By the author of Celtic Prayers from Iona In Celtic tradition, the "Book of Creation" is where we "read" what the Creator has said to us. J. Philip Newell here reflects on the seven days of creation in Genesis, using them as a guide to the practice of Celtic spirituality. Each day explores a different aspect of creation as a manifestation of God, revealing divine presence at the heart of everyday life. Newell begins by tracing the history of Celtic spirituality and how it clashed with Rome, then he goes on to draw from a rich and diverse selection of Celtic sources on creation: Eriugena, Pelagius, the Carmina Gadelica, novelist George MacDonald, poet Kenneth White, and Iona Community founder George MacLeod. Newell also includes meditation exercises that may be used by either individuals or groups. Newell is quickly becoming one of today's most authoritative and inspirational voices on Celtic spirituality. His book is perfect for prayer groups, seasonal parish programs, small faith communities, religious communities, spiritual seekers, anyone of Celtic heritage, and anyone interested in creation spirituality.

The Peace of the Gods takes a new approach to the study of Roman elites' religious practices and beliefs, using current theories in psychology, sociology, and anthropology, as well as cultural and literary studies. Craige Champion focuses on what the elites of the Middle Republic (ca. 250-ca. 100 BCE) actually did in the religious sphere, rather than what they merely said or wrote about it, in order to provide a more nuanced and satisfying historical reconstruction of what their religion may have meant to those who commanded the Roman world and its imperial subjects. The book examines the nature and structure of the major priesthoods in Rome itself, Roman military commanders' religious behaviors in dangerous field conditions, and the state religion's acceptance or rejection of new cults and rituals in response to external events that benefited or threatened the Republic. According to a once-dominant but now-outmoded interpretation of Roman religion that goes back to the ancient Greek historian Polybius, the elites didn't believe in their gods but merely used religion to control the masses. Using that interpretation as a counterfactual lens, Champion argues instead that Roman elites sincerely tried to maintain Rome's good fortune through a pax deorum or "peace of the gods." The result offers rich new insights into the role of religion in elite Roman life.

An unparalleled exploration of magic in the Greco-Roman world What did magic mean to the people of ancient Greece and Rome? How did Greeks and Romans not only imagine what magic could do, but also use it to try to influence the world around them? In Drawing Down the Moon, Radcliffe Edmonds, one of the foremost experts on magic, religion, and the occult in the ancient world, provides the most comprehensive account of the varieties of phenomena labeled as magic in classical antiquity. Exploring why certain practices, images, and ideas were labeled as "magic" and set apart from "normal" kinds of practices, Edmonds gives insight into the shifting ideas of religion and the divine in the ancient past and later Western tradition. Using fresh approaches to the history of religions and the social contexts in which magic was exercised, Edmonds delves into the archaeological record and classical literary traditions to examine images of witches, ghosts, and demons as well as the fantastic powers of metamorphosis, erotic attraction, and reversals of nature, such as the famous trick of drawing down the moon. From prayer and divination to astrology and alchemy, Edmonds journeys through all manner of ancient magical rituals and paraphernalia-ancient tablets, spell books, bindings and curses, love charms and healing potions, and amulets and talismans. He considers the ways in which the Greco-Roman discourse of magic was formed amid the cultures of the ancient Mediterranean, including Egypt and the Near East. An investigation of the mystical and marvelous, Drawing Down the Moon offers an unparalleled record of the origins, nature, and functions of ancient magic.

What ancient polytheistic religions can teach us about building inclusive and equitable futures At the heart of this book is a simple comparison: monotheistic religions are exclusive, whereas ancient polytheistic religions are inclusive. In this thought-provoking book, Maurizio Bettini, one of today's foremost classicists, uses the expansiveness of ancient polytheism to shine a bright light on a darker corner of our modern times. It can be easy to see ancient religions as inferior, less free, and remote from shared visions of an inclusive world. But, as Bettini deftly shows, many ancient practices tended to produce results aligned with contemporary progressive values, like pluralism and diversity. In Praise of Polytheism does not chastise the modern world or blame monotheism for our woes but rather shows in clear, sharp prose how much we can learn from ancient religions, underscoring the limitations of how we view the world and ourselves today.

A free open access ebook is available upon publication. Learn more at www.luminosoa.org. During the height of Muslim power in Mughal South Asia, Hindu and Muslim scholars worked collaboratively to translate a large body of Hindu Sanskrit texts into the Persian language. Translating Wisdom reconstructs the intellectual processes and exchanges that underlay these translations. Using as a case study the 1597 Persian rendition of the Yoga-Vasistha-an influential Sanskrit philosophical tale whose popularity stretched across the subcontinent-Shankar Nair illustrates how these early modern Muslim and Hindu scholars drew upon their respective religious, philosophical, and literary traditions to forge a common vocabulary through which to understand one another. These scholars thus achieved, Nair argues, a nuanced cultural exchange and interreligious and cross-philosophical dialogue significant not only to South Asia's past but also its present.

In the Greco-Roman catacombs of Alexandria, uniquely decorated tombs from the time when religious boundaries blurred and syncretistic beliefs flourished have long been known. But it was only in 1993 that researchers discovered faint traces of paintings on walls previously thought to be blank, or underneath other painted scenes: the hidden scenes could be partly made out and photographed using ultraviolet light. Then in 2012, new computer technology was used to reveal the lost images and colors even more clearly.Here the team present, examine, and interpret what they found, teasing meaning and intent from the alternating scenes of Greek and Egyptian mythology, as employed by the citizens of a multicultural Alexandria at the beginning of the second century CE, in pursuit of a happy afterlife.

Traditional and still prevalent accounts of late antique literature draw a clear distinction between 'pagan' and 'Christian' forms of poetry: whereas Christian poetry is taken seriously in terms its contribution to culture and society at large, so-called pagan or secular poetry is largely ignored, as though it has no meaningful part to play within the late antique world. The Myth of Paganism sets out to deconstruct this view of two contrasting poetic traditions and proposes in its place a new integrated model for the understanding of late antique poetry. As the book argues, the poet of Christ and the poet of the Muses were drawn together into an active, often provocative, dialogue about the relationship between Christianity and the Classical tradition and, ultimately, about the meaning of late antiquity itself. An analysis of the poetry of Nonnus of Panopolis, author of both a 'pagan' epic about Dionysus and a Christian translation of St John's Gospel, helps to illustrate this complex dialectic between pagan and Christian voices.

When a freshly-mummified body is discovered at the Brighton Museum of Natural History, Detective Francis Sullivan is at a loss to identify the desiccated woman. But as Egyptian burial jars of body parts with cryptic messages attached start appearing, he realises he has a serial killer on his hands.

Revenge, obsession and an ancient religion form a potent mix, unleashing a wave of terror throughout the city. Caught in a race against time while battling his own demons, Francis must fight to uncover the true identity of the Embalmer before it's too late...