Animal sacrifice has been critical to the study of ancient Mediterranean religions since the nineteenth century. Recently, two theories have dominated the subject of sacrifice: the psychological and ethological approach of Walter Burkert and the sociological and cultural approach of Jean-Pierre Vernant and Marcel Detienne. These writers have argued that sacrifice allays feelings of guilt at the slaughter of sacrificial animals and that it promotes solidarity. None of them leaves much room for the role of priests or gods, or compares animal sacrifice to other oblations offered to the gods. F. S. Naiden redresses the omission of these features to show that, far from being an attempt to assuage guilt or foster solidarity, animal sacrifice is an attempt to make contact with a divine being, and that it is so important-and perceived to be so risky-for the worshippers that it becomes subject to regulations of unequaled extent and complexity. Smoke Signals for the Gods addresses these regulations as well as literary texts, while drawing on recent archaeological work on faunal remains. It also seeks to explain how mistaken views of sacrifice arose, and traces them as far back as early Christianity. This many-sided study provides a new picture of ancient Greek animal sacrifice and of the religion of which sacrifice was a part.

Originally published in 1934, this book contains the Cromer Greek Prize-winning essay for that year on the subject of the still little-understood Greek religion Orphism. Watmough examines Orpheus and Orphism through a distinctly Protestant lens, arguing that both were religions 'of reform' sharing similar views on asceticism and the wages of sin in the afterlife. This book will be of value to anyone with an interest in Greek mysticism and ancient religion.

Inspiration and Ideas for a Holistic Pagan Lifestyle

Live fully as a Pagan every day of the year, not only on full moons and holidays. With practical tips for integrating earth-centered spirituality into every aspect of life, To Walk a Pagan Path shows you how to: Cultivate a meaningful Pagan practice by following seven simple steps. Develop a sacred calendar customized for your beliefs, lifestyle, and environment. Make daily activities sacred with quick and easy rituals. Reclaim your place in the food cycle by producing a portion of your own food--even if you live in an apartment Express Pagan spirituality through a variety of craft projects: candles, scrying mirrors, solar wreaths, recipes, and more. Create sacred relationships with animal familiars.

Originally published in 1902, this book provides an extensive survey of the tradition of votive offerings in ancient Greece. Rouse details the various motives behind offerings, including propitiation, tithes, and domestic purposes, drawing on the evidence of inscriptions and ancient eyewitnesses, and also examines ancient votive formulae. Thirteen indices containing an exhaustive list of epigraphical references to votive offerings at various shrines are also included. This well-written and richly-illustrated book will be of value to anyone with an interest in ancient Greek religion and the history of votive offerings.

The 'Orphic' gold tablets, tiny scraps of gold foil found in graves throughout the ancient Greek world, are some of the most fascinating and baffling pieces of evidence for ancient Greek religion. This collection brings together a number of previously published and unpublished studies from scholars around the world, making accessible to a wider audience some of the new methodologies being applied to the study of these tablets. The volume also contains an updated edition of the tablet texts, reflecting the most recent discoveries and accompanied by English translations and critical apparatus. This survey of trends in the scholarship, with an up-to-date bibliography, not only provides an introduction to the serious study of the tablets, but also illuminates their place within scholarship on ancient Greek religion.

Historians often regard the police as a modern development, and indeed, many pre-modern societies had no such institution. Most recent scholarship has claimed that Roman society relied on kinship networks or community self-regulation as a means of conflict resolution and social control. This model, according to Christopher Fuhrmann, fails to properly account for the imperial-era evidence, which argues in fact for an expansion of state-sponsored policing activities in the first three centuries of the Common Era. Drawing on a wide variety of source material--from art, archaeology, administrative documents, Egyptian papyri, laws, Jewish and Christian religious texts, and ancient narratives--Policing the Roman Empire provides a comprehensive overview of Roman imperial policing practices with chapters devoted to fugitive slave hunting, the pivotal role of Augustus, the expansion of policing under his successors, and communities lacking soldier-police that were forced to rely on self-help or civilian police.
Rather than merely cataloguing references to police, this study sets policing in the broader context of Roman attitudes towards power, public order, and administration. Fuhrmann argues that a broad range of groups understood the potential value of police, from the emperors to the peasantry. Years of different police initiatives coalesced into an uneven patchwork of police institutions that were not always coordinated, effective, or upright. But the end result was a new means by which the Roman state--more ambitious than often supposed--could seek to control the lives of its subjects, as in the imperial persecutions of Christians.
The first synoptic analysis of Roman policing in over a hundred years, and the first ever in English, Policing the Roman Empire will be of great interest to scholars and students of classics, history, law, and religion.

Myths are not simple narrative plots. In ancient Greece, as in other traditional societies, these tales existed only in the poetic or artistic forms in which they were set down. To read them from an anthropological point of view means to study their meaning according to their forms of expression - epic recitation, ritual celebration of the victory of an athlete, tragic performance, erudite Alexandrian poetry, antiquarian prose text; in other words, to study the functions of Greek myths in their permanent retelling and reshaping. Falling between social reality and cultural fiction, Greek myths were evolving creations, constantly adapting themselves to new conditions of performance. Using myths such as those of Persephone, Bellerophon, Helen and Teiresias, Claude Calame presents an overview of Greek mythology as a category inseparable from the literature in which so much of it is found. The French edition of this book was first published in 2000.

This book tackles the topic of religion, a broad subject exciting renewed interest across the social and historical sciences. The volume is tightly focused on the early farming village of Catalhoeyuk, which has generated much interest both within and outside of archaeology, especially for its contributions to the understanding of early religion. The volume discusses contemporary themes such as materiality, animism, object vitality, and material dimensions of spirituality while at the same time exploring broad evolutionary changes in the ways in which religion has influenced society. The volume results from a unique collaboration between an archaeological team and a range of specialists in ritual and religion.

First published in 1900, this book contains the text of two lectures delivered at the Royal Institution of Great Britain on the subject of the temples of Asklepios found in Athens and Epidauros. The text is accompanied by photographs of statuary and buildings from both sites, as well as drawings with suggested reproductions of how the temples would have looked in antiquity. This book will be of value to anyone with an interest in ancient religion.

Originally published in 1926, this book contains the ancient Greek text of the fourth-century treatise Concerning the Gods and the Universe by Sallustius. Nock provides an English translation on each facing page, as well as a critical apparatus and a detailed set of prolegomena on the historical background, sources, style and transmission of the philosophical essay. This book will be of value to anyone with an interest in late Roman philosophy and in the pagan response to early Christianity.

This book tackles the topic of religion, a broad subject exciting renewed interest across the social and historical sciences. The volume is tightly focused on the early farming village of Catalhoeyuk, which has generated much interest both within and outside of archaeology, especially for its contributions to the understanding of early religion. The volume discusses contemporary themes such as materiality, animism, object vitality, and material dimensions of spirituality while at the same time exploring broad evolutionary changes in the ways in which religion has influenced society. The volume results from a unique collaboration between an archaeological team and a range of specialists in ritual and religion.

Few thinkers have been as influential as Augustine of Hippo. His writings, such as Confessions and City of God, have left an indelible mark on Western Christianity. He has become so synonymous with Christianity in the West that we easily forget he was a man of two cultures: African and Greco-Roman. The mixture of African Christianity and Greco-Roman rhetoric and philosophy gave his theology and ministry a unique potency in the cultural ferment of the late Roman empire. Augustine experienced what Latino/a theology calls mestizaje, which means being of a mixed background. Cuban American historian and theologian Justo Gonzalez looks at the life and legacy of Augustine from the perspective of his own Latino heritage and finds in the bishop of Hippo a remarkable resource for the church today. The mestizo Augustine can serve as a lens by which to see afresh not only the history of Christianity but also our own culturally diverse world.

Though many practitioners of yoga and meditation are familiar with the Sri Cakra yantra, few fully understand the depth of meaning in this representation of the cosmos. Even fewer have been exposed to the practices of mantra and puja (worship) associated with it. Andre Padoux, with Roger Orphe-Jeanty, offers the first English translation of the Yoginihrdaya, a seminal Hindu tantric text dating back to the 10th or 11th century CE. The Yoginihrdaya discloses to initiates the secret of the Heart of the Yogini, or the supreme Reality: the divine plane where the Goddess (Tripurasundari, or Consciousness itself) manifests her power and glory. As Padoux demonstrates, the Yoginihrdaya is not a philosophical treatise aimed at expounding particular metaphysical tenets. It aims to show a way towards liberation, or, more precisely, to a tantric form of liberation in this life--jivanmukti, which grants both liberation from the fetters of the world and domination over it.

This book examines the fragmentary and contradictory evidence for Orpheus as the author of rites and poems to redefine Orphism as a label applied polemically to extra-ordinary religious phenomena. Replacing older models of an Orphic religion, this richer and more complex model provides insight into the boundaries of normal and abnormal Greek religion. The study traces the construction of the category of 'Orphic' from its first appearances in the Classical period, through the centuries of philosophical and religious polemics, especially in the formation of early Christianity and again in the debates over the origins of Christianity in the nineteenth and twentieth centuries. A paradigm shift in the study of Greek religion, this study provides scholars of classics, early Christianity, ancient religion and philosophy with a new model for understanding the nature of ancient Orphism, including ideas of afterlife, cosmogony, sacred scriptures, rituals of purification and initiation, and exotic mythology.

A full-cast dramatisation of Neil Gaiman's magical retellings of the Norse myths, inviting us into a world of gods and monsters, tricks and trust, fiery endings and new beginnings Winner of The London Book Fair CAMEO Award 2020 for Book to Audio adaptation. 'And the game begins anew...' Meet the trickster god Loki and his astonishing children - the giant wolf Fenrir, Jormungundr the snake that encircles the world, and Hel, the little girl who grows up to be Queen of the dead. Here, too, is Odin the all-father, who sacrificed his eye to see the future; Thor the thunderer, who defends Asgard with his fearsome strength and mighty hammer; and Freya the understandably angry, most beautiful of the gods and always being gambled for by unwanted suitors. From the beginning of the universe in fire and ice, to the very end of the world, Ragnarok, these enthralling tales of gods, goddesses, dwarves and giants bring the ancient myths to vigorous life. Diana Rigg, Derek Jacobi, Colin Morgan, Natalie Dormer and Neil Gaiman himself are among the stellar cast in these spellbinding stories of old betrayals - and new hope.

Most people have heard of the Celts-the elusive, ancient tribal people who resided in present-day England, Ireland, Scotland and France. Paradoxically characterized as both barbaric and innocent, the Celts appeal to the modern world as a symbol of a bygone era, a world destroyed by the ambition of empire and the spread of Christianity throughout Western Europe. Despite the pervasive cultural and literary influence of the Celts, shockingly little is known of their way of life and beliefs, because very few records of their stories exist. In this book, for the first time, Philip Freeman brings together the best stories of Celtic mythology. Everyone today knows about the gods and heroes of the ancient Greeks, such as Zeus, Hera, and Hercules, but how many people have heard of the Gaulish god Lugus or the magical Welsh queen Rhiannon or the great Irish warrior Cu Chulainn? We still thrill to the story of the Trojan War, but the epic battles of the Irish Tain Bo Cuailgne are known only to a few. And yet those who have read the stories of Celtic myth and legend-among them writers like J. R. R. Tolkien and C. S. Lewis-have been deeply moved and influenced by these amazing tales, for there is nothing in the world quite like them. In these stories a mysterious and invisible realm of gods and spirits exists alongside and sometimes crosses over into our own human world; fierce women warriors battle with kings and heroes, and even the rules of time and space can be suspended. Captured in vivid prose these shadowy figures-gods, goddesses, and heroes-come to life for the modern reader.

Stories about dragons, serpents, and their slayers make up a rich and varied tradition within ancient mythology and folklore. In this sourcebook, Daniel Ogden presents a comprehensive and easily accessible collection of dragon myths from Greek, Roman, and early Christian sources. Some of the dragons featured are well known: the Hydra, slain by Heracles; the Dragon of Colchis, the guardian of the golden fleece overcome by Jason and Medea; and the great sea-serpent from which Perseus rescues Andromeda. But the less well known dragons are often equally enthralling, like the Dragon of Thespiae, which Menestratus slays by feeding himself to it in armor covered in fish-hooks, or the lamias of Libya, who entice young men into their striking-range by wiggling their tails, shaped like beautiful women, at them. The texts are arranged in such a way as to allow readers to witness the continuity of and evolution in dragon stories between the Classical and Christian worlds, and to understand the genesis of saintly dragon-slaying stories of the sort now characteristically associated with St George, whose earliest dragon-fight concludes the volume. All texts, a considerable number of which have not previously been available in English, are offered in new translations and accompanied by lucid commentaries that place the source-passages into their mythical, folkloric, literary, and cultural contexts. A sampling of the ancient iconography of dragons and an appendix on dragon slaying myths from the ancient Near East and India, particularly those with a bearing upon the Greco-Roman material, are also included. This volume promises to be the most authoritative sourcebook on this perennially fascinating and influential body of ancient myth.

Originally published in 1899, this concise book provides a series of essays on the Ancient Germanic cult of Woden. The text focuses on the characteristics and rites associated with the cult, as opposed to the more frequently discussed mythology associated with Woden. Questions are posed regarding the organisational structure of the cult and the places in which it was practiced. An authorial introduction and extensive textual notes are also provided. This book will be of value to anyone with an interest in Germanic paganism and pre-Christian religion.

Originally published in 1937, this book was written to provide young readers with an engaging introduction to the central importance of mythology and religion in Ancient Greece. The text takes the myth of Perseus as its basis, putting together a series of passages from ancient writers dealing with it. Illustrative figures are also presented, revealing a few of the great number of artistic representations of the story. These representations are arranged according to their place in the history of art, rather than as illustrations to the literary story, so that equal weighting is given to narrative and artistic representations of the myth. This book will be of value to anyone with an interest in the development of education and Greek mythology.

Various goddesses of the ancient Mediterranean world were once understood to be Virgin Mothers--creators who birthed the entire cosmos without need of a male consort. This is the first book to explore evidence of the original parthenogenetic power of deities such as Athena, Hera, Artemis, Gaia, Demeter, Persephone, & the Gnostic Sophia.

Greek myth has played an unparalleled role in the formation of Western visual traditions, for which it has provided a nearly inexhaustible source of forms, symbols, and narratives. This richly illustrated book examines the legacy of Greek mythology in Western art from the classical era to the present. It reveals the range and variety with which individual Greek myths, motifs, and characters have been treated throughout the history of the visual arts in the West. Tracing the emergence, survival, and transformation of key mythological figures and motifs from ancient Greece through the modern era, it explores the enduring importance of such myths for artists and viewers in their own time and over the millennia that followed.