This edited collection addresses the role of ritual representations and religion in the epic poems of the Flavian period (69-96 CE): Valerius Flaccus' Argonautica, Silius Italicus' Punica, Statius' Thebaid, and the unfinished Achilleid. Drawing on various modern studies on religion and ritual, and the relationship between literature and religion in the Greco-Roman world, it explores how we can interpret the poets' use of the relationship between gods and humans, cults and rituals, religious activities, and the role of the seer / prophet and his identification with poetry.
Divided into three major sections, the volume includes essays on the most important religious activities (prophecy or augury, prayers and hymns) and the relationship between religion and political power under the Flavian emperors. It also addresses specific episodes in Flavian epic which focus on religious activities associated with the dead and the Underworld, such as purification, necromancy, katabasis, suicide, and burial. It finally explores the role of gender in ritual and religion.

Drakon: Dragon Myth and Serpent Cult in the Greek and Roman Worlds is the first substantial survey to be focally devoted to the 'dragon' or the supernatural serpent, the drakon or draco, in Greek and Roman myth and religion. Almost every major myth cycle of the Greek and Roman worlds featured a dragon-fight at its heart, including the sagas of Heracles, Jason, Perseus, Cadmus, and Odysseus. Asclepius, the single most beloved and influential of the pagan gods from the late Classical period until Late Antiquity, was often manifest as a giant serpent and even in his humanoid aspect carried a serpent on his staff. Detailed and authoritative, but lucidly presented, this volume incorporates analyses of all of antiquity's major dragon-slaying myths, and offers comprehensive accounts of the rich sources, literary and iconographic. Ogden also explores matters of cult and the initially paradoxical association of dragons and serpents with the most benign of deities, not only those of health and healing, like Asclepius and Hygieia, but also those of wealth and good luck, such as Zeus Meilichios and Agathos Daimon. The concluding chapter considers the roles of both pagan dragon-slaying narratives and pagan serpent cults in shaping the beginnings of the tradition of the saintly dragon- and serpent-slaying tales we cherish still, the tradition that culminates in our own stories of Saints George and Patrick.

In this study of the ritual of animal sacrifice in ancient Greek religion, Judaism, and Christianity in the period between 100 BC and AD 200, Maria-Zoe Petropoulou explores the attitudes of early Christians towards the realities of sacrifice in the Greek East and in the Jerusalem Temple (up to AD 70). Contrary to other studies in this area, she demonstrates that the process by which Christianity finally separated its own cultic code from the strong tradition of animal sacrifice was a slow and difficult one. Petropoulou places special emphasis on the fact that Christians gave completely new meanings to the term sacrifice'. She also explores the question why, if animal sacrifice was of prime importance in the eastern Mediterranean at this time, Christians should ultimately have rejected it.

Gnosticism is a countercultural spirituality that forever changed the practice of Christianity. Before it emerged in the second century, passage to the afterlife required obedience to God and king. Gnosticism proposed that human beings were manifestations of the divine, unsettling the hierarchical foundations of the ancient world. Subversive and revolutionary, Gnostics taught that prayer and mediation could bring human beings into an ecstatic spiritual union with a transcendent deity. This mystical strain affected not just Christianity but many other religions, and it characterizes our understanding of the purpose and meaning of religion today. In The Gnostic New Age, April D. DeConick recovers this vibrant underground history to prove that Gnosticism was not suppressed or defeated by the Catholic Church long ago, nor was the movement a fabrication to justify the violent repression of alternative forms of Christianity. Gnosticism alleviated human suffering, soothing feelings of existential brokenness and alienation through the promise of renewal as God. DeConick begins in ancient Egypt and follows with the rise of Gnosticism in the Middle Ages, the advent of theosophy and other occult movements in the nineteenth and early twentieth centuries, and contemporary New Age spiritual philosophies. As these theories find expression in science-fiction and fantasy films, DeConick sees evidence of Gnosticism's next incarnation. Her work emphasizes the universal, countercultural appeal of a movement that embodies much more than a simple challenge to religious authority.

The essays in this compendium examine Late-Biblical writings dating from the Hellenistic period that relate to religion and society. A focus is placed on threat scenarios and on the drawing of differences to the Hellenistic environment and the question of identity for believers during the pre-Christian centuries.

Singing for the Gods develops a new approach towards an old question in the study of religion - the relationship of myth and ritual. Focusing on ancient Greek religion, Barbara Kowalzig exploits the joint occurrence of myth and ritual in archaic and classical Greek song-culture. She shows how choral performances of myth and ritual, taking place all over the ancient Greek world in the early fifth century BC, help to effect social and political change in their own time. Religious song emerges as integral to a rapidly changing society hovering between local, regional, and panhellenic identities and between aristocratic rule and democracy. Drawing on contemporary debates on myth, ritual, and performance in social anthropology, modern history, and theatre studies, this book establishes Greek religion's dynamic role and gives religious song-culture its deserved place in the study of Greek history.

A book on the religious, mystic origins and substance of philosophy. This is a critical survey of ancient and modern sources and of scholarly works dealing with Orpheus and everything related to this major figure of ancient Greek myth, religion and philosophy. Here poetic madness meets religious initiation and Platonic philosophy. This book contains fascinating insights into the usually downplaid relations between Egyptian initiation, Greek mysteries and Plato's philosophy and followers, right into Hellenistic Neoplatonic and Hermetic developments.

This volume presents four of the most intricate and fascinating mythological poems of the Poetic Edda, with parallel translations and individual introductions and commentaries. 'Havamal', notable for its unforgettable flashes of beauty and despair, explores the nature of human knowledge. 'Hymiskvita' is the boisterous tale of the giant Hymir. 'Grimnismal', the lay of Grimnir, the Visored God, is a dramatic monologue spoken by Otin. The final poem, 'Grottasongr', is the song of two girls kept as slaves by King Froti to work at his magic grindstone. Ursula Dronke provides new and illuminating textual readings of these celebrated works.

Brittany has long been famous for its Neolithic monuments, which include the largest prehistoric standing stone ever to have been erected in Western Europe, and the spectacular Carnac alignments. How and by whom were they built? This fully illustrated study aims to answer those questions using the results of recent French research on these sites, along with the insights provided by the author's own field studies. The emphasis is on the landscape setting of these monuments, and how that landscape may have influenced or inspired the construction of megalithic tombs and settings of standing stones. The development of the monuments is set within a chronological narrative, from the last hunter-gatherers of the late 6th millennium BC and the arrival of the first farmers, down to the end of the Neolithic period 3000 years later.

An unparalleled exploration of magic in the Greco-Roman world What did magic mean to the people of ancient Greece and Rome? How did Greeks and Romans not only imagine what magic could do, but also use it to try to influence the world around them? In Drawing Down the Moon, Radcliffe Edmonds, one of the foremost experts on magic, religion, and the occult in the ancient world, provides the most comprehensive account of the varieties of phenomena labeled as magic in classical antiquity. Exploring why certain practices, images, and ideas were labeled as "magic" and set apart from "normal" kinds of practices, Edmonds gives insight into the shifting ideas of religion and the divine in the ancient past and later Western tradition. Using fresh approaches to the history of religions and the social contexts in which magic was exercised, Edmonds delves into the archaeological record and classical literary traditions to examine images of witches, ghosts, and demons as well as the fantastic powers of metamorphosis, erotic attraction, and reversals of nature, such as the famous trick of drawing down the moon. From prayer and divination to astrology and alchemy, Edmonds journeys through all manner of ancient magical rituals and paraphernalia-ancient tablets, spell books, bindings and curses, love charms and healing potions, and amulets and talismans. He considers the ways in which the Greco-Roman discourse of magic was formed amid the cultures of the ancient Mediterranean, including Egypt and the Near East. An investigation of the mystical and marvelous, Drawing Down the Moon offers an unparalleled record of the origins, nature, and functions of ancient magic.

Pindar and the Cult of Heroes combines a study of Greek culture and religion (hero cult) with a literary-critical study of Pindar's epinician poetry. It looks at hero cult generally, but focuses especially on heroization in the 5th century BC. There are individual chapters on the heroization of war dead, of athletes, and on the religious treatment of the living in the 5th century. Hero cult, Bruno Currie argues, could be anticipated, in different ways, in a person's lifetime. Epinician poetry too should be interpreted in the light of this cultural context; fundamentally, this genre explores the patron's religious status. The book features extensive studies of Pindar's Pythians 2, 3, 5, Isthmian 7, and Nemean 7.

This is an illustrated reference to the art, architecture, religion, society and culture of the Roman world with over 450 pictures, maps and artworks. How the Romans lived: an authoritative and highly accessible exploration of Roman society. It is beautifully illustrated with over 450 photographs of painting and sculpture, architecture and art, artworks and maps that explore the glory that was Rome. You can find out how people in the ancient Roman Empire lived, worked, played and behaved during one of the cultural peaks of world history. This wonderfully illustrated history celebrates the great public buildings, palaces and villas of the Roman Empire, including the Colosseum, the Pantheon and other World Heritage buildings. Daily life in ancient Rome is explored through contemporary accounts of sports and games in the arenas, work and play at the baths, the forum and the woman's world of home. You can discover the scandalous lives of such notorious emperors as Caligula and Nero. With its wealth of pictures and artworks, and an authoritative and enthusiastic text, this is the perfect book for study projects or anyone planning to visit Italy or other sites of the ancient Roman world.

This is the first major study devoted to the early Arabic reception and adaption of the figure of Hermes Trismegistus, the legendary Egyptian sage to whom were ascribed numerous works on astrology, alchemy, talismans, medicine, and philosophy. The ancient Greek Hermetica, with which the tradition begins, are products of Roman Egypt of the second and third century CE. Thereafter, in late antiquity, they found a wide readership, both among pagans and Christians. Their ongoing popularity depended on the notion that Hermes had lived in extremely ancient times, perhaps before the Deluge, and his antiquity endowed him with a pristine intellectual priority and made him attractive as an authority in religious arguments. Early Arabic literature beginning in the eighth century also includes detailed discussions of Hermes Trismegistus, both as a teacher of ancient legend and as the alleged author of works on the apocryphal sciences, especially astrology. Moreover, Hermes is imagined in Arabic as a prophet, lawgiver, and the founder of ancient religion. This book shows how the Arabic Hermes developed out of the earlier Greek and other late antique traditions into something new, which would in turn form the background to the later reception of the Greek Hermetica in the Italian Renaissance. Assembling information in Greek, Arabic, Syriac, and Coptic primary sources, The Arabic Hermes will be of great interest to scholars in many fields, including Classics, Arabic Studies, Iranian Studies, Egyptology, and Medieval Studies.

Caves and the Ancient Greek Mind analyses techniques of searching for ultimate wisdom in ancient Greece. The Greeks perceived mental experiences of exceptional intensity as resulting from divine intervention. They believed that to share in the immortals' knowledge, one had to liberate the soul from the burden of the mortal body by attaining an altered state of consciousness, that is, by merging with a superhuman being or through possession by a deity. These states were often attained by inspired mediums, impresarios of the gods' - prophets, poets, and sages - who descended into caves or underground chambers. Yulia Ustinova juxtaposes ancient testimonies with the results of modern neuropsychological research. This novel approach enables an examination of religious phenomena not only from the outside, but also from the inside: it penetrates the consciousness of people who were engaged in the vision quest, and demonstrates that the darkness of the caves provided conditions vital for their activities.

Barsauma was a fifth-century Syrian ascetic, archimandrite, and leader of monks, notorious for his extreme asceticism and violent anti-Jewish campaigns across the Holy Land. Although Barsauma was a powerful and revered figure in the Eastern church, modern scholarship has widely dismissed him as a thug of peripheral interest. Until now, only the most salacious bits of the Life of Barsauma-a fascinating collection of miracles that Barsauma undertook across the Near East-had been translated. This pioneering study includes the first full translation of the Life and a series of studies by scholars employing a range of methods to illuminate the text from different angles and contexts. This is the authoritative source on this influential figure in the history of the church and his life, travels, and relations with other religious groups.

Attuned to the movements of nature, the Celts understood that all things are connected, and they "divined" answers to their queries as well as what the future holds from the animals, plants, the winds, and the seasons. Trees and animals had particular knowledge of past, present, and future. Through natural methods of divination, bards, healers, soothsayers, and holy women and men gained powers to see into the unseen. Stories and legends of their powers were told and retold, transmitting an enormous store of wisdom across the generations. In this oracle deck and guidebook, Rosemarie Anderson interprets Celtic myths and legends to create an oracle system of 64 cards featuring symbols from the ancient Celtic ways of knowing. The symbols represent three thousand years of Celtic culture and history, derived from archaeological excavations of Bronze and Iron Age Celtic sites throughout Europe and from the myths, folktales, and faery traditions still flourishing in rural Ireland, Scotland, and Wales. The symbols of the cards represent cauldrons, spirals, leprechauns, faeries, animals, trees, the wondrous child (Cu Chulainn), the Sacred King, Cernunnos (the antlered god), the Morrigan (the raven goddess), Tir na nog (the Blessed Isles), and other imagery and figures from Celtic lore. The accompanying guidebook explores the meaning, symbology, and mythic background for each card, such as how the Triple-Mother Goddess (Card 1) represents magnificence and the primal goddess in all her aspects--maiden, mother, and crone. The guidebook also explores the Celtic worldview, the basic principles of Celtic divination, as well as how to use the oracle to receive answers to specific questions. Conveying the power and wisdom of the ancient Celtic ways of knowing, this oracle offers a hands-on way to gain insight into the hidden forces at play in our lives.

Written in Iceland a century after the close of the Viking Age, The Prose Edda is the source of most of what we know of Norse mythology. Its tales are peopled by giants, dwarves, and elves, superhuman heroes and indomitable warrior queens. Its gods live with the tragic knowledge of their own impending destruction in the cataclysmic battle of Ragnarok. Its time scale spans the eons from the world's creation to its violent end. This robust new translation captures the magisterial sweep and startling psychological
complexity of the Old Icelandic original.First time in Penguin ClassicsIncludes an introduction; explanatory notes; glossary; appendices on the Norse cosmos, language, and sources, a map; genealogical tables; suggestions for further reading

This volume examines the phenomena of ancient Greek prophecy and divination. With contributions from a distinguished, international cast of scholars, it offers fresh perspectives and interpretations of key aspects of these practices. Considering issues such as comparativism, ethnography, cognitive function, orality, and intertextuality, the volume demonstrates their relevance to the elucidation of Greek prophetic practices. The volume also shows how multi- and inter-disciplinary approaches can be applied to a range of topics, from an examination of the very inception of Greek divination, explored within the frame of more archaic cult ideas, through emic elaboration of divinatory practice in Archaic and Classical periods, to consideration of intentional manipulation of prophecy, as depicted in Hellenistic and Imperial Roman sources. Collectively, the essays deepen our understanding of ancient Greek prophecy by offering insights into divinition astehkne, the centrality or marginality of Delphi and the Pythic priestess, prophetic ambiguity, and cognition, including cognitive dissonance.

From Loki to Thor, Ragnarok to Beowulf A gripping and truly mesmerising delve into the Norse legends From bestselling books to blockbusting Hollywood movies, the myths of the Scandinavian gods and heroes are part of the modern day landscape. For over a millennium before the arrival of Christianity, the legends permeated everyday life in Iceland and the northern reaches of Europe. Since that time, they have been perpetuated in literature and the arts in forms as diverse as Tolkien and Wagner, graphic novels to the world of Marvel. This book covers the entire cast of supernatural beings, from gods to trolls, heroes to monsters, and deals with the social and historical background to the myths, topics such as burial rites, sacrificial practices and runes.

This is the first book-length treatment of supplication, an important social practice in ancient Mediterranean civilizations. Despite the importance of supplication, it has received little attention, and no previous study has explored so many aspects of the practice. Naiden investigates the varied gestures made by the supplicants, the types of requests they make, the arguments used in defense of their requests, and the role of the supplicandus, who evaluates and decides whether to fulfill the requests. Varied and abundant sources invite comparison between the societies of Greece and Rome and also among literary genres. Additionally, Naiden formulates an analysis of the ritual in its legal and political contexts. In constructing this rich and thorough study, Naiden considered over 800 acts of supplication from Greek, Hebrew, and Roman literature, art, and scientific sources. 30 illustrations and a map of the relevant locations accompany the text.

The history and lasting influence of the Celts, from their origins in eastern Europe through the upheaval of the early middle ages to "twilight" and decline in the west. The Celts were one of the most important population groups to spread across the ancient European continent. From 800BC to 1050AD their story is one of expanding power and influence followed by contraction and near extinction. Drawing on all possible sources of evidence, from archaeological remains of ancient Greece and Rome to surviving cultural influences, Daithi O hOgain outlines the history of the people known as Celts. He follows the evolution oftheir culture as it gained strength on its two-thousand-year passage through Europe. The influence of the Celts is far more widespread than its fragmented survival in the outer fringes of western Europe indicates; this onceimportant culture is still a vital component of European civilisation and heritage, from east to west. In tracing the course of the history of the Celts, O hOgain shows how far-reaching their influence has been. Daithi OhOgain is Associate Professor of Irish Folklore at University College Dublin. A recognised authority on Celtic folklore and history, he has lectured widely and contributed to many radio and TV programmes on Irish literature and cultural history. He is the author of The Sacred Isle: Pre-Christian Religion in Ireland.

Memory and Foresight in the Celtic World delves deep into the experience of Celtic communities and individuals in the late medieval period through to the modern age. Its thirteen essays range widely, from Scottish soldiers in France in the fifteenth century to Gaelic-speaking communities in rural New South Wales in the twentieth, and expatriate Irish dancers in the twenty-first. Connecting them are the recurring themes of memory and foresight: how have Celtic communities maintained connections to the past while keeping an eye on the future? Chapters explore language loss and preservation in Celtic countries and among Celtic migrant communities, and the influence of Celtic culture on writers such as Dylan Thomas and James Joyce. In Australia, how have Irish, Welsh and Scottish migrants engaged with the politics and culture of their home countries, and how has the idea of a Celtic identity changed over time? Drawing on anthropology, architecture, history, linguistics, literature and philosophy, Memory and Foresight in the Celtic World offers diverse, thought-provoking insights into Celtic culture and identity.