Originally published in 1937, this book was written to provide young readers with an engaging introduction to the central importance of mythology and religion in Ancient Greece. The text takes the myth of Perseus as its basis, putting together a series of passages from ancient writers dealing with it. Illustrative figures are also presented, revealing a few of the great number of artistic representations of the story. These representations are arranged according to their place in the history of art, rather than as illustrations to the literary story, so that equal weighting is given to narrative and artistic representations of the myth. This book will be of value to anyone with an interest in the development of education and Greek mythology.

This book examines the figure of the returning warrior as depicted in the myths of several ancient and medieval Indo-European cultures. In these cultures, the returning warrior was often portrayed as a figure rendered dysfunctionally destructive or isolationist by the horrors of combat. This mythic portrayal of the returned warrior is consistent with modern studies of similar behavior among soldiers returning from war. Roger Woodard's research identifies a common origin of these myths in the ancestral proto-Indo-European culture, in which rites were enacted to enable warriors to reintegrate themselves as functional members of society. He also compares the Italic, Indo-Iranian, and Celtic mythic traditions surrounding the warrior, paying particular attention to Roman myth and ritual, notably to the etiologies and rites of the July festivals of the Poplifugia and Nonae Caprotinae, and to the October rites of the Sororium Tigillum.

Originally published in 1899, this concise book provides a series of essays on the Ancient Germanic cult of Woden. The text focuses on the characteristics and rites associated with the cult, as opposed to the more frequently discussed mythology associated with Woden. Questions are posed regarding the organisational structure of the cult and the places in which it was practiced. An authorial introduction and extensive textual notes are also provided. This book will be of value to anyone with an interest in Germanic paganism and pre-Christian religion.

Greek myth has played an unparalleled role in the formation of Western visual traditions, for which it has provided a nearly inexhaustible source of forms, symbols, and narratives. This richly illustrated book examines the legacy of Greek mythology in Western art from the classical era to the present. It reveals the range and variety with which individual Greek myths, motifs, and characters have been treated throughout the history of the visual arts in the West. Tracing the emergence, survival, and transformation of key mythological figures and motifs from ancient Greece through the modern era, it explores the enduring importance of such myths for artists and viewers in their own time and over the millennia that followed.

The presence of gods was felt in every corner of the Celtic world, and influenced all areas of life in Celtic society. This fascinating book delves into these corners to examine all aspects of the gods, ritual customs, cult objects and sacred places of the ancient Celtic peoples. Miranda Green introduces the Celts and the evidence that they left behind, placing them in their geographical and chronological context, and continues on to look at Celtic cults of the sun and sky, animals and animism, mother goddesses, water gods and healers, as well as examining the influence of religion on war, death and fertility. Embracing the whole of the Celtic world from Ireland to Australia, and covering from 500 BC to AD 400, this is a rewarding overview of the evidence for Celtic religions, beliefs and practices which uses modern scholarship to bring a mysterious and captivating part of European history to life.

Egill Skallagrimsson was the most original, imaginative and technically brilliant of the Old Norse skalds, poets whose orally composed and performed verses were as much revered in ninth- to thirteenth-century Scandinavia as heroism in battle. Egill's saga details his life-story as well as those of his immediate predecessors, from whom he inherited his massive build, his early baldness (Skalla in his name means 'bald') and his exceptional ugliness. An arch enemy of Erikr Bloodax, he was a notoriously difficult man and, as many of the poems demonstrate, was lethal when crossed. But he also made poems which show he was capable of concern for others, as well as romantic love. Physical, direct, inventive, even transformative, Egill's poetry conjures up a territory far beyond the normal scope of language, something that only the finest poets achieve.

Few classical stories are as exciting as that of Jason and the Golden Fleece. The legend of the boy, who discovers a new identity as son of a usurped king and leads a crew of demi-gods and famous heroes, has resonated through the ages, rumbling like the clashing rocks, which almost pulverised the Argo. The myth and its reception inspires endless engagements: while it tells of a quest to the ends of the earth, of the tyrants Pelias and Aetes, of dragons' teeth, of the loss of Hylas (beloved of Hercules) stolen away by nymphs, and of Jason's seduction of the powerful witch Medea (later betrayed for a more useful princess), it speaks to us of more: of gender and sexuality; of heroism and lost integrity; of powerful gods and terrifying monsters; of identity and otherness; of exploration and exploitation. The Argonauts are emblems of collective heroism, yet also of the emptiness of glory. From Pindar to J. W. Waterhouse, Apollonius of Rhodes to Ray Harryhausen, and Robert Graves to Mary Zimmerman, the Argonaut myth has produced later interpretations as rich, salty and complex as the ancient versions. Helen Lovatt here unravels, like untangled sea-kelp, the diverse strands of the narrative and its numerous and fascinating afterlives. Her book will prove both informative and endlessly entertaining to those who love classical literature and myth.

Sources of Evil: Studies in Mesopotamian Exorcistic Lore is a collection of thirteen essays on the body of knowledge employed by ancient Near Eastern healing experts, most prominently the 'exorcist' and the 'physician', to help patients who were suffering from misfortunes caused by divine anger, transgressions of taboos, demons, witches, or other sources of evil. The volume provides new insights into the two most important catalogues of Mesopotamian therapeutic lore, the Exorcist's Manual and the Assur Medical Catalogue, and contains discussions of agents of evil and causes of illness, ways of repelling evil and treating patients, the interpretation of natural phenomena in the context of exorcistic lore, and a description of the symbolic cosmos with its divine and demonic inhabitants. "This volume in the series on Ancient Divination and Magic published by Brill is a welcome addition to the growing literature on ancient magic ..." -Ann Jeffers, Journal for the Study of the Old Testament 43.5 (2019) "Since the focus of the conference from which the essays derive was narrow, most of the essays hang together well and even complement each other. Several offer state-of-the-art treatments of topics and texts that make the volume especially useful. Readers will find much in this volume that contributes to our understanding of Mesopotamian exorcists, magic, medicine, and conceptions of evil." -Scott Noegel, University of Washington, Journal of the American Oriental Society 140.1 (2020)

Charles Piazzi Smyth (1819 1900) was appointed to the post of Astronomer Royal for Scotland and Regius Professor of Astronomy at Edinburgh University in 1846. He was respected for his practical work, and his Teneriffe, an Astronomer's Experiment (1858) is also reissued in this series. However, this book, first published in 1864, is testimony to the author's interest in 'pyramidology', and although it was so popular in his own lifetime that it was reprinted five times, his eccentric interpretation of the data he had collected by measuring all aspects of the Great Pyramid of Giza damaged his scientific reputation. Smyth was convinced that the British measurement standard of an inch as a basic unit of length was associated with the sacred cubit of the Bible. This measure was supposedly incorporated in the Pyramid, which he claimed was built under divine guidance by the Ancient Israelites, and enshrined scientific information.

Originally published in 1910, this book analyses the customs and superstitions of modern Greece as a means of gaining a greater understanding of ancient Greek belief structures. Analogies and coincidences between ancient and modern Greece had been pointed out prior to the publication of this edition, but no large attempt had been made to trace the continuity of the life and thought of the Greek people, and to exhibit modern Greek folklore as an essential factor in the interpretation of ancient Greek religion. The text is highly accessible, and all quotations from ancient and modern Greek are translated into English. This is a fascinating book that will be of value to anyone with an interest in anthropology and the classical world.

From the age of Homer until late antiquity the culture of ancient Greece and Rome was permeated by images of Greek myths. Gods and heroes were represented as statues, on vase and wall paintings, on temples, on sarcophagi as well as on other media. This book offers, for the first time, a concise introduction into the interpretation of images of Greek myths. Its main aim is to make the pictorial versions of the myths comprehensible on their own terms. Ancient artists were well aware of the potential but also the limitations of these 'silent' images and of the strategies that made them 'speak' to the audience/viewer. The book combines detailed explanation of theoretical and methodological issues with exhaustive discussion of case studies. It will be useful and stimulating for all undergraduate and graduate students taking courses in classical mythology and ancient art."

From the age of Homer until late antiquity the culture of ancient Greece and Rome was permeated by images of Greek myths. Gods and heroes were represented as statues, on vase and wall paintings, on temples, on sarcophagi as well as in other media. This 2011 book provides a concise introduction to the interpretation of the images of Greek myths. Its main aim is to make the pictorial versions of the myths comprehensible on their own terms. Ancient artists were well aware of the potential - but also the limitations - of these 'silent' images and of the strategies that made them 'speak' to the audience/viewer. The book explains the theoretical and methodological issues at stake and discusses in detail a number of case studies. It will be useful and stimulating for all undergraduate and graduate students taking courses in classical mythology and ancient art.

The Peace of the Gods takes a new approach to the study of Roman elites' religious practices and beliefs, using current theories in psychology, sociology, and anthropology, as well as cultural and literary studies. Craige Champion focuses on what the elites of the Middle Republic (ca. 250-ca. 100 BCE) actually did in the religious sphere, rather than what they merely said or wrote about it, in order to provide a more nuanced and satisfying historical reconstruction of what their religion may have meant to those who commanded the Roman world and its imperial subjects. The book examines the nature and structure of the major priesthoods in Rome itself, Roman military commanders' religious behaviors in dangerous field conditions, and the state religion's acceptance or rejection of new cults and rituals in response to external events that benefited or threatened the Republic. According to a once-dominant but now-outmoded interpretation of Roman religion that goes back to the ancient Greek historian Polybius, the elites didn't believe in their gods but merely used religion to control the masses. Using that interpretation as a counterfactual lens, Champion argues instead that Roman elites sincerely tried to maintain Rome's good fortune through a pax deorum or "peace of the gods." The result offers rich new insights into the role of religion in elite Roman life.

First published in 1938, this volume originated in a series of articles written mainly for the Journal of Egyptian Archaeology between 1925 and 1938. Created with both the Egyptologist and general reader in mind, it provides a highly informative account of religious development in ancient Egypt, and its connection with the need for fertility and rain. The text has a clear factual emphasis, with abundant references, illustrations, and a conspectus of key historical periods. It will be of value to anyone with an interest in ancient Egypt or historiography.

In this masterclass of mindfulness and spiritual awareness, Fiann O Nuallain brings old Irish proverbs to life for the present generation. Proverbs stand the test of time because, as we explore their meaning, we find they contain timeless wisdom that can help us lead happier, calmer and more meaningful lives. By Time is Everything Revealed contains fifty-two proverbs - one for every week of the year - each carefully chosen to speak directly to the worries and stresses that have become part of modern life. The author unlocks each proverb's meaning and combines it with a mindfulness exercise to offer a new set of tools for mindful living, psychological wellbeing and spiritual awareness.

The Odyssey's larger plot is composed of a number of distinct genres of myth, all of which are extant in various Near Eastern cultures (Mesopotamian, West Semitic, and Egyptian). Unexpectedly, the Near Eastern culture with which the Odyssey has the most parallels is the Old Testament. Consideration of how much of the Odyssey focuses on non-heroic episodes - hosts receiving guests, a king disguised as a beggar, recognition scenes between long-separated family members - reaffirms the Odyssey's parallels with the Bible. In particular the book argues that the Odyssey is in a dialogic relationship with Genesis, which features the same three types of myth that comprise the majority of the Odyssey: theoxeny, romance (Joseph in Egypt), and Argonautic myth (Jacob winning Rachel from Laban). The Odyssey also offers intriguing parallels to the Book of Jonah, and Odysseus' treatment by the suitors offers close parallels to the Gospels' depiction of Christ in Jerusalem.

A comprehensive and practical guide to the ancient oracle based on the alphabet of the Druids.

- Describes the symbolism and mythology of the 20 "tree letters" and their magical correspondences.

- Includes instructions on how to make your own Ogam divination sticks, cast the oracle, and perceive omens.

- Provides historical background and bibliographic references to the Druidic mythology ruling this 1,500-year-old oracle.

The ancient Ogam alphabet is a magical and mysterious script, the Celtic equivalent of the runes that can teach us about our fate and future. Named after woodland trees, Ogam's 20 "tree letters" all have unique wisdom to impart that is linked to figures and themes from Celtic mythology.

The author addresses three major areas in this book: Ogamlore, the history of this 1500-year-old oracle of the Celtic Druids; Ogamfews, the meaning of the individual tree letters, their magic, characteristics, folklore, and related stories; and Ogamcasting, the practical art of Ogam divination, which includes spreads, castings, and how to create your own Ogam set. With these tools of ancient Celtic wisdom, readers will receive insights and guidance on how to maneuver through life's questions and challenges.

The renowned classical scholar and archaeologist A. B. Cook (1868-1952) published the final volume of his monumental Zeus: A Study in Ancient Religion in two parts in 1940. The volume covers the theme of Zeus as a weather-god - the god of earthquakes, clouds, wind, dew, rain and meteorites - an idea that became common during the classical period. Part 2 contains three detailed appendixes on floating islands, the iconography of Eros and the idea of hierogamy. It includes a comprehensive index for the volume and addenda for all three volumes, and contains a rich selection of illustrations: maps, diagrams, photographs, and engravings, including many images of ancient pottery, statues, busts, friezes and ancient coins. A treasure-trove of primary texts, both Greek and Latin, epigraph material and archaeological data, this magnificent work remains an indispensable tool for students and scholars of classics, mythology and ancient religion.

The renowned classical scholar and archaeologist A. B. Cook (1868 1952) published the second volume of his monumental Zeus: A Study in Ancient Religion in two parts in 1925. The volume covers the theme of Zeus as god of lightning and thunder, an idea that became common during the classical period. Part II contains detailed appendixes and a comprehensive index for the volume. It offers a wealth of information, including primary sources, on Zeus' relationship with the god Kairos; mountain-cults; folk-tales and myths; and the various personas and manifestations of the god Zeus. It is beautifully illustrated with maps, diagrams, photographs, and engravings, including many images of pottery, statues, busts, friezes and ancient coins. A treasure-trove of primary texts, both Greek and Latin, epigraph material and archaeological data, this magnificent work remains an indispensable tool for students and scholars of classics, mythology and ancient religion.

In Myth, Ritual and the Oral Jack Goody, one of the world's most distinguished anthropologists, returns to the related themes of myth, orality and literacy, subjects that have long been a touchstone in anthropological thinking. Combining classic papers with recent unpublished work, this volume brings together some of the most important essays written on these themes in the past half century, representative of a lifetime of critical engagement and research. In characteristically clear and accessible style, Jack Goody addresses fundamental conceptual schemes underpinning modern anthropology, providing potent critiques of current theoretical trends. Drawing upon his highly influential work on the LoDagaa myth of the Bagre, Goody challenges structuralist and functionalist interpretations of oral 'literature', stressing the issues of variation, imagination and creativity, and the problems of methodology and analysis. These insightful, and at times provocative, essays will stimulate fresh debate and prove invaluable to students and teachers of social anthropology.

Lewis Richard Farnell's five-volume The Cults of the Greek States, first published between 1896 and 1909, disentangles classical Greek mythology and religion, since the latter had often been overlooked by nineteenth-century English scholars. Farnell describes the cults of the most significant Greek gods in order to establish their zones of influence, and outlines the personality, monuments, and ideal types associated with each deity. He also resolutely avoids the question of divine origins and focuses instead on the culture surrounding each cult, a position which initially drew some criticism, but which allowed him more space to analyse the religious practices themselves. Written to facilitate a comparative approach to Greek gods, his work is still regularly cited today for its impressive collection of data about the worship of the most popular deities. Volume 1 covers the Aniconic age, the Iconic age, and the cults of Cronos, Zeus, Hera and Athena.

Lewis Richard Farnell's five-volume The Cults of the Greek States, first published between 1896 and 1909, disentangles classical Greek mythology and religion, since the latter had often been overlooked by nineteenth-century English scholars. Farnell describes the cults of the most significant Greek gods in order to establish their zones of influence, and outlines the personality, monuments, and ideal types associated with each deity. He also resolutely avoids the question of divine origins and focuses instead on the culture surrounding each cult, a position which initially drew some criticism, but which allowed him more space to analyse the religious practices themselves. Written to facilitate a comparative approach to Greek gods, his work is still regularly cited today for its impressive collection of data about the worship of the most popular deities. Volume 2 focuses on the cults of Artemis, Adrasteia, Hekate, Eileithyia, and Aphrodite.

Lewis Richard Farnell's five-volume The Cults of the Greek States, first published between 1896 and 1909, disentangles classical Greek mythology and religion, since the latter had often been overlooked by nineteenth-century English scholars. Farnell describes the cults of the most significant Greek gods in order to establish their zones of influence, and outlines the personality, monuments, and ideal types associated with each deity. He also resolutely avoids the question of divine origins and focuses instead on the culture surrounding each cult, a position which initially drew some criticism, but which allowed him more space to analyse the religious practices themselves. Written to facilitate a comparative approach to Greek gods, his work is still regularly cited today for its impressive collection of data about the worship of the most popular deities. Volume 3 focuses on the cults of Ge, Demeter, Hades, and Rhea.