Various goddesses of the ancient Mediterranean world were once understood to be Virgin Mothers--creators who birthed the entire cosmos without need of a male consort. This is the first book to explore evidence of the original parthenogenetic power of deities such as Athena, Hera, Artemis, Gaia, Demeter, Persephone, and the Gnostic Sophia. It provides stunning feminist insights about the deeper meaning of related stories, such as the judgment of Paris, the labors of Heracles, and the exploits of the Amazons. It also roots the Thesmophoria and Eleusinian Mysteries in female parthenogenetic power, thereby providing what is at long last a coherent understanding of these mysterious rites.

The papers of the volume investigate how authoritative figures in the Second Temple Period and beyond contributed to forming the Scriptures of Judaism, as well as how these Scriptures shaped ideal figures as authoritative in Early Judaism. The topic of the volume thus reflects Ben Wright's research, who-especially with his work on Ben Sira, on the Letter of Aristeas, and on various problems of authority in Early Jewish texts-creatively contributed to the study of the formation of Scriptures, and to the understanding of the figures behind these texts.

"The object of the present little book is to provide in connected form enough information to cover all the ordinary allusions met with, so that by reading it through, the student may get a conspectus of the whole field; while, by means of a copious index, it may also fulfill the function of the Classical Dictionary,"

Shulgi-simti is an important example of a woman involved in sponsoring religious activities though having a family life. An Ox of One's Own will be of interest to Assyriologists, particularly those interested in Early Mesopotamia, and scholars working on women in religion. An Ox of One's Own centers on the archive of a woman who died about 2050 B.C., one of King Shulgi's many wives. Her birth name is unknown, but when she married, she became Shulgi-simti, "Suitable for Shulgi." Attested for only about 15 years, she existed among a court filled with other wives, who probably outranked her. A religious foundation was run on her behalf whereby courtiers, male and female, donated livestock for sacrifices to an unusual mix of goddesses and gods. Previous scholarship has declared this a rare example of a queen conducting women's religion, perhaps unusual because they say she came from abroad. The conclusions of this book are quite different. An Ox of One's Own lays out the evidence that another woman was queen at this time in Nippur while Shulgi-simti lived in Ur and was a third-ranking concubine at best, with few economic resources. Shulgi-simti's religious exercises concentrated on a quartet of north Babylonian goddesses.

A comprehensive investigation of notions of "time" in deuterocanonical and cognate literature, from the ancient Jewish up to the early Christian eras, requires further scholarship. The aim of this collection of articles is to contribute to a better understanding of "time" in deuterocanonical literature and pseudepigrapha, especially in Second Temple Judaism, and to provide criteria for concepts of time in wisdom literature, apocalypticism, Jewish and early Christian historiography and in Rabbinic religiosity. Essays in this volume, representing the proceedings of a conference of the "International Society for the Study of Deuterocanonical and Cognate Literature" in July 2019 at Greifswald, discuss concepts and terminologies of "time", stemming from novellas like the book of Tobit, from exhortations for the wise like Ben Sira, from an apocalyptic time table in 4 Ezra, the book of Giants or Daniel, and early Christian and Rabbinic compositions. The volume consists of four chapters that represent different approaches or hermeneutics of "time:" I. Axial Ages: The Construction of Time as "History", II. The Construction of Time: Particular Reifications, III. Terms of Time and Space, IV. The Construction of Apocalyptic Time. Scholars and students of ancient Jewish and Christian religious history will find in this volume orientation with regard to an important but multifaceted and sometimes disparate topic.

Archetypal images, Carl Jung believed, when elaborated in tales and ceremonies, shape culture's imagination and behavior. Unfortunately, such cultural images can become stale and lose their power over the mind. But an artist or mystic can refresh and revive a culture's imagination by exploring his personal dream-images and connecting them to the past. Dante Alighieri presents his Divine Comedy as a dream-vision, carefully establishing the date at which it came to him (Good Friday, 1300), and maintaining the perspective of that time and place, throughout the work, upon unfolding history. Modern readers will therefore welcome a Jungian psychoanalytical approach, which can trace both instinctual and spiritual impulses in the human psyche. Some of Dante's innovations (admission of virtuous pagans to Limbo) and individualized scenes (meeting personal friends in the afterlife) more likely spring from unconscious inspiration than conscious didactic intent. For modern readers, a focus on Dante's personal dream-journey may offer the best way into his poem.

The Routledge Dictionary of Egyptian Gods and Goddesses contains one of the most comprehensive listings and descriptions of Egyptian deities. Now in its second edition, it provides:

• 
  
• a new introduction
• 
  
• updated entries and four new entries on deities
• 
  
• names of the deities as Hieroglyphs
• 
  
• a survey of gods and goddesses as they appear in classical literature
• 
  
• an expanded chronology and updated bibliography, together with a list of relevant websites
• 
  
• drawings of the gods and emblems of each district
• 
  
• a map of ancient Egypt and a time chart

Presenting a vivid picture of the complexity and richness of imagery in Egyptian mythology, students studying Ancient Egypt, travelers, visitors to museums and all those interested in mythology will find this an invaluable resource.

This volume collects papers written during the past two decades that explore various aspects of late Second Temple period Jewish literature and the figurative art of the Late Antique synagogues. Most of the papers have a special emphasis on the reinterpretation of biblical figures in early Judaism or demonstrate how various biblical traditions converged into early Jewish theologies. The structure of the volume reflects the main directions of the author's scholarly interest, examining the Dead Sea Scrolls, the Apocrypha and Pseudepigrapha, and Late Antique synagogues. The book is edited for the interest of scholars of Second Temple Judaism, biblical interpretation, synagogue studies and the effective history of Scripture.

This volume explores how Pagans negotiate local and global tensions as they craft their identities, both as members of local communities and as cosmopolitan "citizens of the world." Based on cutting edge international case studies from Pagan communities in the United States, Poland, Russia, Ukraine, Israel, South Africa, Australia, New Zealand, and Malta, it considers how modern Pagans negotiate tensions between the particular and universal, nationalism and cosmopolitanism, ethnicity, and world citizenship. The burgeoning of modern Paganisms in recent decades has proceeded alongside growing globalization and human mobility, ubiquitous Internet use, a mounting environmental crisis, the re-valuing of indigenous religions, and new political configurations. Cosmopolitanism and nationalism have both influenced the weaving of unique local Paganisms in diverse contexts. Pagans articulate a strong attachment to local or indigenous traditions and landscapes, constructing paths that reflect local socio-cultural, political, and historical realities. However, they draw on the Internet and the global circulation of people and universal ideas. This collection considers how they confound these binaries in fascinating, complex ways as members of local communities and global networks.

Covering an expanse of more than three thousand years, Hellenic Temples and Christian Churches charts, in one concise volume, the history of Greece's religious cultures from antiquity all the way through to present, post-independence Greece.

Focusing on the encounter and interaction between Hellenism and (Orthodox) Christianity, which is the most salient feature of Greece's religious landscape--influencing not only Greek religious history, but Greek culture and history as a whole--Vasilios N. Makrides considers the religious cultures of Greece both historically, from the ancient Greek through the Byzantine and the Ottoman periods up to the present, and systematically, by locating common characteristics and trajectoriesacross time. Weaving other traditions including Judaism and Islam into his account, Makrides highlights the patterns of development, continuity, and change that have characterized the country's long and unique religious history.

Contrary to the arguments of those who posit a single, exclusive religious culture for Greece, Makrides demonstrates the diversity and plurality that has characterized Greece's religious landscape across history. Beautifully written and easy to navigate, Hellenic Temples and Christian Churches offers an essential foundation for students, scholars, and the public on Greece's long religious history, from ancient Greece and the origins of Christianity to the formation of "Helleno-Christianity" in modern Greece.

Find out what happened when King Midas was granted his wish, how Icarus flew too close to the sun, and relive the adventures of Jason and the Argonauts in these stories of love, betrayal, infatuation and punishment. Part of the Macmillan Collector's Library; a series of stunning, clothbound, pocket-sized classics with gold foiled edges and ribbon markers. These beautiful books make perfect gifts or a treat for any book lover. Greek myths have been part of Western culture since they were first set down by the ancients and, as there is no one definitive account, the stories have been ripe for reinterpretation through the centuries. Classicist and writer Jean Menzies has brought together fifteen retellings of famous myths from the likes of Andrew and Jean Lang, Nathaniel Hawthorne and Emilie Kip Baker, each chosen for its clarity and vivacity. The result? An enlightening and lively volume of stories and a treat for all fans of Greek mythology.