The Strangeness of Gods combines studies of changes in modern interpretations of Greek religion with studies of changes in Athenian ritual. The combination is necessary in order to combat influential stereotypes: that Greek religion consisted of ritual without theological speculation, that ritual is inherently conservative. To re-examine the evidence for Greek rituals and their interpretation is also to re-examine our own preconceptions and prejudices. The argument presented by S. C. Humphreys tries to bring Greek texts closer to the "classic" texts of other civilizations, and religion, as a form of speculative thought, closer to science. Her studies of Athenian rituals put this emphasis on changing interpretations into practice, showing that the Athenians thought about their rites as well as celebrating them.

They may be coated in layers of myth and pious anecdote but dig deep enough and the pioneering leaders of Celtic Christianity are revealed as reassuringly human individuals, responding to their faith by deliberately living on the edges of society. From the goddess-nun Brigid and absent-minded Cainnech to severe ascetics such as Columbanus and Baldred, together they demonstrate a close connection with the natural world, an astonishing self-discipline and, above all, a rigorous commitment to what it meant to be 'pilgrims for Christ'. Establishing a network of influential monastic communities, they travelled from the territories of the Atlantic seaboard - Ireland, Wales and Cornwall - across Scotland, the north of England and deep into continental Europe, transforming the religious experience of all they encountered.

Ari, Merlin and her Rainbow knights must pull off a heist thousands of years in the past – to save humanity’s future.

The battle against the tyrannical Mercer corporation may have been won, but the war has only just begun. Now Ari and her cursed wizard Merlin must travel back in time to the unenlightened Middle Ages and steal King Arthur’s Grail – the very definition of impossible.

But the time travellers have to tread carefully. If they come face-to-face with the original Arthurian legend, it could produce a ripple effect that changes the course of history. It’s a risky game where the past can be even more dangerous than the future.

How did the world begin? How were the first people created and which specific roles were they supposed to play in the cosmos? Like other mythologies worldwide, China's creation and origin myths explain how man created order out of chaos and imposed culture on nature. Cross-cultural approaches to myth make us aware of the limitations of our own familiar classifications. This book makes a provocative case for the comparative study of the hidden treasures of China's oral and written myth traditions in different languages and cultures, a legacy generously left behind by singers, storytellers, poets, and writers. This book opens new doors to the study of Chinese mythologies, a surprising and so far almost unknown world outside China.

In this definitive assessment of the various representations and approaches to Athena, Susan Deacy does what no other has done before and brings all the aspects of this legendary figure into one, outstanding study.

A survey of one of the most enduringly popular of ancient deities, the book introduces Athena's myth, cult and reception, while directing the reader to detailed discussion as and when it is appropriate.

Students will find it a great help in their studies, and for the general reader with an interest in the ancient world and for those from related disciplines such as literature, art history and religion, it provides a mine of information and insight into this fascinating classical figure.

Black Prometheus addresses the specific conditions under and the pointed implications with which an ancient story about different orders of gods dueling over the fate of humanity became such a prominent fixture of Atlantic modernity. The Prometheus myth, for several reasons-its fortuitous geographical associations with both Africa and the Caucasus; its resonant iconography of bodily suffering; and its longue duree function as a limit case for a Platonic-cum-Christian political theology of the Absolute, became a crucial site for conceptualizing human liberation in the immanent space of a finite globe structured by white domination and black slavery. The titan's defiant theft of fire from the regnant gods was translated through a high-stakes racial coding either as an "African" revolt against the cosmic status quo that augured a pure autonomy, a black revolutionary immanence against which idealist philosophers like Hegel defined their projects and slaveholders defended their lives and positions. Or as a "Caucasian" reflection of the divine power evidently working in favor of Euro-Christian civilization that transmuted the naked egoism of conquest into a righteous heteronomy-Euro-Christian civilization's mobilization by the Absolute or its internalization of a transcendent principle of universal Reason. The Prometheus myth was available and attractive to its eighteenth- and nineteenth-century revivalists and reinventors-from canonical figures like Voltaire, Percy Shelley, Frederick Douglass, and Karl Marx to anonymous contributors of ephemera to abolitionist periodicals-not so much as a handy emblem of an abstract humanism but as the potential linchpin of a racialist philosophy of history.

You are in your bed. It is dark, you hear footsteps coming up the stairs and into your room. There is someone there - a presence. They lie on you or beside you, gripping you tightly, crushing you into the bed. You can't move. There may be a sound, a grunt or a strange smell. Time passes, you are paralysed with fear. Eventually the entity changes, expanding or contracting, moving away from you, sinking to the floor. With a great effort of will you manage to move the tip of your finger, then the hand until movement returns to your whole body and the experience ends. You have been visited by the old 'hag'. Dreams, the real theatre or perhaps battlefield of magick, influenced by cosmic tides that ebb and flow through us as they did the ancient Egyptians. Over the millennia we have lost contact with these tides, and stand alienated from Nature. To restore that first 'Eden' we must undertake an exercise in the archaeology of knowledge. We must reconstruct the ancient Egyptian Wheel of the Year, revealing archaic, pre-dynastic Mysteries, the Lunar Mysteries of Horus and Seth.

During the building of the Aswan High Dam between 1960 and 1970, the Nubian Rescue Campaign, operating under the auspices of UNESCO, was an international effort to rescue those of the Nubian monuments which would be submerged once the dam was completed. The most famous monument to be thus rescued and reconstructed is the Great Temple of Ramesses II at Abu Simbel, but altogther four areas in Nubia around Lake Nasser now contain ancient monuments that were reconstructed and moved from their original positions: Abu Simbel, New Amada, New Wadi al-Sebua, and New Kalabsha. These impressive sites are becoming increasingly popular with international visitors. Dr. Jocelyn Gohary opens this compact and attractive guide, the first of its kind, with an introduction to the history and culture of Nubia during the pharaonic period. She then describes each monument in detail, providing a simple plan for each and highlighting its history, religion, and art. Also included are brief descriptions of the four temples that were transported and re-erected abroad -- the most notable being the Temple of Dendur in the Metropolitan Museum in New York.

This book provides a wide-ranging collection of original source material that covers the history of medieval religion from the fall of the Roman Empire to the Renaissance.

Easy to read and accessible to students, with introductions to each section explaining the main themes and issues raised, it provides coverage of the key elements of the history of the Western Church in the period, including:

• the Papacy
• saints
• monastic orders
• popular piety and devotion
• sections on the Eastern Church, Judaism, Islam and Mysticism.

The texts selected are arranged clearly in chronological order and each one is introduced by a brief editorial note to provide context. Medieval Religion also includes a comprehensive further reading section.

The definitive reference work on this topic. (The author takes) the Celtic world to include both the European continent and the more recent settlements in the British Isles. The entries, admirably broad in scope, conceive religion and culture as including not only the usual gods and myths but shamanic practices and totems. Maier also provides entries for important scholars of Celtic culture.'/ CHOICE

A history of holy wells from the pagan cult of water to the Christian wells of the middle ages, and including a full gazetteer. The holy well is the absolute combination of mystery and utility. There are hundreds of them still to be found, some easily, others with good maps. This useful book lists them all, and in so doing takes us into the realm of a still little-known spiritual area... It also leads us through many exceedingly interesting though remote areas of Celtic and English Christian history. RONALD BLYTHE [TABLET] Holy wells are an ancient and mysterious part of the landscape, yet have been the subject of little serious study. James Rattue has been fascinated by them for many years, and has now written the first general history of wells and their religious and cultural associations. He begins the story in the ancient world, exploring the archetypal motifs present in the cult of water, then traces the distinctive development of the holy well in England, examining pagan wells and their Christianisation, the role played byecclesiastical history and institutions, the importance of saints' cults, and the social functions of wells in the middle ages.

This volume explores all facets of Druidic life and religious practice: their beginnings in the first centuries B.C. in Gaul and Britain, their priests and religious rites, their temples and probable origins. Useful illustrations and an appendix of original Greek and Latin texts relating to the Druids are included.

This is the first major synthesis of Greek religion to appear for a generation. A clearly structured and readable survey for classical scholars and students, it will also be generally welcomed as the best modern account of any polytheistic religious system. The text builds up an impressive and coherent picture of the current state of knowledge about the religion of the ancient Greeks.

Late antiquity was a perilous time for children, who were often the first victims of economic crisis, war, and disease. They had a one in three chance of dying before their first birthday, with as many as half dying before age ten. Christian writers accordingly sought to speak to the experience of bereavement and to provide cultural scripts for parents who had lost a child. These late ancient writers turned to characters like Eve and Sarah, Job and Jephthah as models for grieving and for confronting or submitting to the divine. Jephthah's Daughter, Sarah's Son traces the stories these writers crafted and the ways in which they shaped the lived experience of familial bereavement in ancient Christianity. A compelling social history that conveys the emotional lives of people in the late ancient world, Jephthah's Daughter, Sarah's Son is a powerful portrait of mourning that extends beyond antiquity to the present day.

The late Platonist philosopher Damascius both resumed and rejuvenated the long Greek thinking about time. In distinguishing between different takes on time, by Plato, Aristotle and his Neoplatonist predecessors, Damascius offered novel perspectives on time, which can be seen as anticipating modern and contemporary theories, such as the distinction between the A and B series of McTaggart's analysis and presentism. The greatest merit of his philosophy of time, however, is his deep reflection on what it is for a living being to have its being in becoming3/4 as it happens with us human beings3/4 and how this relates to stillness, temporality and temporalization. Time is interpreted by Damascius not merely as a concomitant of the celestial motions, nor as an abstract entity existing in the human soul, but as a power of ordering, which is active at different levels. Damascius' time comprises the biological and the historical time but is also the time that pertains to the essence and the activity of heaven, in which there is neither past nor future. The present book explores the richness of Damascius' thought by going into the fundamental concepts of his philosophy of time: the indivisible now and the present time, the flowing now and the non-flowing now, the flowing time and the whole of time, in which past, present and future coincide. Damascius fully developed his thoughts about time in his treatise On Time, which is lost. The preserved fragments of this treatise are translated and annotated in an Appendix.

Myth, Locality, and Identity argues that Pindar engages in a striking, innovative style of mythmaking that represents and shapes Sicilian identities in his epinician odes for Sicilian victors in the fifth century BCE. While Sicily has been thought to be lacking in local traditions for Pindar to celebrate, Lewis argues that the Sicilian odes offer examples of the formation of local traditions: the monster Typho whom Zeus defeated to become king of the gods, for example, now lives beneath Mt. Aitna; Persephone receives the island of Sicily as a gift from Zeus; and the Peloponnesian river Alpheos travels to Syracuse in pursuit of the local spring nymph Arethusa. By weaving regional and Panhellenic myth into the local landscape, as the book shows, Pindar infuses physical places with meaning and thereby contextualizes people, cities, and their rulers within a wider Greek framework. During this time period, Greek Sicily experienced a unique set of political circumstances: the inhabitants were continuously being displaced, cities were founded and resettled, and political leaders rose and fell from power in rapid succession. This book offers the first sustained analysis of myth in Pindar's odes for Sicilian victors across the island that accounts for their shared context. The nodes of myth and place that Pindar fuses in this poetry reinforce and develop a sense of place and community for citizens locally; at the same time, they raise the profile of physical sites and the cities attached to them for larger audiences across the Greek world. In addition to providing new readings of Pindaric odes and offering a model for the formation of Sicilian identities in the first half of the fifth century, the book contributes new insights into current debates on the relationship between myth and place in classical literature.

The figure of Anna Perenna embodies the complexity and richness of the Roman mythological tradition. In exploring Anna Perenna, the contributors apply different perspectives and critical methods to an array of compelling evidence drawn from central texts, monuments, coins, and inscriptions that encapsulate Rome's shifting artistic and political landscape. As a collection, Uncovering Anna Perenna provides a unique examination that represents the interdisciplinary intersection between Roman literature, history, and culture. The assembled chapters offer thought-provoking and insightful discussions written by specialists in Roman myth and religion, literary studies, and ancient history. A convergence of different perspectives within the collection, including comparative literature, gender and sexuality, literary criticism, and reception, results in a rich and varied investigation. Organized into four parts, the volume explores Anna along four conceptual lines: her liminal nature as a Carthaginian figure coopted into Rome's literary, mythological, and artistic heritage; her capacity as a Roman goddess and nymph; her political and cultural associations with plebeian and populist ideology; and her intriguing influence on James Joyce's Finnegans Wake.

The ancient Romans are well known for their love of the pageantry of power. No single ceremony better attests to this characteristic than the triumph, which celebrated the victory of a Roman commander through a grand ceremonial entrance into the city that ended in rites performed to Rome's chief tutelary deity, Jupiter Optimus Maximus, on the Capitoline hill. The triumph, however, was only one form of ceremonial arrival at the city, and Jupiter was not the only god to whom vows were made and subsequently fulfilled at the end of a successful assignment. Ushering in a New Republic expands our view beyond a narrow focus on the triumph to look at the creative ways in which the great figures of Rome in the first century BCE (men such as Sulla, Caesar, Augustus, and others) crafted theological performances and narratives both in and around their departures from Rome and then returned to cast themselves in the role of divinely supported saviors of a faltering Republic. Trevor S. Luke tackles some of the major issues of the history of the Late Republic and the transition to the empire in a novel way. Taking the perspective that Roman elites, even at this late date, took their own religion seriously as a way to communicate meaning to their fellow Romans, the volume reinterprets some of the most famous events of that period in order to highlight what Sulla, Caesar, and figures of similar stature did to make a religious argument or defense for their actions. This exploration will be of interest to scholars of religion, political science, sociology, classics, and ancient history and to the general history enthusiast. While many people are aware of the important battles and major thinkers of this period of Roman history, the story of its theological discourse and competition is unfolded here for the first time.