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Books > Humanities > Religion & beliefs > Non-Christian religions > Pre-Christian European & Mediterranean religions
Applying the latest narratological theory and focusing on the use of anachrony (or 'chronological deviation'), this book explores how Statius competes - successfully - for a place within an established literary canon. Given the tremendous pressure on poets to render familiar stories in unfamiliar and novel ways, how did he achieve this? When Statius elected to sing of the quarrelsome sons of Oedipus he was acutely aware that this was a well-trod road, one frequently reproduced in a variety of genres - epic, drama and lyric poetry. Despite this highly varied corpus against which he sought to contend, he boasts that his epic has novelty and proudly declares that he is now counted among the 'prisca nomina', or ancient names, that sang of Thebes. And indeed precisely the fact that there were so many story-versions (a greater number survive for comparison than for any other work from antiquity, rivaling even the popularity of the Trojan legend) means that the story is conveniently positioned to offer a unique exploration into how Statius creates a compelling story despite working within a saturated and overly familiar mythic tradition. This book argues that it is chiefly through the use of narrative anachrony, or non-chronological modes of narration, that Statius manipulates states of anticipation, suspense, and even surprise in his audience.
Classical Mythology offers both newcomers and long-time enthusiasts new ways to navigate the world of Greek and Roman myths and legends, beginning by explaining what classical mythology is, how it came into being, and how we know about it today. Although classical myths and legends are often encountered separately, they actually make up a coherent, self-contained system-a corpus of narratives with geography, history, and interrelationships as well as narrative rules and conventions. The present book explores the individual stories and the cosmic realms in which they are situated, and introduces the principal characters-gods, nymphs, satyrs, centaurs, monsters, and humans-along with their relationships to one another: how they are similar, how they differ, and why deities and humans need each other. It describes the physical worlds in which the mythic action takes place: terrestrial landscapes and waters, the lofty abode of the Olympian gods, the lowly realm of the dead, and Tartaros, cosmic prison for defeated supernatural beings. The main part of the book gives a detailed narration of the principal events of classical mythology in chronological sequence from the beginning of the cosmos to the end of the heroic age, showing the relationship of individual narratives to the whole. This chronological narration is complemented by a mythological dictionary of the most important characters and themes. In addition, the dictionary discusses key concepts that are crucial for understanding how classical mythology functions. Richly illustrated with more than one hundred images drawn from ancient art, the second edition of this unparalleled guide includes a thoroughly revised introduction, augmented lexical entries, an updated further-reading section, and enlarged discussions about the reception of classical mythology and the impact of cognitive science on the study of myth. Whether you wish only to explore the narratives or do research on a specific aspect of the whole, this handbook is the best available guide to an extraordinary cast of characters, to the fascinating world in which they play out their fates, and to current work on classical mythology.
The parables contained in this book focus on the Celtic spirit, covering themes that include love and hate, wisdom and folly and life and death. The examples are drawn from Victorian books and offer a new angle on established Celtic themes.
Reception studies have transformed the classics. Many more literary and cultural texts are now regarded as 'valid' for classical study. And within this process of widening, children's literature has in its turn emerged as being increasingly important. Books written for children now comprise one of the largest and most prominent bodies of texts to engage with the classical world, with an audience that constantly changes as it grows up. This innovative volume wrestles with that very characteristic of change which is so fundamental to children's literature, showing how significant the classics, as well as classically-inspired fiction and verse, have been in tackling the adolescent challenges posed by metamorphosis. Chapters address such themes as the use made by C S Lewis, in The Horse and his Boy, of Apuleius' The Golden Ass; how Ovidian myth frames the Narnia stories; classical 'nonsense' in Edward Lear; Pan as a powerful symbol of change in children's literature, for instance in The Wind in the Willows; the transformative power of the Orpheus myth; and how works for children have handled the teaching of the classics.
The great Norse Myths are among the most dramatic and unforgettable stories in all human history. These fascinating, fantastical tales have inspired centuries of art, culture and literature, including the storytelling of Tolkien, Neil Gaiman, George R. R. Martin's Game of Thrones, Wagner's Ring Cycle and Marvel Comics. The Norse Myths takes us on a thrilling journey through the Norse cosmos, from the creation of the world to Ragnarok, the final world-destroying conflict; via the Nine Worlds, and the exploits of the mighty gods and goddesses - mystical Odin, malicious Loki, mighty Thor and more - and their quarrel with the giants. Bringing to life the magical world of monsters and mythical creatures, The Norse Myths also introduces the adventures of humankind: folk heroes and tricksters; Sigmund's great battle in the Volsung Saga; the exploits of Kings and Princes; Viking exploration and settlement of new lands including Iceland, Greenland, America; and Viking life in the Mediterranean and the East. As well as a treasure trove of these epic stories of heroism and cruelty, squabbles and seductions, The Norse Myths is a comprehensive study of their origins, survival and interpretations - as academically important as it is exhilarating.
This book brings together, for the first time in a single volume, the significant works on ancient Egyptian religion by renowned Egyptologist Aylward M. Blackman (1883-1956). During his life, Blackman did not publish his writings in book form, placing them instead in a range of publications that are now difficult to obtain. Section I discusses subjects including purification, salvation, sin, myth, and ritual. In Section II, such topics as the cult of the dead and the significance of incense and libations in funerary and temple ritual are covered. Section III includes explorations of priesthood, the hierarchical position of women, and worship. Finally, Section IV looks at topics including kinghood, communication between gods and men, and oracles. Blackman's seminal studies of Egyptian religious belief and practice have long been regarded as essential readings on the subject, and Gods, Priests, and Men finally makes Blackman's classic writings available to a broad, general audience. A select bibliography provides an update and key to more recent work on topics discussed by Blackman.
In 203 AD a group of Christians in Carthage, North Africa, were
sentenced to the beasts in the arena. One of these, a twenty-two
year old young mother, wrote a diary while she was imprisoned
awaiting execution; later, this diary was completed by an observer
who described her death in the arena. This poignant and personal
narrative is the focus of this study of the conflict that resulted
in the martyrdom of Perpetua.
From gods, heroes, and monsters to Druids, sorcerers, and talking animals, Celtic Myths explores every aspect of Irish and Welsh myths in this appealing and authoritative guide. Besides vividly retelling the tales, Miranda Aldhouse-Green brings her expertise in the archaeology of the Iron Age and particularly shamanism to bear on the mythical world she describes, with evidence as diverse as the Gundestrup Cauldron and the famous bog bodies. Starting with a discussion of how myths are transmitted and by whom, Aldhouse-Green continues with an account of Irish and Welsh myths, their key actors and motifs, and themes such as heroes, animals, women, environment, and the Otherworld. The book concludes with a look at the influence of monastic chroniclers on the tales, which they preserved and adapted. Boxed features, quotes from primary texts and contemporary sources, two-color illustrations, photographs, and drawings all come together to create a comprehensive guide for anyone interested in Celtic history or the history of myth as well as anyone who simply loves a good story.
Prayer From Alexander To Constantine presents a diverse selection
of prayer chosen by over 40 different historians, all specialists
in their respective areas of Graeco-Roman literature. This
collaboration gives the book a range and depth that no individual
author could hope to rival.
Prayer From Alexander To Constantine presents a diverse selection
of prayer chosen by over 40 different historians, all specialists
in their respective areas of Graeco-Roman literature. This
collaboration gives the book a range and depth that no individual
author could hope to rival.
Pagan Studies is maturing and moving beyond the context of new religious movements to situate itself in within of the study of world religions. Introduction to Pagan Studies is the first and only text designed to introduce the study of contemporary Paganism as a world religion. It examines the intellectual, religious, and social spheres of Paganism through common categories in the study of religion, which includes beliefs, practices, theology, ritual, history, and role of texts and scriptures. The text is accessible to readers of all backgrounds and religions and assumes no prior knowledge of Paganism. This text will also serve as a general introduction to Pagan Studies for non-specialist scholars of religion, as well as be of interest to scholars in the related disciplines of Anthropology, Sociology and Cultural Studies, and to students taking courses in Religious Studies, Pagan Studies, Nature Religion, New Religious Movements, and Religion in America. The book will also be useful to non-academic practitioners of Paganism interested in current scholarship.
"Women and Religion in the First Christian Centuries" focuses on
religion during the period of Roman imperial rule and its
significance in women's lives. Discussing the rich variety of
religious expression, from pagan cults and classical mythology to
ancient Judaism and early Christianity, and the wide array of
religious functions fulfilled by women, the author analyzes key
examples from each context, creating a vivid image of this crucial
period which laid the foundations of Western civilization.
From the translator of the bestselling Poetic Edda (Hackett, 2015) comes a gripping new rendering of two of the greatest sagas of Old Norse literature. Together the two sagas recount the story of seven generations of a single legendary heroic family and comprise our best source of traditional lore about its members-including, among others, the dragon-slayer Sigurd, Brynhild the Valkyrie, and the Viking chieftain Ragnar Lothbrok.
It is widely believed that the practice of ancient Egyptian religion ceased with the end of pharaonic culture and the rise of Christianity. However, an organised reconstruction and revival of the authentic practice of Egyptian, or Kemetic religion has been growing, almost undocumented, for nearly three decades. Profane Egyptologists is the first in-depth study of the now-global phenomenon of Kemeticism. Presenting key players in their own words, the book utilises extensive interviews to reveal a continuum of beliefs and practices spanning eight years of community growth. The existence of competing visions of Egypt, which employ ancient material and academic resources, questions the position of Egyptology as a gatekeeper of Egypt's past. Exploring these boundaries, the book highlights the politised and economic factors driving the discipline's self-conception. Could an historically self-imposed insular nature have harmed Egyptology as a field, and how could inclusive discussion help guard against further isolationism? Profane Egyptologists is both an Egyptological study of Kemeticism, and a critical study of the discipline of Egyptology itself. It will be of value to scholars and students of archaeology and Egyptology, cultural heritage, religion online, phenomenology, epistemology, pagan studies and ethnography, as well as Kemetics and devotees of Egyptian culture. |
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