Beyond its housing estates and identikit high streets there is another Britain. This is the Britain of mist-drenched forests and unpredictable sea-frets: of wraith-like fog banks, druidic mistletoe and peculiar creatures that lurk, half-unseen, in the undergrowth, tantalising and teasing just at the periphery of human vision. How have the remarkably persistent folkloric traditions of the British Isles formed and been formed by the identities and psyches of those who inhabit them? In her sparkling new history, Carolyne Larrington explores the diverse ways in which a myriad of imaginary and fantastical beings has moulded the cultural history of the nation. Fairies, elves and goblins here tread purposefully, sometimes malignly, over an eerie, preternatural landscape that also conceals brownies, selkies, trows, knockers, boggarts, land-wights, Jack o'Lanterns, Barguests, the sinister Nuckleavee, or water-horse, and even Black Shuck: terrifying hell-hound of the Norfolk coast with eyes of burning coal. Focusing on liminal points where the boundaries between this world and that of the supernatural grow thin those marginal tide-banks, saltmarshes, floodplains, moors and rock-pools wherein mystery lies the author shows how mythologies of Mermen, Green men and Wild-men have helped and continue to help human beings deal with such ubiquitous concerns as love and lust, loss and death and continuity and change. Evoking the Wild Hunt, the ghostly bells of Lyonesse and the dread fenlands haunted by Grendel, and ranging the while from Shetland to Jersey and from Ireland to East Anglia, this is a book that will captivate all those who long for the wild places: the mountains and chasms where Gog, Magog and their fellow giants lie in wait."

The Greek myths are among the world's most important cultural building blocks and they have been retold many times, but rarely do they focus on the remarkable women at the heart of these ancient stories.

Stories of gods and monsters are the mainstay of epic poetry and Greek tragedy, from Homer to Aeschylus, Sophocles and Euripides, from the Trojan War to Jason and the Argonauts. And still, today, a wealth of novels, plays and films draw their inspiration from stories first told almost three thousand years ago. But modern tellers of Greek myth have usually been men, and have routinely shown little interest in telling women’s stories. And when they do, those women are often painted as monstrous, vengeful or just plain evil. But Pandora – the first woman, who according to legend unloosed chaos upon the world – was not a villain, and even Medea and Phaedra have more nuanced stories than generations of retellings might indicate.

Now, in Pandora's Jar: Women in the Greek Myths, Natalie Haynes – broadcaster, writer and passionate classicist – redresses this imbalance. Taking Pandora and her jar (the box came later) as the starting point, she puts the women of the Greek myths on equal footing with the menfolk. After millennia of stories telling of gods and men, be they Zeus or Agamemnon, Paris or Odysseus, Oedipus or Jason, the voices that sing from these pages are those of Hera, Athena and Artemis, and of Clytemnestra, Jocasta, Eurydice and Penelope.

The series Beihefte zur Zeitschrift fur die neutestamentliche Wissenschaft (BZNW) is one of the oldest and most highly regarded international scholarly book series in the field of New Testament studies. Since 1923 it has been a forum for seminal works focusing on Early Christianity and related fields. The series is grounded in a historical-critical approach and also explores new methodological approaches that advance our understanding of the New Testament and its world.

This engaging and accessible textbook provides an introduction to the study of ancient Jewish and Christian women in their Hellenistic and Roman contexts. This is the first textbook dedicated to introducing women's religious roles in Judaism and Christianity in a way that is accessible to undergraduates from all disciplines. The textbook provides brief, contextualising overviews that then allow for deeper explorations of specific topics in women's religion, including leadership, domestic ritual, women as readers and writers of scripture, and as innovators in their traditions. Using select examples from ancient sources, the textbook provides teachers and students with the raw tools to begin their own exploration of ancient religion. An introductory chapter provides an outline of common hermeneutics or "lenses" through which scholars approach the texts and artefacts of Judaism and Christianity in antiquity. The textbook also features a glossary of key terms, a list of further readings and discussion questions for each topic, and activities for classroom use. In short, the book is designed to be a complete, classroom-ready toolbox for teachers who may have never taught this subject as well as for those already familiar with it. Jewish and Christian Women in the Ancient Mediterranean is intended for use in undergraduate classrooms, its target audience undergraduate students and their instructors, although Masters students may also find the book useful. In addition, the book is accessible and lively enough that religious communities' study groups and interested laypersons could employ the book for their own education.

Why did Egyptian cults, especially those dedicated to the goddess Isis and god Sarapis, spread so successfully across the ancient Mediterranean after the death of Alexander the Great? How are we limited by the established methodological apparatus of historiography and which innovative methods from other disciplines can overcome these limits? In this book, Tomas Glomb shows that while the interplay of different factors such as the economy, climate, and politics created favorable conditions for the early spread of the Isiac cults, the use of innovative quantitative methods can shed new light and help disentangle the complex interplay of individual factors. Using a combination of geospatial modeling, mathematical modeling, and network analysis, Glomb determines that, at least in the regions of the Hellenistic Aegean and western Asia Minor, the political channels created by the Ptolemaic dynasty were a dominant force in the local spread of the Isiac cults. An important contribution to the historiography of the ancient Mediterranean, this book answers the specific question of "how it happened" as well as, "how can we answer it beyond the limits of the established methodological apparatus in historiography."

This fascinating history explores the cultural roots of our civilization's obsession with the end of the world. Busting the myth of the ancient Maya prediction that time would end in 2012, Matthew Restall and Amara Solari build on their previous book, 2012 and the End of the World, to use the Maya case to connect such seemingly disparate historical events as medieval European millenarianism, Moctezuma's welcome to Cortes, Franciscan missionizing in Mexico, prophetic traditions in Yucatan, and the growing belief today in conspiracies and apocalypses. In demystifying the 2012 phenomenon, the authors draw on their decades of scholarship to provide an accessible and engaging explanation of what Mayas and Aztecs really believed, how Judeo-Christian apocalypticism became part of the Indigenous Mesoamerican and modern American worlds, and why millions continue to anticipate an imminent Doomsday.

Cosmological narratives like the creation story in the book of Genesis or the modern Big Bang are popularly understood to be descriptions of how the universe was created. However, cosmologies also say a great deal more. Indeed, the majority of cosmologies, ancient and modern, explore not simply how the world was made but how humans relate to their surrounding environment and the often thin line which separates humans from gods and animals. Combining approaches from classical studies, anthropology, and philosophy, this book studies three competing cosmologies of the early Greek world: Hesiod's Theogony; the Orphic Derveni theogony; and Protagoras' creation myth in Plato's eponymous dialogue. Although all three cosmologies are part of a single mythic tradition and feature a number of similar events and characters, Olaf Almqvist argues they offer very different answers to an ongoing debate on what it is to be human. Engaging closely with the ontological turn in anthropology and in particular with the work of Philippe Descola, this book outlines three key sets of ontological assumptions - analogism, pantheism, and naturalism - found in early Greek literature and explores how these competing ontological assumptions result in contrasting attitudes to rituals such as prayer and sacrifice.

Artemis is a literary, iconographic, and archaeological study of the ancient Greek goddess of the hunt, who presided over the transitions and mediations between the wild and the civilized, youth and maturity, life and death. Beginning with a study of the early origins of Artemis and her cult in the Bronze and Archaic Ages, Budin explores the goddess' persona and her role in the lives of her worshippers. This volume examines her birth and childhood, her place in the divine family, her virginity, and her associations with those places where the wilds become the "cities of just men." The focus then turns to Artemis' role in the lives of children and women, particularly how she helps them navigate the transition to adulthood and, perhaps too often, death. Budin goes on to reconsider some of the more harrowing aspects of Artemis' mythology, such as plague and bloodshed, while also examining some of her kinder, oft overlooked associations. Finally, the role of Artemis in the Renaissance and modern society is addressed, from the on-going fascination with the "breasts" on the statue of Artemis of Ephesos to the Artemisian aspects of Katniss Everdeen. Written in an accessible style, Artemis is a crucial resource for students not only of Greek myth, religion and cult, but also those seeking to understand the lives and roles of girls and women in ancient Greece, as this goddess presided over their significant milestones, from maiden to wife to mother.

In Ancient Egypt: State and Society, Alan B. Lloyd attempts to define, analyse, and evaluate the institutional and ideological systems which empowered and sustained one of the most successful civilizations of the ancient world for a period in excess of three and a half millennia. The volume adopts the premise that all societies are the product of a continuous dialogue with their physical context - understood in the broadest sense - and that, in order to achieve a successful symbiosis with this context, they develop an interlocking set of systems, defined by historians, archaeologists, and anthropologists as culture. Culture, therefore, can be described as the sum total of the methods employed by a group of human beings to achieve some measure of control over their environment. Covering the entirety of the civilization, and featuring a large number of up-to-date translations of original Egyptian texts, Ancient Egypt focuses on the main aspects of Egyptian culture which gave the society its particular character, and endeavours to establish what allowed the Egyptians to maintain that character for an extraordinary length of time, despite enduring cultural shock of many different kinds.

Paul's teaching about divine benefactions in Rom 12:6-8 extends the theme of worship that he establishes in Rom 12:1-2. Together, these passages address a uniquely gentile dilemma that his audience faced as new Christ-followers, which was the challenge of finding acceptable replacements for former cultic activities that were woven through all of life's stages, from birth to death. One of the chief shortcomings of the scholars that have written about Rom 12:6-8 is a failure to address what his gentile audience might have brought to his teaching and how his alignment of gifts with ritual (Rom 12:1-2) mirrored their polytheistic background. By analyzing examples from ancient texts and artifacts, Teresa Lee McCaskill shows that all seven of the terms Paul uses in Rom 12:6-8 would have had recognizable cultic antecedents for first-century worshipers in Rome. McCaskill presents a theoretical model that discusses how Paul's gentile audience might have viewed the charismata and considered them as examples of sanctioned practices to replace former rituals. She also weighs how these gifts could have served to further Paul's missional objectives.

What is the difference between a ghost and a ghoul? How do you tell a good Jinn from a bad one? Where would you find a chimera or a manticore? What did Herodotus have to say about werewolves? In this enchanting little book, television producer and mythozoologist Tam OMalley explores the rich world of mythological animals, from banshees to harpies, griffins to vampires. These ancient beasties still intrigue us today, filling popular novels, screens and imaginations. "Fascinating" FINANCIAL TIMES. "Beautiful" LONDON REVIEW OF BOOKS. "Rich and Artful" THE LANCET. "Genuinely mind-expanding" FORTEAN TIMES. "Excellent" NEW SCIENTIST. "Stunning" NEW YORK TIMES. Small books, big ideas.

The heroines of Greek tragedy presented in the plays by Aeschylus, Sophocles and Euripides have long captivated audiences and critics. In this volume each of the eleven chapters discusses one of the heroines: Clytemnestra, Hecuba, Medea, Iphigenia, Alcestis, Antigone Electra, Deianeira, Phaedra, Creusa and Helen. The book focuses on characterisation and the motivations of the women, as well as on those of the male playwrights, and offers multiple viewpoints and critiques that enable readers to understand the context of each play and form their own views. Four core themes bridge the depictions of the heroines: the socio-political dynamic of ancient Greek expectations of women and their roles in society, the conflict of masculinity versus femininity, the alternation of defiance and submission, and the interplay between deceit and rhetoric. Each chapter offers clear descriptions of plot and mythical background, and builds on the text of the plays to enable reflections on language and performance. All technical terms are explained and key topics or references are pulled out into box features that provide further background information. Discussion points at the ends of chapters enable readers to explore various topics more deeply.

Greek mythology is known to us from various artistic and literary sources. Of the latter, the poetic sources (such as Homer and tragedy) are familiar to many readers, but the prose sources are much less so. Early Greek Mythography: Volume 2 is a detailed commentary on the texts of Early GreekMythography: Volume 1, which provided a critical edition of the twenty-nine authors of this genre of Greek prose from the late sixth to the early fourth centuries BC.
After a general introduction, this volume offers in its first part a mythological commentary on the texts, arranged according to the major topics of Greek mythology (the Trojan Cycle, Herakles, the Argonauts, etc.). The aim is to recover, so far as possible, what each writer said about the stories, with full consideration of their historical context and significance for Greek literature, mythology, and religion. The synoptic, topic-by-topic approach allows all the fragments pertinent to any given myth to be treated together, so that one can more easily identify variants and trends, and plot the history of the myth. The second part of the volume is a philological commentary on the separate authors, discussing their life, works, and contribution to the genre, as well as textual problems and non-mythological questions raised by individual fragments.

Ovid's Fasti is a journey through ancient Rome, using the calendar as a guide. The reader of this poem tours the monuments of the Augustan-era city, witnesses both urban and rustic seasonal festivals, and commemorates the epic events of long-past history. The reader also experiences the passage of the year, as measured by the natural world: the rising and setting of constellations, the migration of birds, and the comforting rhythms of agriculture. Throughout, Ovid enlivens the narrative with myths, including Romulus and Remus, Callisto and Jupiter, Lucretia and Tarquinius, Hercules and Cacus, and many more. In doing so, he evokes the questions of what constitutes justice, or glory, or patriotism. The result is a lively tour of the Roman year-sometimes thoughtful, sometimes tragic, sometimes triumphant or even farcical-that interweaves human customs into the natural world, and gives occasional glimpses of awe-inspiring divinities on the streets of Rome. This volume covers the first half of the Fasti (Books I-III), including the original Latin text and also a new translation in clear, idiomatic prose on facing pages. An introduction on Ovid's life and Augustan literature, as well as an incisive commentary with up-to-date bibliography, give the reader extensive background to interpret the text.

In response to her own mother’s death, Starhawk, the bestselling author of the classic Spiral Dance, along with other Pagan authors, created in inspiring collection of essays, original prayers, blessings, and meditations that present the Pagan way of dying. In the tradition of such bestsellers as How We Die and The Tibetan Book of Living and Dying, it offers a new understanding of death and the rituals that surround it, adding insight and depth to spirituality.An inclusive, respectful, and deeply spiritual guidebook for those in the Pagan community and beyond, this powerful resource will help the dying make the transition between life and death, and their loved ones will find spiritual comfort and strength through the grieving process. It shows us that death can be a process of renewal and transformation.

The definitive and comprehensive edition of Robert Graves's classic retelling of the Greek myths 'Icarus disobeyed his father's instructions and began soaring towards the sun, rejoiced by the lift of his great sweeping wings. Presently, when Daedalus looked over his shoulder, he could no longer see Icarus; but scattered feathers floated on the waves below...' These are the greatest stories ever told - the labours of Hercules, the voyage of the Argonauts, Theseus and the minotaur, Midas and his golden touch, the Trojan War and Odysseus's journey home - brought together into one epic and unforgettable story. Ideal for the first time reader, it can be read as a single page-turning narrative, while full commentaries as well as a comprehensive index of names make it equally valuable for anyone seeking an authoritative and detailed account of the spectacular stories that make up the bedrock of Western literature. The Greek Myths is a classic among classics, a treasure trove of extraordinary tales and a masterful work of literature in its own right.

Giving access to the latest critical thinking on the subject, Medea is a comprehensive guide to sources that paints a vivid portrait of the Greek sorceress Medea, famed in myth for the murder of her children after she is banished from her own home and replaced by a new wife. Emma Griffiths brings into focus previously unexplored themes of the Medea myth, and provides an incisive introduction to the story and its history.

Studying Medea 's everywoman status one that has caused many intricacies of her tale to be overlooked Griffiths places the story in ancient and modern context and reveals fascinating insights into ancient Greece and its ideology, the importance of life, the role of women and the position of the outsider.

In clear, user-friendly terms, the book situates the myth within analytical frameworks such as psychoanalysis, and Griffiths highlights Medea 's position in current classical study as well as her lasting appeal.