Despite the rousing stories of male heroism in battles, the Trojan War transcended the activities of its human participants. For Homer, it was the gods who conducted and accounted for what happened. In the first part of this book, the authors find in Homer's "Iliad" material for exploring the everyday life of the Greek gods: what their bodies were made of and how they were nourished, the organization of their society, and the sort of life they led both in Olympus and in the human world. The gods are divided in their human nature: at once a fantasized model of infinite joys and an edifying example of engagement in the world, they have loves, festivities, and quarrels.
In the second part, the authors show how citizens carried on everyday relations with the gods and those who would become the Olympians, inviting them to reside with humans organized in cities. At the heart of rituals and of social life, the gods were omnipresent: in sacrifices, at meals, in political assemblies, in war, in sexuality. In brief, the authors show how the gods were indispensable to the everyday social organization of Greek cities.
To set on stage a number of gods implicated in the world of human beings, the authors give precedence to the feminine over the masculine, choosing to show how such great powers as Hera and Athena wielded their sovereignty over cities, reigning over not only the activities of women but also the moulding of future citizens. Equally important, the authors turn to Dionysus and follow the evolution of one of his forms, that of the phallus paraded in processions. Under this god, so attentive to all things feminine, the authors explore the typically civic ways of thinking about the relations between natural fecundity and the sexuality of daily life.

The texts and visual arts of ancient Egypt reveal a persistent and sophisticated engagement with problems of language, the body, and multiplicity. This innovative book shows how these issues were represented in ancient Egypt and how Egyptian approaches to them continue to influence the way we think about them today.
The story of Osiris is one of the central cultural myths of ancient Egypt, a story of dismemberment and religious passion that also exemplifies attitudes about personal identity, sexuality, and the transfer of royal power. It is, moreover, a story of death and the overcoming of death, and in this it lies at the center of our own means of engagement with ancient Egypt.
This book focuses on the story of Osiris as it is recorded in Egyptian texts and memorialized on the walls of temples and tombs. Since such a focus is attainable only through Egyptian representational systems, especially hieroglyphs, the book also engages broader questions of writing and visual representation: decipherment, controversies about the "ideograph," and the relation between visual images and writing.
This analysis of Egyptian representation leads to a consideration of the phallic body and the problem of multiplicity in Egyptian religion, two nets of Egyptian discourse that, though integrated into the writing system itself, reach toward broader Egyptian discourses of gender, subjectivity, piety, and cosmogenesis. The concluding chapter considers, in specific terms, the question of a persisting Egyptian legacy in the West, from the Greeks and Israelites to Augustine, Hegel, and Lacan.

Jill Dudley relates the various myths regarding the founding of the Olympic Games. She takes the reader around the main buildings on the site where the athletes took their vows, and the victors were crowned before the cult statue of the supreme god Zeus in his temple; this statue was one of the seven wonders of the world. It is as it says on the back cover of the booklet: All you need to know about the sacred site, its myths, legends and its gods.

Discover the celestial myths and cosmic rituals of ancient priests and kings . . .

Drawing on intimate knowledge of the more than 1,300 ancient sites he has visited, E. C. Krupp, acclaimed writer and preeminent researcher, takes you to the world's essential sacred places and celestial shrines. Join him on a rich narrative journey to see where the rulers of old communed with the gods of the sky.

"Highly recommended to everyone interested in the culture of astronomy and those peoples who practiced it in their own ways."—Sky & Telescope

"A lively account of the ways in which our ancestors conceived of and used the heavens."—New Scientist

"There can be no doubt that this imaginative and readable work by a widely read and widely traveled author will strike a chord in the minds of a great many modern readers."—Isis

"The fact that the book is written by an expert in his field comes through on every page, as does his enthusiasm for the subject."—Astronomy Now

"Krupp's indispensable volume is fascinating, well-illustrated, and covers much territory."—Parabola

The sabbatical year law in Lv 25,1 7 stipulates the rest of the land and includes foreigners in the list of the beneficiaries, differently from the fallow year law in Ex 23,10 11 and from the debt-release law in Dt 15,1 11. These characteristic features originate from the universalism of creation theology of the Holiness Code: the sabbatical year law in Leviticus aims to practice the God s creation order in Gn 1 2,4a in human history. Moreover, this law functions as a criterion of the interpretation of the history of Israel."

A Companion to Greek Mythology presents a series of essays that explore the phenomenon of Greek myth from its origins in shared Indo-European story patterns and the Greeks contacts with their Eastern Mediterranean neighbours through its development as a shared language and thought-system for the Greco-Roman world. * Features essays from a prestigious international team of literary experts * Includes coverage of Greek myth s intersection with history, philosophy and religion * Introduces readers to topics in mythology that are often inaccessible to non-specialists * Addresses the Hellenistic and Roman periods as well as Archaic and Classical Greece

Bei der sogenannten "Mithrasliturgie" handelt es sich um einen der wichtigsten Texte fur das Studium nichtchristlicher spatantiker Religiositat. Hans Dieter Betz, einer der fuhrenden Experten fur die spatantike Religionsgeschichte, arbeitet an einer kritischen Edition und Kommentierung des Textes, die demnachst erscheinen wird. In der 2000 in Berlin und Jena gehaltenen sechsten "Hans-Lietzmann-Vorlesung" erlautert er am Beispiel der "Mithrasliturgie" eine pagane Daseinshaltung und Religiositat der Spatantike und vergleicht sie mit christlichen Entwurfen. Dabei ergeben sich auch uuml;berraschende Parallelen zu gegenwartigen Diskursen.

'Reading this book is like sitting in the pub listening to a good friend tell you stories. It does what only the best retellings can and makes you see the myth anew' Daisy Johnson That was the start of it. A terrible business altogether. Oh, it was all kept off the news, for the sake of the talks and the ceasefire. But them that were around that part of the country remember every bit. Wait now till you hear the rest. Northern Ireland, 1996. After twenty-five years of conflict, the IRA and the British have agreed an uneasy ceasefire, as a first step towards lasting peace. But if decades of savage violence are leading only to smiles and handshakes, those on the ground in the border country will start to question what exactly they have been fighting for. When an IRA man's wife turns informer, he and his brother gather their old comrades for an assault on the local army base. But the squad's feared sniper suddenly refuses to fight, and the SAS are sent in to crush this rogue terror cell before it can wreck the fragile truce, and drag the whole region back to the darkest days of the Troubles. Inspired by the oldest war story of them all, this powerful new Irish novel explores the brutal glory of armed conflict, and the bitter tragedy of those on both sides who offer their lives to defend the honour of their country.

In the beginning, everything was fine.* And then along came Zeus. *more or less Ahh Greek myths. Those glorious tales of heroism, honour and... petty squabbles, soap-opera drama and more weird sex than Fifty Shades of Grey could shake a stick at! It's about time we stopped respecting myths and started laughing at them. Did you know Aphrodite, goddess of love and beauty, was born of some discarded genitals? Or that Hera threw her own son off a mountain because he was ugly? Or that Apollo once kidnapped a boat full of people while pretending to be a dolphin? And let's not even get started on Zeus - king of the gods, ruler of the skies and a man who's never heard of self-control. In fact, if there's one thing most Greek myths have in common, it's that all the drama could have been avoided if SOMEONE could keep it in their toga... Horrible Histories writer Susie Donkin takes us on a hilarious romp through mythology and the many times the gods (literally) screwed everything up! Stephen Fry's Mythos by way of Drunk History, Zeus is a Dick is perfect for those who like their myths with a heavy dollop of satire. 'Who knew mythology was so bonkers? I am grateful - it had me laughing from the first page to the last.' - Miranda Hart 'It's about time someone called him out on all this' - Hera, goddess of marriage, wife of Zeus 'Worst. Father. Ever.' - Artemis, goddess of the hunt, daughter of Zeus 'Oh yeah, focus on him. I never did anything wrong. Nothing to see here' - Poseidon, god of the seas, brother of Zeus 'Just a real dick, honestly' - Many, many people

This is a collection of essays by leading American and European scholars. Its purpose is to remedy the tendency among scholars working in Greek Religion to ignore the evidence for what have traditionally been called "magical" practices in ancient Greece. Because this neglect seems to arrive from adherence to a preconceived notion about a clear dichotomy between magical and religious ritual, the editors focus on the relationship between these two areas.

Andrew N. Palmer's vivid translation of the Syriac Life of Barsauma opens a fascinating window onto the ancient Middle East, seen through the life and actions of one of its most dramatic and ambiguous characters: the monk Barsauma, ascetic hero to some, religious terrorist to others. The Life takes us into the eye of the storm that raged around Christian attempts to define the nature of Christ in the great Council of Chalcedon, the effect of which was to split the growing Church irrevocably, with the Oriental Orthodox on one side and Greek Orthodox and Roman Catholic on the other. Previously known only in extracts, this ancient text is now finally brought to readers in its entirety, casting dramatic new light on the relations among pagans, Jews, and Christians in the Holy Land and on the role of religious violence, real or imagined, in the mental world of a Middle East as shot through with conflict as it is today.

This volume presents a case for how and why people in archaic and classical Greece worshipped Underworld gods. These gods are often portrayed as malevolent and transgressive, giving an impression that ancient worshippers derived little or no benefit from developing ongoing relationships with them. In this book, the first book-length study that focuses on Underworld gods as an integral part of the religious landscape of the period, Mackin Roberts challenges this view and shows that Underworld gods are, in many cases, approached and 'befriended' in the same way as any other kind of god. Underworld Gods in Ancient Greek Religion provides a fascinating insight into the worship of these deities, and will be of interest to anyone working on ancient Greek religion and cult.

A comprehensive treatment of the significant symbols and institutions of Roman religion, this companion places the various religious symbols, discourses, and practices, including Judaism and Christianity, into a larger framework to reveal the sprawling landscape of the Roman religion. * An innovative introduction to Roman religion * Approaches the field with a focus on the human-figures instead of the gods * Analyzes religious changes from the eighth century BC to the fourth century AD * Offers the first history of religious motifs on coins and household/everyday utensils * Presents Roman religion within its cultural, social, and historical contexts

In Classical Greece women were almost entirely excluded from public life. Yet the feminine was accorded a central place in religious thought and ritual. This volume explores the often paradoxical centrality of the feminine in Greek culture, showing how out of sight was not out of mind. The contributors adopt perspectives from a wide range of disciplines, such as archaeology, art history, psychology and anthropology, in order to investigate various aspects of religion and cult. They include the part played by women in death ritual, the role of the heroines, and the fact that goddesses had no childhood, at the same time posing questions about how we know what rituals meant to their participants.
The Sacred and the Feminine in Ancient Greece is a lively and colourful exploration of the ways in which religion and ritual reveal women's importance in the Greek polis, showing how ideologies about female roles and behaviour were both endorsed and challenged in the realm of the sacred.

Few books on love can claim to make significant contributions to our understanding both of ancient views on eros and its place in the Christian tradition. On the basis of a new and sympathetic reading of Plato, Catherine Osborne shows that the long-standing distrust of eros, rather than agape, as a model for the believer's relation to God in Christian thought derives from a misunderstanding of ancient thought on love. Focusing on a number of classic texts, including Plato's Symposium and Lysis, Aristotle's Ethics and Metaphysics, and famous passages in Gregory of Nyssa, Origen, Dionysius the Areopagite, Plotinus, Augustine, and Thomas Aquinas, she shows that love is not motivated by a need that seeks fulfilment. On the contrary, Dr Osborne argues, to seek a motive for love, whether in Plato's account or our own, is to pursue a philosophical confusion. To mention love is to mention the motive that explains our response of affection or devotion or desire; the response cannot be the motive for our love, but is an attitude that belongs in a vision of the beloved transfigured by love. It is for this reason that we have to restore the image of Cupid, whose mischievous darts picture the impossiblity of seeking some further grounds or explanation for love.

Der Band enthAlt teilweise grundlegend A1/4berarbeitete und aktualisierte AufsAtze von Otto Kaiser, dem Herausgeber der Beihefte zur Zeitschrift fA1/4r die alttestamentliche Wissenschaft, aus den Jahren 1992-2002.

This work brings together eleven of Richard Buxton's studies of Greek mythology and Greek tragedy, focusing especially on the interrelationship between the two, and their importance to the Greeks themselves. Situating and contextualizing topics and themes, such as mountains, (were)wolves, mythological names, movement/stillness, blindness, and feminization, within the world of ancient Greece - its landscapes, social and moral priorities, and mental structures - he traces the intricate variations and retellings which they underwent in Greek antiquity. Although each chapter has appeared in print in some form before, each has been thoroughly revised for the present book, taking into account recent research. The introduction sets out the principles and objectives which underlie Buxton's approach to Greek myths, and how he sees his own method in relation to those of his predecessors and contemporaries.

This innovative study posits that myths in general, and Greek theogonic myth in particular, have a latent meaning that is responsible both for the emotional energy inherent in myths, and for the special attraction they have even to those who no longer believe in their literal meaning. Caldwell describes, in clear and comprehensible language, aspects of psychoanalytic theory relevant to the understanding of Greek myth, implementing a psychoanalytic methodology to interpret the Greek myth of origin and succession, particularly as stated in Hesiod's Theogony. In reassessing this work, which tells the story of the world's beginning from unbounded Chaos to the defeat of the Titans, Caldwell addresses several unexplained problems-- why does the world begin with the spontaneous emergence of four uncaused entities, and why in this particular order? Why does Ouranos prevent his children from being born by confining them in their mother's body? Why is Ouranos castrated by his son, and why is Aphrodite born from the severed genitals? Why is it always the youngest son who overthrows his father, the sky-god, and what is the logic of the steps taken by Zeus to prevent the same thing happening to him? Presenting a new definition and analyses of the psychological functions in myth, this new study should appeal to a wide range of classicists, teachers and students of mythology, and those interested in the application of psychoanalytic methods to literature.

English translations of key source materials. The ancient sources are to be viewed with utmost respect as the primary means by which an accurate understanding of the past may be gained. By contrasting Roman action and opinion with our own, we may come to better understand ourselves and the culture in which we live. Includes maps, glossary, chronological table, lists of important gods and ancient sources. The Focus Classical Library is dedicated to providing modern students with the best of Classical literature in contemporary translations with notes and introductions to provide access to contemporary thought.

Hero and Leander are the protagonists in a classical tale of epic but tragic love. Hero lives secluded in a tower on the European shore of the Hellespont, and Leander on the opposite side of the passage. Since they cannot hope to marry, the couple resolves to meet in secret: each night he swims across to her, guided by the light of her torch. But the time comes when a winter storm kills both the light and Leander. At dawn, Hero sees her lover's mangled body washed ashore, and so hurls herself from the tower to meet him in death. Silvia Montiglio here shows how and why this affecting story has proved to be one of the most popular and perennial mythologies in the history of the West. Discussing its singular drama, danger, pathos and eroticism, the author explores the origin of the legend and its rich and varied afterlives. She shows how it was used by Greek and Latin writers; how it developed in the Middle Ages - notably in the writings of Christine de Pizan - and Renaissance; how it inspired Byron to swim the Dardanelles; and how it has lived on in representations by artists including Rubens and Frederic Leighton.

Bringing together the study of the Greek classics and Indology, Arjuna-Odysseus provides a comparative analysis of the shared heritage of the Mahabharata and early Greek traditions presented in the texts of Homer and Hesiod. Building on the ethnographic theories of Durkheim, Mauss, and Dumont, the volume explores the convergences and rapprochements between the Mahabharata and the Greek texts. In exploring the networks of similarities between the two epic traditions, it also reformulates the theory of Georges Dumezil regarding Indo-European cultural comparativism. It includes a detailed comparison between journeys undertaken by the two epic heroes - Odysseus and Arjuna - and more generally, it ranges across the philosophical ideas of these cultures, and the epic traditions, metaphors, and archetypes that define the cultural ideology of ancient Greece and India. This book will be useful to scholars and researchers of Indo-European comparativism, social and cultural anthropology, classical literature, Indology, cultural and post-colonial studies, philosophy and religion, as well as to those who love the Indian and Greek epics.