideas only came to prominence in the statecraft tradition late in the classical period. With a thorough chronological exploration, he demonstrates that the text originally espoused a political philosophy characterized by empiricism and pragmatism, ignoring the mandate of dharma altogether. The political theology of dharma was incorporated when the text was redacted in the late classical period, which obscured the existence of an independent political tradition in ancient India altogether and reinforced the erroneous notion that ancient India was ruled by religion, not politics.

From Loki to Thor, Ragnarok to Beowulf A gripping and truly mesmerising delve into the Norse legends From bestselling books to blockbusting Hollywood movies, the myths of the Scandinavian gods and heroes are part of the modern day landscape. For over a millennium before the arrival of Christianity, the legends permeated everyday life in Iceland and the northern reaches of Europe. Since that time, they have been perpetuated in literature and the arts in forms as diverse as Tolkien and Wagner, graphic novels to the world of Marvel. This book covers the entire cast of supernatural beings, from gods to trolls, heroes to monsters, and deals with the social and historical background to the myths, topics such as burial rites, sacrificial practices and runes.

A unique history of the ancient Near East that compellingly presents the life stories of kings, priestesses, merchants, bricklayers, and others In this sweeping history of the ancient Near East, Amanda Podany takes readers on a gripping journey from the creation of the world's first cities to the conquests of Alexander the Great. The book is built around the life stories of many ancient men and women, from kings, priestesses, and merchants to brickmakers, musicians, and weavers. Their habits of daily life, beliefs, triumphs, and crises, and the changes that people faced over time are explored through their own written words and the buildings, cities, and empires in which they lived. Rather than chronicling three thousand years of rulers and states, Weavers, Scribes, and Kings instead creates a tapestry of life stories through which readers will come to know specific individuals from many walks of life, and to understand their places within the broad history of events and institutions in the ancient Near East. These life stories are preserved on ancient clay tablets, which allow us to trace, for example, the career of a weaver as she advanced to become a supervisor of a workshop, listen to a king trying to persuade his generals to prepare for a siege, and feel the pain of a starving young couple and their four young children as they suffered through a time of famine. What might seem at first glance to be a remote and inaccessible ancient culture proves to be a comprehensible world, one that bequeathed to the modern world many of our institutions and beliefs, a truly fascinating place to visit.

Following the ideological disappointment of the 1967 Arab-Israeli War, an Islamic revival arose in Egypt. Yet, far from a mechanical reaction to the decline of secular nationalism, this religious shift was the product of impassioned competition among Muslim Brothers, Salafis and state institutions and their varied efforts to mobilize Egyptians to their respective projects. By pulling together the linked stories of these diverse claimants to religious authority and tracing the social and intellectual history of everyday practices of piety, Aaron Rock-Singer shows how Islamic activists and institutions across the political spectrum reshaped daily practices in an effort to persuade followers to adopt novel models of religiosity. In so doing, he reveals how Egypt's Islamic revival emerged, who it involved, and why it continues to shape Egypt today.

Despite modern Paganism being one of the fastest growing new religious movements in Britain and the USA, there is no up-to-date straightforward and informed introduction to modern Paganism from a Christian perspective. The Shaken Path addresses that gap.

This is a comprehensive reference source to the ancient world's most fascinating mythologies. It is a visual dictionary with 1000 entries and more than 600 fine-art images. It covers every aspect of Classical, Celtic and Norse mythology, folklore and legend, bringing the past to life. It is a lively and informed narrative by one of the world's leading authorities on the subject. Special spreads compare and contrast key mythological and archetypal themes in the different cultures. Hundreds of beautiful images highlight every aspect of these heroic characters and their tales, from the Olympian Gods to the Nordic warriors and nature gods of the Celts. This encyclopedia of mythology brings together the three outstanding traditions of Europe: the Classical legends of ancient Greece and Rome; the fairytale myths of the Celtic world; and from Northern Europe, tales of Germanic gods, Nordic warriors and giants. They form the core of European mythological thought, revealing the power of love in Helen of Troy, the mystery of death in the tale of King Arthur and the challenge of the unknown in the voyages of Brendan the Navigator. Pictorial features focus on recurring mythological themes, such as Oracles, Magic, Voyages, Heroes, and Spells, making this book universal in theme and timeless in appeal. The A-Z structure of the book makes it easy to find hundreds of characters, significant events, locations and sites of interest, stories and symbols.

In this comprehensive book Michael Witzel persuasively demonstrates the prehistoric origins of most of the mythologies of Eurasia and the Americas ('Laurasia'). By comparing these myths with others indigenous to sub-Saharan Africa, Melanesia, and Australia ('Gondwana Land') Witzel is able to access some of the earliest myths told by humans. The Laurasian mythologies share a common story line that dates the world's creation to a mythic time and recounts the fortunes of generations of deities across four or five ages and human beings' creation and fall, culminating in the end of the universe and, occasionally, hope for a new world. These stories are contrasted with the 'southern' mythologies, which lack most of these features. Witzel's investigations are buttressed by archaeological data, as well as by comparative linguistics, and human population genetics. All suggest the African origins of anatomically modern humans and their subsequent journey along Indian Ocean shores, up to Australia and southern China, around 60,000 BCE. These itinerants' early mythology survives partly in sub-Saharan Africa and points along the path - the Andaman Islands, Melansia, and Australia. Laurasian mythology, Witzel shows, developed along this vast trail, probably in southwest Asia, around 40,000 BCE. Identifying features shared by virtually all mythologies of the globe, Witzel suggests that these features probably informed myths recounted by the communities of the 'African Eve.' As such, they are the earliest substantiation of our ultimate ancestors' spirituality. Moreover the Laurasian myths' key features, Witzel shows, survive today in all major religions and their multiple ideological offshoots.

The first and only Druidic book of spells, rituals, and practice. The Druid Magic Handbook is the first manual of magical practice in Druidry, one of the fastest growing branches of the Pagan movement. The book breaks new ground, teaching Druids how to practice ritual magic for practical and spiritual goals within their own tradition. What sets The Druid Magic Handbook apart is that it does not require the reader to use a particular pantheon or set of symbols. Although it presents one drawn from Welsh Druid tradition, it also shows the reader how to adapt rites and other practices to fit the deities and symbols most meaningful to them. This cutting edge system of ritual magic can be used by Druids, Pagans, Christians, and Thelemites alike!
* The first manual of Druidic magical practice ever, replete with spell work and rituals.
* John Michael Greer is a highly respected authority on all aspects of Paganism.

Revisiting Delphi speaks to all admirers of Delphi and its famous prophecies, be they experts on ancient Greek religion, students of the ancient world, or just lovers of a good story. It invites readers to revisit the famous Oracle of Apollo at Delphi, along with Herodotus, Euripides, Socrates, Pausanias and Athenaeus, offering the first comparative and extended enquiry into the way these and other authors force us to move the link between religion and narrative centre stage. Their accounts of Delphi and its prophecies reflect a world in which the gods frequently remain baffling and elusive despite every human effort to make sense of the signs they give.

Images of episodes from Greek mythology are widespread in Roman art, appearing in sculptural groups, mosaics, paintings and reliefs. They attest to Rome's enduring fascination with Greek culture, and its desire to absorb and reframe that culture for new ends. This book provides a comprehensive account of the meanings of Greek myth across the spectrum of Roman art, including public, domestic and funerary contexts. It argues that myths, in addition to functioning as signifiers of a patron's education or paideia, played an important role as rhetorical and didactic exempla. The changing use of mythological imagery in domestic and funerary art in particular reveals an important shift in Roman values and senses of identity across the period of the first two centuries AD, and in the ways that Greek culture was turned to serve Roman values.

In 2010, Richard Merrick took a family trip to Scotland's Rosslyn chapel--the enigmatic fifteenth-century temple made famous by Dan Brown's "The Da Vinci Code." Little did he know he was about to embark upon an intellectual and personal journey that would lead to the discovery of a real-life lost symbol--one that reveals the connection between the world's most sacred temples and opens up a treasure trove of lost science and ancient secrets.
The symbol he discovers--the Venus Blueprint--is based on that planet's orbital pattern, which takes the shape of a five-pointed star when seen from Earth. As Merrick digs deeper, he realizes the Venus Blueprint was an integral part of the design template of some of the most significant religious architecture around the world--including St. Peter's Basilica in the Vatican, the Roman Pantheon, the Greek Parthenon, the Temple of Jerusalem, and the Great Pyramid of Giza, as well as many buildings designed by the secretive Freemason society.
Upon further examination, Merrick is astounded to discover that temples designed using the Venus Blueprint are endowed with extraordinary acoustics that, when supplied with the right tones and frequencies, are capable of harmonizing with Earth's resonant frequencies and evoking altered states of consciousness. He then proposes a fascinating idea: Could it be that the ancients used these harmonics to enhance entheogenically induced visions--to commune with the divine and liberate the gods within?
Supported by an impressive array of historical research and scientific analysis, "The Venus Blueprint" offers compelling evidence of an ancient lost culture that was both spiritually and scientifically advanced.

Ready-to-color illustrations, each accompanied by a page of descriptive text, depict Atlas holding up the heavens; Hermes slaying the many-eyed Argus; Aphrodite weeping over the body of Adonis; and 19 other exciting illustrations. A great way to introduce youngsters to Greek mythology. 22 b/w illus.

The most pervasive gods in ancient Rome had no traditional mythology attached to them, nor was their worship organized by elites. Throughout the Roman world, neighborhood street corners, farm boundaries, and household hearths featured small shrines to the beloved lares, a pair of cheerful little dancing gods. These shrines were maintained primarily by ordinary Romans, and often by slaves and freedmen, to whom the lares cult provided a unique public leadership role. In this comprehensive and richly illustrated book, the first to focus on the lares, Harriet Flower offers a strikingly original account of these gods and a new way of understanding the lived experience of everyday Roman religion. Weaving together a wide range of evidence, Flower sets forth a new interpretation of the much-disputed nature of the lares. She makes the case that they are not spirits of the dead, as many have argued, but rather benevolent protectors--gods of place, especially the household and the neighborhood, and of travel. She examines the rituals honoring the lares, their cult sites, and their iconography, as well as the meaning of the snakes often depicted alongside lares in paintings of gardens. She also looks at Compitalia, a popular midwinter neighborhood festival in honor of the lares, and describes how its politics played a key role in Rome's increasing violence in the 60s and 50s BC, as well as in the efforts of Augustus to reach out to ordinary people living in the city's local neighborhoods. A reconsideration of seemingly humble gods that were central to the religious world of the Romans, this is also the first major account of the full range of lares worship in the homes, neighborhoods, and temples of ancient Rome.

The basis of Chinese religious culture, and with that many aspects of daily life, was the threat and fear of demonic attacks. These were inherently violent and could only be counteracted by violence as well - even if this reactive violence was masked by euphemisms such as execution, expulsion, exorcisms and so on. At the same time, violence was a crucial dimension of the maintenance of norms and values, for instance in sworn agreements or in beliefs about underworld punishment. Violence was also an essential aspect of expressing respect through sacrificial gifts of meat (and in an earlier stage of Chinese culture also human flesh) and through a culture of auto-mutilation and ritual suicide. At the same time, conventional indigenous terms for violence such as bao were not used for most of these practices since they were not experienced as such, but rather justified as positive uses of physical force.

God is unbounded. God became flesh. While these two assertions are equally viable parts of Western Christian religious heritage, they stand in tension with one another. Fearful of reducing God's majesty with shallow anthropomorphisms, philosophy and religion affirm that God, as an eternal being, stands wholly apart from creation. Yet the legacy of the incarnation complicates this view of the incorporeal divine, affirming a very different image of God in physical embodiment. While for many today the idea of an embodied God seems simplisticaeven pedestrianaChristoph Markschies reveals that in antiquity, the educated and uneducated alike subscribed to this very idea. More surprisingly, the idea that God had a body was held by both polytheists and monotheists. Platonic misgivings about divine corporeality entered the church early on, but it was only with the advent of medieval scholasticism that the idea that God has a body became scandalous, an idea still lingering today. In God's Body Markschies traces the shape of the divine form in late antiquity. This exploration follows the development of ideas of God's corporeality in Jewish and Greco-Roman traditions. In antiquity, gods were often like humans, which proved to be important for philosophical reflection and for worship. Markschies considers how a cultic environment nurtured, and transformed, Jewish and Christian descriptions of the divine, as well as how philosophical debates over the connection of body and soul in humanity provided a conceptual framework for imagining God. Markschies probes the connections between this lively culture of religious practice and philosophical speculation and the christological formulations of the church to discover how the dichotomy of an incarnate God and a fleshless God came to be. By studying the religious and cultural past, Markschies reveals a Jewish and Christian heritage alien to modern sensibilities, as well as a God who is less alien to the human experience than much of Western thought has imagined. Since the almighty God who made all creation has also lived in that creation, the biblical idea of humankind as image of God should be taken seriously and not restricted to the conceptual world but rather applied to the whole person.

Noted French scholar and linguist discusses the gods of the continental Celts, the beginnings of mythology in Ireland, heroes, and the two main categories of Irish deities: mother-goddesses-local, rural spirits of fertility or of war-and chieftain-gods: national deities who are magicians, nurturers, craftsmen, and protectors of the people.

This book examines the fragmentary and contradictory evidence for Orpheus as the author of rites and poems to redefine Orphism as a label applied polemically to extra-ordinary religious phenomena. Replacing older models of an Orphic religion, this richer and more complex model provides insight into the boundaries of normal and abnormal Greek religion. The study traces the construction of the category of 'Orphic' from its first appearances in the Classical period, through the centuries of philosophical and religious polemics, especially in the formation of early Christianity and again in the debates over the origins of Christianity in the nineteenth and twentieth centuries. A paradigm shift in the study of Greek religion, this study provides scholars of classics, early Christianity, ancient religion and philosophy with a new model for understanding the nature of ancient Orphism, including ideas of afterlife, cosmogony, sacred scriptures, rituals of purification and initiation, and exotic mythology.