'A beautiful and profound retelling' - Madeline Miller, author of The Song of Achilles and Circe 'Gives the serpent-headed monster of myth a powerful and haunting humanity' - Jennifer Saint, author of Ariadne and Elektra _________________ If I told you that I'd killed a man with a glance, would you wait to hear the rest? The why, the how, what happened next? Monster. Man-hater. Murderess. Forget everything you've been told about Medusa. Internationally bestselling author Jessie Burton flips the script in this astonishing retelling of Greek myth, illuminating the woman behind the legend at last. Exiled to a far-flung island after being abused by powerful Gods, Medusa has little company other than the snakes that adorn her head instead of hair. Haunted by the memories of a life before everything was stolen from her, she has no choice but to make peace with her present: Medusa the Monster. But when the charmed and beautiful Perseus arrives on the island, her lonely existence is blown apart, unleashing desire, love... and betrayal. Adapted from the hardback illustrated by Olivia Lomenech-Gill, this paperback edition is perfect for readers who loved Circe and Ariadne, as Medusa comes alive in a new version of the story that history set in stone long ago. _________________ '... a must-read for women of all ages' - Red magazine 'Utterly transporting' - Guardian Books of the Year '... an impressive addition to the shelves of feminist retellings, balancing rage with beautiful storytelling' - Irish Times

Winner of The PEN Hessell-Tiltman Prize 2022 Shortlisted for The Wolfson History Prize 2022 A The Times Books of the Year 2022 A fascinating, surprising and often controversial examination of the real God of the Bible, in all his bodily, uncensored, scandalous forms. Three thousand years ago, in the Southwest Asian lands we now call Israel and Palestine, a group of people worshipped a complex pantheon of deities, led by a father god called El. El had seventy children, who were gods in their own right. One of them was a minor storm deity, known as Yahweh. Yahweh had a body, a wife, offspring and colleagues. He fought monsters and mortals. He gorged on food and wine, wrote books, and took walks and naps. But he would become something far larger and far more abstract: the God of the great monotheistic religions. But as Professor Francesca Stavrakopoulou reveals, God's cultural DNA stretches back centuries before the Bible was written, and persists in the tics and twitches of our own society, whether we are believers or not. The Bible has shaped our ideas about God and religion, but also our cultural preferences about human existence and experience; our concept of life and death; our attitude to sex and gender; our habits of eating and drinking; our understanding of history. Examining God's body, from his head to his hands, feet and genitals, she shows how the Western idea of God developed. She explores the places and artefacts that shaped our view of this singular God and the ancient religions and societies of the biblical world. And in doing so she analyses not only the origins of our oldest monotheistic religions, but also the origins of Western culture. Beautifully written, passionately argued and frequently controversial, God: An Anatomy is cultural history on a grand scale. 'Rivetingly fresh and stunning' - Sunday Times 'One of the most remarkable historians and communicators working today' - Dan Snow

Kenosis Creativity Architecture locates and explores creativity's grounding in the ancient concept of kenosis, the "emptying" that allows creativity to happen; that makes appearance possible. It concretises that grounding through architecture-a primal expression of human creativity-critically examining, for the first time, kenotic instantiations evidenced in four iconic, international projects; works by Kahn, Pei, Ando, and Libeskind. Then, in a final turn, the potentiality of architecture's own emptying is probed. Architect and author Randall Lindstrom draws on Western and Eastern philosophy, including that of Heidegger, Levinas, Derrida, Vattimo, Nishida, and Nishitani, as well as on the theology of Christianity, Judaism, and aspects of Buddhism, Hinduism, and Islam. Every chapter expands the argument that, if responsiveness to our world is taken seriously-if proper and sustainable responses are to be realised-then a deeper understanding of creativity, and so kenosis, is essential. This book opens-up a way of thinking about creativity and humanity's readiness to be creative. It thereby presents a crucial enquiry-at the nexus of architecture, philosophy, and theology-for researchers, graduate and postgraduate students, and practitioners alike.

This captivating book takes you deep into the infamous legacy of Loki and his wife Sigyn. As a controversial and misunderstood figure in Heathenry, Loki is often approached with trepidation. But this book introduces you to his true self: a trickster, but a devoted husband and creative problem-solver, too. You'll also learn about Sigyn, the often forgotten goddess of loyalty and compassion.Join Heathen author Lea Svendsen on a rich exploration of these two Norse deities, together and separate. Discover their adventures in parenthood, their complicated relationships with other gods, and the entertaining exploits that only a trickster can accomplish. Learn how to set up an altar to each of them, what offerings they like, and how to perform rituals. You'll also find insights on Loki and Sigyn from Pagan and Heathen leaders.

Jenny R. Labendz investigates rabbinic self-perception and self-fashioning within the non-Jewish social and intellectual world of antique Palestine, showing how the rabbis drew on Hellenistic and Roman concepts for Torah study and answering a fundamental question: was rabbinic participation in Greco-Roman society a begrudging concession or a principled choice? As Labendz demonstrates, Torah study was an intellectual arena in which rabbis were extremely unlikely to look beyond their private domain. Yet despite the highly internal and self-referential nature of rabbinic Torah study, some rabbis believed that the involvement of non-Jews in rabbinic intellectual culture enriched the rabbis' own learning and teaching. Labendz identifies a sub-genre of rabbinic texts that she terms "Socratic Torah, " which portrays rabbis engaging in productive dialogue with non-Jews about biblical and rabbinic law and narrative. In these texts, rabbinic epistemology expands to include reliance not only upon Scripture and rabbinic tradition, but upon intuitions and life experiences common to Jews and non-Jews. While most scholarly readings of rabbinic dialogues with non-Jews have focused on the polemical, hostile, or anxiety-ridden nature of the interactions, Socratic Torah reveals that the presence of non-Jews was at times a welcome opportunity for the rabbis to think and speak differently about Torah. Labendz contextualizes her explication of Socratic Torah within rabbinic literature at large, including other passages and statements about non-Jews as well as general intellectual trends in rabbinic literature, and also within cognate literatures, including Plato's dialogues, Jewish texts of the Second Temple period, and the New Testament. While she focuses on non-Jews in the Palestinian Talmud and midrashim, the book includes chapters on the Babylonian Talmud and on the liminal figures of minim and Matrona. The passages that make up the sub-genre of Socratic Torah serve as the entryway for a much broader understanding of rabbinic literature and rabbinic intellectual culture.

Large state temples in ancient Egypt were vast agricultural estates, with interests in mining, trading, and other economic activities. The temple itself served as the mansion or palace of the deity to whom the estate belonged, and much of the ritual in temples was devoted to offering a representative sample of goods to the gods. After ritual performances, produce was paid as wages to priests and temple staff and presented as offerings to private mortuary establishments. This redistribution became a daily ritual in which many basic necessities of life for elite Egyptians were produced. This book evaluates the influence of common temple rituals not only on the day to day lives of ancient Egyptians, but also on their special events, economics, and politics. Author Katherine Eaton argues that a study of these daily rites ought to be the first step in analyzing the structure of more complex societal processes.

A remote village. A deadly secret. An outsider who knows the truth... 'ATMOSPHERIC AND COMPELLING' Catherine Cooper, Sunday Times bestselling author of The Chalet and The Chateau 'SPLENDIDLY CREEPY' DAILY MAIL 'DELICIOUSLY UNSETTLING' OBSERVER Maggie Mackay has been haunted her entire life. No matter what she does, she can't shake the sense that something is wrong with her. And maybe something is... When she was five years old, without proof, Maggie announced that someone in the remote village of Blairmore in the Outer Hebrides had murdered a local man, sparking a media storm. Now, Maggie is determined to discover what really happened and what the villagers are hiding. But everyone has secrets, and some are deadly. As she gets closer to the horrifying truth, Maggie's own life is in danger... From the critically-acclaimed author of Mirrorland comes a darkly disturbing new thriller that will chill you to the bone. PRAISE FOR CAROLE JOHNSTONE'S DEBUT NOVEL, MIRRORLAND: 'DARK AND DEVIOUS' Stephen King 'UTTERLY ENGROSSING' Daily Mail 'TWISTY AND RICHLY ATMOSPHERIC' Ruth Ware 'TIGHTLY PLOTTED AND UTTERLY GRIPPING' Sarah Pinborough 'A HAUNTING THRILLER' Woman's Weekly 'TOTALLY ABSORBING' T.M. Logan 'AN UNSETTLING, LABYRINTHINE TALE' New York Times

This book is the outcome of the conference "Imperial Alexandria: Interactions between Science, Religion and Literature", held at Salamanca University in October 2011. The conference convened a group of experts from different fields to address the interrelationship between Science, Religion and Literature in the Graeco-Roman world during the Imperial Period, and especially in Alexandria, situating it within the context of the long tradition of knowledge that had been consolidating itself in this city, above all during the Hellenistic era. The encounter's main aim was to create a forum for interdisciplinary reflection on "the Alexandrian model" of knowledge in the Imperial Period and its background, being attended by philologists and historians specialising in different types of texts (literary, scientific and religious), whose study requires an interdisciplinary approach, with priority being given to the notion of contact and the relationship between these subjects in order to gain a better understanding of the spirit, way of thinking and moral values of a particularly important era in the development of ancient culture.

An Ancient Theory of Religion examines a theory of religion put forward by Euhemerus of Messene (late 4th-early 3rd century BCE) in his lost work Sacred Inscription, and shows not only how and why euhemerism came about but also how it was- and still is-used. By studying the utilization of the theory in different periods-from the Graeco-Roman world to Late Antiquity, and from the Renaissance to the twenty-first century-this book explores the reception of the theory in diverse literary works. In so doing, it also unpacks the different adoptions and misrepresentations of Euhemerus's work according to the diverse agendas of the authors and scholars who have employed his theory. In the process, certain questions are raised: What did Euhemerus actually claim? How has his theory of the origins of belief in gods been used? How can modern scholarship approach and interpret his take on religion? When referring to 'euhemerism,' whose version are we employing? An Ancient Theory of Religion assumes no prior knowledge of euhemerism and will be of interest to scholars working in classical reception, religious studies, and early Christian studies.

This study presents a comprehensive treatment of a crucial aspect of Greek religion hitherto largely neglected in the English language. Simon Pulleyn makes a full examination of all the relevant literary and inscribed material available in order both to describe ancient Greek practices and to explain their significance.

First published in 2005. Routledge is an imprint of Taylor & Francis, an informa company.

The Mesopotamian influence on Greek mythology in literary works of the epic period is considerable - yet it is a largely unexplored field. In this book Charles Penglase investigates major Mesopotamian and Greek myths. His examination concentrates on journey myths. A major breakthrough is achieved in the recognition of the extent of Mesopotamian influence and in the understanding of the colourful myths involved. The results are of significant interest, especially to scholars and students of ancient Greek and Near Eastern religion and mythology.

Juvencus' Evangeliorum libri IV, or "The Four Books of the Gospels," is a verse rendering of the gospel narrative written ca. 330 CE. Consisting of around 3200 hexameter lines, it is the first of the Latin "Biblical epics" to appear in antiquity, and the first classicizing, hexameter poem on a Christian topic to appear in the western tradition. As such, it is an important text in literary and cultural history. This is the first English translation of the entire poem. The lack of a full English translation has kept many scholars and students, particularly those outside of Classics, and many educated general readers from discovering it. With a thorough introduction to aid in the interpretation and appreciation of the text this clear and accessible English translation will enable a clearer understanding of the importance of Juvencus' work to later Latin poetry and to the early Church.

Martha Malamud provides the only scholarly English translation of De Reditu Suo with significant notes and commentary that explore historical, literary, cultural, and mythical references, as well as commenting on literary allusions, the structure, diction, and style of the poem, and textual issues. De Reditu Suo provides fascinating insights into travel and communications networks in the rapidly changing, fragmented world of the fifth century. A substantial introductory essay explores Rutilius' place in several intellectual and literary traditions, as the poem is a sophisticated piece of literature that both draws on the rich tradition of classical Latin poetry and reflects the distinctive formal features of late antique poetry. The poem also conveys the thoughts of a man passionately devoted to Rome and its cultural heritage, enmeshed in the tumultuous political and social upheaval of his day, caught between his hopes for Rome's restoration and his fear of its disintegration. With line-for-line translation from the Latin and a scholarly introduction, extensive notes, and comprehensive bibliography, Martha Malamud makes this important text accessible and relevant for students and scholars in Classics, Comparative Literature, Religious Studies, Medieval Studies, and Ancient History, as well as independent readers with an interest in the literature of the period.

First published in 1902, this book investigates the history and development of early religion from an anthropological perspective. Rather than dealing with religions that grew from the teachings of their original founders, such as Christianity, Islam, and Buddhism, Jevons considers those religions that were practised as a matter of custom and tradition. The title considers such subjects as the supernatural, life and death, animal sacrifice, and the worship of nature. It provides an introduction to the history of religion for students of religion, anthropology and folklore.

The pace of life in our high technology world has quickened. Industries that do not become more efficient, often by requiring a faster production turnaround with less slack, are superseded. Because of this, workers face an environment in which they must perform under more time pressure and under greater task load, in which stress is more prevalent, and in which consequences of poor performance are more critical than ever before. The dominant, if unstated, psychoanalytic paradigm underlying much stress research over the past fifty years has led to an emphasis on coping and defense mechanisms and to a preoccupation with disordered behavior and illness. Accordingly, almost any book with "stress" in the title will invariably devote a considerable amount of pages to topics such as stress-related disorders, clinical interventions, stress and coping, psychopathology, illness, and health issues. This book presents basic and applied research that addresses the effects of acute stress on performance. There are a large number of applied settings that share the commonalities of high demand, high risk performance conditions, including aviation; military operations; nuclear, chemical, and other industrial settings; emergency medicine; mining; firefighting; and police work, as well as everyday settings in which individuals face stressors such as noise, time pressure, and high task load. This book focuses directly on the effects of acute stress-- defined as intense, novel stress of limited duration--on performance. The effects of stress on task performance, decision making, and team interaction are discussed, as well as the interventions used to overcome them.

This is the third of three volumes, first published in 1906, which treat the Egyptian theology of the afterlife. The first volume contains the complete hieroglyphic text of the Book Am-Tuat, with translations and reproductions of all the illustrations; the second, the hieroglyphic text of the short form of the Am-Tuat and the Book of Gates. This volume explores the origin of the Books of the Other World, highlighting and comparing the most remarkable features, with prefatory remarks and a full index to the whole work. The object of all the Books of the Other World was to provide the dead with a 'guide' or 'handbook,' containing a description of the regions through which their souls would have to pass on their way to the Kingdom of Osiris, and which would supply them with the words of power and magical names necessary for an unimpeded journey from this world to the next.

The Routledge Encyclopedia of Ancient Mediterranean Religions is the first comprehensive single-volume reference work offering authoritative coverage of ancient religions in the Mediterranean world. Chronologically, the volume's scope extends from pre-historical antiquity in the third millennium B.C.E. through the rise of Islam in the seventh century C.E. An interdisciplinary approach draws out the common issues and elements between and among religious traditions in the Mediterranean basin. Key features of the volume include: Detailed maps of the Mediterranean World, ancient Egypt, the Roman Empire, and the Hellenistic World A comprehensive timeline of major events, innovations, and individuals, divided by region to provide both a diachronic and pan-Mediterranean, synchronic view A broad geographical range including western Asia, northern Africa, and southern Europe This encyclopedia will serve as a key point of reference for all students and scholars interested in ancient Mediterranean culture and society.

In an innovative sequence of topics, Ken Dowden explores the uses Greeks made of myth and the uses to which we can put myth in recovering the richness of their culture. Most aspects of Greek life and history - including war, religion and sexuality - which are discernable through myth, as well as most modern approaches, are given a context in a book which is designed to be useful, accessible and stimulating.

In Pagans and Christians in Late Antiquity, A.D. Lee documents the transformation of the religious landscape of the Roman world from one of enormous diversity of religious practices and creeds in the 3rd century to a situation where, by the 6th century, Christianity had become the dominant religious force. Using translated extracts from contemporary sources he examines the fortunes of pagans and Christians from the upheavals of the 3rd Century, through the dramatic events associated with the emperors Constantine, Julian and Theodosius in the 4th, to the increasingly tumultuous times of the 5th and 6th centuries, while also illustrating important themes in late antique Christianity such as the growth of monasticism, the emerging power of bishops and the development of pilgrimage, as well as the fate of other significant religious groups including Jews and Manichaeans. This new edition has been updated to include: additional documentary material, including newly published papyri an expanded chapter on the emperor Constantine greater attention to church controversies in the fourth and fifth centuries thoroughly updated references and further reading, taking into account developments in modern scholarship during the past fifteen years. Pagans and Christians in Late Antiquity is an invaluable resource for students of the late antique world, and of early Christianity and the early Church.

Artemis is a literary, iconographic, and archaeological study of the ancient Greek goddess of the hunt, who presided over the transitions and mediations between the wild and the civilized, youth and maturity, life and death. Beginning with a study of the early origins of Artemis and her cult in the Bronze and Archaic Ages, Budin explores the goddess' persona and her role in the lives of her worshippers. This volume examines her birth and childhood, her place in the divine family, her virginity, and her associations with those places where the wilds become the "cities of just men." The focus then turns to Artemis' role in the lives of children and women, particularly how she helps them navigate the transition to adulthood and, perhaps too often, death. Budin goes on to reconsider some of the more harrowing aspects of Artemis' mythology, such as plague and bloodshed, while also examining some of her kinder, oft overlooked associations. Finally, the role of Artemis in the Renaissance and modern society is addressed, from the on-going fascination with the "breasts" on the statue of Artemis of Ephesos to the Artemisian aspects of Katniss Everdeen. Written in an accessible style, Artemis is a crucial resource for students not only of Greek myth, religion and cult, but also those seeking to understand the lives and roles of girls and women in ancient Greece, as this goddess presided over their significant milestones, from maiden to wife to mother.

Private cults were widespread in the Hellenistic world. This is a comprehensive study of this phenomenon, focusing on three case studies that represent the diversity and complexity that charcterize ancient Greek religion in the classical period.

This book focuses on the earliest surviving Christian icons, dated to the sixth and seventh centuries, which bear many resemblances to three other well-established genres of 'sacred portrait' also produced during late antiquity, namely Roman imperial portraiture, Graeco-Egyptian funerary portraiture and panel paintings depicting non-Christian deities. Andrew Paterson addresses two fundamental questions about devotional portraiture - both Christian and non-Christian - in the late antique period. Firstly, how did artists visualise and construct these images of divine or sanctified figures? And secondly, how did their intended viewers look at, respond to, and even interact with these images? Paterson argues that a key factor of many of these portrait images is the emphasis given to the depicted gaze, which invites an intensified form of personal encounter with the portrait's subject. The book will be of interest to scholars working in art history, theology, religion and classical studies.