In Ancient Egypt: State and Society, Alan B. Lloyd attempts to define, analyse, and evaluate the institutional and ideological systems which empowered and sustained one of the most successful civilizations of the ancient world for a period in excess of three and a half millennia. The volume adopts the premise that all societies are the product of a continuous dialogue with their physical context - understood in the broadest sense - and that, in order to achieve a successful symbiosis with this context, they develop an interlocking set of systems, defined by historians, archaeologists, and anthropologists as culture. Culture, therefore, can be described as the sum total of the methods employed by a group of human beings to achieve some measure of control over their environment. Covering the entirety of the civilization, and featuring a large number of up-to-date translations of original Egyptian texts, Ancient Egypt focuses on the main aspects of Egyptian culture which gave the society its particular character, and endeavours to establish what allowed the Egyptians to maintain that character for an extraordinary length of time, despite enduring cultural shock of many different kinds.

This introduction to modern Druidism provides a comprehensive overview of today's Pagan religion and philosophy, whose roots go back to the Celtic tribal societies of ancient Britain and Ireland. The author covers Druidism's mythology, history and important figures and its beliefs and moral system, and describes practices, rituals and ceremonies. A gazetteer of important sacred sites in Europe and America is included, along with information about modern Druid groups and organizations.

Before invasion, Turtle Island-or North America-was home to vibrant cultures that shared long-standing philosophical precepts. The most important and wide-spread of these was the view of reality as a collaborative binary known as the Twinned Cosmos of Blood and Breath. This binary system was built on the belief that neither half of the cosmos can exist without its twin; both halves are, therefore, necessary and good. Western anthropologists typically shorthand the Twinned Cosmos as "Sky and Earth," but this erroneously saddles it with Christian baggage and, worse, imposes a hierarchy that puts sky quite literally above earth. None of this Western ideology legitimately applies to traditional Indigenous American thought, which is about equal cooperation and the continual recreation of reality. Spirits of Blood, Spirits of Breath examines traditional historical concepts of spirituality among North American Indians both at and, to the extent it can be determined, before contact. In doing so, Barbara Mann rescues the authentically indigenous ideas from Western, and especially missionary, interpretations. In addition to early European source material, she uses Indian oral traditions, traced as much as possible to early sources, and Indian records, including pictographs, petroglyphs, bark books, and wampum. Moreover, Mann respects each Native culture as a discrete unit, rather than generalizing them as is often done in Western anthropology. To this end, she collates material in accordance with actual historical, linguistic, and traditional linkages among the groups at hand, with traditions clearly identified by group and, where recorded, by speaker. In this way she provides specialists and non-specialists alike a window into the seemingly lost, and often caricatured world of Indigenous American thought.

From the award-winning poet and playwright behind Barber Shop Chronicles, The Half-God of Rainfall is an epic story and a lyrical exploration of pride, power and female revenge. There is something about Demi. When this boy is angry, rain clouds gather. When he cries, rivers burst their banks and the first time he takes a shot on a basketball court, the deities of the land take note. His mother, Modupe, looks on with a mixture of pride and worry. From close encounters, she knows Gods often act like men: the same fragile egos, the same unpredictable fury and the same sense of entitlement to the bodies of mortals. She will sacrifice everything to protect her son, but she knows the Gods will one day tire of sports fans, their fickle allegiances and misdirected prayers. When that moment comes, it won't matter how special he is. Only the women in Demi's life, the mothers, daughters and Goddesses, will stand between him and a lightning bolt.

At the heart of the mythology of the Anglo-Scandinavian-Germanic North is the evergreen Yggdrasil, the tree of life believed to hold up the skies and unite and separate three worlds: Asgard, high in the tree, where the gods dwelled in their great halls; Middlegard, where human beings lived; and the dark underground world of Hel, home to the monstrous goddess of death. With the advent of Christianity in the North around the year 1000, Yggdrasil was recast as the cross on which Christ sacrificed himself. G. Ronald Murphy offers an insightful examination of the lasting significance of Yggdrasil in northern Europe, showing that the tree's image persisted not simply through its absorption into descriptions of Christ's crucifix, but through recognition by the newly converted Christians of the truth of their new religion in the images and narratives of their older faith.
Rather than dwelling on theological and cultural differences between Christianity and older Anglo-Scandinavian beliefs, Murphy makes an argument internal to the culture, showing how the new dispensation was a realization of the old. He shows how architectural and literary works, including the Jelling stone in Denmark, the stave churches in Norway, The Dream of the Rood, the runes of the futhark, the round churches on Bornholm, the Viking crosses at Middleton in Yorkshire and even the Christmas tree, are all indebted to the cultural interweaving of cross and tree in the North. Tree ofSalvation demonstrates that both Christian and older Northern symbols can be read as a single story of salvation.

In this important new book, the distinguished Egyptologist Jan Assmann provides a masterful overview of a crucial theme in the religious history of the West - that of 'religio duplex', or dual religion. He begins by returning to the theology of the Ancient Egyptians, who set out to present their culture as divided between the popular and the elite. By examining their beliefs, he argues, we can distinguish the two faces of ancient religions more generally: the outer face (that of the official religion) and the inner face (encompassing the mysterious nature of religious experience). Assmann explains that the Early Modern period witnessed the birth of the idea of dual religion with, on the one hand, the religion of reason and, on the other, that of revelation. This concept gained new significance in the Enlightenment when the dual structure of religion was transposed onto the individual. This meant that man now owed his allegiance not only to his native religion, but also to a universal 'religion of mankind'. In fact, argues Assmann, religion can now only hold a place in our globalized world in this way, as a religion that understands itself as one among many and has learned to see itself through the eyes of the other. This bold and wide-ranging book will be essential reading for historians, theologians and anyone interested in the nature of religion and its role in the shaping of the modern world.

Drawing on two years of ethnographic field research among the Navajos, this book explores a controversial Native American ritual and healthcare practice: ceremonial consumption of the psychedelic Peyote cactus in the context of an indigenous postcolonial healing movement called the Native American Church (NAC), which arose in the 19th century in response to the creation of the reservations system and increasing societal ills, including alcoholism. The movement is the locus of cultural conflict with a long history in North America, and stirs very strong and often opposed emotions and moral interpretations. Joseph Calabrese describes the Peyote Ceremony as it is used in family contexts and federally funded clinical programs for Native American patients. He uses an interdisciplinary methodology that he calls clinical ethnography: an approach to research that involves clinically informed and self-reflective immersion in local worlds of suffering, healing, and normality. Calabrese combined immersive fieldwork among NAC members in their communities with a year of clinical work at a Navajo-run treatment program for adolescents with severe substance abuse and associated mental health problems. There he had the unique opportunity to provide conventional therapeutic intervention alongside Native American therapists who were treating the very problems that the NAC often addresses through ritual. Calabrese argues that if people respond better to clinical interventions that are relevant to their society's unique cultural adaptations and ideologies (as seems to be the case with the NAC), then preventing ethnic minorities from accessing traditional ritual forms of healing may actually constitute a human rights violation.

How did ancient Greek men and women deal with the uncertainty and risk of everyday life? What did they fear most, and how did they manage their anxieties? Esther Eidinow sets side-by-side two collections of material usually studied in isolation: binding curse tablets from across the ancient world, and the collection of published private questions from the oracle at Dodona in north-west Greece. Eidinow uses these texts to explore perceptions of risk and uncertainty in ancient society, challenging previous explanations. In these records we hear voices that are rarely, if ever, heard in literary texts and history books. The questions and curses in these tablets comprise fervent, sometimes ferocious appeals to the gods. The stories they tell offer tantalizing glimpses of everyday life, carrying the reader through the teeming ancient city - both its physical setting and its social dynamics. Among these tablets we find prostitutes and publicans, doctors and soldiers, netmakers and silver-workers, actors and seamstresses. Anxious litigants ask the gods to silence their opponents. Men inquire about the paternity of their children. Women beg the gods to help them keep their men. Business rivals try to corner the market. Slaves plead to escape their masters. This material takes us beyond the headlines of ancient history, offering new insights into institutions, activities, and relationships. Above all, individually and together, these texts help us to understand some of the ways in which ancient Greek men and women understood the world. In turn, the beliefs and activities of an ancient culture may shed light on modern attitudes to risk.

This book focuses primarily on the end of the pagan religious tradition and the dismantling of its material form in North Africa (modern Algeria, Tunisia, and Libya) from the 4th to the 6th centuries AD. Leone considers how urban communities changed, why some traditions were lost and some others continued, and whether these carried the same value and meaning upon doing so. Addressing two main issues, mainly from an archaeological perspective, the volume explores the change in religious habits and practices, and the consequent recycling and reuse of pagan monuments and materials, and investigates to what extent these physical processes were driven by religious motivations and contrasts, or were merely stimulated by economic issues.

Stories about dragons, serpents, and their slayers make up a rich and varied tradition within ancient mythology and folklore. In this sourcebook, Daniel Ogden presents a comprehensive and easily accessible collection of dragon myths from Greek, Roman, and early Christian sources. Some of the dragons featured are well known: the Hydra, slain by Heracles; the Dragon of Colchis, the guardian of the golden fleece overcome by Jason and Medea; and the great sea-serpent from which Perseus rescues Andromeda. But the less well known dragons are often equally enthralling, like the Dragon of Thespiae, which Menestratus slays by feeding himself to it in armor covered in fish-hooks, or the lamias of Libya, who entice young men into their striking-range by wiggling their tails, shaped like beautiful women, at them. The texts are arranged in such a way as to allow readers to witness the continuity of and evolution in dragon stories between the Classical and Christian worlds, and to understand the genesis of saintly dragon-slaying stories of the sort now characteristically associated with St George, whose earliest dragon-fight concludes the volume. All texts, a considerable number of which have not previously been available in English, are offered in new translations and accompanied by lucid commentaries that place the source-passages into their mythical, folkloric, literary, and cultural contexts. A sampling of the ancient iconography of dragons and an appendix on dragon slaying myths from the ancient Near East and India, particularly those with a bearing upon the Greco-Roman material, are also included. This volume promises to be the most authoritative sourcebook on this perennially fascinating and influential body of ancient myth.

This edited collection addresses the role of ritual representations and religion in the epic poems of the Flavian period (69-96 CE): Valerius Flaccus' Argonautica, Silius Italicus' Punica, Statius' Thebaid, and the unfinished Achilleid. Drawing on various modern studies on religion and ritual, and the relationship between literature and religion in the Greco-Roman world, it explores how we can interpret the poets' use of the relationship between gods and humans, cults and rituals, religious activities, and the role of the seer / prophet and his identification with poetry.
Divided into three major sections, the volume includes essays on the most important religious activities (prophecy or augury, prayers and hymns) and the relationship between religion and political power under the Flavian emperors. It also addresses specific episodes in Flavian epic which focus on religious activities associated with the dead and the Underworld, such as purification, necromancy, katabasis, suicide, and burial. It finally explores the role of gender in ritual and religion.

Ellen Muehlberger explores the diverse and inventive ideas Christians held about angels in late antiquity. During the fourth and fifth centuries, Christians began experimenting with new modes of piety, adapting longstanding forms of public authority to Christian leadership and advancing novel ways of cultivating body and mind to further the progress of individual Christians. Muehlberger argues that in practicing these new modes of piety, Christians developed new ways of thinking about angels. The book begins with a detailed examination of the two most popular discourses about angels that developed in late antiquity. In the first, developed by Christians cultivating certain kinds of ascetic practices, angels were one type of being among many in a shifting universe, and their primary purpose was to guard and to guide Christians. In the other, articulated by urban Christian leaders in contest with one another, angels were morally stable characters described in the emerging canon of Scripture, available to enable readers to render Scripture coherent with emerging theological positions. Muehlberger goes on to show how these two discourses did not remain isolated in separate spheres of cultivation and contestation, but influenced one another and the wider Christian culture. She offers in-depth analysis of popular biographies written in late antiquity, of the community standards of emerging monastic communities, and of the training programs developed to prepare Christians to participate in ritual, demonstrating that new ideas about angels shaped and directed the formation of the definitive institutions of late antiquity. Angels in Late Ancient Christianity is a meticulous and thorough study of early Christian ideas about angels, but it also offers a different perspective on late ancient Christian history, arguing that angels were central rather than peripheral to the emergence of Christian institutions and Christian culture in late antiquity.

Drakon: Dragon Myth and Serpent Cult in the Greek and Roman Worlds is the first substantial survey to be focally devoted to the 'dragon' or the supernatural serpent, the drakon or draco, in Greek and Roman myth and religion. Almost every major myth cycle of the Greek and Roman worlds featured a dragon-fight at its heart, including the sagas of Heracles, Jason, Perseus, Cadmus, and Odysseus. Asclepius, the single most beloved and influential of the pagan gods from the late Classical period until Late Antiquity, was often manifest as a giant serpent and even in his humanoid aspect carried a serpent on his staff. Detailed and authoritative, but lucidly presented, this volume incorporates analyses of all of antiquity's major dragon-slaying myths, and offers comprehensive accounts of the rich sources, literary and iconographic. Ogden also explores matters of cult and the initially paradoxical association of dragons and serpents with the most benign of deities, not only those of health and healing, like Asclepius and Hygieia, but also those of wealth and good luck, such as Zeus Meilichios and Agathos Daimon. The concluding chapter considers the roles of both pagan dragon-slaying narratives and pagan serpent cults in shaping the beginnings of the tradition of the saintly dragon- and serpent-slaying tales we cherish still, the tradition that culminates in our own stories of Saints George and Patrick.

The only work of its kind to survive from classical antiquity, the Library of Apollodorus is a unique guide to Greek mythology, from the origins of the universe to the Trojan War.
Apollodorus' Library has been used as a source book by classicists from the time of its compilation in the 1st-2nd century BC to the present, influencing writers from antiquity to Robert Graves. It provides a complete history of Greek myth, telling the story of each of the great families of heroic mythology, and the various adventures associated with the main heroes and heroines, from Jason and Perseus to Heracles and Helen of Troy. As a primary source for Greek myth, as a reference work, and as an indication of how the Greeks themselves viewed their mythical traditions, the Library is indispensable to anyone who has an interest in classical mythology.
Robin Hard's accessible and fluent translation is supplemented by comprehensive notes, a map and full genealogical tables. The introduction gives a detailed account of the Library's sources and situates it within the fascinating narrative traditions of Greek mythology.
About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.

In this study of the ritual of animal sacrifice in ancient Greek religion, Judaism, and Christianity in the period between 100 BC and AD 200, Maria-Zoe Petropoulou explores the attitudes of early Christians towards the realities of sacrifice in the Greek East and in the Jerusalem Temple (up to AD 70). Contrary to other studies in this area, she demonstrates that the process by which Christianity finally separated its own cultic code from the strong tradition of animal sacrifice was a slow and difficult one. Petropoulou places special emphasis on the fact that Christians gave completely new meanings to the term sacrifice'. She also explores the question why, if animal sacrifice was of prime importance in the eastern Mediterranean at this time, Christians should ultimately have rejected it.

Singing for the Gods develops a new approach towards an old question in the study of religion - the relationship of myth and ritual. Focusing on ancient Greek religion, Barbara Kowalzig exploits the joint occurrence of myth and ritual in archaic and classical Greek song-culture. She shows how choral performances of myth and ritual, taking place all over the ancient Greek world in the early fifth century BC, help to effect social and political change in their own time. Religious song emerges as integral to a rapidly changing society hovering between local, regional, and panhellenic identities and between aristocratic rule and democracy. Drawing on contemporary debates on myth, ritual, and performance in social anthropology, modern history, and theatre studies, this book establishes Greek religion's dynamic role and gives religious song-culture its deserved place in the study of Greek history.

The essays in this compendium examine Late-Biblical writings dating from the Hellenistic period that relate to religion and society. A focus is placed on threat scenarios and on the drawing of differences to the Hellenistic environment and the question of identity for believers during the pre-Christian centuries.

A Feminist Mythology takes us on a poetic journey through the canonical myths of femininity, testing them from the point of view of our modern condition. A myth is not an object, but rather a process, one that Chiara Bottici practises by exploring different variants of the myth of "womanhood" through first- and third-person prose and poetry. We follow a series of myths that morph into each other, disclosing ways of being woman that question inherited patriarchal orders. In this metamorphic world, story-telling is not just a mix of narrative, philosophical dialogues and metaphysical theorizing: it is a current that traverses all of them by overflowing the boundaries it encounters. In doing so, A Feminist Mythology proposes an alternative writing style that recovers ancient philosophical and literary traditions from the pre-Socratic philosophers and Ovid's Metamorphoses to the philosophical novellas and feminist experimental writings of the last century.

Examining the diverse religious texts and practices of the late Hellenistic and Roman periods, this collection of essays investigates the many meanings and functions of ritual sacrifice in the ancient world. The essays survey sacrificial acts, ancient theories, and literary as well as artistic depictions of sacrifice, showing that any attempt to identify a single underlying significance of sacrifice is futile. Sacrifice cannot be defined merely as a primal expression of violence, despite the frequent equation of sacrifice to religion and sacrifice to violence in many modern scholarly works; nor is it sufficient to argue that all sacrifice can be explained by guilt, by the need to prepare and distribute animal flesh, or by the communal function of both the sacrificial ritual and the meal.
As the authors of these essays demonstrate, sacrifice may be invested with all of these meanings, or none of them. The killing of the animal, for example, may take place offstage rather than in sight, and the practical, day-to-day routine of plant and animal offerings may have been invested with meaning, too. Yet sacrificial acts, or discourses about these acts, did offer an important site of contestation for many ancient writers, even when the religions they were defending no longer participated in sacrifice. Negotiations over the meaning of sacrifice remained central to the competitive machinations of the literate elite, and their sophisticated theological arguments did not so much undermine sacrificial practice as continue to assume its essential validity.
Ancient Mediterranean Sacrifice offers new insight into the connections and differences among the Greek and Roman, Jewish and Christian religions.

Harness the mythic power of the Celtic goddesses, gods, heroes and heroines to aid your spiritual quests and magical goals. This book explains how to use creative ritual and pathworking to align yourself with the energy of these archetypes, whose potent images live deep within your psyche. The book begins with an overview of 49 different types of Celtic Paganism followed today, then gives specific instructions for evoking and invoking the energy of the Celtic patheon to channel it toward magickal and spiritual goals and into esbat, sabbat and life transition rituals. Three detailed pathworking texts will take the reader on an inner journey where they will join forces with the archetypal images of Cuchulain, Queen Maeve and Merlin the Magician to bring their energies directly into the reader's life. The last half of the book clearly details the energies of over 300 Celtic deities and mythic figures to evoke or invoke the appropriate deity to attain a specific goal. The book should help solitary pagans who seek to expand the boundaries of their practice to form working partnerships with the divine.

English translations of key source materials. The ancient sources are to be viewed with utmost respect as the primary means by which an accurate understanding of the past may be gained. By contrasting Roman action and opinion with our own, we may come to better understand ourselves and the culture in which we live. Includes maps, glossary, chronological table, lists of important gods and ancient sources. The Focus Classical Library is dedicated to providing modern students with the best of Classical literature in contemporary translations with notes and introductions to provide access to contemporary thought.

This volume presents four of the most intricate and fascinating mythological poems of the Poetic Edda, with parallel translations and individual introductions and commentaries. 'Havamal', notable for its unforgettable flashes of beauty and despair, explores the nature of human knowledge. 'Hymiskvita' is the boisterous tale of the giant Hymir. 'Grimnismal', the lay of Grimnir, the Visored God, is a dramatic monologue spoken by Otin. The final poem, 'Grottasongr', is the song of two girls kept as slaves by King Froti to work at his magic grindstone. Ursula Dronke provides new and illuminating textual readings of these celebrated works.

'Tempest has a gift for shattering and transcending convention.' New York Times Philoctetes lives in a cave on a desolate island: the wartime hero is now a wounded outcast. Stranded for ten years, he sees a chance of escape when a young soldier appears with tales of Philoctetes' past glories. But with hope comes suspicion - and, as an old enemy emerges, he is faced with an even greater temptation: revenge. Kae Tempest is now widely acknowledged as a revolutionary force in contemporary British poetry, music and drama; they continue to expand the range of their work with a new version of Sophocles' Philoctetes in a bold new translation. Like Brand New Ancients before it, Paradise shows Tempest's gift for lending the old tales an immediate contemporary relevance - and will find this timeless story a wide new audience.