The Trojan War begins and ends with the sacrifice of a virgin princess. The gruesome killing of a woman must have captivated ancient people because the myth of the sacrificial virgin resonates powerfully in the arts of ancient Greece and Rome. Most scholars agree that the Greeks and Romans did not practice human sacrifice, so why then do the myths of virgin sacrifice appear persistently in art and literature for over a millennium? Virgin Sacrifice in Classical Art: Women, Agency, and the Trojan War seeks to answer this question. This book tells the stories of the sacrificial maidens in order to help the reader discover the meanings bound up in these myths for historical people. In exploring the representations of Iphigeneia and Polyxena in Greek, Etruscan, and Roman art, this book offers a broader cultural history that reveals what people in the ancient world were seeking in these stories. The result is an interdisciplinary study that offers new interpretations on the meaning of the sacrificial virgin as a cultural and ideological construction. This is the first book-length study of virgin sacrifice in ancient art and the first to provide an interpretive framework within which to understand its imagery.

From the Andes to the Himalayas, mountains have an extraordinary power to evoke a sense of the sacred. In the overwhelming wonder and awe that these dramatic features of the landscape awaken, people experience something of deeper significance that imbues their lives with meaning and vitality. Drawing on his extensive research and personal experience as a scholar and climber, Edwin Bernbaum's Sacred Mountains of the World takes the reader on a fascinating journey exploring the role of mountains in the mythologies, religions, history, literature, and art of cultures around the world. Bernbaum delves into the spiritual dimensions of mountaineering and the implications of sacred mountains for environmental and cultural preservation. This beautifully written, evocative book shows how the contemplation of sacred mountains can transform everyday life, even in cities far from the peaks themselves. Thoroughly revised and updated, this new edition considers additional sacred mountains, as well as the impacts of climate change on the sacredness of mountains.

This book examines the figure of the returning warrior as depicted in the myths of several ancient and medieval Indo-European cultures. In these cultures, the returning warrior was often portrayed as a figure rendered dysfunctionally destructive or isolationist by the horrors of combat. This mythic portrayal of the returned warrior is consistent with modern studies of similar behavior among soldiers returning from war. Roger Woodard's research identifies a common origin of these myths in the ancestral proto-Indo-European culture, in which rites were enacted to enable warriors to reintegrate themselves as functional members of society. He also compares the Italic, Indo-Iranian, and Celtic mythic traditions surrounding the warrior, paying particular attention to Roman myth and ritual, notably to the etiologies and rites of the July festivals of the Poplifugia and Nonae Caprotinae, and to the October rites of the Sororium Tigillum.

Aphrodite explores the many myths and meanings of the Greek goddess of love, sex and beauty. One of the most widely worshipped and popular deities in Greek antiquity, Aphrodite emerges from the imaginations of the ancient Greek writers and artists as a multifaceted, powerful and charismatic figure. This volume explores the importance of Aphrodite for the ancient Greeks, as well as her enduring influence as a symbol of beauty, adornment, love and sexuality in contemporary culture. In a wide-ranging investigation of the universality of Aphrodite s power and significance, this volume illuminates the numerous intricate levels of divinity embodied by the alluring figure of Aphrodite.

Aphrodite offers new insights into the ancient texts and artistic representations of the goddess, as well as a comprehensive survey of the current scholarship about the origins and interpretations of Aphrodite, whilst also highlighting her eternal popular appeal across cultures and generations. A goddess of love who is not afraid to enter the battlefield; a goddess of bodily adornment who is the first to appear totally nude; a goddess born of the sea who emerges into the open sky: Aphrodite is a polyvalent deity, plural in nature, function and significance.

Cave and Worship in Ancient Greece brings together a series of stimulating chapters contributing to the archaeology and our modern understanding of the character and importance of cave sanctuaries in the fi rst millennium BCE Mediterranean. Written by emerging and established archaeologists and researchers, the book employs a fascinating and wide range of approaches and methodologies to investigate, and interpret material assemblages from cave shrines, many of which are introduced here for the fi rst time. An introductory section explores the emergence and growth of caves as centres of cult and religion. The chapters then probe some of the meanings attached to cave spaces and votive materials such as terracotta fi gurines, and ceramics, and those who created and used them. The authors use sensory and gender approaches, discuss the identity of the worshippers, and the contribution of statistical analysis to the role of votive materials. At the heart of the volume is the examination of cave materials excavated on the Cycladic islands and Crete, in Attika and Aitoloakarnania, on the Ionian islands and in southern Italy. This is a welcome volume for students of prehistoric and classical archaeology,enthusiasts of the history of caves, religion, ancient history, and anthropology.

Kenosis Creativity Architecture locates and explores creativity's grounding in the ancient concept of kenosis, the "emptying" that allows creativity to happen; that makes appearance possible. It concretises that grounding through architecture-a primal expression of human creativity-critically examining, for the first time, kenotic instantiations evidenced in four iconic, international projects; works by Kahn, Pei, Ando, and Libeskind. Then, in a final turn, the potentiality of architecture's own emptying is probed. Architect and author Randall Lindstrom draws on Western and Eastern philosophy, including that of Heidegger, Levinas, Derrida, Vattimo, Nishida, and Nishitani, as well as on the theology of Christianity, Judaism, and aspects of Buddhism, Hinduism, and Islam. Every chapter expands the argument that, if responsiveness to our world is taken seriously-if proper and sustainable responses are to be realised-then a deeper understanding of creativity, and so kenosis, is essential. This book opens-up a way of thinking about creativity and humanity's readiness to be creative. It thereby presents a crucial enquiry-at the nexus of architecture, philosophy, and theology-for researchers, graduate and postgraduate students, and practitioners alike.

Religion, Ethnicity and Xenophobia in the Bible looks at some of the Bible's most hostile and violent anti-foreigner texts and raises critical questions about how students of the Bible and ancient Near East should grapple with "ethnicity" and "foreignness" conceptually, hermeneutically and theologically. The author uses insights from social psychology, cognitive psychology, anthropology, sociology and ethnic studies to develop his own perspective on ethnicity and foreignness. Starting with legends about Mesopotamian kings from the third millennium BCE, then navigating the Deuteronomistic and Holiness traditions of the Hebrew Bible, and finally turning to Deuterocanonicals and the Apostle Paul, the book assesses the diverse and often inconsistent portrayals of foreigners in these ancient texts. This examination of the negative portrayal of foreigners in biblical and Mesopotamian texts also leads to a broader discussion about how to theorize ethnicity in biblical studies, ancient studies and the humanities. This volume will be invaluable to students of ethnicity and society in the Bible, at all levels.

In this intriguing dialogue, an established pagan and a respected Christian theologian engage in open, honest conversations about human spirituality and belief. Paganism is a rapidly expanding belief system, and this helpful exchange both introduces novices to its basic tenets and compares them to the beliefs and ideals behind Christianity. Such topics as the nature of spirituality, who or what is deity, how humans relate to the divine, the sacred feminine, gender, and sexuality are all addressed, along with specific debates involving the teachings and claims of Jesus. Offering a fair assessment and valuable insights into both faith systems, this is an engaging look at the state of belief in the modern world.

Reintroduces an ancient system of astrology called a Celtic tree calendar, in which each tree has a dryad or tree spirit.

Fritz Graf here presents a survey of a god once thought of as the most powerful of gods, and capable of great wrath should he be crossed: Apollo the sun god.

From his first attestations in Homer, through the complex question of pre-Homeric Apollo, to the opposition between Apollo and Dionysos in nineteenth and twentieth-century thinking, Graf examines Greek religion and myth to provide a full account of Apollo in the ancient world.

For students of Greek religion and culture, of myth and legend, and in the fields of art and literature, Apollo will provide an informative and enlightening introduction to this powerful figure from the past.

Fritz Graf here presents a survey of a god once thought of as the most powerful of gods, and capable of great wrath should he be crossed: Apollo the sun god.

From his first attestations in Homer, through the complex question of pre-Homeric Apollo, to the opposition between Apollo and Dionysos in nineteenth and twentieth-century thinking, Graf examines Greek religion and myth to provide a full account of Apollo in the ancient world.

For students of Greek religion and culture, of myth and legend, and in the fields of art and literature, Apollo will provide an informative and enlightening introduction to this powerful figure from the past.

The primary aim of New Directions in Celtic Studies is to focus on contemporary issues and to promote interdisciplinary approaches within the subject. Written by international scholars and practitioners in fields such as folklore, ethnomusicology, art history, religious studies, tourism and education, the book brings together in one volume a wide range of perspectives. It responds to the recent questioning of the viability of the notion of 'Celticity' and the idea of Celtic Studies as a discipline and points to a renewed vitality in the subject. New Directions in Celtic Studies is divided into four sections: popular culture and representation; commodities and Celtic lifestyles; contemporary Celtic identity and the Celtic diaspora; Celtic praxis.

European Paganism provides a comprehensive and accessible overview of ancient pagan religions throughout the European continent. Before there where Christians, the peoples of Europe were pagans. Were they bloodthirsty savages hanging human offerings from trees? Were they happy ecologists, valuing the unpolluted rivers and mountains? In European Paganism Ken Dowden outlines and analyses the diverse aspects of pagan ritual and culture from human sacrifice to pilgrimage lunar festivals and tree worship. It includes: * a 'timelines' chart to aid with chronology * many quotations from ancient and modern sources translated from the original language where necessary, to make them accessible * a comprehensive bibliography and guide to further reading.

After more than a century of debate about the significance of imperial cults for the interpretation of Revelation, this is the first study to examine both the archaeological evidence and the Biblical text in depth. Friesen argues that a detailed analysis of imperial cults as they were practised in the first century CE in the region where John was active allows us to understand John's criticism of his society's dominant values. He demonstrates the importance of imperial cults for society at the time when Revelation was written, and shows the ways in which John refuted imperial cosmology.

This book is about the multiplicity of gods and religions that characterized the Roman world before Constantine. It was not the noble gods such as Jove, Apollo and Diana, who were crucial to the lives of the common people in the empire, but gods of an altogether more earthly, earthy level, whose rituals and observances may now seem bizarre.

The book opens with an account of the nature of popular religion and the way in which the gods and myths of subject peoples were taken up by the Roman colonizers and spread throughout the empire. Successive chapters are devoted to the Great Mother, Isis, the cults of Syria, Mithras, The Horsemen, Dionysus, and to practices related to the performance of magic. It was above all with these popular religions that the early Christians fought for supremacy. In the concluding part of the book Professor Turcan describes this contest and its eventual outcome in the triumph of Christianity throughout the Roman world.

The author assumes little background or specialist knowledge. Each chapter is fully referenced and where appropriate illustrated with photographs and diagrams. The book includes a guide for further reading specifically for English-speaking students.

As well as being of wide general interest, this book will appeal to students of the Roman Empire and of the history of religion.

As the Roman Empire began to crumble, Celtic Christians began to embark more often on pilgrimages and quests. They found visionary islands on Skellig Michael, Iona, and Lindisfarne, yet their spirituality was largely concerned with politics and people. Brigid ruled a monastery for women and men, princesses and slaves, while Arthur was defending Celtic Britain against English invaders, and Aidan died protesting against his king. While some Celtic Christians did slam the monastery gates on the sinful world, most tramped into the hills to stand alongside ordinary people. Drawing on historical documents and a thoughtful examination of legends, this is an insightful resource that unveils the development of and tenets behind the various strands of Celtic Christianity.

This book provides the first systematic study of the role of animals in different areas of the ancient Greek religious experience, including in myth and ritual, the literary and the material evidence, the real and the imaginary. An international team of renowned contributors shows that animals had a sustained presence not only in the traditionally well-researched cultural practice of blood sacrifice but across the full spectrum of ancient Greek religious beliefs and practices. Animals played a role in divination, epiphany, ritual healing, the setting up of dedications, the writing of binding spells, and the instigation of other 'magical' means. Taken together, the individual contributions to this book illustrate that ancient Greek religion constituted a triangular symbolic system encompassing not just gods and humans, but also animals as a third player and point of reference. Animals in Ancient Greek Religion will be of interest to students and scholars of Greek religion, Greek myth, and ancient religion more broadly, as well as for anyone interested in human/animal relations in the ancient world.

The discovery of Hebrew manuscripts of Ben Sira in the Cairo Genizah has shaped and transformed the interpretation of the book. It is argued here that a proper appreciation of the manuscripts themselves is also essential for understanding this ancient work. Since their discovery 120 years ago and subsequent identification of leaves, attention has been directed to the interpretation of the ancient book, the Wisdom of Ben Sira. Serious consideration should also be given to the Hebrew manuscripts themselves and their particular contributions to understanding the language and transmission of the book. The surprising appearance of a work that was preserved by Christians and denounced by some Rabbis raises questions over the preservation of the book. At the same time, diversity among the manuscripts means that exegesis has to be built on an appreciation of the individual manuscripts. The contributors examine the manuscripts in this light, examining their discovery, the codicology and reception of the manuscripts within rabbinic and medieval Judaism, and the light they throw on the Hebrew language and poetic techniques. The book is essential reading for those working on Ben Sira, the reception of the deuterocanon, and Medieval Hebrew manuscripts.

This book sheds new light on the religious and consequently social changes taking place in late antique Rome. The essays in this volume argue that the once-dominant notion of pagan-Christian religious conflict cannot fully explain the texts and artifacts, as well as the social, religious, and political realities of late antique Rome. Together, the essays demonstrate that the fourth-century city was a more fluid, vibrant, and complex place than was previously thought. Competition between diverse groups in Roman society - be it pagans with Christians, Christians with Christians, or pagans with pagans - did create tensions and hostility, but it also allowed for coexistence and reduced the likelihood of overt violent, physical conflict. Competition and coexistence, along with conflict, emerge as still central paradigms for those who seek to understand the transformations of Rome from the age of Constantine through the early fifth century.

This book tackles the topic of religion, a broad subject exciting renewed interest across the social and historical sciences. The volume is tightly focused on the early farming village of Catalhoeyuk, which has generated much interest both within and outside of archaeology, especially for its contributions to the understanding of early religion. The volume discusses contemporary themes such as materiality, animism, object vitality, and material dimensions of spirituality while at the same time exploring broad evolutionary changes in the ways in which religion has influenced society. The volume results from a unique collaboration between an archaeological team and a range of specialists in ritual and religion.

This beautifully illustrated, closely argued, pioneering, and definitive magisterial survey spans over two thousand years and analyzes the astonishing and persistent influence that Ancient Egyptian culture has had on the West. Professor Stevens Curl describes in lively and stimulating prose the numerous revivals of the Egyptian style from Antiquity to the present day, drawing on a wealth of sources.
The author deftly develops his argument that the civilization of Ancient Egypt is central, rather than peripheral, to the development of much of Western architecture, art, design, and religion. He charts the remarkable persistence of Egyptian motifs in design from Graeco-Roman Antiquity, through the Mediaeval, Baroque, and Neo-Classical periods, and goes on to trace the rise of Egyptology in the nineteenth century, twentieth-century manifestations of Egyptianisms prompted by the discovery of Tutankhamun's tomb, and various aspects of Egyptianising tendencies in the Art Deco style and afterwards.
For students of art, architectural and ancient history, and those interested in Western European culture generally, this book will be an inspiring and invaluable addition to the available literature.

In this beautifully illustrated and closely argued book, a completely updated and much expanded third edition of his magisterial survey, Curl describes in lively and stimulating prose the numerous revivals of the Egyptian style from Antiquity to the present day. Drawing on a wealth of sources, his pioneering and definitive work analyzes the remarkable and persistent influence of Ancient Egyptian culture on the West.

The author deftly develops his argument that the civilization of Ancient Egypt is central, rather than peripheral, to the development of much of Western architecture, art, design, and religion. Curl examines:

• the persistence of Egyptian motifs in design from Graeco-Roman Antiquity, through the Medieval, Baroque, and Neo-Classical periods
• rise of Egyptology in the nineteenth and twentieth-century manifestations of Egyptianisms prompted by the discovery of Tutankhamun s tomb
• various aspects of Egyptianizing tendencies in the Art Deco style and afterwards.

For students of art, architectural and ancient history, and those interested in western European culture generally, this book will be an inspiring and invaluable addition to the available literature."

An Ecofeminist Perspective on Ash Wednesday and Lent develops a conversation between classical historical Lenten practices and contemporary Christian ecofeminism. Building on David Tracy's definition of a religious classic, it includes a historical examination of the development of Lent and the Ash Wednesday rites beginning from wellsprings in the early church traditions of penance, catechumenal preparation, and asceticism through medieval and reformation expressions of the rite to their twentieth-century Episcopal iteration in the 1979 Book of Common Prayer. In the discussion of ecofeminism, women's death experiences and current ecofeminist writings are used to develop an ecofeminist hermeneutic of mortality.

This landmark work, written by the eminent Egyptologist E. A. Wallis Budge, is a complete survey of the religion and mythology of the Ancient Egyptians. Every significant religious figure is considered in depth: the primitive gods and Nome-Gods; Ra, the sun god; Thoth and Maat, Amen and Amen-Ra, Aten, Osiris, Isis, the foreign gods, and many others. Also covered are the Underworld, Creation, the Zodiac, and Sacred Animals and Birds. A number of Hieroglyphic texts with translations are included.