Ancient Greek culture is pervaded by a profound ambivalence regarding female beauty. It is an awe-inspiring, supremely desirable gift from the gods, essential to the perpetuation of a man's name through reproduction; yet it also grants women terrifying power over men, posing a threat inseparable from its allure. The myth of Helen is the central site in which the ancient Greeks expressed and reworked their culture's anxieties about erotic desire. Despite the passage of three millennia, contemporary culture remains almost obsessively preoccupied with all the power and danger of female beauty and sexuality that Helen still represents. Yet Helen, the embodiment of these concerns for our purported cultural ancestors, has been little studied from this perspective. Such issues are also central to contemporary feminist thought. Helen of Troy engages with the ancient origins of the persistent anxiety about female beauty, focusing on this key figure from ancient Greek culture in a way that both extends our understanding of that culture and provides a useful perspective for reconsidering aspects of our own. Moving from Homer and Hesiod to Sappho, Aeschylus, and Euripides, Ruby Blondell offers a fresh examination of the paradoxes and ambiguities that Helen embodies. In addition to literary sources, Blondell considers the archaeological record, which contains evidence of Helen's role as a cult figure, worshipped by maidens and newlyweds. The result is a compelling new interpretation of this alluring figure.

The contributions in this volume are focused on the historical origins, religious provenance, and social function of ancient Jewish and Christian apocalyptic literature, including so-called 'Gnostic' writings. Although it is disputed whether there was a genre of 'apocalyptic literature,' it is obvious that numerous texts from ancient Judaism, early Christianity, and other religious milieus share a specific view of history and the world to come. Many of these writings are presented in form of a heavenly (divine) revelation, mediated through an otherworldly figure (like an angel) to an elected human being who discloses this revelation to his recipients in written form. In different strands of early Judaism, ancient Christianity as well as in Gnosticism, Manichaeism, and Islam, apocalyptic writings played an important role from early on and were produced also in later centuries. One of the most characteristic features of these texts is their specific interpretation of history, based on the knowledge about the upper, divine realm and the world to come. Against this background the volume deals with a wide range of apocalyptic texts from different periods and various religious backgrounds.

This book approaches the religion and rituals of the pre-Islamic Arabian nomads using the Safaitic inscriptions. Unlike Islamic-period literary sources, this material was produced by practitioners of traditional Arabian religion; the inscriptions are eyewitnesses to the religious life of Arabian nomads prior to the spread of Judaism and Christianity across Arabia. The author attempts to reconstruct this world using the original words of its inhabitants, interpreted through comparative philology, pre-Islamic and Islamic-period literary sources, and the archaeological context.

The mythological hero Orpheus occupied a central role in ancient Greek culture, but 'the son of Oeagrus' and 'Thracian musician' venerated by the Greeks has also become a prominent figure in a long tradition of classical reception of Greek myth. This book challenges our entrenched idea of Orpheus and demonstrates that in the Classical and Hellenistic periods depictions of his identity and image were not as unequivocal as we tend to believe today. Concentrating on Orpheus' ethnicity and geographical references in ancient sources, Tomasz Mojsik traces the development of, and changes in, the mythological image of the hero in Antiquity and sheds new light on contemporary constructions of cultural identity by locating the various versions of the mythical story within their socio-political contexts. Examination of the early literary sources prompts a reconsideration of the tradition which locates the tomb of the hero in Macedonian Pieria, and the volume argues for the emergence of this tradition as a reaction to the allegation of the barbarity and civilizational backwardness of the Macedonians throughout the wider Greek world. These assertions have important implications for Archelaus' Hellenizing policy and his commonly acknowledged sponsorship of the arts, which included his incorporating of the Muses into the cult of Zeus at the Olympia in Dium.

The formula 'for the life of' is often found in votive inscriptions, cast in Aramaic and other languages, which originate from the Syrian-Mesopotamian desert and adjacent areas and which roughly date from the first three centuries A.D. They belong to objects like statues and altars that usually were erected in temples and other structures with a ritual or sacred function. The inscriptions establish a relationship between the dedicator and one or more beneficiaries, those persons for whose life the dedication was made.
Since the social context evidently bears on both the meaning of the inscriptions as well as the status of the dedications, this volume deals with the nature of the relationships and the socio-religious function the dedications perform.

The volume presents a selection of research projects in Digital Humanities applied to the "Biblical Studies" in the widest sense and context, including Early Jewish and Christian studies, hence the title "Ancient Worlds". Taken as a whole, the volume explores the emergent Digital Culture at the beginning of the 21st century. It also offers many examples which attest to a change of paradigm in the textual scholarship of "Ancient Worlds": categories are reshaped; textuality is (re-) investigated according to its relationships with orality and visualization; methods, approaches and practices are no longer a fixed conglomeration but are mobilized according to their contexts and newly available digital tools.

Mystery Cults in Visual Representation in Graeco-Roman Antiquity aims to fill a gap in the study of mystery cults in Graeco-Roman Antiquity by focusing on images for investigating their ritual praxis. Nicole Belayche and Francesco Massa have gathered experts on visual language in order to illuminate cultic rituals renowned for both their "mysteries" and their images. This book tackles three interrelated questions. Focusing on the cult of Dionysus, it analyses whether, and how, images are used to depict mystery cults. The relationship between historiography and images of mystery cults is considered with a focus on the Mithraic and Isiac cults. Finally, turning to the cults of Dionysus and the Mother of the Gods, this work shows how depictions of specific cultic objects succeed in expressing mystery cults.

Discover the traditional stories and wisdom behind your favourite yoga poses in this stunningly illustrated book of Indian mythology for yogis of all levels. A beautifully written introduction to Indian mythology, join storyteller, scholar and teacher, Dr Raj Balkaran, and explore the unforgettable tales behind 50 key yoga poses, such as: Virabhadrasana II, the original warrior pose Tadasana, mountain pose Bhujangasana, cobra pose Garudasana, eagle pose Padmasana, lotus pose Virasana, hero pose Savasana, corpse pose Meet iconic Gods and Goddesses, from Ganesa, the elephant-headed god of wisdom, to Siva, Lord of Yogis, and Kali, goddess of mind, body, soul and death. Explore the rivalry between the sages Vasistha and Visvamitra, and their cosmic feud over a wish-fulfilling cow. Plunge into the depths of one of the richest myths in Hinduism: the battle between the demons and the gods who churn the cosmic oceans in search for the elixir of immortality. And learn how Siva got his blue throat! Learn, through the mythology of the poses, more about the roots of this ancient practice and how you can use their teachings to better appreciate and respect yoga's true origins. Enhance your practice by reading one story before or at the end of class, and incorporating the poses and their teaching into your life, as well as your yoga practice, and transform the way you view and practice this timeless art.

This study presents a comprehensive treatment of a crucial aspect of Greek religion hitherto largely neglected in the English language. Simon Pulleyn makes a full examination of all the relevant literary and inscribed material available in order both to describe ancient Greek practices and to explain their significance.

Over the past 20 years, Boeotia has been the focus of intensive archaeological investigation that has resulted in some extraordinary epigraphical finds. The most spectacular discoveries are presented for the first time in this volume: dozens of inscribed sherds from the Theban shrine of Heracles; Archaic temple accounts; numerous Classical, Hellenistic and Roman epitaphs; a Plataean casualty list; a dedication by the legendary king Croesus. Other essays revisit older epigraphical finds from Aulis, Chaironeia, Lebadeia, Thisbe, and Megara, radically reassessing their chronology and political and legal implications. The integration of old and new evidence allows for a thorough reconsideration of wider historical questions, such as ethnic identities, and the emergence, rise, dissolution, and resuscitation of the famous Boeotian koinon. Contributors include: Vassilios Aravantinos, Hans Beck, Margherita Bonanno, Claire Grenet, Yannis Kalliontzis, Denis Knoepfler, Angelos P. Matthaiou, Emily Mackil, Christel Muller, Nikolaos Papazarkadas, Isabelle Pernin, Robert Pitt, Adrian Robu, and Albert Schachter.