A study of animal sacrifice within Greek paganism, Judaism, and Christianity during the period of their interaction between about 100 BC and AD 200. After a vivid account of the realities of sacrifice in the Greek East and in the Jerusalem Temple (up to AD 70), Maria-Zoe Petropoulou explores the attitudes of early Christians towards this practice. Contrary to other studies in this area, she demonstrates that the process by which Christianity finally separated its own cultic code from the strong tradition of animal sacrifice was a slow and difficult one. Petropoulou places special emphasis on the fact that Christians gave completely new meanings to the term sacrifice'. She also explores the question why, if animal sacrifice was of prime importance in the eastern Mediterranean at this time, Christians should ultimately have rejected it.

Imagining the Pagan Past explores stories of Britain's pagan history. These tales have been characterised by gods and fairies, folklore and magic. They have had an uncomfortable relationship with the scholarly world; often being seen as historically dubious, self-indulgent romance and, worse, encouraging tribal and nationalistic feelings or challenging church and state. This book shows how important these stories are to the history of British culture, taking the reader on a lively tour from prehistory to the present. From the Middle Ages to the twenty-first century, Marion Gibson explores the ways in which British pagan gods and goddesses have been represented in poetry, novels, plays, chronicles, scientific and scholarly writing. From Geoffrey of Monmouth to Edmund Spenser, William Shakespeare to Seamus Heaney and H.G. Wells to Naomi Mitchison it explores Romano-British, Celtic and Anglo-Saxon deities and fictions. The result is a comprehensive picture of the ways in which writers have peopled the British pagan pantheons throughout history. Imagining the Pagan Past will be essential reading for all those interested in the history of paganism.

Imagining the Pagan Past explores stories of Britain s pagan history. These tales have been characterised by gods and fairies, folklore and magic. They have had an uncomfortable relationship with the scholarly world; often being seen as historically dubious, self-indulgent romance and, worse, encouraging tribal and nationalistic feelings or challenging church and state.

This book shows how important these stories are to the history of British culture, taking the reader on a lively tour from prehistory to the present. From the Middle Ages to the twenty-first century, Marion Gibson explores the ways in which British pagan gods and goddesses have been represented in poetry, novels, plays, chronicles, scientific and scholarly writing. From Geoffrey of Monmouth to Edmund Spenser, William Shakespeare to Seamus Heaney and H.G. Wells to Naomi Mitchison it explores Romano-British, Celtic and Anglo-Saxon deities and fictions. The result is a comprehensive picture of the ways in which writers have peopled the British pagan pantheons throughout history.

Imagining the Pagan Past will be essential reading for all those interested in the history of paganism.

Mysticism, Myth and Celtic Identity explores how the mythical and mystical past informs national imaginations. Building on notions of invented tradition and myths of the nation, it looks at the power of narrative and fiction to shape identity, with particular reference to the British and Celtic contexts. The authors consider how aspects of the past are reinterpreted or reimagined in a variety of ways to give coherence to desired national groupings, or groups aspiring to nationhood and its 'defence'. The coverage is unusually broad in its historical sweep, dealing with work from prehistory to the contemporary, with a particular emphasis on the period from the eighteenth century to the present. The subject matter includes notions of ancient deities, Druids, Celticity, the archaeological remains of pagan religions, traditional folk tales, racial and religious myths and ethnic politics, and the different types of returns and hauntings that can recycle these ideas in culture. Innovative and interdisciplinary, the scholarship in Mysticism, Myth and Celtic Identity is mainly literary but also geographical and historical and draws on religious studies, politics and the social sciences. Thus the collection offers a stimulatingly broad number of new viewpoints on a matter of great topical relevance: national identity and the politicization of its myths.

From gods, heroes, and monsters to Druids, sorcerers, and talking animals, Celtic Myths explores every aspect of Irish and Welsh myths in this appealing and authoritative guide. Besides vividly retelling the tales, Miranda Aldhouse-Green brings her expertise in the archaeology of the Iron Age and particularly shamanism to bear on the mythical world she describes, with evidence as diverse as the Gundestrup Cauldron and the famous bog bodies. Starting with a discussion of how myths are transmitted and by whom, Aldhouse-Green continues with an account of Irish and Welsh myths, their key actors and motifs, and themes such as heroes, animals, women, environment, and the Otherworld. The book concludes with a look at the influence of monastic chroniclers on the tales, which they preserved and adapted. Boxed features, quotes from primary texts and contemporary sources, two-color illustrations, photographs, and drawings all come together to create a comprehensive guide for anyone interested in Celtic history or the history of myth as well as anyone who simply loves a good story.

Originally published in 1970, this book represents a unique study of beliefs and ritual practices in a pagan religion, and of the processes by which a transformation to Christianity took place. Christianity came to the major islands of Polynesia nearly two centuries ago, and within a couple of generations, the traditional pagan religion had disappeared. Only a few remote islands such as Tikopia preserved their ancient cults. Over eighty years ago, the author first observed and took part in these pagan rites, and on later visits he studied the change from paganism to Christian faith. Unique in its rich documentation, this book presents a systematic account of the traditional beliefs in gods and spirits and of the way in which these were fused with the social and political structure. The causes and dramatic results of the conversion to Christianity are then described, ending with an examination of the religious situation at the time of the book's original publication. The book is both a contribution to anthropology and a case study in religious history. It completes the major series of studies of Tikopia society for which the author is famous. It gives the first full account of a Polynesian religious system in a state of change.

The Ciris is a small scale epic poem which relates the myth of Scylla, daughter of king Nisus of Megara, who betrayed her homeland for love, and was transformed into a sea-bird. It is one of the poems in the Appendix Vergiliana, a collection that has been ascribed to Virgil as his carmina minora. Earlier scholarship has mostly been concerned to prove that the Ciris is not by Virgil, and then to demonstrate that it is a late and derivative composition of little intrinsic merit. The present book argues that Ciris was composed by a contemporary of Virgil, a product of the golden age of Latin poetry. It aims to bring the poem to the attention of modern readers and to rescue it from ill-deserved neglect. The introduction presents detailed linguistic, literary and historical arguments in support of this early composition date and offers a state-of-the-art account of the textual witnesses and the manuscript tradition. The critical text and apparatus are based on a systematic, first-hand analysis of manuscript evidence as well as the rigorous application of text-critical methods. The new text, as close to the original Ciris as can be achieved, includes over one-hundred and fifty changes from previous editions. By engaging with textual scholarship on the poem from the fifteenth to the twenty-first century, the line-by-line commentary provides a comprehensive guide to the numerous textual problems, and is an important contribution to the stylistic and linguistic analysis of golden-age Latin poetry.

An epic saga of greed, sorcery and one man's heroic sacrifice. Ireland's legendary super hero, Cu Chulainn, stands alone against the thousands of warriors controlled by the enchantress Queen Maeve, who is determined to capture the Brown Bull of Cooley and claim the lands of Ulster for her own. Supernatural feats of strength, ferocious battles and the tragic destinies of Cu Chulainn and Ferdia are vividly recreated in this action-packed, glorious retelling of one of the most famous stories from ancient Celtic myth. This unique and powerful graphic novel brings to life the legendary figure that is Cu Chulainn.

The relationship between the individual and the divine in ancient Greece is a complex one, which has tended to be neglected in favour of studies of state religion, festivals, sanctuaries and oracles. This reader presents a selection of texts that shed light on many potential aspects of an individual's personal religious beliefs and influences including divine epiphany, superstition, epilepsy, athletics victories, life after death, philosophy, pollution, Orphism and curse tablets. The Greek authors include Homer, Hesiod, Theophrastus, Herodotus, Aeschylus, Pindar, Empedocles, Plato and Aristotle as well as a Hippocratic text, orphic gold leaves, and fragments of the Derveni Papyrus. Each text has an introduction explaining the background and significance of the passage, an English translation and commentaries. The Greek texts are given in a separate section at the end of the book.

Valerius Maximus was an indefatigable collector of historical anecdotes illustrating vice and virtue. This study focuses on what Valerius can tell us about contemporary Roman attitudes to religion, attacking several orthodoxies along the way.

This first volume of The History of Evil covers Graeco-Roman, Indian, Near Eastern, and Eastern philosophy and religion from 2000 BCE to 450 CE. This book charts the foundations of the history of evil among the major philosophical traditions and world religions, beginning with the oldest recorded traditions: the Vedas and Upanisads, Confucianism and Daoism, and Buddhism, and continuing through Graeco-Roman and Judaeo-Christian schools of thought. This cutting-edge treatment of the history of evil at its crucial and determinative inception will appeal to those with particular interests in the ancient period and early theories and ideas of evil and good, as well as those seeking an understanding of how later philosophical and religious developments were conditioned and shaped.

A Chaos of Delight is a comprehensive tour guide into the succession of ways human beings have constructed order and meaning about the world, and their place in it. The book examines how various cultures over the past 5000 years have looked at the same phenomena and devised totally different worldviews, ranging from deep mythopoeic supernatural reflections to purely physical ones. One unifying feature that stands out above all others is the most certain thing about human knowledge in general, and science, religion or myth in particular, is its uncertainty. From a cross-cultural perspective, one's religious views are framed by articles of faith derived from history, and within its highly prescribed boundaries, profoundly subtle ways, the journey challenges the reader to confront their own worldview, and to better understand its origins and development through the history of ideas. An important lesson for the third millennium is that diversity of opinion is healthy and essential - it is blind acceptance of dogma that impedes understanding and progress.

There is more material available on Herakles than any other Greek god or hero.aHis story has many more episodes than those of other heroes, concerning his life and death as well as his battles with myriad monsters and other opponents.aIn literature, he appears in our earliest Greek epic and lyric poetry, is reinvented for the tragic and comic stage, and later finds his way into such unlikely areas as philosophical writing and love poetry.? In art, his exploits are amongst the earliest identifiable mythological scenes, and his easily-recognisable figure with lionskin and club was a familiar sight throughout antiquity in sculpture, vase-painting and other media.aHe was held up as an ancestor and role-model for both Greek and Roman rulers, and widely worshipped as a god, his unusual status as a hero-god being reinforced by the story of his apotheosis.aOften referred to by his Roman name Hercules, he has continued to fascinate writers and artists right up to the present day.

In Herakles, Emma Stafford has successfully tackled the OCyHerculean taskOCO of surveying both the ancient sources and the extensive modern scholarship in order to present a hugely accessible account of this important mythical figure.aCovering both Greek and Roman material, the book highlights areas of consensus and dissent, indicating avenues for further study on both details and broader issues.aEasy to read, Herakles is perfectly suited to students of classics and related disciplines, and of interest to anyone looking for an insight into ancient GreeceOCOs most popular hero.

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There is more material available on Herakles than any other Greek god or hero. His story has many more episodes than those of other heroes, concerning his life and death as well as his battles with myriad monsters and other opponents. In literature, he appears in our earliest Greek epic and lyric poetry, is reinvented for the tragic and comic stage, and later finds his way into such unlikely areas as philosophical writing and love poetry. In art, his exploits are amongst the earliest identifiable mythological scenes, and his easily-recognisable figure with lionskin and club was a familiar sight throughout antiquity in sculpture, vase-painting and other media. He was held up as an ancestor and role-model for both Greek and Roman rulers, and widely worshipped as a god, his unusual status as a hero-god being reinforced by the story of his apotheosis. Often referred to by his Roman name Hercules, he has continued to fascinate writers and artists right up to the present day.

In Herakles, Emma Stafford has successfully tackled the Herculean task of surveying both the ancient sources and the extensive modern scholarship in order to present a hugely accessible account of this important mythical figure. Covering both Greek and Roman material, the book highlights areas of consensus and dissent, indicating avenues for further study on both details and broader issues. Easy to read, Herakles is perfectly suited to students of classics and related disciplines, and of interest to anyone looking for an insight into ancient Greece s most popular hero.

This edition of Books I & II of St Augustine's The City of God (De Civitate Dei) is the only edition in English to provide a text and translation as well as a detailed commentary of this most influential document in the history of western Christianity. In these books, written in the aftermath of the sack of Rome in AD 410 by the Goths, Augustine replies to the pagans, who attributed the fall of Rome to the Christian religion and its prohibition of the worship of the pagan gods. Latin text with facing-page English translation, introduction and commentary.

The Trojan War begins and ends with the sacrifice of a virgin princess. The gruesome killing of a woman must have captivated ancient people because the myth of the sacrificial virgin resonates powerfully in the arts of ancient Greece and Rome. Most scholars agree that the Greeks and Romans did not practice human sacrifice, so why then do the myths of virgin sacrifice appear persistently in art and literature for over a millennium? Virgin Sacrifice in Classical Art: Women, Agency, and the Trojan War seeks to answer this question. This book tells the stories of the sacrificial maidens in order to help the reader discover the meanings bound up in these myths for historical people. In exploring the representations of Iphigeneia and Polyxena in Greek, Etruscan, and Roman art, this book offers a broader cultural history that reveals what people in the ancient world were seeking in these stories. The result is an interdisciplinary study that offers new interpretations on the meaning of the sacrificial virgin as a cultural and ideological construction. This is the first book-length study of virgin sacrifice in ancient art and the first to provide an interpretive framework within which to understand its imagery.

From the Andes to the Himalayas, mountains have an extraordinary power to evoke a sense of the sacred. In the overwhelming wonder and awe that these dramatic features of the landscape awaken, people experience something of deeper significance that imbues their lives with meaning and vitality. Drawing on his extensive research and personal experience as a scholar and climber, Edwin Bernbaum's Sacred Mountains of the World takes the reader on a fascinating journey exploring the role of mountains in the mythologies, religions, history, literature, and art of cultures around the world. Bernbaum delves into the spiritual dimensions of mountaineering and the implications of sacred mountains for environmental and cultural preservation. This beautifully written, evocative book shows how the contemplation of sacred mountains can transform everyday life, even in cities far from the peaks themselves. Thoroughly revised and updated, this new edition considers additional sacred mountains, as well as the impacts of climate change on the sacredness of mountains.

Aphrodite explores the many myths and meanings of the Greek goddess of love, sex and beauty. One of the most widely worshipped and popular deities in Greek antiquity, Aphrodite emerges from the imaginations of the ancient Greek writers and artists as a multifaceted, powerful and charismatic figure. This volume explores the importance of Aphrodite for the ancient Greeks, as well as her enduring influence as a symbol of beauty, adornment, love and sexuality in contemporary culture. In a wide-ranging investigation of the universality of Aphrodite s power and significance, this volume illuminates the numerous intricate levels of divinity embodied by the alluring figure of Aphrodite.

Aphrodite offers new insights into the ancient texts and artistic representations of the goddess, as well as a comprehensive survey of the current scholarship about the origins and interpretations of Aphrodite, whilst also highlighting her eternal popular appeal across cultures and generations. A goddess of love who is not afraid to enter the battlefield; a goddess of bodily adornment who is the first to appear totally nude; a goddess born of the sea who emerges into the open sky: Aphrodite is a polyvalent deity, plural in nature, function and significance.

Kenosis Creativity Architecture locates and explores creativity's grounding in the ancient concept of kenosis, the "emptying" that allows creativity to happen; that makes appearance possible. It concretises that grounding through architecture-a primal expression of human creativity-critically examining, for the first time, kenotic instantiations evidenced in four iconic, international projects; works by Kahn, Pei, Ando, and Libeskind. Then, in a final turn, the potentiality of architecture's own emptying is probed. Architect and author Randall Lindstrom draws on Western and Eastern philosophy, including that of Heidegger, Levinas, Derrida, Vattimo, Nishida, and Nishitani, as well as on the theology of Christianity, Judaism, and aspects of Buddhism, Hinduism, and Islam. Every chapter expands the argument that, if responsiveness to our world is taken seriously-if proper and sustainable responses are to be realised-then a deeper understanding of creativity, and so kenosis, is essential. This book opens-up a way of thinking about creativity and humanity's readiness to be creative. It thereby presents a crucial enquiry-at the nexus of architecture, philosophy, and theology-for researchers, graduate and postgraduate students, and practitioners alike.

Cave and Worship in Ancient Greece brings together a series of stimulating chapters contributing to the archaeology and our modern understanding of the character and importance of cave sanctuaries in the fi rst millennium BCE Mediterranean. Written by emerging and established archaeologists and researchers, the book employs a fascinating and wide range of approaches and methodologies to investigate, and interpret material assemblages from cave shrines, many of which are introduced here for the fi rst time. An introductory section explores the emergence and growth of caves as centres of cult and religion. The chapters then probe some of the meanings attached to cave spaces and votive materials such as terracotta fi gurines, and ceramics, and those who created and used them. The authors use sensory and gender approaches, discuss the identity of the worshippers, and the contribution of statistical analysis to the role of votive materials. At the heart of the volume is the examination of cave materials excavated on the Cycladic islands and Crete, in Attika and Aitoloakarnania, on the Ionian islands and in southern Italy. This is a welcome volume for students of prehistoric and classical archaeology,enthusiasts of the history of caves, religion, ancient history, and anthropology.

Religion, Ethnicity and Xenophobia in the Bible looks at some of the Bible's most hostile and violent anti-foreigner texts and raises critical questions about how students of the Bible and ancient Near East should grapple with "ethnicity" and "foreignness" conceptually, hermeneutically and theologically. The author uses insights from social psychology, cognitive psychology, anthropology, sociology and ethnic studies to develop his own perspective on ethnicity and foreignness. Starting with legends about Mesopotamian kings from the third millennium BCE, then navigating the Deuteronomistic and Holiness traditions of the Hebrew Bible, and finally turning to Deuterocanonicals and the Apostle Paul, the book assesses the diverse and often inconsistent portrayals of foreigners in these ancient texts. This examination of the negative portrayal of foreigners in biblical and Mesopotamian texts also leads to a broader discussion about how to theorize ethnicity in biblical studies, ancient studies and the humanities. This volume will be invaluable to students of ethnicity and society in the Bible, at all levels.

In this intriguing dialogue, an established pagan and a respected Christian theologian engage in open, honest conversations about human spirituality and belief. Paganism is a rapidly expanding belief system, and this helpful exchange both introduces novices to its basic tenets and compares them to the beliefs and ideals behind Christianity. Such topics as the nature of spirituality, who or what is deity, how humans relate to the divine, the sacred feminine, gender, and sexuality are all addressed, along with specific debates involving the teachings and claims of Jesus. Offering a fair assessment and valuable insights into both faith systems, this is an engaging look at the state of belief in the modern world.

Reintroduces an ancient system of astrology called a Celtic tree calendar, in which each tree has a dryad or tree spirit.