This interdisciplinary volume brings together 37 contributions, most of them on the history of Ancient Nordic religion. In addition, there are papers on later European and Mediterranean religious history and investigations into Bahai'ism, Christianity, Islam, Judaism, Zoroastrism, and the history of research in the history of religion.

The Etruscan Brontoscopic Calendar is a rare document of omens foretold by thunder. It long lay hidden, embedded in a Greek translation within a Byzantine treatise from the age of Justinian. The first complete English translation of the Brontoscopic Calendar, this book provides an understanding of Etruscan Iron Age society as revealed through the ancient text, especially the Etruscans' concerns regarding the environment, food, health, and disease. Jean MacIntosh Turfa also analyzes the ancient Near Eastern sources of the Calendar and the subjects of its predictions, thereby creating a picture of the complexity of Etruscan society reaching back the before the advent of writing and the recording of the calendar.

Greek myths are among the most complex and influential stories ever told. From the first millennium BC until today, the myths have been repeated in an inexhaustible series of variations and reinterpretations. They can be found in the latest movies and television shows and in software for interactive computer games. This book combines a retelling of Greek myths with a comprehensive account of the world in which they developed their themes, their relevance to Greek religion and society, and their relationship to the landscape. "Contexts, Sources, Meanings" describes the main literary and artistic sources for Greek myths, and their contexts, such as ritual and theater. "Myths of Origin" includes stories about the beginning of the cosmos, the origins of the gods, the first humans, and the founding of communities. "The Olympians: Power, Honor, Sexuality" examines the activities of all the main divinities. "Heroic exploits" concentrates on the adventures of Perseus, Jason, Herakles, and other heroes. "Family sagas" explores the dramas and catastrophes that befall heroes and heroines. "A Landscape of Myths" sets the stories within the context of the mountains, caves, seas, and rivers of Greece, Crete, Troy, and the Underworld. "Greek Myths after the Greeks" describes the rich tradition of retelling, from the Romans, through the Renaissance, to the twenty-first century.

Complemented by lavish illustrations, genealogical tables, box features, and specially commissioned drawings, this will be an essential book for anyone interested in these classic tales and in the world of the ancient Greeks."

In Isis in a Global Empire, Lindsey Mazurek explores the growing popularity of Egyptian gods and its impact on Greek identity in the Roman Empire. Bringing together archaeological, art historical, and textual evidence, she demonstrates how the diverse devotees of gods such as Isis and Sarapis considered Greek ethnicity in ways that differed significantly from those of the Greek male elites whose opinions have long shaped our understanding of Roman Greece. These ideas were expressed in various ways - sculptures of Egyptian deities rendered in a Greek style, hymns to Isis that grounded her in Greek geography and mythology, funerary portraits that depicted devotees dressed as Isis, and sanctuaries that used natural and artistic features to evoke stereotypes of the Nile. Mazurek's volume offers a fresh, material history of ancient globalization, one that highlights the role that religion played in the self-identification of provincial Romans and their place in the Mediterranean world.

Greek religion is filled with strange sexual artifacts - stories of mortal women's couplings with gods; rituals like the basilinna's "marriage" to Dionysus; beliefs in the impregnating power of snakes and deities; the unusual birth stories of Pythagoras, Plato, and Alexander; and more. In this provocative study, Marguerite Rigoglioso suggests such details are remnants of an early Greek cult of divine birth, not unlike that of Egypt. Scouring myth, legend, and history from a female-oriented perspective, she argues that many in the highest echelons of Greek civilization believed non-ordinary conception was the only means possible of bringing forth individuals who could serve as leaders, and that special cadres of virgin priestesses were dedicated to this practice. Her book adds a unique perspective to our understanding of antiquity, and has significant implications for the study of Christianity and other religions in which divine birth claims are central. The book's stunning insights provide fascinating reading for those interested in female-inclusive approaches to ancient religion.

Originally published in 1910, this book analyses the customs and superstitions of modern Greece as a means of gaining a greater understanding of ancient Greek belief structures. Analogies and coincidences between ancient and modern Greece had been pointed out prior to the publication of this edition, but no large attempt had been made to trace the continuity of the life and thought of the Greek people, and to exhibit modern Greek folklore as an essential factor in the interpretation of ancient Greek religion. The text is highly accessible, and all quotations from ancient and modern Greek are translated into English. This is a fascinating book that will be of value to anyone with an interest in anthropology and the classical world.

John Nemec examines the beginnings of the non-dual tantric philosophy of the famed Pratyabhijna or "Recognition of God]" School of tenth-century Kashmir, the tradition most closely associated with Kashmiri Shaivism. In doing so it offers, for the very first time, a critical edition and annotated translation of a large portion of the first Pratyabhijna text ever composed, the Sivadrsti of Somananda. In an extended introduction, Nemec argues that the author presents a unique form of non-dualism, a strict pantheism that declares all beings and entities found in the universe to be fully identical with the active and willful god Siva. This view stands in contrast to the philosophically more flexible panentheism of both his disciple and commentator, Utpaladeva, and the very few other Saiva tantric works that were extant in the author's day. Nemec also argues that the text was written for the author's fellow tantric initiates, not for a wider audience. This can be adduced from the structure of the work, the opponents the author addresses, and various other editorial strategies. Even the author's famous and vociferous arguments against the non-tantric Hindu grammarians may be shown to have been ultimately directed at an opposing Hindu tantric school that subscribed to many of the grammarians' philosophical views. Included in the volume is a critical edition and annotated translation of the first three (of seven) chapters of the text, along with the corresponding chapters of the commentary. These are the chapters in which Somananda formulates his arguments against opposing tantric authors and schools of thought. None of the materials made available in the present volume has ever been translated into English, apart from a brief rendering of the first chapter that was published without the commentary in 1957. None of the commentary has previously been translated into any language at all."

Byzantium has recently attracted much attention, principally among cultural, social and economic historians. This book shifts the focus to philosophy and intellectual history, exploring the thought-world of visionary reformer Gemistos Plethon (c.1355-1452). It argues that Plethon brought to their fulfilment latent tendencies among Byzantine humanists towards a distinctive anti-Christian and pagan outlook. His magnum opus, the pagan Nomoi, was meant to provide an alternative to, and escape-route from, the disputes over the Orthodoxy of Gregory Palamas and Thomism. It was also a groundbreaking reaction to the bankruptcy of a pre-existing humanist agenda and to aborted attempts at the secularisation of the State, whose cause Plethon had himself championed in his two utopian Memoranda. Inspired by Plato, Plethon's secular utopianism and paganism emerge as the two sides of a single coin. On another level, the book challenges anti-essentialist scholarship that views paganism and Christianity as social and cultural constructions.

Forms of Astonishment sets out to interpret a number of Greek myths about the transformations of humans and gods. Such tales have become familiar in their Ovidian dress, as in the best-selling translation by Ted Hughes; Richard Buxton explores their Greek antecedents. One pressing question which often occurs to the reader of these tales is: Did the Greeks take them seriously? Buxton repeatedly engages with this topic, and attempts to answer it context by context and author by author. His book raises issues relevant to an understanding of broad aspects of Greek culture (e.g. how 'strange' were Greek beliefs?'); in so doing, it also illuminates issues explored by anthropologists and students of religion.

This book explores the pivotal place of the fiery serpent-eye goddess, Hathor-Sekmet, in the mysteries of Osiris, the Egyptian god of the dead. Weaving together myths, rituals and temple art, it recreates the craft world of ancient Memphis, with its heart-centred religion and vitalising feminine divinities. The author reveals the rich and complex temple life of New Kingdom Egypt in a compelling account of the soul's return to primal origins in the Ancestor Ritual, a little known royal death and rebirth ceremony."My Heart My Mother" breaks new ground with its analysis of Egyptian sacred architecture. Seti I's temple at Abydos is shown to be an image of heaven, built to correspond with the cosmic 'maps' of living and dying depicted on the remarkable Nut ceilings in Theban royal tombs. Each part of the Abydos temple is a focus for transformation in the ancestral rites. Despite great social changes this heart wisdom continued long after the rule of Pharaohs ended. The book traces its profound influence in alchemy, presenting fresh evidence to support the alchemists' own belief in the Egyptian roots of their tradition.

This collection of papers, many of them either published here in English for the first time or previously available only in specialist libraries, deals with the religious history of the Roman Empire. Written by leading scholars, the essays have contributed to a revolutionary change in our understanding of the religious situation of the time, and illuminate both the world religions of Christianity and Judaism and the religious life of the pagan Empire in which these developed and which deeply influenced their characters. No knowledge of ancient languages is presupposed, so the book is accessible to all who are interested in the history of this crucial period.

This collection of papers, many of them either published here in English for the first time or previously available only in specialist libraries, deals with the religious history of the Roman Empire. Written by leading scholars, the essays have contributed to a revolutionary change in our understanding of the religious situation of the time, and illuminate both the world religions of Christianity and Judaism and the religious life of the pagan Empire in which these developed and which deeply influenced their characters. No knowledge of ancient languages is presupposed, so the book is accessible to all who are interested in the history of this crucial period.

Rebellious Wives, Neglectful Husbands brings into conversation the distinct fields of tafsir (Qur'anic exegesis) studies and women's studies by exploring significant shifts in modern Qur'anic commentaries on the subject of women. Hadia Mubarak places three of the most influential, Sunni Qur'anic commentaries in the twentieth century- Tafsir al-Manar, Fi Zilal al-Qur'an, and al-Tahrir wa'l-Tanwir - against the backdrop of broader historical, intellectual, and political developments in modern North Africa. Mubarak illustrates the ways in which colonialism, nationalism, and modernization set into motion new ways of engaging with the subject of women in the Qur'an. Focusing her analysis on Qur'anic commentaries as a scholarly genre, Mubarak offers a critical and comparative analysis of these three modern commentaries with seven medieval commentaries, spanning from the ninth to fourteenth centuries, on verses dealing with neglectful husbands (4:128), rebellious wives (4:34), polygyny (4:3), and divorce (2:228). In contrast to assessments of the exegetical tradition as monolithically patriarchal, this book captures a medieval and modern tafsir tradition with pluralistic, complex, and evolving interpretations of women and gender in the Qur'an. Rather than pit a seemingly egalitarian Qur'an against an allegedly patriarchal exegetical tradition, Mubarak affirms the need for a critical engagement with tafsir studies among scholars concerned with women and gender in Islam. Mubarak argues that the capacity to bring new meanings to bear on the Qur'qan is not only an intellectually viable one but inherent to the exegetical tradition.

How Thor Lost his Thunder is the first major English-language study of early medieval evidence for the Old Norse god, Thor. In this book, the most common modern representations of Thor are examined, such as images of him wreathed in lightning, and battling against monsters and giants. The origins of these images within Iron Age and early medieval evidence are then uncovered and investigated. In doing so, the common cultural history of Thor's cult and mythology is explored and some of his lesser known traits are revealed, including a possible connection to earthquakes and volcanic eruptions in Iceland. This geographically and chronologically far-reaching study considers the earliest sources in which Thor appears, including in evidence from the Viking colonies of the British Isles and in Scandinavian folklore. Through tracing the changes and variety that has occurred in Old Norse mythology over time, this book provokes a questioning of the fundamental popular and scholarly beliefs about Thor for the first time since the Victorian era, including whether he really was a thunder god and whether worshippers truly believed they would encounter him in the afterlife. Considering evidence from across northern Europe, How Thor Lost his Thunder challenges modern scholarship's understanding of the god and of the northern pantheon as a whole and is ideal for scholars and students of mythology, and the history and religion of medieval Scandinavia.

A comprehensive treatment of the significant symbols and institutions of Roman religion, this companion places the various religious symbols, discourses, and practices, including Judaism and Christianity, into a larger framework to reveal the sprawling landscape of the Roman religion. * An innovative introduction to Roman religion * Approaches the field with a focus on the human-figures instead of the gods * Analyzes religious changes from the eighth century BC to the fourth century AD * Offers the first history of religious motifs on coins and household/everyday utensils * Presents Roman religion within its cultural, social, and historical contexts

Jane Ellen Harrison (1850 1928) was a pioneer in the academic study of myth in its historical and archaeological context, and was also one of the first women to make a full-time career as an academic. In her introduction to this book (1903), making the point that 'Greek religion' was usually studied using the surviving literary retellings of myths and legends, she states: 'The first preliminary to any scientific understanding of Greek religion is a minute examination of its ritual'. Using the then emerging disciplines of anthropology and ethnology, she demonstrates that the specific mythological tales of the Greeks embody systems of belief or philosophy which are not unique to Greek civilisation but which are widespread among societies both 'primitive' and 'advanced'. Her work was enormously influential not only on subsequent scholars of Greek religion but in the wider fields of literature, anthropology and psychoanalysis.

Many recent discoveries have confirmed the importance of Orphism for ancient Greek religion, philosophy and literature. Its nature and role are still, however, among the most debated problems of Classical scholarship. A cornerstone of the question is its relationship to Christianity, which modern authors have too often discussed from apologetic perspectives or projections of the Christian model into its supposed precedent. Besides, modern approaches are strongly based on ancient ones, since Orpheus and the poems and mysteries attributed to him were fundamental in the religious controversies of Late Antiquity. Both Pagan and Christian authors often present Orphism as a precedent, alternative or imitation of Chistianity. This free and thorough study of the ancient sources sheds light on these controversial questions. The presence of the Orphic tradition in Imperial Age, documented by literary and epigraphical evidence, is confronted with the informations transmitted by Christian apologists on Orphic poems and cults. The manifold Christian treatments of Pagan sources, and their particular value to understand Greek religion, are illuminated by this specific case, which exemplifies the complex encounter between Classical culture and Jewish-Christian tradition.

Lewis Richard Farnell's five-volume The Cults of the Greek States, first published between 1896 and 1909, disentangles classical Greek mythology and religion, since the latter had often been overlooked by nineteenth-century English scholars. Farnell describes the cults of the most significant Greek gods in order to establish their zones of influence, and outlines the personality, monuments, and ideal types associated with each deity. He also resolutely avoids the question of divine origins and focuses instead on the culture surrounding each cult, a position which initially drew some criticism, but which allowed him more space to analyse the religious practices themselves. Written to facilitate a comparative approach to Greek gods, his work is still regularly cited today for its impressive collection of data about the worship of the most popular deities. Volume 1 covers the Aniconic age, the Iconic age, and the cults of Cronos, Zeus, Hera and Athena.

Lewis Richard Farnell's five-volume The Cults of the Greek States, first published between 1896 and 1909, disentangles classical Greek mythology and religion, since the latter had often been overlooked by nineteenth-century English scholars. Farnell describes the cults of the most significant Greek gods in order to establish their zones of influence, and outlines the personality, monuments, and ideal types associated with each deity. He also resolutely avoids the question of divine origins and focuses instead on the culture surrounding each cult, a position which initially drew some criticism, but which allowed him more space to analyse the religious practices themselves. Written to facilitate a comparative approach to Greek gods, his work is still regularly cited today for its impressive collection of data about the worship of the most popular deities. Volume 3 focuses on the cults of Ge, Demeter, Hades, and Rhea.

The book gives a detailed overview of relevant traditional indigenous Sami myths, beliefs and rituals based on empirical findings. The author inquires whether and how they are related to an ecologically sustainable use of the natural environment. Her main sources are ancient missionary texts, writings by Sami and contemporary interviews with Sami individuals. The traditional value system included ecological sustainability as a survival strategy. Beliefs and rituals, transmitted via stories, incorporated these values and transmitted a feeling of a round life, despite the strict rules for right behavior and punishment for transgressions. The term round symbolized a sense of safety, interconnectedness, reliance on mutual help and respect, identification and empathy with all living beings.

Sicily and the strategies of empire in the poetic imagination of classical and medieval Europe In the first century BC, Cicero praised Sicily as Rome's first overseas province and confirmed it as the mythic location for the abduction of Proserpina, known to the Greeks as Persephone, by the god of the underworld. The Return of Proserpina takes readers from Roman antiquity to the late Middle Ages to explore how the Mediterranean island offered authors a setting for forces resistant to empire and a location for displaying and reclaiming what has been destroyed. Using the myth of Proserpina as a through line, Sarah Spence charts the relationship Western empire held with its myths and its own past. She takes an in-depth, panoramic look at a diverse range of texts set on Sicily, demonstrating how the myth of Proserpina enables a discussion of empire in terms of balance, loss, and negotiation. Providing new readings of authors as separated in time and culture as Vergil, Claudian, and Dante, Spence shows how the shape of Proserpina's tale and perceptions of the island change from a myth of loss to one of redemption, with the volcanic Mt. Etna playing an increasingly central role. Delving into the ways that myth and geography affect politics and poetics, The Return of Proserpina explores the power of language and the written word during a period of tremendous cultural turbulence.