The coming of Christianity to Northern Europe resulted in profound cultural changes. In the course of a few generations, new answers were given to fundamental existential questions and older notions were invalidated. Jonas Wellendorf's study, the first monograph in English on this subject, explores the medieval Scandinavian reception and re-interpretation of pre-Christian Scandinavian religion. This original work draws on a range of primary sources ranging from Prose Edda and Saxo Grammaticus' History of the Danes to less well known literary works including the Saga of Barlaam and the Hauksbok manuscript (c.1300). By providing an in-depth analysis of often overlooked mythological materials, along with translations of all textual passages, Wellendorf delivers an accessible work that sheds new light on the ways in which the old gods were integrated into the Christian worldview of medieval Scandinavia.

Take one part of the world''s oldest spiritual system (shamanism), mix in one part of one of the world''s most popular spiritual cultures (the Celts), and bring it up to date by blending in modern forms of shamanism. The result is one of the most amazing books you''ll ever use, D. J. Conway''s "By Oak, Ash, & Thorn."
This book is filled with information that can start you on a lifetime of study, practice, and spirituality. First, you''ll learn about ancient and modern forms of shamanism. You''ll discover the secrets of the three shamanic worlds, and how you can travel through these mysterious realms. You''ll be shown how to communicate and deal with the entities and allies you meet there. You''ll also learn about the tools that a shaman uses.
The thing that makes this book unique is that it comes from the viewpoint of Celtic shamanism, and not some generalized form. As a result, the worlds are specifically Celtic in nature. The tools come from Celtic myth and lore. The fifty entities you meet are named and defined as the Faery Folk and their kin -- from the Bean sidhe (banshee) to the Will o'' the Wisp (a faery who appears at night in lonely places carrying a lantern to confuse travellers). Almost fifty more animal allies are listed and described. You will also learn the mysteries of the vision quest and how it applies and can be used by Celtic shamans.
Before starting your journey you will take a test to determine your strengths and weaknesses as a potential shaman.
Other topics include:
- Shamanic Healing
- Soul Retrieval
- Shape-shifting
- Invisibility
- Divination with stones, the omen stick and the Ogam alphabet
- Pathworking through the three shamanic worlds
- Different forms of Celtic magic
- Herbs
This only begins to hint at everything that you can learn from this book. Get your copy today.

For the Greeks, the sharing of cooked meats was the fundamental communal act, so that to become vegetarian was a way of refusing society. It follows that the roasting or cooking of meat was a political act, as the division of portions asserted a social order. And the only proper manner of preparing meat for consumption, according to the Greeks, was blood sacrifice. The fundamental myth is that of Prometheus, who introduced sacrifice and, in the process, both joined us to and separated us from the gods--and ambiguous relation that recurs in marriage and in the growing of grain. Thus we can understand why the ascetic man refuses both women and meat, and why Greek women celebrated the festival of grain-giving Demeter with instruments of butchery. The ambiguity coded in the consumption of meat generated a mythology of the other--werewolves, Scythians, Ethiopians, and other monsters. The study of the sacrificial consumption of meat thus leads into exotic territory and to unexpected findings. In The Cuisine of Sacrifice, the contributors--all scholars affiliated with the Center for Comparative Studies of Ancient Societies in Paris--apply methods from structural anthropology, comparative religion, and philology to a diversity of topics: the relation of political power to sacrificial practice; the Promethean myth as the foundation story of sacrificial practice; representations of sacrifice found on Greek vases; the technique and anatomy of sacrifice; the interaction of image, language, and ritual; the position of women in sacrificial custom and the female ritual of the Thesmophoria; the mythical status of wolves in Greece and their relation to the sacrifice of domesticated animals; the role and significance of food-related ritual in Homer and Hesiod; ancient Greek perceptions of Scythian sacrificial rites; and remnants of sacrificial ritual in modern Greek practices.

'Athena seized the writhing serpent and hurled it into the sky, and fixed it to the very pole of the heavens.' The constellations we recognize today were first mapped by the ancient Greeks, who arranged the stars into patterns for that purpose. In the third century BC Eratosthenes compiled a handbook of astral mythology in which the constellations were associated with figures from legend, and myths were provided to explain how each person, creature, or object came to be placed in the sky. Thus we can see Heracles killing the Dragon, and Perseus slaying the sea-monster to save Andromeda; Orion chases the seven maidens transformed by Zeus into the Pleiades, and Aries, the golden ram, is identified flying up to the heavens. This translation brings together the later summaries from Eratosthenes' lost handbook with a guide to astronomy compiled by Hyginus, librarian to Augustus. Together with Aratus's astronomical poem the Phaenomena, these texts provide a complete collection of Greek astral myths; imaginative and picturesque, they also offer an intriguing insight into ancient science and culture. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

An unparalleled exploration of magic in the Greco-Roman world What did magic mean to the people of ancient Greece and Rome? How did Greeks and Romans not only imagine what magic could do, but also use it to try to influence the world around them? In Drawing Down the Moon, Radcliffe Edmonds, one of the foremost experts on magic, religion, and the occult in the ancient world, provides the most comprehensive account of the varieties of phenomena labeled as magic in classical antiquity. Exploring why certain practices, images, and ideas were labeled as "magic" and set apart from "normal" kinds of practices, Edmonds gives insight into the shifting ideas of religion and the divine in the ancient past and later Western tradition. Using fresh approaches to the history of religions and the social contexts in which magic was exercised, Edmonds delves into the archaeological record and classical literary traditions to examine images of witches, ghosts, and demons as well as the fantastic powers of metamorphosis, erotic attraction, and reversals of nature, such as the famous trick of drawing down the moon. From prayer and divination to astrology and alchemy, Edmonds journeys through all manner of ancient magical rituals and paraphernalia-ancient tablets, spell books, bindings and curses, love charms and healing potions, and amulets and talismans. He considers the ways in which the Greco-Roman discourse of magic was formed amid the cultures of the ancient Mediterranean, including Egypt and the Near East. An investigation of the mystical and marvelous, Drawing Down the Moon offers an unparalleled record of the origins, nature, and functions of ancient magic.

Enter a world of ancient secrets, old money, new ambitions and the discovery of priceless treasure in this revelatory new biography. Between November 1922 and spring 1923, a door to the ancient Egyptian world was opened. The discovery of the tomb of Tutankhamun would be the most astonishing archaeological find of the century, revealing not only the boy pharaoh's preserved remains, but thousands of finely crafted objects, from the iconic gold mask and coffins to a dagger made from meteorite, chalices, beautiful furniture and even 3000-year-old food and wine. The world's understanding of Ancient Egyptian civilisation was immeasurably enhanced, and the quantity and richness of the objects in the tomb is still being studied today. Two men were ultimately responsible for the discovery: Lord Carnarvon and Howard Carter. It was Lord Carnarvon who held the concession to excavate and whose passion and ability to finance the project allowed the eventual discovery to take place. The Earl and the Pharaoh tells the story of the 5th Earl of Carnarvon. Carnarvon's life, money and sudden death became front-page news throughout the world following the discovery of the tomb, fuelling rumours that persist today of 'the curse of the pharaohs'. His beloved home, Highclere Castle, is today best-known as the set of Downton Abbey. Drawing on Highclere Castle's never-before-plumbed archives, bestselling author Fiona, the Countess of Carnarvon, charts the twists of luck and tragedies that shaped Carnarvon's life; his restless and enquiring mind that drove him to travel to escape conventional society life in Edwardian Britain.

In this book, Lisa Sabbahy presents a history of ancient Egyptian kingship in the Old Kingdom and its re-formation in the early Middle Kingdom. Beginning with an account of Egypt's history before the Old Kingdom, she examines the basis of kingship and its legitimacy. The heart of her study is an exploration of the king's constant emphasis on his relationship to his divine parents, the sun god Ra and his mother, the goddess Hathor, who were two of the most important deities backing the rule of a divine king. Sabbahy focuses on the cardinal importance of this relationship, which is reflected in the king's monuments, particularly his pyramid complexes, several of which are analysed in detail. Sabbahy also offers new insights into the role of queens in the early history of Egypt, notably sibling royal marriages, harem conspiracies, and the possible connotations of royal female titles.

In this book, Tyson Putthoff explores the relationship between gods and humans, and between divine nature and human nature, in the Ancient Near East. In this world, gods lived among humans. The two groups shared the world with one another, each playing a special role in maintaining order in the cosmos. Humans also shared aspects of a godlike nature. Even in their natural condition, humans enjoyed a taste of the divine state. Indeed, gods not only lived among humans, but also they lived inside them, taking up residence in the physical body. As such, human nature was actually a composite of humanity and divinity. Putthoff offers new insights into the ancients' understanding of humanity's relationship with the gods, providing a comparative study of this phenomenon from the third millennium BCE to the first century CE.

Divination and Human Nature casts a new perspective on the rich tradition of ancient divination-the reading of divine signs in oracles, omens, and dreams. Popular attitudes during classical antiquity saw these readings as signs from the gods while modern scholars have treated such beliefs as primitive superstitions. In this book, Peter Struck reveals instead that such phenomena provoked an entirely different accounting from the ancient philosophers. These philosophers produced subtle studies into what was an odd but observable fact-that humans could sometimes have uncanny insights-and their work signifies an early chapter in the cognitive history of intuition. Examining the writings of Plato, Aristotle, the Stoics, and the Neoplatonists, Struck demonstrates that they all observed how, setting aside the charlatans and swindlers, some people had premonitions defying the typical bounds of rationality. Given the wide differences among these ancient thinkers, Struck notes that they converged on seeing this surplus insight as an artifact of human nature, projections produced under specific conditions by our physiology. For the philosophers, such unexplained insights invited a speculative search for an alternative and more naturalistic system of cognition. Recovering a lost piece of an ancient tradition, Divination and Human Nature illustrates how philosophers of the classical era interpreted the phenomena of divination as a practice closer to intuition and instinct than magic.

The Arthasastra is the foundational text of Indic political thought and ancient India's most important treatise on statecraft and governance. It is traditionally believed that politics in ancient India was ruled by religion; that kings strove to fulfil their sacred duty; and that sovereignty was circumscribed by the sacred law of dharma. Mark McClish's systematic and thorough evaluation of the Arthasastra's early history shows that these ideas only came to prominence in the statecraft tradition late in the classical period. With a thorough chronological exploration, he demonstrates that the text originally espoused a political philosophy characterized by empiricism and pragmatism, ignoring the mandate of dharma altogether. The political theology of dharma was incorporated when the text was redacted in the late classical period, which obscured the existence of an independent political tradition in ancient India altogether and reinforced the erroneous notion that ancient India was ruled by religion, not politics.

Following the ideological disappointment of the 1967 Arab-Israeli War, an Islamic revival arose in Egypt. Yet, far from a mechanical reaction to the decline of secular nationalism, this religious shift was the product of impassioned competition among Muslim Brothers, Salafis and state institutions and their varied efforts to mobilize Egyptians to their respective projects. By pulling together the linked stories of these diverse claimants to religious authority and tracing the social and intellectual history of everyday practices of piety, Aaron Rock-Singer shows how Islamic activists and institutions across the political spectrum reshaped daily practices in an effort to persuade followers to adopt novel models of religiosity. In so doing, he reveals how Egypt's Islamic revival emerged, who it involved, and why it continues to shape Egypt today.

This volume is the first book-length study of masculinities in the Sagas of Icelanders. Spanning the entire corpus of the Sagas of Icelanders-and taking into account a number of little-studied sagas as well as the more well-known works-it comprehensively interrogates the construction, operation, and problematization of masculinities in this genre. Men and Masculinities in the Sagas of Icelanders elucidates the dominant model of masculinity that operates in the sagas, demonstrates how masculinities and masculine characters function within these texts, and investigates the means by which the sagas, and saga characters, may subvert masculine dominance. Combining close literary analysis with insights drawn from sociological theories of hegemonic and subordinated masculinities, notions of homosociality and performative gender, and psychoanalytic frameworks, the book brings to men and masculinities in saga literature the same scrutiny traditionally brought to the study of women and femininities. Ultimately, the volume demonstrates that masculinity is not simply glorified in the sagas, but is represented as being both inherently fragile and a burden to all characters, masculine and non-masculine alike.

The mythology and folklore of England is as old as the land itself, rich in symbolism and full of tales of quests and heroic daring-do, ghosts and witches, romantic heroines and noble outlaws. Who hasn't heard of the master sorcerer Merlin, Robin Hood and his merry men, or the legendary monster Grendel? Beginning with the great Anglo-Saxon epic Beowulf, English Myths explores the early legends of post-Roman England, many of which blend history and myth. The book goes on to examine the rich seam of Arthurian and romantic legends first told in the Medieval era, before looking at English folk heroes and the beasts, witches and ghosts that have haunted the land. Discover the brothers Hengist and Horsa, legendary leaders of the first Angles, Saxons and Jutes to settle in England; learn the tragic story of Cornish hero Tristan and his love for Irish princess Iseult; tremble at the Black Dog ghost, a nocturnal hellhound found stalking the country from Suffolk in the east to Devon in the west; and enjoy the tale of George and the dragon, who saved the nation from a rampaging serpent and became the patron saint of the country. Illustrated with 150 photographs and artworks, English Myths is an accessible, entertaining and highly informative exploration of the fascinating mythology underlying one of the world's oldest and most influential cultures.

Troy is familiar to us from the timeless and epic tales of Homer's Iliad and Virgil's Aeneid. These have been retold over the centuries by writers from Chaucer to Shakespeare to Madeline Miller and Rick Riordan, and enacted by stars such as Elizabeth Taylor and Brad Pitt. But how much do we really know about the city of Troy; its storytellers, myth, actual location or legacy? In this richly illustrated book, the story of Troy is told through a new lens. Published to accompany an exhibition at the British Museum, it introduces the storytellers and Classical artists inspired by the myths of Troy, then examines the tales themselves - from the Judgment of Paris to the return of Odysseus - through the Classical objects for which the museum is internationally known. The third section focuses on Heinrich Schliemann's excavations at Hissarlik, introducing the nineteenth-century search for the location of Troy that convinced the world that this city did once exist. Also explored is the possible Bronze Age background for the myth of the Trojan War, the historicity of which remains unresolved today. The final section delves into the legacy of Troy, and the different ways in which its story has been retold, both in literature and art, from Homer to the present day. Focusing on the major characters - Helen of Troy, Achilles and Hector, Aeneas and Odysseus - it illustrates how artists from Cranach and Rubens to Romare Bearden and Cy Twombly have been inspired by this archetypal tale to reflect on contemporary themes of war and heroism, love and beauty.

Writing well over a thousand years ago, the Celtic saints and their followers who penned them reflected not just the cares and concerns of their own times, but also gave voice to the universal human experience - the hopes, fears, joys and anxieties that are as much part of modern existence as they were in the Dark Ages. Meditations on birth, death and everything else that comes in between, as well as comments on the rhythms of everyday life, are mixed with musings on the natural world, the divine and, of course, the eternal questions that everyone asks.

In this comprehensive book Michael Witzel persuasively demonstrates the prehistoric origins of most of the mythologies of Eurasia and the Americas ('Laurasia'). By comparing these myths with others indigenous to sub-Saharan Africa, Melanesia, and Australia ('Gondwana Land') Witzel is able to access some of the earliest myths told by humans. The Laurasian mythologies share a common story line that dates the world's creation to a mythic time and recounts the fortunes of generations of deities across four or five ages and human beings' creation and fall, culminating in the end of the universe and, occasionally, hope for a new world. These stories are contrasted with the 'southern' mythologies, which lack most of these features. Witzel's investigations are buttressed by archaeological data, as well as by comparative linguistics, and human population genetics. All suggest the African origins of anatomically modern humans and their subsequent journey along Indian Ocean shores, up to Australia and southern China, around 60,000 BCE. These itinerants' early mythology survives partly in sub-Saharan Africa and points along the path - the Andaman Islands, Melansia, and Australia. Laurasian mythology, Witzel shows, developed along this vast trail, probably in southwest Asia, around 40,000 BCE. Identifying features shared by virtually all mythologies of the globe, Witzel suggests that these features probably informed myths recounted by the communities of the 'African Eve.' As such, they are the earliest substantiation of our ultimate ancestors' spirituality. Moreover the Laurasian myths' key features, Witzel shows, survive today in all major religions and their multiple ideological offshoots.

Revisiting Delphi speaks to all admirers of Delphi and its famous prophecies, be they experts on ancient Greek religion, students of the ancient world, or just lovers of a good story. It invites readers to revisit the famous Oracle of Apollo at Delphi, along with Herodotus, Euripides, Socrates, Pausanias and Athenaeus, offering the first comparative and extended enquiry into the way these and other authors force us to move the link between religion and narrative centre stage. Their accounts of Delphi and its prophecies reflect a world in which the gods frequently remain baffling and elusive despite every human effort to make sense of the signs they give.

Images of episodes from Greek mythology are widespread in Roman art, appearing in sculptural groups, mosaics, paintings and reliefs. They attest to Rome's enduring fascination with Greek culture, and its desire to absorb and reframe that culture for new ends. This book provides a comprehensive account of the meanings of Greek myth across the spectrum of Roman art, including public, domestic and funerary contexts. It argues that myths, in addition to functioning as signifiers of a patron's education or paideia, played an important role as rhetorical and didactic exempla. The changing use of mythological imagery in domestic and funerary art in particular reveals an important shift in Roman values and senses of identity across the period of the first two centuries AD, and in the ways that Greek culture was turned to serve Roman values.

In 2010, Richard Merrick took a family trip to Scotland's Rosslyn chapel--the enigmatic fifteenth-century temple made famous by Dan Brown's "The Da Vinci Code." Little did he know he was about to embark upon an intellectual and personal journey that would lead to the discovery of a real-life lost symbol--one that reveals the connection between the world's most sacred temples and opens up a treasure trove of lost science and ancient secrets.
The symbol he discovers--the Venus Blueprint--is based on that planet's orbital pattern, which takes the shape of a five-pointed star when seen from Earth. As Merrick digs deeper, he realizes the Venus Blueprint was an integral part of the design template of some of the most significant religious architecture around the world--including St. Peter's Basilica in the Vatican, the Roman Pantheon, the Greek Parthenon, the Temple of Jerusalem, and the Great Pyramid of Giza, as well as many buildings designed by the secretive Freemason society.
Upon further examination, Merrick is astounded to discover that temples designed using the Venus Blueprint are endowed with extraordinary acoustics that, when supplied with the right tones and frequencies, are capable of harmonizing with Earth's resonant frequencies and evoking altered states of consciousness. He then proposes a fascinating idea: Could it be that the ancients used these harmonics to enhance entheogenically induced visions--to commune with the divine and liberate the gods within?
Supported by an impressive array of historical research and scientific analysis, "The Venus Blueprint" offers compelling evidence of an ancient lost culture that was both spiritually and scientifically advanced.

In ancient Rome, it was believed some humans were transformed into special, empowered beings after death. These deified dead, known as the manes, watched over and protected their surviving family members, possibly even extending those relatives' lives. But unlike the Greek hero-cult, the worship of dead emperors, or the Christian saints, the manes were incredibly inclusive-enrolling even those without social clout, such as women and the poor, among Rome's deities. The Roman afterlife promised posthumous power in the world of the living. While the manes have often been glossed over in studies of Roman religion, this book brings their compelling story to the forefront, exploring their myriad forms and how their worship played out in the context of Roman religion's daily practice. Exploring the place of the manes in Roman society, Charles King delves into Roman beliefs about their powers to sustain life and bring death to individuals or armies, examines the rituals the Romans performed to honor them, and reclaims the vital role the manes played in the ancient Roman afterlife.

A philosopher, mathematician, and martyr, Hypatia is one of antiquity's best known female intellectuals. During the sixteen centuries following her murder, by a mob of Christians, Hypatia has been remembered in books, poems, plays, paintings, and films as a victim of religious intolerance whose death symbolized the end of the Classical world. But Hypatia was a person before she was a symbol. Her great skill in mathematics and philosophy redefined the intellectual life of her home city of Alexandria. Her talent as a teacher enabled her to assemble a circle of dedicated male students. Her devotion to public service made her a force for peace and good government in a city that struggled to maintain trust and cooperation between pagans and Christians. Despite these successes, Hypatia fought countless small battles to live the public and intellectual life that she wanted. This book rediscovers the life Hypatia led, the unique challenges she faced as a woman who succeeded spectacularly in a man's world, and the tragic story of the events that led to her tragic murder.

Ready-to-color illustrations, each accompanied by a page of descriptive text, depict Atlas holding up the heavens; Hermes slaying the many-eyed Argus; Aphrodite weeping over the body of Adonis; and 19 other exciting illustrations. A great way to introduce youngsters to Greek mythology. 22 b/w illus.

Full of giants, trolls, heroes, and beautiful princesses, these 42 folktales include such favorites as "Dapplegrim," "Tatterhood," "Katie Woodencloak," and "Soria Moria Castle," plus many less known, such as "The Werewolf," "Such Women Are," "The Three Dogs," "Temptations," "King Gram," "The Magician's Pupil," "Legend of Tannhauser," "The Outlaw," "Toller's Neighbors," "The Widow's Son," "The Three Sisters Trapped in a Mountain," and "The Goatherd" (the origin of Washington Irving's story of Rip van Winkle). The volume also includes instructive variants of the same story, such as "The Blue Belt" and "The Blue Riband," and "The Seven Ravens" and "The Twelve White Peacocks." Another plus is a substantial critical introduction by the author.