This book examines magic's generally maleficent effect on humans from ancient Egypt through the Middle Ages, including tales from classical mythology, Jewish, Christian, and Muslim cultures. It shows that certain magical motifs lived on from age to age, but that it took until the Italian Renaissance for magic tales to become fairy tales.

Ancient Greek Myth in World Fiction since 1989 explores the diverse ways that contemporary world fiction has engaged with ancient Greek myth. Whether as a framing device, or a filter, or via resonances and parallels, Greek myth has proven fruitful for many writers of fiction since the end of the Cold War. This volume examines the varied ways that writers from around the world have turned to classical antiquity to articulate their own contemporary concerns. Featuring contributions by an international group of scholars from a number of disciplines, the volume offers a cutting-edge, interdisciplinary approach to contemporary literature from around the world. Analysing a range of significant authors and works, not usually brought together in one place, the book introduces readers to some less-familiar fiction, while demonstrating the central place that classical literature can claim in the global literary curriculum of the third millennium. The modern fiction covered is as varied as the acclaimed North American television series The Wire, contemporary Arab fiction, the Japanese novels of Haruki Murakami and the works of New Zealand's foremost Maori writer, Witi Ihimaera.

From basic needs, such as lighting, heating or cooking, to symbolic or ritual engagement, hearths in indoor contexts serve as a focal point. This is especially evident, both spatially and architecturally, in structures containing central hearths. In assessing any gathering around a hearth, the types of social groups involved need to be determined and their interactions clearly assessed in each specific case. Beyond clearly domestic contexts, many rooms or buildings have been deemed religious or cultic places often based solely on the presence of a hearth, despite other possible interpretations. This volume appraises and contextualises diversity in practice centering on the hearth in the Aegean and, more widely, in areas of the Western Mediterranean closely connected to Greek civilization, notably through its colonies, revealing surprising similarities but also local adaptations. In the West, the use of the hearth often has a unique character arising from local adaptations born of indigenous practices. The combined approach presented here, detailing technical aspects of the hearths themselves, their architectural settings and any associated artefacts or furnishings, affords a rich spectrum for cross-cultural analysis between these Mediterranean regions.

Ellen Muehlberger explores the diverse and inventive ideas Christians held about angels in late antiquity. During the fourth and fifth centuries, Christians began experimenting with new modes of piety, adapting longstanding forms of public authority to Christian leadership and advancing novel ways of cultivating body and mind to further the progress of individual Christians. Muehlberger argues that in practicing these new modes of piety, Christians developed new ways of thinking about angels. The book begins with a detailed examination of the two most popular discourses about angels that developed in late antiquity. In the first, developed by Christians cultivating certain kinds of ascetic practices, angels were one type of being among many in a shifting universe, and their primary purpose was to guard and to guide Christians. In the other, articulated by urban Christian leaders in contest with one another, angels were morally stable characters described in the emerging canon of Scripture, available to enable readers to render Scripture coherent with emerging theological positions. Muehlberger goes on to show how these two discourses did not remain isolated in separate spheres of cultivation and contestation, but influenced one another and the wider Christian culture. She offers in-depth analysis of popular biographies written in late antiquity, of the community standards of emerging monastic communities, and of the training programs developed to prepare Christians to participate in ritual, demonstrating that new ideas about angels shaped and directed the formation of the definitive institutions of late antiquity. Angels in Late Ancient Christianity is a meticulous and thorough study of early Christian ideas about angels, but it also offers a different perspective on late ancient Christian history, arguing that angels were central rather than peripheral to the emergence of Christian institutions and Christian culture in late antiquity.

This is an engaging account of the world of the Vikings and their gods. As the Vikings began to migrate overseas as raiders or settlers in the late eighth century, there is evidence that this new way of life, centred on warfare, commerce and exploration, brought with it a warrior ethos that gradually became codified in the Viking myths, notably in the cult of Odin, the god of war, magic and poetry, and chief god in the Norse pantheon. The twelfth and thirteenth centuries, when most of Scandinavia had long since been converted to Christianity, form perhaps the most important era in the history of Norse mythology: only at this point were the myths of Thor, Freyr and Odin first recorded in written form. Using archaeological sources to take us further back in time than any written document, the accounts of foreign writers like the Roman historian Tacitus, and the most important repository of stories of the gods, old Norse poetry and the Edda, Christopher Abram leads the reader into the lost world of the Norse gods.

First revealed by a Tibetan monk in the 14th century, Bardo Thodol ("Great Liberation upon Hearing in the Intermediate State") - known more commonly as The Tibetan Book of the Dead - describes the experience of human consciousness in the bardo, the interval between death and the next rebirth in the cycle of death and rebirth. The teachings are designed to help the dying regain clarity of awareness at the moment of death, and by doing so achieve enlightened liberation. Popular throughout the world since the 1960s and overwhelmingly the best-known Buddhist text in the West, this classic translation by Kazi Dawa Samdup is divided into 21 chapters, with sections on the chikhai bardo, or the clear light seen at the moment of death; choenyid bardo, or karmic apparitions; the wisdom of peaceful deities, Buddhas and Bodhisattvas; the 58 flame-enhaloed, wrathful, blood-drinking deities; the judgement of those who the dying has known in life through the "mirror of karma"; and the process of rebirth. The text also includes chapters on the signs of death and rituals to undertake for the dying. Presented in a high-quality Chinese-bound format with accompanying illustrations, The Tibetan Book of the Dead is an ideal resource of ancient wisdom for anyone interested in Tibetan Buddhist notions of death and the path to enlightenment.

Examining the diverse religious texts and practices of the late Hellenistic and Roman periods, this collection of essays investigates the many meanings and functions of ritual sacrifice in the ancient world. The essays survey sacrificial acts, ancient theories, and literary as well as artistic depictions of sacrifice, showing that any attempt to identify a single underlying significance of sacrifice is futile. Sacrifice cannot be defined merely as a primal expression of violence, despite the frequent equation of sacrifice to religion and sacrifice to violence in many modern scholarly works; nor is it sufficient to argue that all sacrifice can be explained by guilt, by the need to prepare and distribute animal flesh, or by the communal function of both the sacrificial ritual and the meal.
As the authors of these essays demonstrate, sacrifice may be invested with all of these meanings, or none of them. The killing of the animal, for example, may take place offstage rather than in sight, and the practical, day-to-day routine of plant and animal offerings may have been invested with meaning, too. Yet sacrificial acts, or discourses about these acts, did offer an important site of contestation for many ancient writers, even when the religions they were defending no longer participated in sacrifice. Negotiations over the meaning of sacrifice remained central to the competitive machinations of the literate elite, and their sophisticated theological arguments did not so much undermine sacrificial practice as continue to assume its essential validity.
Ancient Mediterranean Sacrifice offers new insight into the connections and differences among the Greek and Roman, Jewish and Christian religions.

This monograph begins with a puzzle: a Babylonian text from late 5th century BCE Uruk associating various diseases with bodily organs, which has evaded interpretation. The correct answer may reside in Babylonian astrology, since the development of the zodiac in the late 5th century BCE offered innovative approaches to the healing arts. The zodiac-a means of predicting the movements of heavenly bodies-transformed older divination (such as hemerologies listing lucky and unlucky days) and introduced more favorable magical techniques and medical prescriptions, which are comparable to those found in Ptolemy's Tetrabiblos and non-Hippocratic Greek medicine. Babylonian melothesia (i.e., the science of charting how zodiacal signs affect the human body) offers the most likely solution explaining the Uruk tablet.

The Great Sphinx of Giza, painted friezes in pyramid chambers, and symbolic paintings of the eye of Horus are familiar and breathtaking works of art. Yet behind them lies a deep cosmological tapestry in which the origins of the Earth and riches brought by the Nile flood are explained through deities. As pharaohs, kingdoms and dynasties rise and fall, so the roles of gods, goddesses and myths change, making Ancient Egypt's mythology a fascinating journey that reflects shifting power, fortune and influence in the lives of Egyptians. Ancient Egyptian Myths takes a broad approach to the cosmology of Ancient Egypt, describing the function of myth to both the powerful and the powerless. It includes internal and external political and economic influences on the status of deities and their myths. The book examines iconography and texts that transported Egyptians from practical stories explaining the world around them to the mystery and magic that led them into the realm of the dead. It explains the roles of priests and the exclusiveness of temples. Finally, it reveals influences of Egypt's myths on belief systems and the arts that continue to this day. Illustrated throughout with artworks and photographs, Ancient Egyptian Myths is an engaging and highly informative exploration of a rich mythology that still fascinates today.

Babylon under Western Eyes examines the mythic legacy of ancient Babylon, the Near Eastern city which has served western culture as a metaphor for power, luxury, and exotic magnificence for more than two thousand years. Sifting through the many references to Babylon in biblical, classical, medieval, and modern texts, Andrew Scheil uses Babylon's remarkable literary ubiquity as the foundation for a thorough analysis of the dynamics of adaptation and allusion in western literature. Touching on everything from Old English poetry to the contemporary apocalyptic fiction of the "Left Behind" series, Scheil outlines how medieval Christian society and its cultural successors have adopted Babylon as a political metaphor, a degenerate archetype, and a place associated with the sublime. Combining remarkable erudition with a clear and accessible style, Babylon under Western Eyes is the first comprehensive examination of Babylon's significance within the pantheon of western literature and a testimonial to the continuing influence of biblical, classical, and medieval paradigms in modern culture.

This book offers a detailed and fascinating picture of the astonishing astronomical knowledge on which the Roman calendar, traditionally attributed to the king Numa Pompilius (reign 715-673 B.C.), was based. This knowledge, of Mesopotamian origins, related mainly to the planetary movements and to the occurrence of eclipses in the solar system. The author explains the Numan year and cycle and illustrates clearly how astronomical phenomena exerted a powerful influence over both public and private life. A series of concise chapters examine the dates of the Roman festivals, describe the related rites and myths and place the festivals in relation to the planetary movements and astronomical events. Special reference is made to the movements of the moon and Venus, their relation to the language of myth, and the particular significance that Venus was considered to have for female fertility. The book clearly demonstrates the depth of astronomical knowledge reflected in the Roman religious calendar and the designated festive days. It will appeal both to learned connoisseurs and to amateurs with a particular interest in the subject.