Eusebius's groundbreaking History of the Church, remains the single most important source for the history of the first three centuries of Christianity and stands among the classics of Western literature. His iconic story of the church's origins, endurance of persecution, and ultimate triumph-with its cast of martyrs, heretics, bishops, and emperors-has profoundly shaped the understanding of Christianity's past and provided a model for all later ecclesiastical histories. This new translation, which includes detailed essays and notes, comes from one of the leading scholars of Eusebius's work and offers rich context for the linguistic, cultural, social, and political background of this seminal text. Accessible for new readers and thought-provoking for specialists, this is the essential text for anyone interested in the history of Christianity.

The Odyssey's larger plot is composed of a number of distinct genres of myth, all of which are extant in various Near Eastern cultures (Mesopotamian, West Semitic, and Egyptian). Unexpectedly, the Near Eastern culture with which the Odyssey has the most parallels is the Old Testament. Consideration of how much of the Odyssey focuses on non-heroic episodes - hosts receiving guests, a king disguised as a beggar, recognition scenes between long-separated family members - reaffirms the Odyssey's parallels with the Bible. In particular the book argues that the Odyssey is in a dialogic relationship with Genesis, which features the same three types of myth that comprise the majority of the Odyssey: theoxeny, romance (Joseph in Egypt), and Argonautic myth (Jacob winning Rachel from Laban). The Odyssey also offers intriguing parallels to the Book of Jonah, and Odysseus' treatment by the suitors offers close parallels to the Gospels' depiction of Christ in Jerusalem.

Moving out from a particular problem about a particular Athenian festival, the late Christiane Sourvinou-Inwood investigates central questions concerning Athenian festivals and the myths that underlay them. She studies the role played at festivals by hereditary religious associations, showing how simple actions of undressing, veiling, bathing, and re-dressing a statue created a symbolic drama of abnormality, reversion to primeval time, and renewal for the Athenians. Sourvinou-Inwood also offers a reading of the ever controversial Parthenon frieze. Her book, brought to completion by Robert Parker, displays all the attention to detail and the concern for methodological rigour that have made her an iconic figure among students of Greek religion.

The renowned classical scholar and archaeologist A. B. Cook (1868-1952) published the final volume of his monumental Zeus: A Study in Ancient Religion in two parts in 1940. The volume covers the theme of Zeus as a weather-god - the god of earthquakes, clouds, wind, dew, rain and meteorites - an idea that became common during the classical period. Part 2 contains three detailed appendixes on floating islands, the iconography of Eros and the idea of hierogamy. It includes a comprehensive index for the volume and addenda for all three volumes, and contains a rich selection of illustrations: maps, diagrams, photographs, and engravings, including many images of ancient pottery, statues, busts, friezes and ancient coins. A treasure-trove of primary texts, both Greek and Latin, epigraph material and archaeological data, this magnificent work remains an indispensable tool for students and scholars of classics, mythology and ancient religion.

The renowned classical scholar and archaeologist A. B. Cook (1868 1952) published the second volume of his monumental Zeus: A Study in Ancient Religion in two parts in 1925. The volume covers the theme of Zeus as god of lightning and thunder, an idea that became common during the classical period. Part II contains detailed appendixes and a comprehensive index for the volume. It offers a wealth of information, including primary sources, on Zeus' relationship with the god Kairos; mountain-cults; folk-tales and myths; and the various personas and manifestations of the god Zeus. It is beautifully illustrated with maps, diagrams, photographs, and engravings, including many images of pottery, statues, busts, friezes and ancient coins. A treasure-trove of primary texts, both Greek and Latin, epigraph material and archaeological data, this magnificent work remains an indispensable tool for students and scholars of classics, mythology and ancient religion.

From the turn of the fifth century to the beginning of the eighteenth, Christian writers were fascinated and troubled by the "Problem of Paganism," which this book identifies and examines for the first time. How could the wisdom and virtue of the great thinkers of antiquity be reconciled with the fact that they were pagans and, many thought, damned? Related questions were raised by encounters with contemporary pagans in northern Europe, Mongolia, and, later, America and China. Pagans and Philosophers explores how writers--philosophers and theologians, but also poets such as Dante, Chaucer, and Langland, and travelers such as Las Casas and Ricci--tackled the Problem of Paganism. Augustine and Boethius set its terms, while Peter Abelard and John of Salisbury were important early advocates of pagan wisdom and virtue. University theologians such as Aquinas, Scotus, Ockham, and Bradwardine, and later thinkers such as Ficino, Valla, More, Bayle, and Leibniz, explored the difficulty in depth. Meanwhile, Albert the Great inspired Boethius of Dacia and others to create a relativist conception of scientific knowledge that allowed Christian teachers to remain faithful Aristotelians. At the same time, early anthropologists such as John of Piano Carpini, John Mandeville, and Montaigne developed other sorts of relativism in response to the issue. A sweeping and original account of an important but neglected chapter in Western intellectual history, Pagans and Philosophers provides a new perspective on nothing less than the entire period between the classical and the modern world.

In Myth, Ritual and the Oral Jack Goody, one of the world's most distinguished anthropologists, returns to the related themes of myth, orality and literacy, subjects that have long been a touchstone in anthropological thinking. Combining classic papers with recent unpublished work, this volume brings together some of the most important essays written on these themes in the past half century, representative of a lifetime of critical engagement and research. In characteristically clear and accessible style, Jack Goody addresses fundamental conceptual schemes underpinning modern anthropology, providing potent critiques of current theoretical trends. Drawing upon his highly influential work on the LoDagaa myth of the Bagre, Goody challenges structuralist and functionalist interpretations of oral 'literature', stressing the issues of variation, imagination and creativity, and the problems of methodology and analysis. These insightful, and at times provocative, essays will stimulate fresh debate and prove invaluable to students and teachers of social anthropology.

Lewis Richard Farnell's five-volume The Cults of the Greek States, first published between 1896 and 1909, disentangles classical Greek mythology and religion, since the latter had often been overlooked by nineteenth-century English scholars. Farnell describes the cults of the most significant Greek gods in order to establish their zones of influence, and outlines the personality, monuments, and ideal types associated with each deity. He also resolutely avoids the question of divine origins and focuses instead on the culture surrounding each cult, a position which initially drew some criticism, but which allowed him more space to analyse the religious practices themselves. Written to facilitate a comparative approach to Greek gods, his work is still regularly cited today for its impressive collection of data about the worship of the most popular deities. Volume 1 covers the Aniconic age, the Iconic age, and the cults of Cronos, Zeus, Hera and Athena.

Lewis Richard Farnell's five-volume The Cults of the Greek States, first published between 1896 and 1909, disentangles classical Greek mythology and religion, since the latter had often been overlooked by nineteenth-century English scholars. Farnell describes the cults of the most significant Greek gods in order to establish their zones of influence, and outlines the personality, monuments, and ideal types associated with each deity. He also resolutely avoids the question of divine origins and focuses instead on the culture surrounding each cult, a position which initially drew some criticism, but which allowed him more space to analyse the religious practices themselves. Written to facilitate a comparative approach to Greek gods, his work is still regularly cited today for its impressive collection of data about the worship of the most popular deities. Volume 2 focuses on the cults of Artemis, Adrasteia, Hekate, Eileithyia, and Aphrodite.

Lewis Richard Farnell's five-volume The Cults of the Greek States, first published between 1896 and 1909, disentangles classical Greek mythology and religion, since the latter had often been overlooked by nineteenth-century English scholars. Farnell describes the cults of the most significant Greek gods in order to establish their zones of influence, and outlines the personality, monuments, and ideal types associated with each deity. He also resolutely avoids the question of divine origins and focuses instead on the culture surrounding each cult, a position which initially drew some criticism, but which allowed him more space to analyse the religious practices themselves. Written to facilitate a comparative approach to Greek gods, his work is still regularly cited today for its impressive collection of data about the worship of the most popular deities. Volume 3 focuses on the cults of Ge, Demeter, Hades, and Rhea.

Lewis Richard Farnell's five-volume The Cults of the Greek States, first published between 1896 and 1909, disentangles classical Greek mythology and religion, since the latter had often been overlooked by nineteenth-century English scholars. Farnell describes the cults of the most significant Greek gods in order to establish their zones of influence, and outlines the personality, monuments, and ideal types associated with each deity. He also resolutely avoids the question of divine origins and focuses instead on the culture surrounding each cult, a position which initially drew some criticism, but which allowed him more space to analyse the religious practices themselves. Written to facilitate a comparative approach to Greek gods, his work is still regularly cited today for its impressive collection of data about the worship of the most popular deities. Volume 4 focuses on the cults of Poseidon and Apollo.

Lewis Richard Farnell's five-volume The Cults of the Greek States, first published between 1896 and 1909, disentangles classical Greek mythology and religion, since the latter had often been overlooked by nineteenth-century English scholars. Farnell describes the cults of the most significant Greek gods in order to establish their zones of influence, and outlines the personality, monuments, and ideal types associated with each deity. He also resolutely avoids the question of divine origins and focuses instead on the culture surrounding each cult, a position which initially drew some criticism, but which allowed him more space to analyse the religious practices themselves. Written to facilitate a comparative approach to Greek gods, his work is still regularly cited today for its impressive collection of data about the worship of the most popular deities. Volume 5 focuses on the cults of Hermes, Dionysos, Hestia, Hephaistos, Ares and several minor figures.

Old Norse mythology is elusive: it is the label used to describe the religious stories of the pre-Christian North, featuring such well-known gods as Odin and Thor, yet most of the narratives have come down to us in manuscripts from the Middle Ages mainly written by Christians. Our view of the stories as they were transmitted in oral form in the pre-Christian era is obscured. To overcome these limitations, this book assembles comparisons from a range of theoretical and analytical perspectives-across media, cultures, and disciplines. Fifteen scholars from a wide range of fields examine the similarities of and differences of the Old Norse mythologies with the myths of other cultures. The differences and similarities within the Old Norse corpus itself are examined to tease out the hidden clues to the original stories.

In this masterclass of mindfulness and spiritual awareness, Fiann O Nuallain brings old Irish proverbs to life for the present generation. Proverbs stand the test of time because, as we explore their meaning, we find they contain timeless wisdom that can help us lead happier, calmer and more meaningful lives. By Time is Everything Revealed contains fifty-two proverbs - one for every week of the year - each carefully chosen to speak directly to the worries and stresses that have become part of modern life. The author unlocks each proverb's meaning and combines it with a mindfulness exercise to offer a new set of tools for mindful living, psychological wellbeing and spiritual awareness.

The Temple of Sethos I at Abydos is one of the best-preserved monuments from the New Kingdom. This work was 1st published in two now long-out-of-print but much sought-after classics: Religious Ritual at Abydos (1973), and A Guide to Religious Ritual at Abydos (1981). This edition incorporates new material: a complete set of translations of the ritual inscriptions with their transliterations; simplified line drawings of the temple scenes; photographs from the archives of the Egypt Exploration Society; and images from A. M. Calverley and M. F. Broome, The Temple of King Sethos I at Abydos, available for the 1st time in a practical and affordable format.

In this beautifully illustrated gift edition, you'll discover more than 240 mythological tales from around the world, featuring gods, heroes, princesses, villains, magicians and monsters, as well as animals with extraordinary powers. Let this collection guide you through stories from every corner of the globe, from ancient Egypt, Greece and Rome through the Vikings to the Slavic East, Japan and China and the Americas. Each culture is rich in folklore and magical tales, and this book offers a fascinating introduction to them all. This is a radical collection of stories, filled with voltage. Whether ninety or nine, there's something in these tales that wants to speak directly to you. From tales of creation and the first humans to apocalyptic battles at the end of time, explore the most thrilling tales in all mythology: thunder god Thor losing his hammer, Theseus callously abandoning Ariadne after defeating the Minotaur, Hindu god Shiva destroying his rival Kama with a blast of flame, Egyptian goddess Isis forcing the sun god to reveal his name ... and much more.

The only work of its kind to survive from classical antiquity, the Library of Apollodorus is a unique guide to Greek mythology, from the origins of the universe to the Trojan War.
Apollodorus' Library has been used as a source book by classicists from the time of its compilation in the 1st-2nd century BC to the present, influencing writers from antiquity to Robert Graves. It provides a complete history of Greek myth, telling the story of each of the great families of heroic mythology, and the various adventures associated with the main heroes and heroines, from Jason and Perseus to Heracles and Helen of Troy. As a primary source for Greek myth, as a reference work, and as an indication of how the Greeks themselves viewed their mythical traditions, the Library is indispensable to anyone who has an interest in classical mythology.
Robin Hard's accessible and fluent translation is supplemented by comprehensive notes, a map and full genealogical tables. The introduction gives a detailed account of the Library's sources and situates it within the fascinating narrative traditions of Greek mythology.
About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.

Divination and Human Nature casts a new perspective on the rich tradition of ancient divination-the reading of divine signs in oracles, omens, and dreams. Popular attitudes during classical antiquity saw these readings as signs from the gods while modern scholars have treated such beliefs as primitive superstitions. In this book, Peter Struck reveals instead that such phenomena provoked an entirely different accounting from the ancient philosophers. These philosophers produced subtle studies into what was an odd but observable fact-that humans could sometimes have uncanny insights-and their work signifies an early chapter in the cognitive history of intuition. Examining the writings of Plato, Aristotle, the Stoics, and the Neoplatonists, Struck demonstrates that they all observed how, setting aside the charlatans and swindlers, some people had premonitions defying the typical bounds of rationality. Given the wide differences among these ancient thinkers, Struck notes that they converged on seeing this surplus insight as an artifact of human nature, projections produced under specific conditions by our physiology. For the philosophers, such unexplained insights invited a speculative search for an alternative and more naturalistic system of cognition. Recovering a lost piece of an ancient tradition, Divination and Human Nature illustrates how philosophers of the classical era interpreted the phenomena of divination as a practice closer to intuition and instinct than magic.

The emergence of the cult of Osiris is, in most cases, dated to the end of the 5th dynasty, the period in which the name of Osiris appears in writing, and it is commonly held that before this period not a trace of the cult can be discerned. This study is intended to investigate whether this emergence was really so sudden, or if there is evidence to suggest this appearance was preceded by a period of development of the theology and mythology of the cult. One of the most important aspects of the mythology of the cult is the rebirth of Osiris. In the theology of the cult this rebirth was projected on mortal men, and led to the postulation that every human being, whether royal or non-royal, had the possibility to attain eternal life after death. What made this cult even more attractive is that this eternal life was not confined to the tomb, as it used to be for non-royalty. The study is concerned with the rebirth possibilities of non-royal persons and aims to determine the chronological development of the rebirth connotations of the various decoration themes that were used in the chapel of Old Kingdom tombs. The decoration themes that are the subject of the determinations are the group of bed-scenes consisting of the bed-making scene and the marital bed-scene, the development in form and length of the bread loaves on the offering table, the different aspects of the scenes in which the "lotus" flower is depicted, and the marsh scenes.

Everybody has heard of Helen of Troy, and knows that she was the most beautiful woman in the world. Most people know that she was married bur ran off with somebody which caused the Trojan War. But who, in fact, was she? Whose daughter was she, and who was she married to? What exactly happened to cause her to act as she did, and how does her story end? The answers to all these questions are here in this Put it in Your Pocket booklet