Singing for the Gods develops a new approach towards an old question in the study of religion - the relationship of myth and ritual. Focusing on ancient Greek religion, Barbara Kowalzig exploits the joint occurrence of myth and ritual in archaic and classical Greek song-culture. She shows how choral performances of myth and ritual, taking place all over the ancient Greek world in the early fifth century BC, help to effect social and political change in their own time. Religious song emerges as integral to a rapidly changing society hovering between local, regional, and panhellenic identities and between aristocratic rule and democracy. Drawing on contemporary debates on myth, ritual, and performance in social anthropology, modern history, and theatre studies, this book establishes Greek religion's dynamic role and gives religious song-culture its deserved place in the study of Greek history.

This title deals with the role of memory in shaping religion in the ancient cities of Mesopotamia, Egypt, Greece and Rome. This volume brings together scholars and researchers working on memory and religion in ancient urban environments. Chapters explore topics relating to religious traditions and memory, and the multifunctional roles of architectural and geographical sites, mythical figures and events, literary works and artefacts. Pagan religions were often less static and more open to new influences than previously understood. One of the factors that shape religion is how fundamental elements are remembered as valuable and therefore preservable for future generations. Memory, therefore, plays a pivotal role when - as seen in ancient Rome during late antiquity - a shift of religions takes place within communities. The significance of memory in ancient societies and how it was promoted, prompted, contested and even destroyed is discussed in detail. This volume, the first of its kind, will not only address the main cultures of the ancient world - Mesopotamia, Egypt, Greece and Rome - but also look at urban religious culture and funerary belief, and how concepts of ethnic religion were adapted in new religious environments.

Whether you are reading Greek mythology for psychological insights or studying the classics in college, there are a number of goddesses who have been almost entirely overlooked. They are who John Sanford calls the lesser-known goddesses. However, there is nothing lesser about them. They personify the deeper elements that exist across all life, nature, and spiritual reality. Our current culture often neglects their qualities but would be wise to increase its understanding of them. Many books, including the bestseller Goddesses in Everywoman by Jean Bolen, illustrate well-known goddesses who are the main characters in their stories. But behind the scenes and often running their personalities are the lesser-known goddesses from the ancient matriarchal era of Greek culture. To bring forward their spiritual meaning, Sanford has pieced together information from various Greek stories, plays, and poems.

The Iguvine Tables (Tabulae Iguvinae) are among the most invaluable documents of Italic linguistics and religion. Seven bronze tablets discovered in 1444 in the Umbrian town of Gubbio (ancient Iguvium), they record the rites and sacral laws of a priestly brotherhood, the Fratres Atiedii, with a degree of detail unparalleled elsewhere in ancient Italy. Taking an interdisciplinary approach that combines philological and linguistic, as well as ritual analysis, Michael Weiss not only addresses the many interpretive cruces that have puzzled scholars for a century and a half, but also constructs a coherent theory of the entire ritual performance described on Tables III and IV. In addition, Weiss sheds light on many questions of Roman ritual practice and places the Iguvine Tables in their broader Italic and Indo-European contexts.

Through a close and informative reading of seven key texts in Acts, Kauppi analyses the appearances of Graeco-Roman religion, offering evidence of practices including divination and oracles, ruler cult and civic foundation myth. "Foreign But Familiar Gods" then uses a combination of these scriptural texts and other contemporary evidence (including archaeological and literary material) to suggest that one of Luke's subsidiary themes is to contrast Graeco-Roman and Christian religious conceptualizations and practices.

Tobiah's travel with the angel in Tobit chapter six constitutes a singular moment in the book. It marks a before and after for Tobiah as a character. Considered attentively, Tobit six reveals a remarkable richness in content and form, and functions as a crucial turning point in the plot's development. This book is the first thorough study of Tobit six, examining the poetics and narrative function of this key chapter and revisiting arguments about its meaning. A better understanding of this central chapter deepens our comprehension of the book as a whole.

Lightning has evoked a numinous response as well as powerful timeless references and symbols among ancient religions throughout the world. Thunder and lightning have also taken on various symbolic manifestations, some representing primary deities, as in the case of Zeus and Jupiter in the Greco/Roman tradition, and Thor in Norse myth. Similarly, lightning veneration played an important role to the ancient civilizations of Mesoamerica and Andean South America. Lightning veneration and the religious cults and their associated rituals represent to varying degrees a worship of nature and the forces that shape the natural world. The inter-relatedness of the cultural and natural environment is related to what may be called a widespread cultural perception of the natural world as sacred, a kind of mythic landscape. Comparative analysis of the Andes and Mesoamerica has been a recurring theme recently in part because two of the areas of "high civilization" in the Americas have much in common despite substantial ecological differences, and in part because there is some evidence, of varying quality, that some people had migrated from one area to the other. Lightning in the Andes and Mesoamerica is the first ever study to explore the symbolic elements surrounding lightning in their associated Pre-Columbian religious ideologies. Moreover, it extends its examination to contemporary culture to reveal how cultural perceptions of the sacred, their symbolic representations and ritual practices, and architectural representations in the landscape were conjoined in the ancient past. Ethnographic accounts and ethnohistoric documents provide insights through first-hand accounts that broaden our understanding of levels of syncretism since the European contact. The interdisciplinary research presented herein also provides a basis for tracing back Pre-Columbian manifestations of lightning its associated religious beliefs and ritual practices, as well as its mythological, symbolic, iconographic, and architectural representations to earlier civilizations. This unique study will be of great interest to scholars of Pre-Columbian South and Mesoamerica, and will stimulate future comparative studies by archaeologists and anthropologists.

The diffusion of the cults of Isis is recently again intensively studied. Research on this fascinating phenomenon has traditionally been characterised by its focus on L' gypte hors d' gypte, while developments in Hellenistic and Roman Egypt itself were often seen as belonging to a different domain. This volume tries to overcome that unhealthy dichotomy by studying the cults of Isis in Hellenistic and Roman Egypt itself in relation to developments in the Mediterranean at large. The book not only presents an overview of the most important deities, often based on new or unpublished material, but also pays ample attention to the cultural processes behind Isis on Nile, like relations between style and identity, religious choice, social- and cultural memory and Egypt s view of its own past.

In Legendary Rivals Jaclyn Neel argues for a new interpretation of the foundation myths of Rome. Instead of a negative portrayal of the city's early history, these tales offer a didactic paradigm of the correct way to engage in competition. Accounts from the triumviral period stress the dysfunctional nature of the city's foundation to capture the memory of Rome's civil wars. Republican evidence suggests a different emphasis. Through diachronic analyses of the tales of Romulus and Remus, Amulius and Numitor, Brutus and Collatinus, and Camillus and Manlius Capitolinus, Neel shows that Romans of the Republic and early Principate would have seen these stories as examples of competition that pushed the bounds of propriety.

In The Impact of the Roman Empire on The Cult of Asclepius Ghislaine van der Ploeg offers an overview and analysis of how worship of the Graeco-Roman god Asclepius adapted, changed, and was disseminated under the Roman Empire. It is shown that the cult enjoyed a vibrant period of worship in the Roman era and by analysing the factors by which this religious changed happened, the impact which the Roman Empire had upon religious life is determined. Making use of epigraphic, numismatic, visual, and literary sources, van der Ploeg demonstrates the multifaceted nature of the Roman cult of Asclepius, updating current thinking about the god.

Ezekiel's Visionary Temple in Babylonian Context examines evidence from Babylonian sources to better understand Ezekiel's vision of the future temple as it appears in chapters 40-48. Tova Ganzel argues that Neo-Babylonian temples provide a meaningful backdrop against which many unique features of Ezekiel's vision can and should be interpreted. In pointing to the similarities between Neo-Babylonian temples and the description in the book of Ezekiel, Ganzel demonstrates how these temples served as a context for the prophet's visions and describes the extent to which these similarities provide a further basis for broader research of the connections between Babylonia and the Bible. Ultimately, she argues the extent to which the book of Ezekiel models its temple on those of the Babylonians. Thus, this book suggests a comprehensive picture of the book of Ezekiel's worldview and to contextualize its visionary temple by comparing its vision to the actual temples surrounding the Judeans in exile.

This study raises that difficult and complicated question on a broad front, taking into account the expressions and attitudes of a wide variety of Greek, Roman, Jewish, and early Christian sources, including Herodotus, Polybius, Cicero, Philo, and Paul. It approaches the topic of ethnicity through the lenses of the ancients themselves rather than through the imposition of modern categories, labels, and frameworks. A central issue guides the course of the work: did ancient writers reflect upon collective identity as determined by common origins and lineage or by shared traditions and culture?

Winner of the London Hellenic Prize 2020 The Greek Trilogy of Luis Alfaro gathers together for the first time the three 'Greek' plays of the MacArthur Genius Award-winning Chicanx playwright and performance artist. Based respectively on Sophocles' Electra and Oedipus, and Euripides' Medea, Alfaro's Electricidad, Oedipus El Rey, and Mojada transplant ancient themes and problems into the 21st century streets of Los Angeles and New York, in order to give voice to the concerns of the Chicanx and wider Latinx communities. From performances around the world including sold-out runs at New York's Public Theater, these texts are extremely important to those studying classical reception, Greek theatre and Chicanx writers. This unique anthology features definitive editions of all three plays alongside a comprehensive introduction which provides a critical overview of Luis Alfaro's work, accentuating not only the unique nature of these three 'urban' adaptations of ancient Greek tragedy but also the manner in which they address present-day Chicanx and Latinx socio-political realities across the United States. A brief introduction to each play and its overall themes precedes the text of the drama. The anthology concludes with exclusive supplementary material aimed at enhancing understanding of Alfaro's plays: a 'Performance History' timeline outlining the performance history of the plays; an alphabetical 'Glossary' explaining the most common terms in Spanish and Spanglish appearing in each play; and a 'Further Reading' list providing primary and secondary bibliography for each play. The anthology is completed by a new interview with Alfaro which addresses key topics such as Alfaro's engagement with ancient Greek drama and his work with Chicanx communities across the United States, thus providing a critical contextualisation of these critically-acclaimed plays.