Following the ideological disappointment of the 1967 Arab-Israeli War, an Islamic revival arose in Egypt. Yet, far from a mechanical reaction to the decline of secular nationalism, this religious shift was the product of impassioned competition among Muslim Brothers, Salafis and state institutions and their varied efforts to mobilize Egyptians to their respective projects. By pulling together the linked stories of these diverse claimants to religious authority and tracing the social and intellectual history of everyday practices of piety, Aaron Rock-Singer shows how Islamic activists and institutions across the political spectrum reshaped daily practices in an effort to persuade followers to adopt novel models of religiosity. In so doing, he reveals how Egypt's Islamic revival emerged, who it involved, and why it continues to shape Egypt today.

The heroines of Greek tragedy presented in the plays by Aeschylus, Sophocles and Euripides have long captivated audiences and critics. In this volume each of the eleven chapters discusses one of the heroines: Clytemnestra, Hecuba, Medea, Iphigenia, Alcestis, Antigone Electra, Deianeira, Phaedra, Creusa and Helen. The book focuses on characterisation and the motivations of the women, as well as on those of the male playwrights, and offers multiple viewpoints and critiques that enable readers to understand the context of each play and form their own views. Four core themes bridge the depictions of the heroines: the socio-political dynamic of ancient Greek expectations of women and their roles in society, the conflict of masculinity versus femininity, the alternation of defiance and submission, and the interplay between deceit and rhetoric. Each chapter offers clear descriptions of plot and mythical background, and builds on the text of the plays to enable reflections on language and performance. All technical terms are explained and key topics or references are pulled out into box features that provide further background information. Discussion points at the ends of chapters enable readers to explore various topics more deeply.

First published in 1898, this guide to the primitive lore of Scandinavia recounts the creation of the world from the earliest fog-country and fire-land, the birth of the gods, their ascendancy, and their twilight. It profiles the chief gods and their attendant myths, including the all-wise Odin, father of the gods; hammer-wielding Thor; Baldur, the beautiful and wise; and malicious Loki, the devil of the North. It chronicles forms of worship and religious life, plus the most famous of the hero sagas: the Volsungs, the Helgi sagas; Volund the smith; the Hjathningar, and Beowulf. Unbridged republication of the A. Clinton Crowell translation as published by Thomas Y. Crowell Company. New York, 1913.

Most people have heard of the Celts-the elusive, ancient tribal people who resided in present-day England, Ireland, Scotland and France. Paradoxically characterized as both barbaric and innocent, the Celts appeal to the modern world as a symbol of a bygone era, a world destroyed by the ambition of empire and the spread of Christianity throughout Western Europe. Despite the pervasive cultural and literary influence of the Celts, shockingly little is known of their way of life and beliefs, because very few records of their stories exist. In this book, for the first time, Philip Freeman brings together the best stories of Celtic mythology. Everyone today knows about the gods and heroes of the ancient Greeks, such as Zeus, Hera, and Hercules, but how many people have heard of the Gaulish god Lugus or the magical Welsh queen Rhiannon or the great Irish warrior Cu Chulainn? We still thrill to the story of the Trojan War, but the epic battles of the Irish Tain Bo Cuailgne are known only to a few. And yet those who have read the stories of Celtic myth and legend-among them writers like J. R. R. Tolkien and C. S. Lewis-have been deeply moved and influenced by these amazing tales, for there is nothing in the world quite like them. In these stories a mysterious and invisible realm of gods and spirits exists alongside and sometimes crosses over into our own human world; fierce women warriors battle with kings and heroes, and even the rules of time and space can be suspended. Captured in vivid prose these shadowy figures-gods, goddesses, and heroes-come to life for the modern reader.

This pocket-sized informative travel guide is a companion to the principal Celtic sites in England, Scotland, Wales and Ireland. Comprehensive both in content and detail, the places featured include: Scotland - Iona, Whithorn, Melrose; England - Lindisfarne, Whitby, Jarrow, Ripon, Lichfield, Old Sarum, Glastonbury, Tintagel, Canterbury, Lullingstone; Wales - Bardsey and the Llyn Peninsula, St Winifred's Well, St David's, Lantwit Major; and Ireland - Skellig Michael, Glendalough, Kells, Kildare, Slane Hill and Tara. The stories of the saints associated with these and other places are retold for today's visitors and pilgrims, along with quotations, prayers and readings from the Celtic era. Practical information is also given, plus maps, illustrations and suggestions of other places to visit nearby. An introduction explains the significance of pilgrimage to these places both in Celtic times and in the present day.

In Search of the Labyrinth explores the enduring cultural legacy of Minoan Crete by offering an overview of Minoan archaeology and modern responses to it in literature, the visual and performing arts, and other cultural practices. The focus is on the twentieth century, and on responses that involve a clear engagement with the material culture of Minoan Crete, not just with mythological narratives in Classical sources, as illustrated by the works of novelists, poets, avant-garde artists, couturiers, musicians, philosophers, architects, film directors, and even psychoanalysts - from Sigmund Freud and Marcel Proust to D.H. Lawrence, Cecil Day-Lewis, Oswald Spengler, Nikos Kazantzakis, Robert Graves, Andre Gide, Mary Renault, Christa Wolf, Don DeLillo, Rhea Galanaki, Leon Bakst, Marc Chagall, Mariano Fortuny, Robert Wise, Martin Heidegger, Karl Lagerfeld, and Harrison Birtwistle, among many others. The volume also explores the fascination with things Minoan in antiquity and in the present millennium: from Minoan-inspired motifs decorating pottery of the Greek Early Iron Age, to uses of the Minoans in twenty-first-century music, poetry, fashion, and other media.

Nine short essays exploring the K'iche' Maya story of creation, the Popol Vuh. Written during the lockdown in Chicago in the depths of the COVID-19 pandemic, these essays consider the Popol Vuh as a work that was also written during a time of feverish social, political, and epidemiological crisis as Spanish missionaries and colonial military deepened their conquest of indigenous peoples and cultures in Mesoamerica. What separates the Popol Vuh from many other creation texts is the disposition of the gods engaged in creation. Whereas the book of Genesis is declarative in telling the story of the world's creation, the Popol Vuh is interrogative and analytical: the gods, for example, question whether people actually need to be created, given the many perfect animals they have already placed on earth. Emergency uses the historical emergency of the Popol Vuh to frame the ongoing emergencies of colonialism that have surfaced all too clearly in the global health crisis of COVID-19. In doing so, these essays reveal how the authors of the Popol Vuh-while implicated in deep social crisis-nonetheless insisted on transforming emergency into scenes of social, political, and intellectual emergence, translating crisis into creativity and world creation.

Keel and Uehlinger's unique study brings the massive Palestinian archaeological evidence of 8,500 amulets and inscriptions to bear on these questions. Vindicating the use of symbols and visual remains to investigate ancient religion, the authors employ iconographic evidence from around 1750 B.C.E. through the Persian period (c. 333 B.C.E.) to reconstruct the emergence and development of the Yahweh cult in relation to its immediate neighbors and competitors. They also fully explore whether female characteristics were present in the early Yahweh figure and how they might have evolved in Israelite religion. Keel and Uehlinger's major study marks the maturation of iconographical studies and affords an exciting glimpse into the vibrant religious life of ancient Canaan and Israel.

Rich with implications for the history of sexuality, gender issues, and patterns of hellenic literary imagining, Marcel Detienne's landmark book, first published in 1972, recast long-standing ideas about the fertility myth of Adonis. The author challenges Sir James Frazer's thesis that the vegetation god Adonis - whose premature death was mourned by women and whose resurrection marked a joyous occasion - represented the annual cycle of growth and decay in agriculture. Using the analytic tools of structuralism, Detienne shows instead that the festivals of Adonis depict a seductive but impotent and fruitless deity - whose physical ineptitude led to his death in a boar hunt, after which his body was found in a lettuce patch. Contrasting the festivals of Adonis with the solemn ones dedicated to Demeter, the goddess of grain, he reveals the former as a parody and negation of the institution of marriage. Detienne considers the short-lived gardens that Athenian women planted in mockery for Adonis's festival, and explores the function of such vegetal matter as spices, mint, myrrh, cereal, and wet plants in religious practice and in a wide selection of myths. His inquiry exposes, among many things, the way sin which women of various martial statuses were regarded and attitudes toward sexual activity ranging from "perverse" acts to marital relations.

'Paganism' is an evocative word that, even today, conjures up deep-seated emotions and prejudices. Until recently, it was primarily a derogatory term used by Christians to describe the non-Christian cultures confronted and vanquished by their Churches. For some it evokes images of sacrifice and barbaric behaviour, while for others it symbolises a peace-loving, nature-worshipping spiritual relationship with the earth. This Very Short Introduction explores the meaning of paganism - through a chronological overview of the attitudes towards its practices and beliefs - from the ancient world through to the present day. Owen Davies largely looks at paganism through the eyes of the Christian world, and how, over the centuries, notions and representations of its nature were shaped by religious conflict, power struggles, colonialism, and scholarship. Despite the expansion of Christianity and Islam, Pagan cultures continue to exist around the world, whilst in the West new formations of paganism constitute one of the fastest-growing religions. Focussing on paganism in Europe, but exploring the nature of paganism globally, Davies looks at how Europeans discovered new cultures through colonial expansion, missionary work, and anthropological study. Contemporary social paganism can be a liberating and social force, and the idea of a global Pagan theology is now on the religious map. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.

As Christian spaces and agents assumed prominent positions in civic life, the end of the long span of the fourth century was marked by large-scale religious change. Churches had overtaken once-thriving pagan temples, old civic priesthoods were replaced by prominent bishops, and the rituals of the city were directed toward the Christian God. Such changes were particularly pronounced in the newly established city of Constantinople, where elites from various groups contended to control civic and imperial religion. Rebecca Stephens Falcasantos argues that imperial Christianity was in fact a manifestation of traditional Roman religious structures. In particular, she explores how deeply established habits of ritual engagement in shared social spaces-ones that resonated with imperial ideology and appealed to the memories of previous generations-constructed meaning to create a new imperial religious identity. By examining three dynamics-ritual performance, rhetoric around violence, and the preservation and curation of civic memory-she distinguishes the role of Christian practice in transforming the civic and cultic landscapes of the late antique polis.

The Living Goddesses crowns a lifetime of innovative, influential work by one of the twentieth-century's most remarkable scholars. Marija Gimbutas wrote and taught with rare clarity in her original--and originally shocking--interpretation of prehistoric European civilization. Gimbutas flew in the face of contemporary archaeology when she reconstructed goddess-centered cultures that predated historic patriarchal cultures by many thousands of years. This volume, which was close to completion at the time of her death, contains the distillation of her studies, combined with new discoveries, insights, and analysis. Editor Miriam Robbins Dexter has added introductory and concluding remarks, summaries, and annotations. The first part of the book is an accessible, beautifully illustrated summation of all Gimbutas's earlier work on "Old European" religion, together with her ideas on the roles of males and females in ancient matrilineal cultures. The second part of the book brings her knowledge to bear on what we know of the goddesses today--those who, in many places and in many forms, live on.

'Fans of Anne Carson, rejoice!... Carson's depth of knowledge about Greek mythology coupled with her poetic sensibility and illustrations is sure to breathe new life into this oft-told story.' Lit Hub H of H Playbook is an explosion of thought, in drawings and language, about a Greek tragedy called Herakles by the 5th-century BC poet Euripides. In myth Herakles is an embodiment of manly violence who returns home after years of making war on enemies and monsters (his famous "Labours of Herakles") to find he cannot adapt himself to a life of peacetime domesticity. He goes berserk and murders his whole family. Suicide is his next idea. Amazingly, this does not happen. Due to the intervention of his friend Theseus, Herakles comes to believe he is not, after all, indelibly stained by his own crimes, nor is his life without value. It remains for the reader to judge this redemptive outcome. "I think there is no such thing as an innocent landscape," said Anselm Kiefer, painter of forests grown tall on bones.

Celtic traditions point to God in the natural elements in this refreshing take on how to pray. Where is God when we pray? Artist and priest Ruth Pattison looks to the legacy of Celtic spirituality to say God is in all of creation that surrounds us-earth, fire, water, air-and not up in the clouds. She invites the reader into a grounded spirituality rooted deep in Celtic tradition that sees everything as infused with the Spirit-including humanity. The material will deepen the experience of worship with creative hands-on spiritual practices for the context of liturgy. It can also be used for creating the structure and substance of retreats, spiritual formation classes, and for helping parents who want to learn to pray with children.

This boxed set of two encyclopedias charts the rise and fall of the ancient American empires - including the Chavin, Paracas, Moche, Olmec and Zapotec. It is an absorbing guide to the lost world of the peoples of the sun, their awe-inspiring history, myths and culture. You can explore dozens of vitally important World Heritage sites, including Teotihuacan, Cuzco and the Nazca lines. It describes burial practices, mummies, ritual sacrifice and the importance of gold as well as exploring the impact on native religion of the coming of Christianity. 1000 stunning photographs, statues, sculptures, paintings, maps and illustrations reveal an amazing visual history. This two-volume comprehensive and authoritative history describes the political, military and social world of ancient America. It explores the region's vivid mythology, including tales of creation, earth and sky; legends of the gods, goddesses and heroes; and stories of fertility, harvest and the afterlife. The first book focuses on the Maya and Aztec civilizations of Mexico and Central America, and the second on the Inca Empire that stretched the length of South America. Taking in many other cultures, this is a perfect introduction to the subject and also a stunning visual record of a fascinating period that has helped to shape our world.

"One of the most unique books you'll read this year" Buzzfeed "A strikingly different trilogy opener" Kirkus Reviews Kaori and Kairi are the first twins to survive infancy on the ancient island of Mu, where gender is as fluid as the crashing waves. One was born of fire, the other of water. But there's a reason why none have survived before. A prophecy that has haunted the elders since time began. A rivalry destined to sink the entire island beneath a twin catastrophe of volcano and tsunami. As hatred spills from the forbidden twins like the deadly poison of sacrificed sea snakes, they must decide what matters to them most... The fight for the island - for tradition and duty. Or the fight for freedom - for love and light. The Mu Chronicles is a visionary YA fantasy trilogy exploring the origin of gender and desire in an epic queer fusion of Japanese folklore and Egyptian mythology. What readers are saying: "An interesting and original debut which left me begging for more" Caleb, NetGalley reader review "An ambitious take on an epic YA fantasy series exploring gender fluidity ... a political commentary ... If you're looking for an atypical YA read, this might be the one for you" Clara, NetGalley reader review "This is a really unique YA fantasy novel. I just loved what it was trying to do. Whilst it might not be for everyone I do think it's worth a go for the unique style ... there's a certain beauty to the story and the way it's constructed" Gabrielle, NetGalley reader review "This storyline was very interesting and flowed nicely, I will definitely recommend reading this book!" Michelle, NetGalley reader review "The use of neopronouns is lovely to see and was not at all hard to process" Luca, NetGalley reader review "I really enjoyed the twins story ... both fascinating characters I was willing to find their own strength and courage in such a world" Wendy, NetGalley reader review

Although the reception of the Eastern Father Gregory of Nyssa has varied over the centuries, the past few decades have witnessed a profound awakening of interest in his thought. The Body and Desire sets out to retrieve the full range of Gregory's thinking on the challenges of the ascetic life by examining within the context of his theological commitments his evolving attitudes on what we now call gender, sex, and sexuality. Exploring Gregory's understanding of the importance of bodily and spiritual maturation for the practices of contemplation and virtue, Raphael A. Cadenhead recovers the vital relevance of this vision of transformation for contemporary ethical discourse.

They may be coated in layers of myth and pious anecdote but dig deep enough and the pioneering leaders of Celtic Christianity are revealed as reassuringly human individuals, responding to their faith by deliberately living on the edges of society. From the goddess-nun Brigid and absent-minded Cainnech to severe ascetics such as Columbanus and Baldred, together they demonstrate a close connection with the natural world, an astonishing self-discipline and, above all, a rigorous commitment to what it meant to be 'pilgrims for Christ'. Establishing a network of influential monastic communities, they travelled from the territories of the Atlantic seaboard - Ireland, Wales and Cornwall - across Scotland, the north of England and deep into continental Europe, transforming the religious experience of all they encountered.

Thor is an immensely popular God but also one of contradictions, whose complexity is sometimes underrated. Often depicted as oafish, he was clever enough to outwit the dwarf Alviss (All-wise). A god of storms and thunder, he brought fertility and blessed brides at weddings and although a defender of civilization and order, he usually travelled with a trickster deity. Pagan Portals - Thor is an introductory book that examines both history and mythology, untangling older beliefs from modern pop-culture.

This outstanding collection brings together the novelist and scholar Rex Warner's knack for spellbinding storytelling with Edward Gorey's inimitable talent as an illustrator in a memorable modern recounting of the most beloved myths of ancient Greece. Writing in a relaxed and winning colloquial style, Warner vividly recreates the classic stories of Jason and the Argonauts and Theseus and the Minotaur, among many others, while Gorey's quirky pen-and-ink sketches offer a visual interpretation of these great myths in the understated but brilliantly suggestive style that has gained him admirers throughout the world. These tales cover the range of Greek mythology, including the creation story of Deucalion and Pyrrha, the heroic adventures of Perseus, the fall of Icarus, Cupid and Psyche's tale of love, and the tragic history of Oedipus and Thebes. Men and Godsis an essential and delightful book with which to discover some of the key stories of world literature.

Rome's Capitoline Hill was the smallest of the Seven Hills of Rome. Yet in the long history of the Roman state it was the empire's holy mountain. The hill was the setting of many of Rome's most beloved stories, involving Aeneas, Romulus, Tarpeia, and Manlius. It also held significant monuments, including the Temple of Jupiter Optimus Maximus, a location that marked the spot where Jupiter made the hill his earthly home in the age before humanity. This is the first book that follows the history of the Capitoline Hill into late antiquity and the early middle ages, asking what happened to a holy mountain as the empire that deemed it thus became a Christian republic. This is not a history of the hill's tonnage of marble and gold bedecked monuments, but rather an investigation into how the hill was used, imagined, and known from the third to the seventh centuries CE. During this time, the imperial triumph and other processions to the top of the hill were no longer enacted. But the hill persisted as a densely populated urban zone and continued to supply a bridge to fragmented memories of an increasingly remote past through its toponyms. This book is also about a series of Christian engagements with the Capitoline Hill's different registers of memory, the transmission and dissection of anecdotes, and the invention of alternate understandings of the hill's role in Roman history. What lingered long after the state's disintegration in the fifth century were the hill's associations with the raw power of Rome's empire.

Examines how the similarities of symbols and wisdom across many cultures point to an ancient civilizing plan and system of ancient instruction * Reveals the shared cosmological knowledge of Dogon and Maori cultures, ancient Egypt, Gobekli Tepe, Vedic India, the pre-Indian Sakti civilization, Buddhism, the Tibetan Bon religion, and the kabbalistic tradition of the Hebrews * Explores symbols and techniques used to frame and preserve instructed knowledge as it was transmitted orally from generation to generation * Explains how this shared ancient knowledge relates to the precessional year and the cycles of time known as the yugas Exploring the mystery of why so many ancient cultures, separated by time and distance, share remarkably similar cosmological philosophies and religious symbolism, Laird Scranton reveals how this shared creation tradition upholds the idea that ancient instruction gave birth to the great civilizations, each of which preserves fragments of the original knowledge. Looking at the many manifestations of this shared cosmological knowledge, including in the Dogon and Maori cultures and in ancient Egypt, Gobekli Tepe, Vedic India, Buddhism, the Tibetan Bon religion, and the kabbalistic tradition of the Hebrews, Scranton explores the thought processes that went into formulating the archetype themes and metaphors of the ancient symbolic system. He examines how commonly shared principles of creational science are reflected in key terms of the ancient languages. He discusses how the primal cosmology also transmitted key components of sacred science, such as sacred geometry, knowledge of material creation, and the nature of a nonmaterial universe--evidence for which lies in the orientation of ancient temples, the drama of initiations and rituals, and countless traditional myths. He analyzes how this shared knowledge relates to the precessional year and the cycles of time known as the yugas. He also explores evidence of the concept of a nonmaterial twin universe to our own--the "above" to our "below" in the famous alchemical and hermetic maxim. Through his extensive research into the interconnected wisdom of the ancients, Scranton shows that the forgotten instructional tradition at the source of this knowledge was deliberately encoded to survive for countless generations. By piecing it back together, we can discover the ancient plan for guiding humanity forward toward greater enlightenment.

The End of the World in Scandinavian Mythology is a detailed study of the Scandinavian myth on the end of the world, the Ragnaroek, and its comparative background. The Old Norse texts on Ragnaroek, in the first place the 'Prophecy of the Seeress' and the Prose Edda of the Icelander Snorri Sturluson, are well known and much discussed. However, Anders Hultgard suggests that it is worthwhile to reconsider the Ragnaroek myth and shed new light on it using new comparative evidence, and presenting texts in translation that otherwise are available only to specialists. The intricate question of Christian influence on Ragnaroek is addressed in detail, with the author arriving at the conclusion of an independent pre-Christian myth with the closest analogies in ancient Iran. People in modern society are concerned with the future of our world, and we can see these same fears and hopes expressed in many ancient religions, transformed into myths of the future including both cosmic destruction and cosmic renewal. The Ragnaroek myth can be said to be the classical instance of such myths, making it more relevant today than ever before.