This book is the first attempt that has ever been made to give a comprehensive account of the religious life of ancient Athens. The city's many festivals are discussed in detail, with attention to recent anthropological theory; so too, for instance, are the cults of households and of smaller groups, the role of religious practice and argumentation in public life, the authority of priests, the activities of religious professionals such as seers and priestesses, magic, the place of theatrical representations of the gods within public attitudes to the divine. A long final section considers the sphere of activity of the various gods, and takes Athens as a uniquely detailed test case for the structuralist approach to polytheism. The work is a synchronic, thematically organized complement (though designed to be read independently) to the same author's Athenian Religion: A History (Oxford 1996).

The Book of the Dead is a unique collection of funerary texts from a wide variety of sources, dating from the fifteenth to the fourth century BC. Consisting of spells, prayers and incantations, each section contains the words of power to overcome obstacles in the afterlife. The papyruses were often left in sarcophagi for the dead to use as passports on their journey from burial, and were full of advice about the ferrymen, gods and kings they would meet on the way. Offering valuable insights into ancient Egypt, The Book of the Dead has also inspired fascination with the occult and the afterlife in recent years.

In this volume, first published in 2006, Sandra Blakely considers technological myths and rituals associated with ancient Greek daimones, who made metal; and African rituals in which iron plays a central role. Noting the rich semantic web of associations that has connected metallurgy to magic, birth, kingship, autochthony, and territorial possession in both Greek and African cultures, Blakely examines them together in order to cast light on the Greek demons, which are only fragmentarily preserved and which have often been equated to general types of smithing gods. Her comparison demonstrates that these demons are more sophisticated and ritually useful than has been previously acknowledged. This book provides new insights into the position of technology in Greek myth. Providing a new methodology for the study of Greek religion, which uses comparative cultural material in a thoughtful and careful way, it helps close the fifty-year gap between the social sciences and Classical philology in the theoretical understanding and study of technological systems.

Lucretius' poem, for which Epicurean philosophy provided the inspiration, attempts to explain the nature of the universe and its processes with the object of freeing mankind from religious fears. The third book not only seeks to demonstrate that, since the soul is mortal, there can be no after-life, but also aims to reconcile the reader to the prospect of the end of his consciousness. This edition incorporates a new text and prose translation and is designed to set the book in the context of the whole poem and of the Epicurean philosophical system, to explain and elucidate its argument, and at the same time to analyse some of the literary and artistic features which contribute to Lucretius' poetic achievement and stature. Latin text with facing page translation.

After more than a century of debate about the significance of imperial cults for the interpretation of Revelation, this is the first study to examine both the archaeological evidence and the Biblical text in depth. Friesen argues that a detailed analysis of imperial cults as they were practiced in the first century CE in the region where John was active allows us to understand John's criticism of his society's dominant values. He demonstrates the importance of imperial cults for society at the time when Revelation was written, and shows the ways in which John refuted imperial cosmology through his use of vision, myth, and eschatological expectation.

The fabled land of Nubia, whose very name means 'gold,' was famous in ancient times for its supplies of precious metal, exotic material, and intricate craftsmanship. Many of the adornments made in Nubia are masterpieces of the jeweler's art-marvels of design and construction rivaling, and often surpassing, adornments made in Egypt and the rest of the ancient Mediterranean world. Although these unique treasures are among the most stunning to have survived from antiquity, they remain little known. Richly illustrated with beautiful photographs of these exquisite items, many of them never before published, Nubian Gold also places the jewelry within the cultural contexts in which it was manufactured and employed. It tells the story not only of the treasures themselves but of the exciting tales of their discovery and the rich background of the exotic and remote civilizations that produced them. The book also explores the innovative techniques used to procure the precious materials used in the jewelry and to craft them into intricate ornaments replete with magical purpose and coded meaning.Featured in the book are not only the intricately crafted pieces themselves but depictions of them in sculpture, relief, and painting as well as references to them in ancient texts, locating them within the full spectrum of Nubian history, from the earliest beginnings of society to the advent of Christianity.

This outstanding collection brings together the novelist and scholar Rex Warner's knack for spellbinding storytelling with Edward Gorey's inimitable talent as an illustrator in a memorable modern recounting of the most beloved myths of ancient Greece. Writing in a relaxed and winning colloquial style, Warner vividly recreates the classic stories of Jason and the Argonauts and Theseus and the Minotaur, among many others, while Gorey's quirky pen-and-ink sketches offer a visual interpretation of these great myths in the understated but brilliantly suggestive style that has gained him admirers throughout the world. These tales cover the range of Greek mythology, including the creation story of Deucalion and Pyrrha, the heroic adventures of Perseus, the fall of Icarus, Cupid and Psyche's tale of love, and the tragic history of Oedipus and Thebes. Men and Godsis an essential and delightful book with which to discover some of the key stories of world literature.

The mythologies of the world are collective cultural dreams, and as such should be analyzed first from cultural perspectives. How do myths of the ancient Egyptians or Greeks, for instance, reflect the realities of the Egyptian and Greek cultures? When compared, however, mythologies reveal certain universal themes or motifs that point to larger trans-cultural issues such as the place of the human species in creation or the nature of deity as a concept. World Mythology: A Very Short Introduction is organized around the universal motifs. Creation, the Flood, the Hero Quest, the Trickster/Culture Hero, the Pantheons, the High God, the Great Goddess. Veteran mythology scholar David Leeming examines examples of each motif from a variety of cultures-Greek, Egyptian, Norse, American Indian, African, Polynesian, Jewish, Christian, Hindu-treating them as reflections of the cultures that "dreamed" them. He compares and analyzes them, exposing their universal significance and creating a "world mythology."

'Lots of ideas for making gifts and decorations but not spending tons of money buying them' Jenni Murray Celebrating midwinter is not about what you buy or how much you spend - it's about your attitude to life. Turn away from the frenetic consumerism of Christmas and rediscover the authentic and meaningful realities of this, the oldest and most precious celebration of the year. The true significance of midwinter is not found in any individual spiritual or religious belief or practice. Instead, the winter solstice provides an opportunity to celebrate what we as humans share; to set aside our differences and come together with a sense of community and cheer. Merry Midwinter is a cornucopia of ideas for how to make your own decorations (kissing boughs, advent wreaths, crackers, stockings and more); your own alternative gifts which cost nothing except your time and thought; your own entertainments and games; and simple, seasonal recipes from years gone by.

This is a substantially expanded and completely revises edition of a book first published by Fortress Press in 1988 as Maenads, Martyrs, Matrons, Monastics. The book collects translations of primary texts relevant to women's religion (pagan, Jewish, and Christian) in Western antiquity, from the fourth century BCE to the fifth century CE. This volume provides a unique and invaluable resource for scholars of classical antiquity, early Christianity and Judaism, and women's religion more generally.

The description for this book, Introduction to Islamic Theology and Law, will be forthcoming.

I choose to take back my life. My life. Medea is a wife and a mother. For the sake of her husband, Jason, she's left her home and borne two sons in exile. But when he abandons his family for a new life, Medea faces banishment and separation from her children. Cornered, she begs for one day's grace. It's time enough. She exacts an appalling revenge and destroys everything she holds dear. Ben Power's version of Euripides' tragedy Medea premiered at the National Theatre, London, in July 2014.

Book 1 of De Natura Deorum exhibits in a nutshell Cicero's philosophical method, with the prior part stating the case for Epicurean theology, the latter (rather longer) part refuting it. Thus the reader observes Cicero at work in both constructive and skeptical modes as well as his art of characterizing speakers. Prefaced to the Book is Cicero's most elaborate justification of his philosophical writing. The Book thus makes an ideal starting point for the study of Cicero's philosophica or indeed of any philosophical writing in Latin, since it delineates the problems such a project raised in the minds of Roman readers and shows how Cicero thought they could be met. There is also a systematic and detailed doxography of ancient views about the deity, an important document in itself, presented from an Epicurean perspective. The volume's Introduction situates this text within Cicero's intellectual development and ancient reflection about the gods.

Kate Tempest is one of the most exciting and innovative performers to have emerged in spoken-word poetry in many years; her dramatic poem Brand New Ancients won the prestigious Ted Hughes Prize for innovation in poetry. Tempest's wholly unique blend of street poetry, rap and storytelling - combined with the spellbinding delivery of an open-air revivalist - has won her legions of followers all over the UK. Her remarkable stage presence is wholly audible in this poem, a spoken story written to be told with live music. Brand New Ancients is the tale of two families and their intertwining lives, set against the background of the city and braided with classical myth. Here, Tempest shows how the old myths still live on in our everyday acts of violence, bravery, sacrifice and love - and that our lives make tales no less dramatic and powerful than those of the old gods.

Thomas Harrison presents a study of the religious beliefs of the ancient Greek historian Herodotus - his beliefs in divine retribution, in oracles and divination, in miracles or in fate. The author shows not only how such beliefs were central to his work, but also how they were compatible with lived experience.

The idea of 'north' suggests much more than wintry cold, ice and snow. To many, it hints at something magical, enchanting and mysterious. This book explores the spiritual aspect of this attraction through a survey of ancient history, Norse mythology and contemporary studies of earth mysteries and sacred sites. From her detailed research, Margaret Jonas traces the birth of Celtic Christianity in the British Isles, Ireland, Scandinavia and Germany, revealing a time when ancient prophecies relating to the sun and divine beings came to fulfilment. A new spiritual wisdom gradually spread across Europe - not only from the south northwards, but also from west eastwards. The author describes how a paradisiacal element from the earliest stages of earth evolution was preserved and nurtured in hidden places associated with the northern mysteries. This fascinating work of accessible scholarship features chapters on Hyperborea, Thule and Apollo; the Druids and Odinic Mysteries; Norway and the Celtic Christian Legacy; the Number Five and the Etheric Body; the Externsteine and the God Vidar, and Finland. The book concludes with hints of a future time when northern magic will be transformed, and '...new clairvoyant faculties will be within the reach of all humanity'.

Spirit of the Burren is an insightful, thought-provoking study into one of Ireland's most unusual and most sacred landscapes. Following on from her popular books on Rosslyn Chapel in Scotland and ether earth mysteries, Jackie Queally is successfully carving a new genre she calls "spiritual geography." Through these pages readers will experience a meditative connectivity with the Burren, an area in the far west of Ireland. Taking each of the five elements in turn she views the Burren from the angles of water, wood, fire, earth and metal/ether. She concludes with an all-embracing perspective of an evolving higher consciousness that offers much hope for the future.

Greek Nymphs: Myth, Cult, Lore is the first comprehensive study of the nymph in the ancient Greek world. This well-illustrated book examines nymphs as both religious and mythopoetic figures, tracing their development and significance in Greek culture from Homer through the Hellenistic period. The book includes a survey of the evidence for myths and cults of the nymphs arranged by geographical region, as well as a special section on the worship of nymphs in caves throughout the Greek world.

In Bodies of Knowledge in Ancient Mesopotamia Matthew Rutz explores the relationship between ancient collections of texts, commonly deemed libraries and archives, and the modern interpretation of titles like 'diviner'. By looking at cuneiform tablets as artifacts with archaeological contexts, this work probes the modern analytical categories used to study ancient diviners and investigates the transmission of Babylonian/Assyrian scholarship in Syria. During the Late Bronze Age diviners acted as high-ranking scribes and cultic functionaries in Emar, a town on the Syrian Euphrates (ca. 1375-1175 BCE). This book's centerpiece is an extensive analytical catalogue of the excavated tablet collection of one family of diviners. Over seventy-five fragments are identified for the first time, along with many proposed joins between fragments.

A radical reappraisal of homosexuality in Ancient Greece, by a young historian described as 'the best thing to happen to ancient history for decades' (Andrew Roberts, MAIL ON SUNDAY) Kenneth Dover's 1978 GREEK HOMOSEXUALITY remains the most recent single-volume treatment of the subject as a whole. Drawing on fifteen years of ensuing research, James Davidson rejects Dover's excessively theoretical approach, using a wide variety of sources unknown to him - court cases, romantic novels, satirical plays and poems - to present a view of the subject that, in contrast to Dover and to Foucault, stresses the humanity of the ancient Greeks, and how they lived their loves and pleasures, rather than their moral codes and the theorising of philosophers. Homosexuality in Ancient Greece remains a central area of debate in the classics, in ancient history and lesbian and gay studies. Greek civilisation centrally underpins our own, providing a basis of so much of the west's culture and philosophy, yet the Greeks were more tolerant of homosexuality than virtually any other culture, certainly than the western civilisations that followed. The extent to which Greek attitudes to sexuality and in particular their privileging of 'Greek Love' were comparable and different to our own underlies the continuing debate over the formation of sexuality and the much wider question of the roles of nature and nurture in the formation of human behaviour and personality.

In this unique reference work, Roman religion is finally accorded its due and set in its full context. Dictionary of Roman Religion contains more than 1,400 entries. Among the topics covered are deities and spirits, festivals, sacrifices, temples, altars, cult objects, burial rites, writers on religion, and historical religious events. Different religions within the Roman world, such as Mithraism, Druidism, Judaism, and Christianity, are also discussed. Illustrated, cross-referenced, and featuring a bibliography and glossary, this dictionary is both comprehensive and essential for students and researchers. The essays and suggestions for further reading also make this appealing to all who are interested in ancient religions, myths, and legends.

'Lively' THE TIMES 'Engrossing' THE SPECTATOR 'Stunning' WOMAN & HOME 'Marvellous' BBC HISTORY MAGAZINE Through ancient art, evocative myth, intriguing archaeological discoveries and philosophical explorations, Bettany Hughes takes us on a voyage of discovery to reveal the truth behind Venus, and why this immortal goddess is so much more than nudity, romance and sex. It is both the remarkable story of one of antiquity's most potent forces, and the story of human desire - how it transforms who we are and how we behave.