The mystery, magic and myth of Manannan. The sea is a powerful, driving force for many people, a source of sustenance as well as danger. It is no surprise that Manannan, the Celtic God of the sea, should be an important figure but one who is also as ambiguous as the element he is associated with: a trickster, a magic worker, an advisor and a warrior. In this book you will get to know the many faces of Manannan, called the son of the ocean, and learn of his important place in mythology and the pivotal role he plays in many events. 'This highly intelligent but accessible book belongs on the shelves and nightstands of lovers of Celtic myth.' Courtney Weber, author of Brigid: History, Mystery, and Magic of the Celtic Goddess

The goddess Artemis is best known today as a goddess of the hunt and of the new moon, yet to those who worshipped at her ancient temples and sanctuaries she was far more than just that. To them she was a powerful and complex goddess whose influence spread far and wide throughout the ancient world. She was worshipped and celebrated as a goddess of childbirth, women, song, dance and of wild animals. As the daughter of the Titan goddess Leto by the Olympian Fathre god Zeus, Artemis would prove herself from the moment of her own birth, by assisting her mother with the birth of her own twin brother, Apollo. Zeus, who fathered children with many other goddesses and mortals, had a special affection for ARtemis from the start and gave her all the gifts she asked for and more, making her one of the most powerful of the Olympian goddesses. Artemis, Virgin Goddess of the Sun & Moon by Sorita D'Este, explores the myths, powers and worship of this beautiful goddess. It is a throrough study with details of her temples and sanctuaries, the festivals which were held in honour of her, the roles she fulfilled in the myths, animals which were sacred to her, her relationship with her virgin attendants and other deities, as well as the many titles which were bestowed upon her. This groundbreaking book provides the most comprehensive study of this enduring goddess to date. ------ About the Author Sorita D'Este is a writer and researcher who lives and works in London, UK.She has a passion for the mysteries and gods of the western world and much of her work is focused on the spritiual and magical practices of ancient Greece, Rome and Britian. She is the co-author of The Guises of the Morrigan and Circle of Fire. Additionally she is a regular contributor to magazines, part works and journals, including DeAgostini's Enhancing your Mind Body & Spirit and Llewellyn's Annuals.

The description for this book, Introduction to Islamic Theology and Law, will be forthcoming.

Book 18 of the Iliad is an outstanding example of the range and power of Homeric epic. It describes the reaction of the hero Achilles to the death of his closest friend, and his decision to re-enter the conflict even though it means he will lose his own life. The book also includes the forging of the marvellous shield for the hero by the smith-god Hephaestus: the images on the shield are described by the poet in detail, and this description forms the archetypal ecphrasis, influential on many later writers. In an extensive introduction, R. B. Rutherford discusses the themes, style and legacy of the book. The commentary provides line-by-line guidance for readers at all levels, addressing linguistic detail and larger questions of interpretation. A substantial appendix considers the relation between Iliad 18 and the Babylonian Epic of Gilgamesh, which has been prominent in much recent discussion.

The Hittites in the Late Bronze Age became the mightiest military power in the Ancient Near East. Yet their empire was always vulnerable to destruction by enemy forces; their Anatolian homeland occupied a remote region, with no navigable rivers; and they were cut off from the sea. Perhaps most seriously, they suffered chronic under-population and sometimes devastating plague. How, then, can the rise and triumph of this ancient imperium be explained, against seemingly insuperable odds? In his lively and unconventional treatment of one of antiquity's most mysterious civilizations, whose history disappeared from the records over three thousand years ago, Trevor Bryce sheds fresh light on Hittite warriors as well as on the Hittites' social, religious and political culture and offers new solutions to many unsolved questions. Revealing them to have been masters of chariot warfare, who almost inflicted disastrous defeat on Rameses II at the Battle of Qadesh (1274 BCE), he shows the Hittites also to have been devout worshippers of a pantheon of storm-gods and many other gods, and masters of a new diplomatic system which bolstered their authority for centuries. Drawing authoritatively both on texts and on ongoing archaeological discoveries, while at the same time offering imaginative reconstructions of the Hittite world, the author argues that while the development of a warrior culture was essential, not only for the Empire's expansion but for its very survival, this by itself was not enough. The range of skills demanded of the Hittite ruling class went way beyond mere military prowess, while there was much more to the Hittites themselves than just skill in warfare. This engaging volume reveals the Hittites in their full complexity, including the festivals they celebrated; the temples and palaces they built; their customs and superstitions; the crimes they committed; their social hierarchy, from king to slave; and the marriages and pre-nuptial agreements they contracted. It takes the reader on a journey which combines epic grandeur, spectacle and pageantry with an understanding of the intimacies and idiosyncrasies of Hittite daily life.

Book 1 of De Natura Deorum exhibits in a nutshell Cicero's philosophical method, with the prior part stating the case for Epicurean theology, the latter (rather longer) part refuting it. Thus the reader observes Cicero at work in both constructive and skeptical modes as well as his art of characterizing speakers. Prefaced to the Book is Cicero's most elaborate justification of his philosophical writing. The Book thus makes an ideal starting point for the study of Cicero's philosophica or indeed of any philosophical writing in Latin, since it delineates the problems such a project raised in the minds of Roman readers and shows how Cicero thought they could be met. There is also a systematic and detailed doxography of ancient views about the deity, an important document in itself, presented from an Epicurean perspective. The volume's Introduction situates this text within Cicero's intellectual development and ancient reflection about the gods.

Kate Tempest is one of the most exciting and innovative performers to have emerged in spoken-word poetry in many years; her dramatic poem Brand New Ancients won the prestigious Ted Hughes Prize for innovation in poetry. Tempest's wholly unique blend of street poetry, rap and storytelling - combined with the spellbinding delivery of an open-air revivalist - has won her legions of followers all over the UK. Her remarkable stage presence is wholly audible in this poem, a spoken story written to be told with live music. Brand New Ancients is the tale of two families and their intertwining lives, set against the background of the city and braided with classical myth. Here, Tempest shows how the old myths still live on in our everyday acts of violence, bravery, sacrifice and love - and that our lives make tales no less dramatic and powerful than those of the old gods.

The idea of 'north' suggests much more than wintry cold, ice and snow. To many, it hints at something magical, enchanting and mysterious. This book explores the spiritual aspect of this attraction through a survey of ancient history, Norse mythology and contemporary studies of earth mysteries and sacred sites. From her detailed research, Margaret Jonas traces the birth of Celtic Christianity in the British Isles, Ireland, Scandinavia and Germany, revealing a time when ancient prophecies relating to the sun and divine beings came to fulfilment. A new spiritual wisdom gradually spread across Europe - not only from the south northwards, but also from west eastwards. The author describes how a paradisiacal element from the earliest stages of earth evolution was preserved and nurtured in hidden places associated with the northern mysteries. This fascinating work of accessible scholarship features chapters on Hyperborea, Thule and Apollo; the Druids and Odinic Mysteries; Norway and the Celtic Christian Legacy; the Number Five and the Etheric Body; the Externsteine and the God Vidar, and Finland. The book concludes with hints of a future time when northern magic will be transformed, and '...new clairvoyant faculties will be within the reach of all humanity'.

In Bodies of Knowledge in Ancient Mesopotamia Matthew Rutz explores the relationship between ancient collections of texts, commonly deemed libraries and archives, and the modern interpretation of titles like 'diviner'. By looking at cuneiform tablets as artifacts with archaeological contexts, this work probes the modern analytical categories used to study ancient diviners and investigates the transmission of Babylonian/Assyrian scholarship in Syria. During the Late Bronze Age diviners acted as high-ranking scribes and cultic functionaries in Emar, a town on the Syrian Euphrates (ca. 1375-1175 BCE). This book's centerpiece is an extensive analytical catalogue of the excavated tablet collection of one family of diviners. Over seventy-five fragments are identified for the first time, along with many proposed joins between fragments.

This is a book about High Elven Magic. Not the magic of chants and spells and ceremonies, of which we've already written quite a bit, but of the Quest to become like those kindred of ours who we, and others, call the Shining Ones, and which most folks think of when they fantasize about what elves are-even when they deny that we are elven or that elves exist at all. The Shinning Ones are the evolved beings who guide the elven people upon their spiritual Path. If you would enter Faerie, or Elfin as we often call it, this is a book about the Path that leads there.

The Dictionary of Classical Mythology is a unique companion to the ancient Greek and Roman myths and legends. The story of every character, whether human or divine, major or minor, is retold in this book, detailing every version and variation. Naiads, dryads, hamadryads, nymphs, fauns, satyrs and centaurs - the different types of mythological figures are distinguished and fitted into the overall pattern of legendary events and the places where these happened such as Olympus, Arcadia, Troy, Crete and Parnassus are identified and described.Forty genealogical tables explain the complex and often bizarre relationships between interlocking families of gods and people. Wherever appropriate the entries are illustrated with antique paintings, ceramics, coins, sculpture and mosaics. Maps of the Greek and Roman world and photographs of ancient sites provide a guide to the topography of classical mythology. An exhaustive reference section lists every mention of each character in classical literature: this alone makes the book an essential source of reference for scholars.The Dictionary will be an essential companion to the study of Western literature and art, a significant part of which has always been concerned with the ancient myths and legends as a source of both subject matter and allusion. But above all this book is a fascinating and readable guide to the rich and diverse legends and mythologies of the classical world.

Illustrated in b/w with 109 figures, 69 plates and 9 tables. Collections of scenes and texts designated variously as the "Book of the Earth," "Creation of the Solar Disc," and "Book of Aker" were inscribed on the walls of royal sarcophagus chambers throughout Egypt's Ramessid period (Dynasties 19-20). This material illustrated discrete episodes from the nocturnal voyage of the sun god, which functioned as a model for the resurrection of the deceased king. These earliest "Books of the Earth" employed mostly ad hoc arrangements of scenes, united by shared elements of iconography, an overarching, bipartite symmetry of composition, and their frequent pairing with representations of the double sky overhead. From the Twenty-First Dynasty and later, selections of programmatic tableaux were adapted for use in private mortuary contexts, often in conjunction with innovative or previously unattested annotations. The present study collects and analyses all currently known Book of the Earth material, including discussions of iconography, grammar, orthography, and architectural setting.

A witty, inspiring reckoning with the ancient Greek and Roman myths and their legacy, from what they can illuminate about #MeToo to the radical imagery of Beyonce. The picture of classical antiquity most of us learned in school is framed in certain ways -- glossing over misogyny while omitting the seeds of feminist resistance. Many of today's harmful practices, like school dress codes, exploitation of the environment, and rape culture, have their roots in the ancient world. But in Antigone Rising, classicist Helen Morales reminds us that the myths have subversive power because they are told -- and read -- in different ways. Through these stories, whether it's Antigone's courageous stand against tyranny or the indestructible Caeneus, who inspires trans and gender queer people today, Morales uncovers hidden truths about solidarity, empowerment, and catharsis. Antigone Rising offers a fresh understanding of the stories we take for granted, showing how we can reclaim them to challenge the status quo, spark resistance, and rail against unjust regimes.

This is a book about the religious life of the Greeks from archaic times to the fifth century AD, looked at in the context of a variety of different cities and periods. Simon Price examines local practices and concepts in the light of general Greek ideas, relating them to such issues as gender roles, political life, and the trial of Socrates. He lays emphasis on the reactions to Greek religions of ancient thinkers--Greek, Roman and Christian. The evidence drawn on is of all kinds: literary, inscriptional and archaeological.

This revised edition of West's revolutionary reinterpretation of the civilization of Egypt challenges all that has been accpeted as dogma concerning this ancient and enigmatic land. It features a new introduction linking Egyptian science with the perennial wisdom tradition and an appendix updating the author's work in redating the Sphinx. Illustrations.

The twentieth century has seen a remarkable revival of 'the Old Religion, ' as adherents of New-paganism call the native religious traditions of Europe and tribal traditions from North America that predated Christianity. Many neo-pagan groups identify with Celtic (Druidic), Egyptian, Native American, Norse, or Roman traditions; others with modern science-fiction motifs; and still others with witchcraft. Neo-paganism is occultic in nature. A central figure in much of Neo-paganism is the Mother Goddess, who has been introduced and worshiped among certain feminists even in some mainline Protestant churches. Why this series? This is an age when countless groups and movements, old and new, mark the religious landscape in our culture, leaving many people confused or uncertain in their search for spiritual truth and meaning. Because few people have the time or opportunity to research these movements fully, these books provide essential information and insights for their spiritual journeys. Each book has five sections: - A concise introduction to the group - An overview of the group's theology -- in its own words - Tips for witnessing effectively to members of the group - A bibliography with sources for further study - A comparison chart that shows the essential differences between biblical Christianity and the group -- The writers of these volumes are well qualified to present clear and reliable information and help us discern religious truth from falsehood. This is an age when countless groups and movements, new and old, mark the religious landscape in our culture. As a result, many people are confused or uncertain in their search for spiritual truth and meaning. Because few people have the time or opportunity to research these movements fully, the Zondervan Guide to Cults and Religious Movements series provides essential information and insights for their spiritual journeys. The second wave of books in this series addresses a broad range of spiritual beliefs, from non-Trinitarian Christian sects to witchcraft and neo-paganism to classic non-Christian religions such as Buddhism and Hinduism. All books but the summary volume, Truth and Error, contain five sections: -A concise introduction to the group being surveyed -An overview of the group s theology --- in its own words -Tips for witnessing effectively to members of the group -A bibliography with sources for further study -A comparison chart that shows the essential differences between biblical Christianity and the group -- Truth and Error, the last book in the series, consists of parallel doctrinal charts compiled from all the other volumes. Three distinctives make this series especially useful to readers: -Information is carefully distilled to bring out truly essential points, rather than requiring readers to sift their way through a sea of secondary details. -Information is presented in a clear, easy-to-follow outline form with menu bar running heads. This format greatly assists the reader in quickly locating topics and details of interest. -Each book meets the needs and skill levels of both nontechnical and technical readers, providing an elementary level of refutation and progressing to a more advanced level using arguments based on the biblical text. The writers of these volumes are well qualified to present clear and reliable information and help readers to discern truth from falsehood."

In the midst of the eighteenth-century Enlightenment, a handful of British intellectuals turned their backs on the social and cultural trends of their time and set out to reinvent the spirituality of the ancient Druids. The movement that rose out of this effort played a central role in struggles for cultural identity in most of the Celtic nations of Europe, provided inspiration to such world-class creative talents as William Blake and Frank Lloyd Wright, and inspired an innovative tradition of Western nature spirituality that remains active to this day. The Druid Revival Reader provides the first collection of original writings from that movement. Its selections, beginning with William Stukeley's survey of Druid theology from 1743 and ending with Ross Nichols' 1947 essay "An Examination of Creative Myth," cover two centuries in the life of an evolving tradition. Edited and introduced by contemporary Druid John Michael Greer, The Druid Revival Reader is essential for understanding the sources of modern Druid and Pagan traditions, and offers a wealth of insights relevant to the ecological and spiritual crises of our own time.

It is unknown, of course, who wrote the Iliad and the Odyssey, since, in general, no reliable contemporary description of how these two epics came into being is to be found. Such sources as there are - first and foremost, the two poems themselves - must be interpreted in a comparative framework built on experience from societies in the modern world that are in some respects similar to archaic Greece in order to reach a coherent picture of the process. The oral-formulaic theory, formed by Milman Parry (1902-1935) and Albert B. Lord (1912-1991), not only revolutionized Homeric studies, but also had an impact on anthropology and folklore. This led to an increased interest in oral epic traditions, and fieldworkers changed their methods towards a focus on composition in performance. The individual singer and his handling of the tradition gained importance. When possible, more than one performance of the "same" song was recorded - by the same singer on different occasions or by different singers - and interaction with the audience was documented. Traditions of the oral epic still exist in many parts of the world, and, during recent decades, quite a few of them have been documented and analyzed by innovative fieldworkers, leading to an overwhelming expansion of accessible knowledge of how oral epic works. Writing Homer explores what this means to the Parry-Lord-theory in general and the 'Homeric Question' in particular. The relationship between the Iliad, the Odyssey, and the Homeric Hymns, with the tradition of which they are part, can now be described with much more precision than before. It turns out that there is nothing unusual in very long oral epics; what is unusual is that such poems are recorded in writing. The process by which this must have taken place is discussed in detail. Old problems, such as the fact that neither illustrations of Trojan stories nor early 'quotations' agree with the written poems, can be solved. Writing Homer achieves a deeper understanding of the methods at work in the oral epic for building a likely social context of the Iliad and the Odyssey, and especially for speculating on the circumstances of the writing of the two great poems. Long oral narratives are flexible, and accordingly, the dictation to scribes that must be at the origin of the texts, which have been preserved in writing to this day, was a process of the utmost importance as was the composition in performance of the Iliad and the Odyssey. Writing Homer is directed at classical scholars, but will also be of interest to a much broader readership: folklorists, anthropologists, and whoever enjoys reading Homer in Greek, as well as in translation.