When a freshly-mummified body is discovered at the Brighton Museum of Natural History, Detective Francis Sullivan is at a loss to identify the desiccated woman. But as Egyptian burial jars of body parts with cryptic messages attached start appearing, he realises he has a serial killer on his hands.

Revenge, obsession and an ancient religion form a potent mix, unleashing a wave of terror throughout the city. Caught in a race against time while battling his own demons, Francis must fight to uncover the true identity of the Embalmer before it's too late...

The heroines of Greek tragedy presented in the plays by Aeschylus, Sophocles and Euripides have long captivated audiences and critics. In this volume each of the eleven chapters discusses one of the heroines: Clytemnestra, Hecuba, Medea, Iphigenia, Alcestis, Antigone Electra, Deianeira, Phaedra, Creusa and Helen. The book focuses on characterisation and the motivations of the women, as well as on those of the male playwrights, and offers multiple viewpoints and critiques that enable readers to understand the context of each play and form their own views. Four core themes bridge the depictions of the heroines: the socio-political dynamic of ancient Greek expectations of women and their roles in society, the conflict of masculinity versus femininity, the alternation of defiance and submission, and the interplay between deceit and rhetoric. Each chapter offers clear descriptions of plot and mythical background, and builds on the text of the plays to enable reflections on language and performance. All technical terms are explained and key topics or references are pulled out into box features that provide further background information. Discussion points at the ends of chapters enable readers to explore various topics more deeply.

Andrew N. Palmer's vivid translation of the Syriac Life of Barsauma opens a fascinating window onto the ancient Middle East, seen through the life and actions of one of its most dramatic and ambiguous characters: the monk Barsauma, ascetic hero to some, religious terrorist to others. The Life takes us into the eye of the storm that raged around Christian attempts to define the nature of Christ in the great Council of Chalcedon, the effect of which was to split the growing Church irrevocably, with the Oriental Orthodox on one side and Greek Orthodox and Roman Catholic on the other. Previously known only in extracts, this ancient text is now finally brought to readers in its entirety, casting dramatic new light on the relations among pagans, Jews, and Christians in the Holy Land and on the role of religious violence, real or imagined, in the mental world of a Middle East as shot through with conflict as it is today.

Examines how the similarities of symbols and wisdom across many cultures point to an ancient civilizing plan and system of ancient instruction * Reveals the shared cosmological knowledge of Dogon and Maori cultures, ancient Egypt, Gobekli Tepe, Vedic India, the pre-Indian Sakti civilization, Buddhism, the Tibetan Bon religion, and the kabbalistic tradition of the Hebrews * Explores symbols and techniques used to frame and preserve instructed knowledge as it was transmitted orally from generation to generation * Explains how this shared ancient knowledge relates to the precessional year and the cycles of time known as the yugas Exploring the mystery of why so many ancient cultures, separated by time and distance, share remarkably similar cosmological philosophies and religious symbolism, Laird Scranton reveals how this shared creation tradition upholds the idea that ancient instruction gave birth to the great civilizations, each of which preserves fragments of the original knowledge. Looking at the many manifestations of this shared cosmological knowledge, including in the Dogon and Maori cultures and in ancient Egypt, Gobekli Tepe, Vedic India, Buddhism, the Tibetan Bon religion, and the kabbalistic tradition of the Hebrews, Scranton explores the thought processes that went into formulating the archetype themes and metaphors of the ancient symbolic system. He examines how commonly shared principles of creational science are reflected in key terms of the ancient languages. He discusses how the primal cosmology also transmitted key components of sacred science, such as sacred geometry, knowledge of material creation, and the nature of a nonmaterial universe--evidence for which lies in the orientation of ancient temples, the drama of initiations and rituals, and countless traditional myths. He analyzes how this shared knowledge relates to the precessional year and the cycles of time known as the yugas. He also explores evidence of the concept of a nonmaterial twin universe to our own--the "above" to our "below" in the famous alchemical and hermetic maxim. Through his extensive research into the interconnected wisdom of the ancients, Scranton shows that the forgotten instructional tradition at the source of this knowledge was deliberately encoded to survive for countless generations. By piecing it back together, we can discover the ancient plan for guiding humanity forward toward greater enlightenment.

A stunning YA romantasy inspired by Greek mythology by the acclaimed author of The Fandom duology. Twin sisters, Icari and Sephie, live in a world where magical gifts are bestowed on a chosen few, divided into three callings: healers, embalmers and alchemists. Icari is a born healer. Sephie is shocked when she's told she's an embalmer; especially since she already has alchemist powers. One person holding two powers is a crime punishable by death, so Sephie now carries a fatal secret. When winged demons steal Sephie to the underworld, only a pair of wings can bring Icari to save her twin. But can a gentle healer learn to fight - and fly? A thrilling YA fantasy adventure romance inspired by Greek mythology From the acclaimed author of The Fandom duology, Anna Day A tale of love, sisterhood, magic and the triumph of life and truth over death Set in a gorgeous desert world of Oases and citadels PRAISE FOR THE FANDOM: 'I couldn't put it down' MELINDA SALISBURY 'I cannot recommend The Fandom highly enough' LOUISE O'NEILL 'I devoured The Fandom in one sitting' KIRAN MILLWOOD HARGRAVE '[A] glorious epic ode to fan culture ... For fans of Fangirl and Caraval.' BUZZFEED

'This readable anthology is a good introduction to a civilization that fascinates like few others ... in this book there are animals who talk, princesses who are locked up at the top of towers, wicked stepmothers and many other themes ... An enjoyable book by a skilled author' Financial Times The civilization we know as Ancient Egypt stretched over three thousand years. What was life like for ancient Egyptians? What were their beliefs - and how different were they from ours? Myths and Legends of Ancient Egypt uses Egypt's vivid narratives to create a panorama of its history, from the earliest settlers to the time of Cleopatra. Gathered from pyramid texts, archaeological finds and contemporary documents, these stories cover everything from why the Nile flooded annually to Egyptian beliefs about childbirth and what happened after death. They show us what life was really like for rich and poor, man and woman, farmer and pharaoh. Myths and Legends of Ancient Egypt brings a long-dead culture back to life.

Meet the fire-breathing beasts of mythology in this beautifully illustrated book brimming with scaled behemoths. Journey into the deepest depths of the oceans and the highest tips of the tallest mountains to discover the fascinating history of dragons! This illustrated picture book blends fiction and fantasy, separates fact from myth, and is the perfect introduction to the breathtaking world of dragons! Ideal for kids aged 7-9 years. Inside the pages of this captivating fantasy book for children, you'll discover fascinating dragon facts and more! - Includes 23 profiles of famous dragons - Discover maps of where dragons originated from across the continents - Explanations of the historical and cultural significance of dragons around the world - Informative spreads on the folklore surrounding dragons uncover secrets about dragon eggs, treasure, and history Soar across continents and discover the most incredible dragon myths and legends. Prowl through the pages to discover rare dragon species. Find clues on how to track them and master how to draw them. This awe-inspiring, magical book will breathe fire into the minds of little dragon-lovers everywhere! Exciting, informative text and beautiful hand-painted illustrations bring these fire-breathing beasts of mythology to life in the most spectacular way! Up-to-date retellings of classic dragon stories from Asia, Europe, Africa and North America will boost your child's imagination and keep them engaged. It's the ultimate gift for kids who are fascinated by mythical creatures and fans of Harry Potter and How to Train your Dragon.

In Search of the Labyrinth explores the enduring cultural legacy of Minoan Crete by offering an overview of Minoan archaeology and modern responses to it in literature, the visual and performing arts, and other cultural practices. The focus is on the twentieth century, and on responses that involve a clear engagement with the material culture of Minoan Crete, not just with mythological narratives in Classical sources, as illustrated by the works of novelists, poets, avant-garde artists, couturiers, musicians, philosophers, architects, film directors, and even psychoanalysts - from Sigmund Freud and Marcel Proust to D.H. Lawrence, Cecil Day-Lewis, Oswald Spengler, Nikos Kazantzakis, Robert Graves, Andre Gide, Mary Renault, Christa Wolf, Don DeLillo, Rhea Galanaki, Leon Bakst, Marc Chagall, Mariano Fortuny, Robert Wise, Martin Heidegger, Karl Lagerfeld, and Harrison Birtwistle, among many others. The volume also explores the fascination with things Minoan in antiquity and in the present millennium: from Minoan-inspired motifs decorating pottery of the Greek Early Iron Age, to uses of the Minoans in twenty-first-century music, poetry, fashion, and other media.

For much of the last half of the twentieth century, W. G. Lambert devoted much of his research energy and effort to the study of Babylonian texts dealing with Mesopotamian ideas regarding creation, including especially Enuma Elish. This volume, which appears almost exactly 2 years after Lambert's death, distills a lifetime of learning by the world's foremost expert on these texts. Lambert provides a full transliteration and translation of the 7 tablets of Enuma Elish, based on the known exemplars, as well as coverage of a number of other texts that bear on, or are thought to bear on, Mesopotamian notions of the origin of the world, mankind, and the gods. New editions of seventeen additional "creation tales" are provided, including "Enmesharra's Defeat," "Enki and Ninmah," "The Slaying of Labbu," and "The Theogony of Dunnu." Lambert pays special attention, of course, to the connection of the main epic, Enuma Elish, with the rise and place of Marduk in the Babylonian pantheon. He traces the development of this deity's origin and rise to prominence and elaborates the relationship of this text, and the others discussed, to the religious and political climate Babylonia. The volume includes 70 plates (primarily hand-copies of the various exemplars of Enuma Elish) and extensive indexes.

In this practical and inspiring celebration of the festivals of the Celtic seasonal Wheel of the Year, Danu draws on her many years of personal practice and teaching to skilfully revive the ancient rituals and traditions of all eight festivals - Imbolc, Spring Equinox, Beltane, Summer Solstice, Lughnasadh, Autumn Equinox, Samhain and Winter Solstice - helping you weave a more soulful, nature-centred way of living into your everyday existence. Throughout the book, beautiful illustrations in the Celtic style capture the special atmosphere of each festival.* Learn to call upon the deities to support and assist you in your journey* Explore Celtic starlore to glean spiritual insights from the heavens* Make meaningful gifts for friends and family* Cast spells for creativity, fertility and blessing* Decorate your home with crafts and altars to manifest sacred space* Use the abundance of nature in recipes for self-healing and for delicious feasts* Explore the deeper meanings of the festivals through magical guided visualizations

"Exploring Religion in Ancient Egypt "offers a stimulating overview of the study of ancient Egyptian religion by examining research drawn from beyond the customary boundaries of Egyptology and shedding new light on entrenched assumptions.Discusses the evolution of religion in ancient Egypt - a belief system that endured for 3,000 yearsDispels several modern preconceptions about ancient Egyptian religious practicesReveals how people in ancient Egypt struggled to secure well-being in the present life and the afterlife

This exploration of cultural resilience examines the complex fate of classical Egyptian religion during the centuries from the period when Christianity first made its appearance in Egypt to when it became the region's dominant religion (roughly 100 to 600 C.E. Taking into account the full range of witnesses to continuing native piety--from papyri and saints' lives to archaeology and terracotta figurines--and drawing on anthropological studies of folk religion, David Frankfurter argues that the religion of Pharonic Egypt did not die out as early as has been supposed but was instead relegated from political centers to village and home, where it continued a vigorous existence for centuries.

In analyzing the fate of the Egyptian oracle and of the priesthoods, the function of magical texts, and the dynamics of domestic cults, Frankfurter describes how an ancient culture maintained itself while also being transformed through influences such as Hellenism, Roman government, and Christian dominance. Recognizing the special characteristics of Egypt, which differentiated it from the other Mediterranean cultures that were undergoing simultaneous social and political changes, he departs from the traditional "decline of paganism/triumph of Christianity" model most often used to describe the Roman period. By revealing late Egyptian religion in its Egyptian historical context, he moves us away from scenarios of Christian triumph and shows us how long and how energetically pagan worship survived.

Anyone who has sampled even a few of the most commonly read Greek texts will have encountered pollution. The pollution of bloodshed is a frequent theme of tragedy: Orestes is driven mad; Oedipus brings plague upon all Thebes. In historical texts we find cities intervening in the internal affairs of others to `drive out the pollution', or making war on account of it. Political orators represent their opponents as polluting demons. Purity is a constant concern in ritual texts, and any Greek underwent many small purifications in his everyday life. Certain abnormal religious movements of the archaic age made `purification' the path to felicity in the afterlife. First published in hardback in 1983, Miasma is the first work in English to treat this theme in detail.

To the god of old things To the gods of the riverbank To the god of hunters Assyria, in the reign of Ashurbanipal. For Aurya and her daydreaming brother Sharo, every day is a struggle for survival, as they dodge the beatings of their drunken father and scrabble for scraps of food. One violent evening, everything changes. Soon, they are on the barge of King Ashurbanipal, bound for the beautiful, near-mythical city of Nineveh. Their fates become inextricably bound to that of the king - and the injured lion captured by his men. Twenty-six centuries later, British-Iraqi archaeologist Katya joins a dig in Mosul to protect the ancient ruins of Nineveh from organised looters, following in the footsteps of her dead father. When she and Salim, a fellow archaeologist, discover an astonishingly beautiful and rare carving, they know their find will bring the world's attention to Mosul. But the real world crashes in to their studious idyll to catastrophic, devastating effect when ISIL storm Mosul - and take Katya, Salim and local girl Lola hostage. All Our Broken Idols is hauntingly evocative, a novel in which past and present lives intertwine and stories travel across the ages. It is a story about the importance of art and the threat it poses to those in power. And it is about bravery; standing up for what you believe in, and who you love.

Arguing with Aseneth shows how the ancient Jewish romance known as Joseph and Aseneth moves a minor character in Genesis from obscurity to renown, weaving a new story whose main purpose was to intervene in ancient Jewish debates surrounding gentile access to Israel's God. Written in Greco-Roman Egypt around the turn of the era, Joseph and Aseneth combines the genre of the ancient Greek novel with scriptural characters from the story of Joseph as it retells Israel's mythic past to negotiate communal boundaries in its own present. With attention to the ways in which Aseneth's tale "remixes" Genesis, wrestles with Deuteronomic theology, and adopts prophetic visions of the future, Arguing with Aseneth demonstrates that this ancient novel inscribes into Israel's sacred narrative a precedent for gentile inclusion in the people belonging to Israel's God. Aseneth is transformed from material mother of the sons of Joseph to a mediator of God's mercy and life to future penitents, Jew and gentile alike. Yet not all Jewish thinkers in antiquity drew boundary lines the same way or in the same place. Arguing with Aseneth traces, then, not only the way in which Joseph and Aseneth affirms the possibility of gentile incorporation but also ways in which other ancient Jewish thinkers, including the apostle Paul, would have argued back, contesting Joseph and Aseneth's very conclusions or offering alternative, competing strategies of inclusion. With its use of a female protagonist, Joseph and Aseneth offers a distinctive model of gentile incorporation-one that eschews lines of patrilineal descent and undermines ethnicity and genealogy as necessary markers of belonging. Such a reading of this narrative shows us that we need to rethink our accounts of how ancient Jewish thinkers, including our earliest example from the Jesus Movement, negotiated who was in and who was out when it came to the people of Israel's God.

They may be coated in layers of myth and pious anecdote but dig deep enough and the pioneering leaders of Celtic Christianity are revealed as reassuringly human individuals, responding to their faith by deliberately living on the edges of society. From the goddess-nun Brigid and absent-minded Cainnech to severe ascetics such as Columbanus and Baldred, together they demonstrate a close connection with the natural world, an astonishing self-discipline and, above all, a rigorous commitment to what it meant to be 'pilgrims for Christ'. Establishing a network of influential monastic communities, they travelled from the territories of the Atlantic seaboard - Ireland, Wales and Cornwall - across Scotland, the north of England and deep into continental Europe, transforming the religious experience of all they encountered.

Explores the gem archetype of the Chintamani, the wish-fulfilling jewel known in legends around the world, and how to access it energetically * Examines myths of the chintamani from East and West, including from China, India, and South America; in legends of the Holy Grail and Atlantis; and in Nicholas Roerich's real-life quest for Shambhala * Explains the chintamani matrix--the multidimensional field of light, energy, and consciousness that forms networks of gems on the etheric and physical levels * Provides simple and advanced practices with crystal grids and meditation to help you access the chintamani matrix and realize your innermost heart's desires Space, time, intention, matter, and consciousness all entangle in crystals. Nowhere is this more evident than in the ancient gem archetype of the chintamani, the wish-fulfilling jewel known in legends around the world as the stone that grants your heart's desires. As authors Johndennis Govert and Hapi Hara reveal, the chintamani's "tachyolithic" technology of wish-granting and spiritual enlightenment creates a vehicle for positive transformation. They show how the chintamani energy matrix can be accessed using tangible crystals and gemstones, meditation, yoga, and the powerful science of intention. Exploring the many chintamani myths and legends from East and West, the authors explain how there are three types of chintamani: the mythical gemstone; the power crystals of history, such as the Koh-i-Noor diamond; and the multidimensional field of light, energy, and consciousness that forms a network of all gems in what is known as "the jewel net of Indra" in Hinduism and Buddhism. Activating this crystal energy matrix provides a way to manifest your intentions and help you create the subtle diamond body. The authors detail specific gems and crystal spiritual technology that can affect material reality and trigger profound spiritual growth. They provide a number of simple practices with crystal grids and meditation to help you access the chintamani matrix and become aware of the interconnected jewel net of consciousness. They examine the science of intention, which provides a basis for connecting to gemstones and crystals, and share advanced meditations to realize and activate your innermost heart's desires.

What ancient polytheistic religions can teach us about building inclusive and equitable futures At the heart of this book is a simple comparison: monotheistic religions are exclusive, whereas ancient polytheistic religions are inclusive. In this thought-provoking book, Maurizio Bettini, one of today's foremost classicists, uses the expansiveness of ancient polytheism to shine a bright light on a darker corner of our modern times. It can be easy to see ancient religions as inferior, less free, and remote from shared visions of an inclusive world. But, as Bettini deftly shows, many ancient practices tended to produce results aligned with contemporary progressive values, like pluralism and diversity. In Praise of Polytheism does not chastise the modern world or blame monotheism for our woes but rather shows in clear, sharp prose how much we can learn from ancient religions, underscoring the limitations of how we view the world and ourselves today.

Theme park studies is a growing field in social and cultural studies. Nonetheless, until now little attention has been dedicated to the choice of the themes represented in the parks and the strategies of their representation. This is particularly interesting when the theme is a historical one, for example ancient Greece. Which elements of classical Greece find their way into a theme park and how are they chosen and represented? What is the "entertainment" element in ancient Greek history, culture and myth, which allows its presence in commercial structures aiming to people's fun? How does the representation of Greece change against different cultural backgrounds, e.g. in different European countries, in the USA, in China? This book frames a discussion of these representations within the current debates about immersive spaces, uses of history and postmodern aesthetics, and analyses how ancient Greece has been represented and made "enjoyable" in seven different theme parks across the world, providing an original and ground-breaking contribution to theme park studies and classical reception.

After centuries of near silence, Latin poetry underwent a renaissance in the late fourth and fifth centuries CE evidenced in the works of key figures such as Ausonius, Claudian, Prudentius, and Paulinus of Nola. This period of resurgence marked a milestone in the reception of the classics of late Republican and early imperial poetry. In Classicism and Christianity in Late Antique Latin Poetry, Philip Hardie explores the ways in which poets writing on non-Christian and Christian subjects used the classical traditions of Latin poetry to construct their relationship with Rome's imperial past and present, and with the by now not-so-new belief system of the state religion, Christianity. The book pays particular attention to the themes of concord and discord, the "cosmic sense" of late antiquity, novelty and renouatio, paradox and miracle, and allegory. It is also a contribution to the ongoing discussion of whether there is an identifiably late antique poetics and a late antique practice of intertextuality. Not since Michael Robert's classic The Jeweled Style has a single book had so much to teach about the enduring power of Latin poetry in late antiquity.

What if you were to discover that you were not entirely you, but rather one half of a whole, that you had, in other words, a divine double? In the second and third centuries CE, this idea gripped the religious imagination of the Eastern Mediterranean, providing a distinctive understanding of the self that has survived in various forms throughout the centuries, down to the present. Our Divine Double traces the rise of this ancient idea that each person has a divine counterpart, twin, or alter-ego, and the eventual eclipse of this idea with the rise of Christian conciliar orthodoxy. Charles Stang marshals an array of ancient sources: from early Christianity, especially texts associated with the apostle Thomas "the twin"; from Manichaeism, a missionary religion based on the teachings of the "apostle of light" that had spread from Mesopotamia to the Mediterranean; and from Neoplatonism, a name given to the renaissance of Platonism associated with the third-century philosopher Plotinus. Each of these traditions offers an understanding of the self as an irreducible unity-in-duality. To encounter one's divine double is to embark on a path of deification that closes the gap between image and archetype, human and divine. While the figure of the divine double receded from the history of Christianity with the rise of conciliar orthodoxy, it survives in two important discourses from late antiquity: theodicy, or the problem of evil; and Christology, the exploration of how the Incarnate Christ is both human and divine.

In ancient Greece, epiphanies were embedded in cultural production, and employed by the socio-political elite in both perpetuating pre-existing power-structures and constructing new ones. This volume is the first comprehensive survey of the history of divine epiphany as presented in the literary and epigraphic narratives of the Greek-speaking world. It demonstrates that divine epiphanies not only reveal what the Greeks thought about their gods; they tell us just as much about the preoccupations, the preconceptions, and the assumptions of ancient Greek religion and culture. In doing so, it explores the deities who were prone to epiphany and the contexts in which they manifested themselves, as well as the functions (narratives and situational) they served, addressing the cultural specificity of divine morphology and mortal-immortal interaction. Divine Epiphany in Greek Literature and Culture re-establishes epiphany as a crucial mode in Greek religious thought and practice, underlines its centrality in Greek cultural production, and foregrounds its impact on both the political and the societal organization of the ancient Greeks.