Singing for the Gods develops a new approach towards an old question in the study of religion - the relationship of myth and ritual. Focusing on ancient Greek religion, Barbara Kowalzig exploits the joint occurrence of myth and ritual in archaic and classical Greek song-culture. She shows how choral performances of myth and ritual, taking place all over the ancient Greek world in the early fifth century BC, help to effect social and political change in their own time. Religious song emerges as integral to a rapidly changing society hovering between local, regional, and panhellenic identities and between aristocratic rule and democracy. Drawing on contemporary debates on myth, ritual, and performance in social anthropology, modern history, and theatre studies, this book establishes Greek religion's dynamic role and gives religious song-culture its deserved place in the study of Greek history.

The essays in this compendium examine Late-Biblical writings dating from the Hellenistic period that relate to religion and society. A focus is placed on threat scenarios and on the drawing of differences to the Hellenistic environment and the question of identity for believers during the pre-Christian centuries.

A Feminist Mythology takes us on a poetic journey through the canonical myths of femininity, testing them from the point of view of our modern condition. A myth is not an object, but rather a process, one that Chiara Bottici practises by exploring different variants of the myth of "womanhood" through first- and third-person prose and poetry. We follow a series of myths that morph into each other, disclosing ways of being woman that question inherited patriarchal orders. In this metamorphic world, story-telling is not just a mix of narrative, philosophical dialogues and metaphysical theorizing: it is a current that traverses all of them by overflowing the boundaries it encounters. In doing so, A Feminist Mythology proposes an alternative writing style that recovers ancient philosophical and literary traditions from the pre-Socratic philosophers and Ovid's Metamorphoses to the philosophical novellas and feminist experimental writings of the last century.

Examining the diverse religious texts and practices of the late Hellenistic and Roman periods, this collection of essays investigates the many meanings and functions of ritual sacrifice in the ancient world. The essays survey sacrificial acts, ancient theories, and literary as well as artistic depictions of sacrifice, showing that any attempt to identify a single underlying significance of sacrifice is futile. Sacrifice cannot be defined merely as a primal expression of violence, despite the frequent equation of sacrifice to religion and sacrifice to violence in many modern scholarly works; nor is it sufficient to argue that all sacrifice can be explained by guilt, by the need to prepare and distribute animal flesh, or by the communal function of both the sacrificial ritual and the meal.
As the authors of these essays demonstrate, sacrifice may be invested with all of these meanings, or none of them. The killing of the animal, for example, may take place offstage rather than in sight, and the practical, day-to-day routine of plant and animal offerings may have been invested with meaning, too. Yet sacrificial acts, or discourses about these acts, did offer an important site of contestation for many ancient writers, even when the religions they were defending no longer participated in sacrifice. Negotiations over the meaning of sacrifice remained central to the competitive machinations of the literate elite, and their sophisticated theological arguments did not so much undermine sacrificial practice as continue to assume its essential validity.
Ancient Mediterranean Sacrifice offers new insight into the connections and differences among the Greek and Roman, Jewish and Christian religions.

Harness the mythic power of the Celtic goddesses, gods, heroes and heroines to aid your spiritual quests and magical goals. This book explains how to use creative ritual and pathworking to align yourself with the energy of these archetypes, whose potent images live deep within your psyche. The book begins with an overview of 49 different types of Celtic Paganism followed today, then gives specific instructions for evoking and invoking the energy of the Celtic patheon to channel it toward magickal and spiritual goals and into esbat, sabbat and life transition rituals. Three detailed pathworking texts will take the reader on an inner journey where they will join forces with the archetypal images of Cuchulain, Queen Maeve and Merlin the Magician to bring their energies directly into the reader's life. The last half of the book clearly details the energies of over 300 Celtic deities and mythic figures to evoke or invoke the appropriate deity to attain a specific goal. The book should help solitary pagans who seek to expand the boundaries of their practice to form working partnerships with the divine.

English translations of key source materials. The ancient sources are to be viewed with utmost respect as the primary means by which an accurate understanding of the past may be gained. By contrasting Roman action and opinion with our own, we may come to better understand ourselves and the culture in which we live. Includes maps, glossary, chronological table, lists of important gods and ancient sources. The Focus Classical Library is dedicated to providing modern students with the best of Classical literature in contemporary translations with notes and introductions to provide access to contemporary thought.

Gnosticism is a countercultural spirituality that forever changed the practice of Christianity. Before it emerged in the second century, passage to the afterlife required obedience to God and king. Gnosticism proposed that human beings were manifestations of the divine, unsettling the hierarchical foundations of the ancient world. Subversive and revolutionary, Gnostics taught that prayer and mediation could bring human beings into an ecstatic spiritual union with a transcendent deity. This mystical strain affected not just Christianity but many other religions, and it characterizes our understanding of the purpose and meaning of religion today. In The Gnostic New Age, April D. DeConick recovers this vibrant underground history to prove that Gnosticism was not suppressed or defeated by the Catholic Church long ago, nor was the movement a fabrication to justify the violent repression of alternative forms of Christianity. Gnosticism alleviated human suffering, soothing feelings of existential brokenness and alienation through the promise of renewal as God. DeConick begins in ancient Egypt and follows with the rise of Gnosticism in the Middle Ages, the advent of theosophy and other occult movements in the nineteenth and early twentieth centuries, and contemporary New Age spiritual philosophies. As these theories find expression in science-fiction and fantasy films, DeConick sees evidence of Gnosticism's next incarnation. Her work emphasizes the universal, countercultural appeal of a movement that embodies much more than a simple challenge to religious authority.

This volume presents four of the most intricate and fascinating mythological poems of the Poetic Edda, with parallel translations and individual introductions and commentaries. 'Havamal', notable for its unforgettable flashes of beauty and despair, explores the nature of human knowledge. 'Hymiskvita' is the boisterous tale of the giant Hymir. 'Grimnismal', the lay of Grimnir, the Visored God, is a dramatic monologue spoken by Otin. The final poem, 'Grottasongr', is the song of two girls kept as slaves by King Froti to work at his magic grindstone. Ursula Dronke provides new and illuminating textual readings of these celebrated works.

'Tempest has a gift for shattering and transcending convention.' New York Times Philoctetes lives in a cave on a desolate island: the wartime hero is now a wounded outcast. Stranded for ten years, he sees a chance of escape when a young soldier appears with tales of Philoctetes' past glories. But with hope comes suspicion - and, as an old enemy emerges, he is faced with an even greater temptation: revenge. Kae Tempest is now widely acknowledged as a revolutionary force in contemporary British poetry, music and drama; they continue to expand the range of their work with a new version of Sophocles' Philoctetes in a bold new translation. Like Brand New Ancients before it, Paradise shows Tempest's gift for lending the old tales an immediate contemporary relevance - and will find this timeless story a wide new audience.

Brittany has long been famous for its Neolithic monuments, which include the largest prehistoric standing stone ever to have been erected in Western Europe, and the spectacular Carnac alignments. How and by whom were they built? This fully illustrated study aims to answer those questions using the results of recent French research on these sites, along with the insights provided by the author's own field studies. The emphasis is on the landscape setting of these monuments, and how that landscape may have influenced or inspired the construction of megalithic tombs and settings of standing stones. The development of the monuments is set within a chronological narrative, from the last hunter-gatherers of the late 6th millennium BC and the arrival of the first farmers, down to the end of the Neolithic period 3000 years later.

Why this is not another book on Celtic astrology. To our knowledge, there is no other book on the topic of ancient Celtic astrology. It is an in-depth research on what was, or must have been, the speculations and teachings of the ancient Druids on the subjects of cosmology, astronomy and astrology. Our present understanding of what was Celtic astrology is based mainly on the speculations of modern authors such as Robert Graves, et alia, and thus suffers many misconceptions. The critical review of eminent scholars such as the Vedantist Dr. David Frawley, the Celticist Joseph Monard, provided a plausible working model for ancient druidical astrology. To my knowledge, no other book has thoroughly expounded this difficult subject.

The Viking Age (c. 750-1050 AD) is conventionally seen as a tumultuous time when hordes of fierce warriors from Scandinavia wreaked havoc across the European continent and when Norse merchants travelled to distant corners of the world in pursuit of slaves, silver, and exotic commodities. Until relatively recently, archaeologists and textual scholars had the tendency to weave a largely male-dominated image of this pivotal period in world history, dismissing or substantially downplaying women's roles in Norse society. Today, however, there is ample evidence to suggest that many of the most spectacular achievements of Viking Age Scandinavians - for instance in craftsmanship, exploration, cross-cultural trade, warfare and other spheres of life - would not have been possible without the active involvement of women. Extant textual sources as well as the perpetually expanding corpus of archaeological evidence thus demonstrate unequivocally that both within the walls of the household and in the wider public arena women's voices were heard, respected and followed. This pioneering and beautifully illustrated monograph provides an in-depth exploration of women's associations with the martial sphere of life in the Viking Age. The multifarious motivations and circumstances that led women to engage in armed conflict or other activities whereby weapons served as potent symbols of prestige and empowerment are illuminated and interpreted through an interdisciplinary approach to medieval literature and archaeological evidence from Scandinavia and the wider Viking world. Additional cross-cultural excursions into the lives and legends of female warriors in other past and present cultural milieus - from the Asiatic steppes to the savannas of Africa and European battlefields - lead to a nuanced understanding of the idea of the armed woman and its embodiments in Norse literature, myth and archaeological reality.

Late Bronze Age tombs in Greece and their attendant mortuary practices have been a topic of scholarly debate for over a century, dominated by the idea of a monolithic culture with the same developmental trajectories throughout the region. This book contributes to that body of scholarship by exploring both the level of variety and of similarity that we see in the practices at each site and thereby highlights the differences between communities that otherwise look very similar. The introduction of wealthy burials in the transition from the Middle Helladic period and the building of elaborate tombs during the Late Bronze Age underscores a long-acknowledged change in cultural importance of burials and their locations for contemporary society. Initially archaeologists were interested in these tombs because of the impressive finds that were discovered in them, but as the body of literature on mortuary rituals has grown more recently these tombs have been utilized as lenses through which we can study the related society in novel ways. By bringing together an international group of scholars working on tombs and cemeteries on mainland Greece, Crete, and in the Dodecanese we are afforded a unique view of the development and diversity of these communities. The papers provide a penetrative analysis of the related issues by discussing tombs connected with sites ranging in size from palaces to towns to villages and in date from the start to the end of the Late Bronze Age. Death in Late Bronze Age Greece contextualizes the mortuary studies in recent debates on diversity at the main palatial and secondary sites and between the economic and political strategies and practices throughout Greece. The papers in the volume illustrate the pervasive connection between the mortuary sphere and society through the creation and expression of cultural narratives, and draw attention to the social tensions played out in the mortuary arena.

Religion is a particularly useful field within which to study Roman self-definition, for the Romans considered themselves to be the most religious of all peoples and ascribed their imperial success to their religiosity. This study builds on the observation that the Romans were remarkably open to outside influences to explore how installing foreign religious elements as part of their own religious system affected their notions of what it meant to be Roman. The inclusion of so many foreign elements posed difficulties for defining a sense of Romanness at the very moment when a territorial definition was becoming obsolete. Using models drawn from anthropology, this book demonstrates that Roman religious activity beginning in the middle Republic (early third century B.C.E.) contributed to redrawing the boundaries of Romanness. The methods by which the Romans absorbed cults and priests and their development of practices in regard to expiations and the celebration of ludi allowed them to recreate a clear sense of identity, one that could include the peoples they had conquered. While this identity faced further challenges during the civil wars of the Late Republic, the book suggests that Roman openness remained a vital part of their religious behavior during this time. Foreign Cults in Rome concludes with a brief look at the reforms of the first emperor Augustus, whose activity can be understood in light of Republican activity, and whose actions laid the foundation for further adaptation under the Empire.

Pindar and the Cult of Heroes combines a study of Greek culture and religion (hero cult) with a literary-critical study of Pindar's epinician poetry. It looks at hero cult generally, but focuses especially on heroization in the 5th century BC. There are individual chapters on the heroization of war dead, of athletes, and on the religious treatment of the living in the 5th century. Hero cult, Bruno Currie argues, could be anticipated, in different ways, in a person's lifetime. Epinician poetry too should be interpreted in the light of this cultural context; fundamentally, this genre explores the patron's religious status. The book features extensive studies of Pindar's Pythians 2, 3, 5, Isthmian 7, and Nemean 7.

In Truly Beyond Wonders Alexia Petsalis-Diomidis investigates texts and material evidence associated with healing pilgrimage in the Roman empire during the second century AD. Her focus is upon one particular pilgrim, the famous orator Aelius Aristides, whose Sacred Tales, his fascinating account of dream visions, gruelling physical treatments, and sacred journeys, has been largely misunderstood and marginalized. Petsalis-Diomidis rehabilitates this text by placing it within the material context of the sanctuary of Asklepios at Pergamon, where the author spent two years in search of healing. The architecture, votive offerings, and ritual rules which governed the behaviour of pilgrims are used to build a picture of the experience of pilgrimage to this sanctuary. Truly Beyond Wonders ranges broadly over discourses of the body and travel and in so doing explores the place of healing pilgrimage and religion in Graeco-Roman society and culture. It is generously illustrated with more than 80 drawings and photographs, and four colour plates.

Giovanni Boccaccio's Genealogy of the Pagan Gods is an ambitious work of humanistic scholarship whose goal is to plunder ancient and medieval literary sources so as to create a massive synthesis of Greek and Roman mythology. The work also contains a famous defense of the value of studying ancient pagan poetry in a Christian world. The complete work in fifteen books contains a meticulously organized genealogical tree identifying approximately 950 Greco-Roman mythological figures. The scope is enormous: 723 chapters include over a thousand citations from two hundred Greek, Roman, medieval, and Trecento authors. Throughout the Genealogy, Boccaccio deploys an array of allegorical, historical, and philological critiques of the ancient myths and their iconography. Much more than a mere compilation of pagan myths, the Genealogy incorporates hundreds of excerpts from and comments on ancient poetry, illustrative of the new spirit of philological and cultural inquiry emerging in the early Renaissance. It is at once the most ambitious work of literary scholarship of the early Renaissance and a demonstration to contemporaries of the moral and cultural value of studying ancient poetry. This is the first volume of a projected three-volume set of Boccaccio's complete Genealogy.

This is the first major study devoted to the early Arabic reception and adaption of the figure of Hermes Trismegistus, the legendary Egyptian sage to whom were ascribed numerous works on astrology, alchemy, talismans, medicine, and philosophy. The ancient Greek Hermetica, with which the tradition begins, are products of Roman Egypt of the second and third century CE. Thereafter, in late antiquity, they found a wide readership, both among pagans and Christians. Their ongoing popularity depended on the notion that Hermes had lived in extremely ancient times, perhaps before the Deluge, and his antiquity endowed him with a pristine intellectual priority and made him attractive as an authority in religious arguments. Early Arabic literature beginning in the eighth century also includes detailed discussions of Hermes Trismegistus, both as a teacher of ancient legend and as the alleged author of works on the apocryphal sciences, especially astrology. Moreover, Hermes is imagined in Arabic as a prophet, lawgiver, and the founder of ancient religion. This book shows how the Arabic Hermes developed out of the earlier Greek and other late antique traditions into something new, which would in turn form the background to the later reception of the Greek Hermetica in the Italian Renaissance. Assembling information in Greek, Arabic, Syriac, and Coptic primary sources, The Arabic Hermes will be of great interest to scholars in many fields, including Classics, Arabic Studies, Iranian Studies, Egyptology, and Medieval Studies.

Written in Iceland a century after the close of the Viking Age, The Prose Edda is the source of most of what we know of Norse mythology. Its tales are peopled by giants, dwarves, and elves, superhuman heroes and indomitable warrior queens. Its gods live with the tragic knowledge of their own impending destruction in the cataclysmic battle of Ragnarok. Its time scale spans the eons from the world's creation to its violent end. This robust new translation captures the magisterial sweep and startling psychological
complexity of the Old Icelandic original.First time in Penguin ClassicsIncludes an introduction; explanatory notes; glossary; appendices on the Norse cosmos, language, and sources, a map; genealogical tables; suggestions for further reading

We often think of classical Greek society as a model of rationality and order. Yet as Walter Burkert demonstrates in these influential essays on the history of Greek religion, there were archaic, savage forces surging beneath the outwardly calm face of classical Greece, whose potentially violent and destructive energies, Burkert argues, were harnessed to constructive ends through the interlinked uses of myth and ritual. For example, in a much-cited essay on the Athenian religious festival of the Arrephoria, Burkert uncovers deep connections between this strange nocturnal ritual, in which two virgin girls carried sacred offerings into a cave and later returned with something given to them there, and tribal puberty initiations by linking the festival with the myth of the daughters of Kekrops. Other chapters explore the origins of tragedy in blood sacrifice; the role of myth in the ritual of the new fire on Lemnos; the ties between violence, the Athenian courts, and the annual purification of the divine image; and how failed political propaganda entered the realm of myth at the time of the Persian Wars.

Caves and the Ancient Greek Mind analyses techniques of searching for ultimate wisdom in ancient Greece. The Greeks perceived mental experiences of exceptional intensity as resulting from divine intervention. They believed that to share in the immortals' knowledge, one had to liberate the soul from the burden of the mortal body by attaining an altered state of consciousness, that is, by merging with a superhuman being or through possession by a deity. These states were often attained by inspired mediums, impresarios of the gods' - prophets, poets, and sages - who descended into caves or underground chambers. Yulia Ustinova juxtaposes ancient testimonies with the results of modern neuropsychological research. This novel approach enables an examination of religious phenomena not only from the outside, but also from the inside: it penetrates the consciousness of people who were engaged in the vision quest, and demonstrates that the darkness of the caves provided conditions vital for their activities.

Death and immortality played a central role in Greek and Roman thought, from Homer and early Greek philosophy to Marcus Aurelius. In this book A. G. Long explains the significance of death and immortality in ancient ethics, particularly Plato's dialogues, Stoicism and Epicureanism; he also shows how philosophical cosmology and theology caused immortality to be re-imagined. Ancient arguments and theories are related both to the original literary and theological contexts and to contemporary debates on the philosophy of death. The book will be of major interest to scholars and students working on Greek and Roman philosophy, and to those wishing to explore ancient precursors of contemporary debates about death and its outcomes.