This book studies Egyptian ideas about death and the afterlife during the Ptolemaic and Roman Periods. Mark Smith analyses Egyptian attitudes toward death, looks at the various means by which the Egyptians attempted to ensure a smooth transition from existence in this world to that in the next, and examines how they envisaged life in the hereafter. Traversing Eternity is based on a corpus of sixty texts specially selected for the light which they throw upon these topics. Some of the texts are ritual in character, and were recited for the benefit of the deceased by priests, while others were interred along with the dead so that they themselves could make use of them in the afterlife. Each text is translated in its entirety, with annotation to elucidate obscure points, and each is supplied with a detailed introduction. Smith also addresses key issues such as that of continuity and change in Egyptian religious beliefs during the Ptolemaic and Roman Periods and attempts to answer the question of why the composition of texts for the afterlife flourished to such a remarkable extent at this time.

Gorgeous Collector's Edition. India, one of the great, ancient civilizations, spawned a fascinating canon of myths and legends. With multiple gods, and a riot of colour and character, this fantastic new book, Indian Myths & Legends, explores the themes and landscapes that created the tales, and reveals the boundless energy that brought us the Ramayana and the Mahabharata, retelling the stories of Krishna, Buddha and Shiva, and some of the many different versions of creation. Flame Tree Collector's Editions present the foundations of speculative fiction, authors, myths and tales without which the imaginative literature of the twentieth century would not exist, bringing the best, most influential and most fascinating works into a striking and collectable library. Each book features a new introduction and a Glossary of Terms.

This volume is the first monograph in English dedicated to the study of the Greek mythical hero Pelops. While popular in antiquity, Pelops' popularity has since faded; this book presents a comprehensive treatment of his character and legacy. Ancient tradition held that Pelops was the son of Tantalus and the ancestor of the Atreids, Agamemnon and Menelaos, who appear in the Homeric poems as leaders of the Greek forces against Troy. After arriving in Greece from the east, Pelops was eventually worshipped in Olympia, became the eponym of the Peloponnese, and was celebrated as one of the founders of the Olympic Games. However, his character is morally problematic, his family were heavily condemned, and few tales about Pelops exist. Patay-Horvath takes an interdisciplinary approach to the study of this obscure figure, presenting and analysing written sources and depictions of Pelops, the etymology of his name, the history of his mythical family, and the afterlife of his myths. Drawing on folklore and ethnography, art and archaeology, linguistics and geography, this volume provides a detailed and accessible overview of both old and new theories about Pelops, his descendants, and his legacy. Transformations of Pelops is suitable for students and scholars of ancient Greek history and mythology, classical philology, and archaeology.

This is the first book-length treatment of supplication, an important social practice in ancient Mediterranean civilizations. Despite the importance of supplication, it has received little attention, and no previous study has explored so many aspects of the practice. Naiden investigates the varied gestures made by the supplicants, the types of requests they make, the arguments used in defense of their requests, and the role of the supplicandus, who evaluates and decides whether to fulfill the requests. Varied and abundant sources invite comparison between the societies of Greece and Rome and also among literary genres. Additionally, Naiden formulates an analysis of the ritual in its legal and political contexts. In constructing this rich and thorough study, Naiden considered over 800 acts of supplication from Greek, Hebrew, and Roman literature, art, and scientific sources. 30 illustrations and a map of the relevant locations accompany the text.

Death and rebirth was of vital importance to early Christians in late antiquity. In late antiquity, death was all encompassing. Mortality rates were high, plague and disease in urban areas struck at will, and one lived on the knife's edge regarding one's health. Religion filled a crucial role in this environment, offering an option for those who sought cure and comfort. Following death, the inhumed were memorialized, providing solace to family members through sculpture, painting, and epigraphy. This book offers a sustained interdisciplinary treatment of death and rebirth, a theme that early Christians (and scholars) found important. By analysing the theme of death and rebirth through various lenses, the contributors deepen our understanding of the early Christian funerary and liturgical practices as well as their engagement with other groups in the Empire.

This book is the first attempt that has ever been made to give a comprehensive account of the religious life of ancient Athens. The city's many festivals are discussed in detail, with attention to recent anthropological theory; so too, for instance, are the cults of households and of smaller
groups, the role of religious practice and argumentation in public life, the authority of priests, the activities of religious professionals such as seers and priestesses, magic, the place of theatrical representations of the gods within public attitudes to the divine. A long final section considers
the sphere of activity of the various gods, and takes Athens as a uniquely detailed test case for the structuralist approach to polytheism. The work is a synchronic, thematically organized complement (though designed to be read independently) to the same author's Athenian Religion: A History (OUP,
1996).

In Search of the Labyrinth explores the enduring cultural legacy of Minoan Crete by offering an overview of Minoan archaeology and modern responses to it in literature, the visual and performing arts, and other cultural practices. The focus is on the twentieth century, and on responses that involve a clear engagement with the material culture of Minoan Crete, not just with mythological narratives in Classical sources, as illustrated by the works of novelists, poets, avant-garde artists, couturiers, musicians, philosophers, architects, film directors, and even psychoanalysts - from Sigmund Freud and Marcel Proust to D.H. Lawrence, Cecil Day-Lewis, Oswald Spengler, Nikos Kazantzakis, Robert Graves, Andre Gide, Mary Renault, Christa Wolf, Don DeLillo, Rhea Galanaki, Leon Bakst, Marc Chagall, Mariano Fortuny, Robert Wise, Martin Heidegger, Karl Lagerfeld, and Harrison Birtwistle, among many others. The volume also explores the fascination with things Minoan in antiquity and in the present millennium: from Minoan-inspired motifs decorating pottery of the Greek Early Iron Age, to uses of the Minoans in twenty-first-century music, poetry, fashion, and other media.

Few compositions provide as much insight into the structure of the Hittite state and the nature of Hittite society as the so-called Instructions. While these texts may strike the modern reader as didactic, the Hittites, who categorized them together with state treaties, understood them as contracts or obligations, consisting of the king's instructions to officials such as priests and temple personnel, mayors, military officers, border garrison commanders, and palace servants. They detail how and in what spirit the officials are to carry out their duties and what consequences they are to suffer for failure. Also included are several examples of closely related oath impositions and oaths. Collecting for the first time the entire corpus of Hittite Instructions, this accessible volume presents these works in transliteration of the original texts and translation, with clear and readable introductory essays, references to primary and secondary sources, and thorough indices.

Embrace the power of the divine in this beginner's guide to some of mythology's fiercest females and most legendary ladies Across thousands of years and countless civilizations, goddesses have been a powerful presence. Whether as leaders, mothers, warriors or lovers, these indomitable divinities have always been able to fascinate and seduce us. This pocket guide offers readers an engaging and accessible introduction to a selection of the most powerful and influential goddesses throughout ancient and modern history, retelling their stories and celebrating their awesome abilities. Each profile includes a concise history of the goddess and her origins, a summary of her main powers, a look at the goddess in myth and popular culture and an exploration of her best attributes. Learn about the Athena, the Greek goddess of wisdom and war; Bastet, the Egyptian goddess of pleasure and protection; the beautiful Freyja, the Norse goddess of love, and many others. Let yourself be inspired and empowered by tales of feminine power, strength and wisdom in this pocketbook of dazzling deities.

Ovid's Fasti is a journey through ancient Rome, using the calendar as a guide. The reader of this poem tours the monuments of the Augustan-era city, witnesses both urban and rustic seasonal festivals, and commemorates the epic events of long-past history. The reader also experiences the passage of the year, as measured by the natural world: the rising and setting of constellations, the migration of birds, and the comforting rhythms of agriculture. Throughout, Ovid enlivens the narrative with myths, including Romulus and Remus, Callisto and Jupiter, Lucretia and Tarquinius, Hercules and Cacus, and many more. In doing so, he evokes the questions of what constitutes justice, or glory, or patriotism. The result is a lively tour of the Roman year-sometimes thoughtful, sometimes tragic, sometimes triumphant or even farcical-that interweaves human customs into the natural world, and gives occasional glimpses of awe-inspiring divinities on the streets of Rome. This volume covers the first half of the Fasti (Books I-III), including the original Latin text and also a new translation in clear, idiomatic prose on facing pages. An introduction on Ovid's life and Augustan literature, as well as an incisive commentary with up-to-date bibliography, give the reader extensive background to interpret the text.

This volume offers new insights into ancient figurations of temporality by focusing on the relationship between gender and time across a range of genres. Each chapter in this collection places gender at the center of its exploration of time, and the volume includes time in treatises, genealogical lists, calendars, prophetic literature, ritual practice and historical and poetic narratives from the Greco-Roman world. Many of the chapters begin with female characters, but all of them emphasize how and why time is an integral component of ancient categories of female and male. Relying on theorists who offer ways to explore the connections between time and gender encoded in narrative tropes, plots, pronouns, images or metaphors, the contributors tease out how time and gender were intertwined in the symbolic register of Greek and Roman thought. Narratives of Time and Gender in Antiquity provides a rich and provocative theoretical analysis of time-and its relationship to gender-in ancient texts. It will be of interest to anyone working on time in the ancient world, or students of gender in antiquity.

Anne Carson (b. June 21, 1950, in Toronto, Canada) is one of the most versatile of contemporary classicists, poets and translators in the English language. In this book, Ruprecht explores the role played by generic transgressions on the one hand, and by embodied spirituality on the other, throughout Carson's ambitious literary career. Where others see classical dichotomies (soul versus body, Classical versus Christian), Carson sees connection. Like Nietzsche before her, Carson decries the image of the Classics as merely bookish, and classicists as disembodied intellects. She has brought religious, bodily erotics back into the heart of the classical tradition.

First and foremost, Witchcraft or Wicca is a religion. In "The Sabbats, "Edain McCoy reveals the eight major holidays of this faith and the many ways in which they are celebrated.
There are two basic types of holidays. The first come at the Solstices and Equinoxes. The others divide the time between those dates in two, resulting in eight major holidays or Sabbats with approximately the same amount of days between them. The balance, here, gives the appearance of spokes in a wheel, so this cycle is commonly called the Wheel of the Year.
The holidays represent two things. First, the harvest cycle. Each holiday represents a time in the growth of crops. From planting to growth, from harvesting to letting the lands lie fallow in the cold winter, the festivals follow the agricultural cycles of ancient times. However, they also represent the eternal love of the God and Goddess, following the God's birth from the Goddess and his death before she gives birth to him again. This also follows the pattern of the Sun which moves from warm and high in the sky to cold and low in the sky.
The book is filled with ways you can follow the Wheel of the Year, whether you work with a coven, with your family, or by yourself. You will learn the secrets of ritual construction and handicrafts appropriate to each of the festivals. You will also learn recipes for traditional foods for each holiday and even songs appropriate to the Sabbats.
This is a wonderful, joyous book filled with color, information, and wisdom. If you are involved with Paganism in any way, this book is a must for your studies and practices. This book functions as both a resource and as a practical manual for the celebration of the holidays. Get your copy today.

'Thought-provoking and charmingly rendered.' Guardian Imagine a world where seductive male sirens lure brave heroines to their death, where Icara and her mother fly too close to the sun, and where beautiful men are forced to wed underworld queens... For thousands of years, Greek myths have been told and retold. In these stories, brutality and bravery are reserved for men, while women are wicked witches or helpless maidens. Today, these myths continue to shape our ideas about justice, tragedy and what makes a hero's journey. Karrie and Jonathan love these stories, and have found a way to breathe new life into them by making one crucial change... Following the incredible success of Gender Swapped Fairy Tales they have taken that same simple step. They haven't rewritten the stories in this book. They haven't reimagined the endings, or reinvented characters. What they have done is switch all the genders. You'll be enchanted by the refreshing world this swap creates - and thunderstruck by the new characters you're about to discover.

The first book-length comparative and interdisciplinary treatment of divine envy and vengeance in the biblical and classical worlds.

What is the difference between a ghost and a ghoul? How do you tell a good Jinn from a bad one? Where would you find a chimera or a manticore? What did Herodotus have to say about werewolves? In this enchanting little book, television producer and mythozoologist Tam OMalley explores the rich world of mythological animals, from banshees to harpies, griffins to vampires. These ancient beasties still intrigue us today, filling popular novels, screens and imaginations. "Fascinating" FINANCIAL TIMES. "Beautiful" LONDON REVIEW OF BOOKS. "Rich and Artful" THE LANCET. "Genuinely mind-expanding" FORTEAN TIMES. "Excellent" NEW SCIENTIST. "Stunning" NEW YORK TIMES. Small books, big ideas.

SHORTLISTED FOR THE 2017 MERCURY MUSIC PRIZE Let Them Eat Chaos, Kae Tempest's new long poem written for live performance and heard on the album release of the same name, is both a powerful sermon and a moving play for voices. Seven neighbours inhabit the same London street, but are all unknown to each other. The clock freezes in the small hours, and, one by one, we see directly into their lives: lives that are damaged, disenfranchised, lonely, broken, addicted, and all, apparently, without hope. Then a great storm breaks over London, and brings them out into the night to face each other - and their last chance to connect. Tempest argues that our alienation from one another has bred a terrible indifference to our own fate, but they counters this with a plea to challenge the forces of greed which have conspired to divide us, and mend the broken home of our own planet while we still have time. Let Them Eat Chaos is a cri de coeur and a call to action, and, both on the page and in Tempest's electric performance, one of the most powerful poetic statements of the year.

Brings together two academic fields that have been infrequently in full conversation: papyrology and the study of religion. Offers the latest research on the topic, focusing on a diverse range of case studies from different religious groups and documents written in numerous contemporary languages.

In the first half of the 2d millennium BCE, translation occasionally depicted semantically incongruous correspondences. Such cases reflect ancient scribes substantiating their virtuosity with cuneiform writing by capitalizing on phonologic, graphemic, semantic, and other resemblances in the interlingual space. These scholar-scribes employed an essential scribal practice, analogical hermeneutics, an interpretative activity grounded in analogical reasoning and empowered by the potentiality of the cuneiform script. Scribal education systematized such practices, allowing scribes to utilize these habits in copying compositions and creating translations. In scribal education, analogical hermeneutics is exemplified in the word list "Izi", both in its structure and in its occasional bilingualism. By examining "Izi" as a product of the social field of scribal education, this book argues that scribes used analogical hermeneutics to cultivate their craft and establish themselves as knowledgeable scribes. Within a linguistic epistemology of cuneiform scribal culture, translation is a tool in the hands of a knowledgeable scholar.

This book is an exploration of the ideals and values of the ascetic and monastic life, as expressed through clothes. Clothes are often seen as an extension of us as humans, a determinant of who we are and how we experience and interact with the world. In this way, they can play a significant role in the embodied and material aspects of religious practice. The focus of this book is on clothing and garments among ancient monastics and ascetics in Egypt, but with a broader outlook to the general meaning and function of clothes in religion. The garments of the Egyptian ascetics and monastics are important because they belong to a period of transition in the history of Christianity and very much represent this way of living. This study combines a cognitive perspective on clothes with an attempt to grasp the embodied experiences of being clothed, as well as viewing clothes as potential actors. Using sources such as travelogues, biographies, letters, contracts, images, and garments from monastic burials, the role of clothes is brought into conversation with material religion more generally. This unique study builds links between ancient and contemporary uses of religious clothing. It will, therefore, be of interest to any scholar of religious studies, religious history, religion in antiquity, and material religion.

The public/private distinction is fundamental to modern theories of the family, religion and religious freedom, and state power, yet it has had different salience, and been understood differently, from place to place and time to time. The volume brings together essays from an international array of experts in law and religion, in order to examine the public/private distinction in comparative perspective. The essays focus on the cultures and religions of the ancient Mediterranean, in the formative periods of Greece and Rome and the religions of Judaism, Christianity and Islam. Particular attention is given to the private exercise of religion, the relation between public norms and private life, and the division between public and private space and the place of religion therein.

Crushed by the Romans in the first century A.D., the ancient Druids of Britain left almost no reliable evidence behind. Because of this, historian Ronald Hutton shows, succeeding British generations have been free to reimagine, reinterpret, and reinvent the Druids. Hutton's captivating book is the first to encompass two thousand years of Druid history and to explore the evolution of English, Scottish, and Welsh attitudes toward the forever ambiguous figures of the ancient Celtic world. Druids have been remembered at different times as patriots, scientists, philosophers, or priests; sometimes portrayed as corrupt, bloodthirsty, or ignorant, they were also seen as fomenters of rebellion. Hutton charts how the Druids have been written in and out of history, archaeology, and the public consciousness for some 500 years, with particular focus on the romantic period, when Druids completely dominated notions of British prehistory. Sparkling with legends and images, filled with new perspectives on ancient and modern times, this book is a fascinating cultural study of Druids as catalysts in British history.

Offers an in depth comparative look at the Epic of Gilgamesh and the Primeval History, which allows students to view the Genesis within its Near Eastern context. Offers a fresh model for approaching this comparative task, which has at times been stifled by religious dogmatism, on the one hand, or disciplinary insularity on the other. Written in a lucid style with explanation of all key terms and themes, this book is suitable for students with no background in the subjects.

This book offers a fresh and challenging multi-disciplinary interpretation of Aristophanes' Frogs. Drawing on a wide range of literary and anthropological approaches, it seeks to explore how membership of Greek fifth-century society would have shaped one's understanding of the play, and, more specifically, of Dionysus as a dramatic figure.