Where did the idea of sin arise from? In this meticulously argued book, David Konstan takes a close look at classical Greek and Roman texts, as well as the Bible and early Judaic and Christian writings, and argues that the fundamental idea of "sin" arose in the Hebrew Bible and the New Testament, although this original meaning was obscured in later Jewish and Christian interpretations. Through close philological examination of the words for "sin," in particular the Hebrew hata' and the Greek hamartia, he traces their uses over the centuries in four chapters, and concludes that the common modern definition of sin as a violation of divine law indeed has antecedents in classical Greco-Roman conceptions, but acquired a wholly different sense in the Hebrew Bible and New Testament.

This book aims to give students an introduction to the religious and social world of ancient Israel. It consists of two parts. The first explores the major religious offices mentioned in the Old Testament, including prophets, priests, sages and kings. As well as considering what these key people said and did, the author traces the process someone might have gone through to become recognised as a prophet, priest or sage, and where you would have had to go in ancient Israel if you wanted to locate someone who held one of these offices. In the second part the focus is on the religious beliefs and practices of the "common" people as this was the group that made up the vast majority of ancient Israel's population.

This book uses the mythological hero Heracles as a lens for investigating the nature of heroic violence in Archaic and Classical Greek literature, from Homer through to Aristophanes. Heracles was famous for his great victories as much as for his notorious failures. Driving each of these acts is his heroic violence, an ambivalent force that can offer communal protection as well as cause grievous harm. Drawing on evidence from epic, lyric poetry, tragedy, and comedy, this work illuminates the strategies used to justify and deflate the threatening aspects of violence. The mixed results of these strategies also demonstrate how the figure of Heracles inherently - and stubbornly - resists reform. The diverse character of Heracles' violent acts reveals an enduring tension in understanding violence: is violence a negative individual trait, that is to say the manifestation of an internal state of hostility? Or is it one specific means to a preconceived end, rather like an instrument whose employment may or may not be justified? Katherine Lu Hsu explores these evolving attitudes towards individual violence in the ancient Greek world while also shedding light on timeless debates about the nature of violence itself.

'A beautiful and profound retelling' - Madeline Miller, author of The Song of Achilles and Circe 'Gives the serpent-headed monster of myth a powerful and haunting humanity' - Jennifer Saint, author of Ariadne and Elektra _________________ If I told you that I'd killed a man with a glance, would you wait to hear the rest? The why, the how, what happened next? Monster. Man-hater. Murderess. Forget everything you've been told about Medusa. Internationally bestselling author Jessie Burton flips the script in this astonishing retelling of Greek myth, illuminating the woman behind the legend at last. Exiled to a far-flung island after being abused by powerful Gods, Medusa has little company other than the snakes that adorn her head instead of hair. Haunted by the memories of a life before everything was stolen from her, she has no choice but to make peace with her present: Medusa the Monster. But when the charmed and beautiful Perseus arrives on the island, her lonely existence is blown apart, unleashing desire, love... and betrayal. Adapted from the hardback illustrated by Olivia Lomenech-Gill, this paperback edition is perfect for readers who loved Circe and Ariadne, as Medusa comes alive in a new version of the story that history set in stone long ago. _________________ '... a must-read for women of all ages' - Red magazine 'Utterly transporting' - Guardian Books of the Year '... an impressive addition to the shelves of feminist retellings, balancing rage with beautiful storytelling' - Irish Times

A remote village. A deadly secret. An outsider who knows the truth... 'ATMOSPHERIC AND COMPELLING' Catherine Cooper, Sunday Times bestselling author of The Chalet and The Chateau 'SPLENDIDLY CREEPY' DAILY MAIL 'DELICIOUSLY UNSETTLING' OBSERVER Maggie Mackay has been haunted her entire life. No matter what she does, she can't shake the sense that something is wrong with her. And maybe something is... When she was five years old, without proof, Maggie announced that someone in the remote village of Blairmore in the Outer Hebrides had murdered a local man, sparking a media storm. Now, Maggie is determined to discover what really happened and what the villagers are hiding. But everyone has secrets, and some are deadly. As she gets closer to the horrifying truth, Maggie's own life is in danger... From the critically-acclaimed author of Mirrorland comes a darkly disturbing new thriller that will chill you to the bone. PRAISE FOR CAROLE JOHNSTONE'S DEBUT NOVEL, MIRRORLAND: 'DARK AND DEVIOUS' Stephen King 'UTTERLY ENGROSSING' Daily Mail 'TWISTY AND RICHLY ATMOSPHERIC' Ruth Ware 'TIGHTLY PLOTTED AND UTTERLY GRIPPING' Sarah Pinborough 'A HAUNTING THRILLER' Woman's Weekly 'TOTALLY ABSORBING' T.M. Logan 'AN UNSETTLING, LABYRINTHINE TALE' New York Times

Ancient Egyptians imagined the afterlife as a kind of journey you had to make to get to paradise - but it was quite a hazardous journey so you would need help along the way. So spells and magic formulas written on papyrus were placed in coffins and burial chambers and believed to protect and aid the deceased in duat, or the underworld. These funerary texts were developed over many centuries into individualized collections known as the Book of the Dead. One of the best-known versions, the 'Papyrus of Ani', is featured here. Some 192 spells are known, although no single manuscript contains them all. The spells are designed to give the dead mystical knowledge in the afterlife, offer incantations to help preserve different parts of the deceased, and protect the dead from hostile forces. Some of the spells are to make sure you can control your own body after death. The ancient Egyptians believed that a person was made up of different elements: body, spirit, name, heart, all embodiments of a person, and they were afraid that these elements would disperse when you died. Presented in a high-quality Chinese-bound format with accompanying illustrations, Egyptian Book of the Dead is an ideal resource of esoteric wisdom for anyone interested in Ancient Egyptian notions of death and the path to the afterlife.