In this unique reference work, Roman religion is finally accorded its due and set in its full context. Dictionary of Roman Religion contains more than 1,400 entries. Among the topics covered are deities and spirits, festivals, sacrifices, temples, altars, cult objects, burial rites, writers on religion, and historical religious events. Different religions within the Roman world, such as Mithraism, Druidism, Judaism, and Christianity, are also discussed. Illustrated, cross-referenced, and featuring a bibliography and glossary, this dictionary is both comprehensive and essential for students and researchers. The essays and suggestions for further reading also make this appealing to all who are interested in ancient religions, myths, and legends.

The study of ancient Greek religion has been excitingly renewed in the last thirty years. Key areas are: religion and politics; archaeological finds; myth and ritual; gender; problems raised by the very notion of 'religion'. This volume contains challenging papers (updated especially for this collection) by some of the most innovative participants in this renewal.

The GCC has chosen to establish what was once called a regular clergy, as distinct from a secular clergy-that is to say, something much closer to monks than to ministers. This was the core model for clergy in the old Celtic Church in Ireland, Wales, Brittany, and other Celtic nations, in the days before the Roman papacy imposed its rule on the lands of Europe's far west. Members of the Celtic clergy were monks first and foremost, living lives focused on service to the Divine rather than the needs of a congregation, and those who functioned as priests for local communities did so as a small portion of a monastic lifestyle that embraced many other dimensions. In all Gnostic traditions, personal religious experience is the goal that is set before each aspirant and the sole basis on which questions of a religious nature can be answered-certain teachings have been embraced as the core values from which the Gnostic Celtic Church as an organization derives its broad approach to spiritual issues. Those core teachings may be summarized in the words "Gnostic, Universalist, and Pelagian" which are described in this book.

The Dictionary of Classical Mythology is a unique companion to the ancient Greek and Roman myths and legends. The story of every character, whether human or divine, major or minor, is retold in this book, detailing every version and variation. Naiads, dryads, hamadryads, nymphs, fauns, satyrs and centaurs - the different types of mythological figures are distinguished and fitted into the overall pattern of legendary events and the places where these happened such as Olympus, Arcadia, Troy, Crete and Parnassus are identified and described.Forty genealogical tables explain the complex and often bizarre relationships between interlocking families of gods and people. Wherever appropriate the entries are illustrated with antique paintings, ceramics, coins, sculpture and mosaics. Maps of the Greek and Roman world and photographs of ancient sites provide a guide to the topography of classical mythology. An exhaustive reference section lists every mention of each character in classical literature: this alone makes the book an essential source of reference for scholars.The Dictionary will be an essential companion to the study of Western literature and art, a significant part of which has always been concerned with the ancient myths and legends as a source of both subject matter and allusion. But above all this book is a fascinating and readable guide to the rich and diverse legends and mythologies of the classical world.

This is a book about the religious life of the Greeks from archaic times to the fifth century AD, looked at in the context of a variety of different cities and periods. Simon Price examines local practices and concepts in the light of general Greek ideas, relating them to such issues as gender roles, political life, and the trial of Socrates. He lays emphasis on the reactions to Greek religions of ancient thinkers--Greek, Roman and Christian. The evidence drawn on is of all kinds: literary, inscriptional and archaeological.

This is a book about the religious life of the Greeks from archaic times to the fifth century AD, looked at in the context of a variety of different cities and periods. Simon Price examines local practices and concepts in the light of general Greek ideas, relating them to such issues as gender roles, political life, and the trial of Socrates. He lays emphasis on the reactions to Greek religions of ancient thinkers--Greek, Roman and Christian. The evidence drawn on is of all kinds: literary, inscriptional and archaeological.

A unique history of the ancient Near East that compellingly presents the life stories of kings, priestesses, merchants, bricklayers, and others In this sweeping history of the ancient Near East, Amanda Podany takes readers on a gripping journey from the creation of the world's first cities to the conquests of Alexander the Great. The book is built around the life stories of many ancient men and women, from kings, priestesses, and merchants to brickmakers, musicians, and weavers. Their habits of daily life, beliefs, triumphs, and crises, and the changes that people faced over time are explored through their own written words and the buildings, cities, and empires in which they lived. Rather than chronicling three thousand years of rulers and states, Weavers, Scribes, and Kings instead creates a tapestry of life stories through which readers will come to know specific individuals from many walks of life, and to understand their places within the broad history of events and institutions in the ancient Near East. These life stories are preserved on ancient clay tablets, which allow us to trace, for example, the career of a weaver as she advanced to become a supervisor of a workshop, listen to a king trying to persuade his generals to prepare for a siege, and feel the pain of a starving young couple and their four young children as they suffered through a time of famine. What might seem at first glance to be a remote and inaccessible ancient culture proves to be a comprehensible world, one that bequeathed to the modern world many of our institutions and beliefs, a truly fascinating place to visit.

Throughout his narrative of Julio-Claudian Rome in the Annals, Tacitus includes numerous references to the gods, fate, fortune, astrology, omens, temples, priests, the emperor cult, and other religious material. Though scholars have long considered Tacitus' discussion of religion of minor importance, this volume demonstrates the significance of such references to an understanding of the work as a whole by analyzing them using cultural memory theory, which views religious ritual as a key component in any society's efforts to create a lived version of the past that helps define cultural identity in the present. Tacitus, who was not only an historian, but also a member of Rome's quindecimviral priesthood, shows a marked interest in even the most detailed rituals of Roman religious life, yet his portrayal of religious material also suggests that the system is under threat with the advent of the principate. Some traditional rituals are forgotten as the shape of the Roman state changes while, simultaneously, a new form of cultic commemoration develops as deceased emperors are deified and the living emperor and his family members are treated in increasingly worshipful ways by his subjects. This study traces the deployment of religious material throughout Tacitus' narrative in order to show how he views the development of this cultic "amnesia" over time, from the reign of the cryptic, autocratic, and oddly mystical Tiberius, through Claudius' failed attempts at reviving tradition, to the final sacrilegious disasters of the impious Nero. As the first book-length treatment of religion in the Annals, it reveals how these references are a key vehicle for his assessment of the principate as a system of government, the activities of individual emperors, and their impact on Roman society and cultural identity.

The twentieth century has seen a remarkable revival of 'the Old Religion, ' as adherents of New-paganism call the native religious traditions of Europe and tribal traditions from North America that predated Christianity. Many neo-pagan groups identify with Celtic (Druidic), Egyptian, Native American, Norse, or Roman traditions; others with modern science-fiction motifs; and still others with witchcraft. Neo-paganism is occultic in nature. A central figure in much of Neo-paganism is the Mother Goddess, who has been introduced and worshiped among certain feminists even in some mainline Protestant churches. Why this series? This is an age when countless groups and movements, old and new, mark the religious landscape in our culture, leaving many people confused or uncertain in their search for spiritual truth and meaning. Because few people have the time or opportunity to research these movements fully, these books provide essential information and insights for their spiritual journeys. Each book has five sections: - A concise introduction to the group - An overview of the group's theology -- in its own words - Tips for witnessing effectively to members of the group - A bibliography with sources for further study - A comparison chart that shows the essential differences between biblical Christianity and the group -- The writers of these volumes are well qualified to present clear and reliable information and help us discern religious truth from falsehood. This is an age when countless groups and movements, new and old, mark the religious landscape in our culture. As a result, many people are confused or uncertain in their search for spiritual truth and meaning. Because few people have the time or opportunity to research these movements fully, the Zondervan Guide to Cults and Religious Movements series provides essential information and insights for their spiritual journeys. The second wave of books in this series addresses a broad range of spiritual beliefs, from non-Trinitarian Christian sects to witchcraft and neo-paganism to classic non-Christian religions such as Buddhism and Hinduism. All books but the summary volume, Truth and Error, contain five sections: -A concise introduction to the group being surveyed -An overview of the group s theology --- in its own words -Tips for witnessing effectively to members of the group -A bibliography with sources for further study -A comparison chart that shows the essential differences between biblical Christianity and the group -- Truth and Error, the last book in the series, consists of parallel doctrinal charts compiled from all the other volumes. Three distinctives make this series especially useful to readers: -Information is carefully distilled to bring out truly essential points, rather than requiring readers to sift their way through a sea of secondary details. -Information is presented in a clear, easy-to-follow outline form with menu bar running heads. This format greatly assists the reader in quickly locating topics and details of interest. -Each book meets the needs and skill levels of both nontechnical and technical readers, providing an elementary level of refutation and progressing to a more advanced level using arguments based on the biblical text. The writers of these volumes are well qualified to present clear and reliable information and help readers to discern truth from falsehood."

Nine short essays exploring the K'iche' Maya story of creation, the Popol Vuh. Written during the lockdown in Chicago in the depths of the COVID-19 pandemic, these essays consider the Popol Vuh as a work that was also written during a time of feverish social, political, and epidemiological crisis as Spanish missionaries and colonial military deepened their conquest of indigenous peoples and cultures in Mesoamerica. What separates the Popol Vuh from many other creation texts is the disposition of the gods engaged in creation. Whereas the book of Genesis is declarative in telling the story of the world's creation, the Popol Vuh is interrogative and analytical: the gods, for example, question whether people actually need to be created, given the many perfect animals they have already placed on earth. Emergency uses the historical emergency of the Popol Vuh to frame the ongoing emergencies of colonialism that have surfaced all too clearly in the global health crisis of COVID-19. In doing so, these essays reveal how the authors of the Popol Vuh-while implicated in deep social crisis-nonetheless insisted on transforming emergency into scenes of social, political, and intellectual emergence, translating crisis into creativity and world creation.

Cicero's philosophical works are now exciting renewed interest and more generous appreciation, in part because he provides vital evidence of the views of the (largely lost) Greek philosophers of the Hellenistic age, and partly because of the light he casts on the intellectual life of first-century Rome. Hellenistic philosophy has in recent years atrracted growing interest from academic philosophers in Europe and North America. The Nature of the Gods is a document of central significance in this area, for it presents a detailed account of the theologies of the Epicureans and of the Stoics, together with the critical objections to these doctrines raised by the Academic school. hen these Greek theories of deity are translated into the Roman context, a fascinating clash of ideologies results.

A Place at the Altar illuminates a previously underappreciated dimension of religion in ancient Rome: the role of priestesses in civic cult. Demonstrating that priestesses had a central place in public rituals and institutions, Meghan DiLuzio emphasizes the complex, gender-inclusive nature of Roman priesthood. In ancient Rome, priestly service was a cooperative endeavor, requiring men and women, husbands and wives, and elite Romans and slaves to work together to manage the community's relationship with its gods. Like their male colleagues, priestesses offered sacrifices on behalf of the Roman people, and prayed for the community's well-being. As they carried out their ritual obligations, they were assisted by female cult personnel, many of them slave women. DiLuzio explores the central role of the Vestal Virgins and shows that they occupied just one type of priestly office open to women. Some priestesses, including the flaminica Dialis, the regina sacrorum, and the wives of the curial priests, served as part of priestly couples. Others, such as the priestesses of Ceres and Fortuna Muliebris, were largely autonomous. A Place at the Altar offers a fresh understanding of how the women of ancient Rome played a leading role in public cult.

This is the biography of an archetype, a potential being who exists in all of us and who, since the beginning of human history, has emerged in varying degrees into consciousness in the many diverse cultural forms to which we apply the word goddess in the sense of female deity. It is only in relatively recent times that we have begun to recognize the presence behind these many goddess masks of a being who is Goddess as opposed to God, a force who long preceded her male counterpart as an appropriate metaphor for the Great Mystery of existence.

No one disputes the centrality of cult activity in the lives of individuals and communities in ancient Greece. The significance of where people worshipped their gods has been far less acknowledged. In 1884 Francois de Polignac argued that the placing of cult centres played a major part in establishing the concept of the city-state in archaic Greece. The essays in this collection, headed by that of de Polignac himself in which he re-assesses his position, critically examine the social and political importance of sanctuary placement, not only by re-examining the case of the archaic Greece discussed by de Polignac, but by extending analysis both back to Mycenaean times and onwards to Greece under Roman occupation. These essays reveal something of the complexity of relations between religion and politics in ancient Greece, demonstrating how vital factors such as tradition, gender relations, and cult identity were in creating and maintaining the religious mapping of the Greek countryside.

Get to know the Good God of Ireland through mythology, history, and modern worship. The Dagda is one of the most well-known of the Irish Gods, a king of the Tuatha De Danann and mediator between the Gods and mortals after the Gaels came to Ireland. A popular God among Irish and Celtic pagans, the Dagda is a powerful figure who reaches out to us from myth and memory. For those seeking to honor him today finding information can be difficult or confusing. Pagan Portals - the Dagda offers a place to begin untangling the complex history of this deity.

This is an account of the foundation legend of Rome, how the twins Remus and Romulus were miraculously suckled by a she-wolf, and how Romulus founded Rome and Remus was killed at the moment of the foundation. What does the story mean? Why have a twin, if he has to be killed off? This is the first historical analysis of the origins and development of the myth, and it offers important insights into the nature of pre-imperial Rome and the ways in which myths could be created and elaborated in a nonliterate society.

Scholarship on early China has traditionally focused on a core group of canonical texts. However, understudied sources have the potential to shift perspectives on fundamental aspects of Chinese intellectual, religious, and political history. Yegor Grebnev examines crucial noncanonical texts preserved in the Yi Zhou shu (Neglected Zhou Scriptures) and the Grand Duke traditions, which represent scriptural traditions influential during the Warring States period but sidelined in later history. He develops an innovative framework for the study and interpretation of these texts, focusing on their role in the mediation of royal legitimacy and their formative impact on early Daoism. Grebnev demonstrates the centrality of the Yi Zhou shu in Chinese intellectual history by highlighting its simultaneous connections to canonical traditions and esoteric Daoism. He also shows that the Daoist rituals of textual transmission embedded in the Grand Duke traditions bear an imprint of the courtly environment of the Warring States period, where early Daoists strove for prestige and power, offering legitimacy through texts ascribed to the mythical sage rulers. These rituals appear to have emerged at the same period as the core Daoist philosophical texts and not several centuries later as conventionally believed, which calls for a reassessment of the history of Daoism's interrelated religious and philosophical strands. Offering a far-reaching reconsideration of early Chinese intellectual and religious history, Mediation of Legitimacy in Early China sheds new light on the foundations of the Chinese textual tradition.

It has long been held by most theologians, anthropologists, and other academicians that the world has never known pure Goddess-worship. In particular they deny that it ever existed in the British Isles. In fact, the exact reverse is true. For the vast majority of the islands history, the veneration of a female Supreme Being (Mother-Goddess) was the only religion known. Indeed, until the Early Neolithic Age (4,500 BCE) the concept of a male deity (Father-God) did not even exist in Europe. As award-winning Tennessee author and Southern historian Lochlainn Seabrook readily shows in his important work, The Book of Kelle, proof of Anglo-Celtic Goddess-worship is overwhelming and plentiful. The nations of Britain, Ireland, and Scotland themselves, for example, were all named after goddesses, as were many of their rivers, islands, towns, hills, and mountains. Reinforcing this evidence is the fact that many surrounding countries and regions also take their names from female deities. Among these we have Italy, Holland, Denmark, Crete, Malta, Albania, and Scandinavia, just to name a few. Europe herself is named after a goddess, as is our planet, and even our universe. While Mr. Seabrook touches on these various topics, the final focus of the book is on the Goddess Kelle, who gave her name to her most ardent followers: the Kelts or Celts. Known by poets as the Blessed Lady of Ireland, Kelle s story is a rich and fascinating one; one that Seabrook traces back to early Asia, where she is still worshiped to this day as the Goddess Kali. Lochlainn Seabrook is the winner of the prestigious Jefferson Davis Historical Gold Medal, awarded by the United Daughters of the Confederacy. Known as the American Robert Graves after his celebrated British cousin, Seabrook is a seventh-generation Kentuckian of Appalachian heritage, the sixth great-grandson of the Earl of Oxford, the twenty-first great-grandson of King Edward I, the fortieth great-grandson of British Queen Boudicca, and the author of over thirty popular books. A specialist in thealogy (Goddess-oriented religion), his works include: Britannia Rules: Goddess-Worship in Ancient Anglo-Celtic Society; Christmas Before Christianity: How the Birthday of the Sun Became the Birthday of the Son; The Goddess Dictionary of Words and Phrases; The Quotable Jefferson Davis; The Quotable Robert E. Lee; Everything You Were Taught About the Civil War is Wrong, Ask a Southerner ; Abraham Lincoln: The Southern View; The Unquotable Abraham Lincoln: The President s Quotes They Don t Want You to Know ; A Rebel Born: A Defense of Nathan Bedford Forrest; The McGavocks of Carnton Plantation: A Southern History; Nathan Bedford Forrest: Southern Hero, American Patriot; Carnton Plantation Ghost Stories: True Tales of the Unexplained From Tennessee s Most Haunted Civil War House ; UFOs and Aliens: The Complete Guidebook; and The Blakeneys: An Etymological, Ethnological, and Genealogical Study.

This is a study of Greek mythology in relation to its original contexts. Part one deals with the contexts in which myths were narrated: the home, public festivals, the lesche. Part two, the heart of the book, examines the relation between the realities of Greek life and the fantasies of mythology: the landscape, the family and religion are taken as case-studies. Part three focuses on the function of myth-telling, both as seen by the Greeks themselves and as perceived by later observers. The author sees his role as that of a cultural historian trying to recover the contexts and horizons of expectation which simultaneously make possible and limit meaning. He seeks to demonstrate how the seemingly endless variations of Greek mythology are a product of a particular community, situated in a particular landscape, and with these particular institutions.

What is good luck and what did it mean to the Romans? What connections were there between luck and childbirth, victory in war, or success in business? What did Roman statesmen like Cicero and Caesar think about luck? This volume aims to address these questions by focusing on the Latin goddess Fortuna, one of the better known deities in ancient Italy. The earliest forms of her worship can be traced back to archaic Latium, and though the chronological scope of the discussion presented here covers the archaic age to the late Republic, she was still a widely recognized allegorical figure during the Middle Ages and the Renaissance. The primary reason for Fortuna's longevity is that she was a conceptual deity, symbiotically connected to the concept of chance and good fortune. When communities, individuals, and social groups interacted with the goddess, they were inevitably also interacting with the concept: renegotiating it, enriching it with new meanings, and challenging established associations. All the available literary, epigraphic, and archaeological sources on Fortuna are explored here in depth, including analyses of all the attested sanctuaries of the goddess in Italy, an updated study of inscribed gifts offered to her by a variety of individuals, and discussion of how authors such as Cicero and Caesar wrote about Fortuna, chance, and good luck. This study of the goddess based on conceptual analysis serves to construct a radically new picture of the historical development of this deity in the context of the cultural interactions taking place in ancient Italy, and also suggests a new approach to polytheism based on an exploration of the connection between gods and goddesses and concepts.

An unparalleled exploration of magic in the Greco-Roman world What did magic mean to the people of ancient Greece and Rome? How did Greeks and Romans not only imagine what magic could do, but also use it to try to influence the world around them? In Drawing Down the Moon, Radcliffe Edmonds, one of the foremost experts on magic, religion, and the occult in the ancient world, provides the most comprehensive account of the varieties of phenomena labeled as magic in classical antiquity. Exploring why certain practices, images, and ideas were labeled as "magic" and set apart from "normal" kinds of practices, Edmonds gives insight into the shifting ideas of religion and the divine in the ancient past and later Western tradition. Using fresh approaches to the history of religions and the social contexts in which magic was exercised, Edmonds delves into the archaeological record and classical literary traditions to examine images of witches, ghosts, and demons as well as the fantastic powers of metamorphosis, erotic attraction, and reversals of nature, such as the famous trick of drawing down the moon. From prayer and divination to astrology and alchemy, Edmonds journeys through all manner of ancient magical rituals and paraphernalia-ancient tablets, spell books, bindings and curses, love charms and healing potions, and amulets and talismans. He considers the ways in which the Greco-Roman discourse of magic was formed amid the cultures of the ancient Mediterranean, including Egypt and the Near East. An investigation of the mystical and marvelous, Drawing Down the Moon offers an unparalleled record of the origins, nature, and functions of ancient magic.

The fabled land of Nubia, whose very name means 'gold,' was famous in ancient times for its supplies of precious metal, exotic material, and intricate craftsmanship. Many of the adornments made in Nubia are masterpieces of the jeweler's art-marvels of design and construction rivaling, and often surpassing, adornments made in Egypt and the rest of the ancient Mediterranean world. Although these unique treasures are among the most stunning to have survived from antiquity, they remain little known. Richly illustrated with beautiful photographs of these exquisite items, many of them never before published, Nubian Gold also places the jewelry within the cultural contexts in which it was manufactured and employed. It tells the story not only of the treasures themselves but of the exciting tales of their discovery and the rich background of the exotic and remote civilizations that produced them. The book also explores the innovative techniques used to procure the precious materials used in the jewelry and to craft them into intricate ornaments replete with magical purpose and coded meaning.Featured in the book are not only the intricately crafted pieces themselves but depictions of them in sculpture, relief, and painting as well as references to them in ancient texts, locating them within the full spectrum of Nubian history, from the earliest beginnings of society to the advent of Christianity.

The transformation of human beings to animals, plants, and stones is one of the commonest and most characteristic themes of Greek mythology; whereas many cultures contain some such stories, in none are they so popular as in the Greek myths. Transformations are also some of the most mysterious and fantastic episodes in Greek mythology. Given the intriguing nature of the subject-matter, it is surprising that no study of these stories has ever appeared in English. But this book is unusual in its approach. Studies of Greek myths have usually tended to try to explain them away in terms of some external entity, whether it be some hypothetical ritual, some curious phenomenum of nature or some long-forgotten historical event. The book argues that this attitude ignores what is of most interest about Greek myths - their appeal as stories. The author analyses the various ways in which these stories imagine and explore what it means for a person to change his or her form.

Old Norse mythology is elusive: it is the label used to describe the religious stories of the pre-Christian North, featuring such well-known gods as Odin and Thor, yet most of the narratives have come down to us in manuscripts from the Middle Ages mainly written by Christians. Our view of the stories as they were transmitted in oral form in the pre-Christian era is obscured. To overcome these limitations, this book assembles comparisons from a range of theoretical and analytical perspectives-across media, cultures, and disciplines. Fifteen scholars from a wide range of fields examine the similarities of and differences of the Old Norse mythologies with the myths of other cultures. The differences and similarities within the Old Norse corpus itself are examined to tease out the hidden clues to the original stories.